{"title":"Cinema Cameras","description":"","products":[{"product_id":"blackmagic-pocket-cinema-4k","title":"Blackmagic Design Pocket Cinema Camera 4K","description":"Blackmagic Pocket Cinema 4k\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eBlackmagic Pocket Cinema Camera 4K\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eIntroducing the next generation\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ehandheld 4K digital film camera!\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe revolutionary new Blackmagic Pocket Cinema Camera 4K is the camera you’ve been asking for! It features an all new handheld design that puts the latest advanced digital film technology into the palm of your hand! The Blackmagic Pocket Cinema Camera 4K has a 4\/3 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600. That means you get stunning HDR images and incredible low light performance! The external controls give you quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera settings. Images are recorded onto standard SD\/UHS-II or CFast 2.0 cards in RAW and ProRes at up to 120 frames per second! In addition, the Blackmagic Pocket Cinema Camera 4K has an MFT lens mount, built-in microphones, mini XLR input, full sized HDMI, 3D LUT support, Bluetooth, USB-C Expansion Port and more!\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePortable, Affordable and Professional\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eNow you can shoot anything in 4K!\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Pocket Cinema Camera 4K gives you the professional features you need, all in a portable and affordable design that can be used anywhere. It’s perfect for shooting independent films and documentaries, fashion shows, travel blogs, web videos, weddings, corporate video, sports and more. The incredible image quality, advanced Blackmagic Design color science and RAW recording features let you shoot images that rival professional digital film cameras costing tens of thousands more. That means you get the image quality you need to seamlessly mix footage from the Blackmagic Pocket Cinema Camera 4K with other types of cameras used on high end Hollywood feature films and episodic television shows!\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eElegant Modern Design\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eDesigned to be portable,\u003c\/strong\u003e\u003cbr\u003epacked with features and fully expandable!\u003cbr\u003eThe portable handheld design of the Blackmagic Pocket Cinema Camera 4K gives you incredible mobility without sacrificing features. The highly compact form factor features a carbon fiber reinforced composite body that makes it extremely durable and lightweight so you can take it anywhere. You get a super bright 5” screen, 4 built in microphones, built in recorders and external buttons and dials that give you fast access to the most important functions. That means you can quickly check framing and focus, capture audio and record your files without having to carry around extra monitors, microphones, recorders and cables. You also get lots of mounting points, a mini XLR input with phantom power, Bluetooth control and more. With the Blackmagic Pocket Cinema Camera 4K you get a fully featured portable digital film camera that’s flexible and expandable!\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e4K Digital Film Sensor\u003c\/strong\u003e\u003cbr\u003eExcellent low light performance and wide dynamic range!\u003cbr\u003eThe Blackmagic Pocket Cinema Camera 4K features a full size 4\/3 sensor that gives you 4096 x 2160 resolution with an incredible 13 stops of dynamic range for true digital film quality. Because it’s full size, the 4\/3 sensor reduces crop factor, giving you a wider field of view. It also has dual native ISO up to 25,600 so you get incredible low light performance! The Blackmagic Pocket Cinema Camera 4K can record at up to 60 frames per second in 4K and up to a massive 120 frames per second for windowed HD. The camera features fourth generation Blackmagic Design color science with film, video and extended video modes. The new extended mode gives you the latitude of film with the convenience of video, so you get great looking images without having to do a lot of work in post production!\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMFT Lens Mount\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eCompatible with your current lenses!\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Pocket Cinema Camera 4K uses the same MFT (Micro Four Thirds) lens mount as the original Pocket Cinema Camera so you can use the lenses you already have! The MFT lens mount was designed specifically for smaller camera bodies with shorter flange focal distance. This means you can get high quality professional lenses that are much smaller than ever before! The MFT mount is extremely flexible and allows for different lens adapters. You can get adapters for PL, C, EF and more, so you can use lenses from manufacturers such as Canon, Nikon, Pentax, Leica and even Panavision!\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRecording Media\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eRecord using standard SD cards,\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eUHS-II cards or CFast 2.0 media!\u003c\/strong\u003e\u003cbr\u003eWhen it comes to recording, the Blackmagic Pocket Cinema Camera 4K gives you 3 kinds of media to choose from. Images can be recorded on to standard SD cards, faster UHS-II cards or CFast 2.0 cards. High definition video can be recorded using regular inexpensive SD cards. Higher performance UHS-II cards can be used for recording Ultra HD in ProRes at up to 60 frames per second and RAW at up to 30 frames per second. CFast cards can record 12-bit RAW at all supported frame rates. For longer recording times, you can also record directly to an external SSD or flash disk using the built in USB-C Expansion Port! Best of all, there’s nothing proprietary. The files will work with all professional post production software. You can even mount the media cards on your computer and start editing directly from them using the included DaVinci Resolve Studio software!\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eExpansion Port\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eHigh speed USB-C connection\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003efor direct external recording!\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Pocket Cinema Camera 4K features an innovative high speed USB-C Expansion Port. USB-C is fast, flexible and even provides power, so it’s quickly becoming standard on all modern computers and devices. The massive bandwidth of USB-C makes it possible to connect external accessories such as flash drives and SSDs for significantly longer recording times. This can be important when shooting high quality lossless 12-bit RAW or even high frame rate 60 frame per second 4K. Best of all, when you’re done shooting you can use the same drive for editing and post production!\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBlackmagic OS\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eGet the same advanced features as larger cameras!\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Pocket Cinema Camera 4K uses the same Blackmagic OS as URSA Mini. That means you get the world’s most advanced camera operating system and many of the same professional features found on larger cameras! If you’re just getting started, you can learn how to use the Pocket Cinema Camera 4K today and move up to an URSA Mini when you’re ready! If you already use an URSA Mini, there’s nothing new to learn! You get a modern touchscreen interface that uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. The Blackmagic OS gives you incredible control of advanced camera features including 3D LUTs for both recording and monitoring, HDR output via HDMI, metadata entry, custom presets, extended video format, Bluetooth remote control, external timecode from the audio input, RAW recording and more!\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSuper Large Touchscreen\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eLarge and bright 5” touchscreen\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003emakes focusing fast and easy!\u003c\/strong\u003e\u003cbr\u003eThe back of the Blackmagic Pocket Cinema Camera 4K features a super bright, large 5 inch touchscreen. This makes it easy for you to frame shots and accurately focus, without having to carry around an external monitor or viewfinder! You get the same menus and interface found on URSA Mini cameras, including on screen overlays for recording parameters, status, histogram, focus and peaking indicators, and playback controls. In addition, you can apply 3D LUTs so you can monitor the shot with the desired color and look. Not only can you use the 3D LUT for monitoring, it can even be baked into the recorded footage. There’s even a speaker located near the screen, which makes it easy to quickly play back and review shots on set!\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProfessional Audio\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBuilt in microphones\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eand a mini XLR input!\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Pocket Cinema Camera 4K gives you professional high fidelity audio recording so you don’t have to carry around a separate sound recorder! The camera features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. There are also built in microphones with an extremely low noise floor so you can capture great sound on location! There’s even a 3.5mm stereo audio jack so you can use different types of video camera microphones.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAdvanced Connections\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eHDMI monitoring,\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003emini XLR audio input, power and more!\u003c\/strong\u003e\u003cbr\u003eEven though it’s small and portable, the Blackmagic Pocket Cinema Camera 4K has a full size HDMI connector built in! You get support for advanced features such as HDR output and a clean 10-bit output with on screen overlays showing full camera status, making it perfect for on set monitoring. There’s also a mini XLR connection with 48 volts of phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input and a professional locking DC power connector!\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFlexible Power Options\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBattery, DC and USB-C so\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eyou can shoot all day long!\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Pocket Cinema Camera 4K uses standard removable LP-E6 type batteries. You also get a locking DC power connector so it can’t be accidentally disconnected in the middle of a shoot. The included 110 - 220 volt plug pack can be used to simultaneously power the camera and charge the LP-E6 battery. Plus, it includes international socket adapters so it can be used anywhere in the world! The USB-C Expansion Port accepts power so you can charge the battery from portable battery packs, a mobile phone charger or even your laptop computer! The Blackmagic Pocket Cinema Camera 4K gives you a wide range of flexible power options so you can shoot all day!\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eProfessional editing, visual\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eeffects, color correction and audio post!\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Pocket Cinema Camera 4K includes a full version of DaVinci Resolve Studio, which is a complete post production solution. You get the world’s most advanced solution that combines professional editing, color correction, audio post and visual effects all in one software tool! DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. 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Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable you to capture every nuance, from subtle shadow detail to specular highlights, with an immaculate color palette.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCapturing the impossible\u003c\/strong\u003e\u003cbr\u003eMake sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercial and event applications.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShoot in comfort, expand your horizons\u003c\/strong\u003e\u003cbr\u003eThe FX9 revolutionizes full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension unit further expands the operational possibilities of the PXW-FX9.\u003c\/p\u003e\n\u003cp\u003e*As of September 2019\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6K Full-Frame \"Exmor R\" sensor for stunning picture quality\u003c\/strong\u003e\u003cbr\u003eThe camera’s full-frame 6K sensor provides superb recording in DCI 4K* Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35 mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35 mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.\u003c\/p\u003e\n\u003cp\u003e*DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6K full-frame\u003c\/strong\u003e\u003cbr\u003eFull-frame 17:9 mode with PXW-FX9.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExmor R\" CMOS sensor\u003c\/strong\u003e\u003cbr\u003eBack-illuminated sensor as used in FX9\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhenomenal 15+ stops dynamic range for limitless expression\u003c\/strong\u003e\u003cbr\u003eThe FX9 offers an exceptional 15+ stops of dynamic range—beyond the normal range of human perception—allowing for unprecedented creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colorists can find color and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene.\u003c\/p\u003e\n\u003cp\u003e*RAW recording requires future firmware release and external recorder.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Base ISO for stunning images in any light\u003c\/strong\u003e\u003cbr\u003eThe FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal when using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next-generation responsiveness to changing conditions.\u003c\/p\u003e\n\u003cp\u003e*ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eISO 800\u003c\/strong\u003e\u003cbr\u003eIdeal for brightly lit scenes.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eISO 4000\u003c\/strong\u003e\u003cbr\u003eIdeal for darkly lit scenes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCinematic color science with S-Cinetone™\u003c\/strong\u003e\u003cbr\u003eS-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colors, alluring facial tones and a softer tonal look—developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means your content looks fresh and vivid straight out of the camera, with subjects that really stand out while retaining plenty of latitude in post-production thanks to the high-performance full-frame image sensor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelectable Frame Rates in Both Full-Frame \u0026amp; Super 35\u003c\/strong\u003e\u003cbr\u003eChoose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow motion footage. FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting** that maximizes full HD slow motion image quality with advanced oversampling technology.\u003c\/p\u003e\n\u003cp\u003e*Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware\u003c\/p\u003e\n\u003cp\u003e**In full-frame scanning mode: selectable at 1–30fps\/in S35 scanning mode: selectable at 1–60fps\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCapture the action with enhanced Fast Hybrid AF\u003c\/strong\u003e\u003cbr\u003eEffortlessly track fast-moving subjects with pin-sharp focus, even when using wide-lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces.\u003c\/p\u003e\n\u003cp\u003eThe dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCustomizable AF settings\u003c\/strong\u003e\u003cbr\u003eThe FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project.\u003c\/p\u003e\n\u003cp\u003e7-level AF transition speeds from Fast—switching between subjects as quickly as possible—to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.\u003c\/p\u003e\n\u003cp\u003e5-level AF subject-shift sensitivity ranges from Locked-on—ignoring other moving subjects in the frame—to Responsive, which switches focus from one subject to another, ideal for snapping between race cars as they speed by.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAutofocus with all E-mount lenses\u003c\/strong\u003e\u003cbr\u003eExperience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series, with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses.\u003c\/p\u003e\n\u003cp\u003eView FX9 compatible lenses from Sony \u0026gt;\u003c\/p\u003e\n\u003cp\u003e*Image shows E-mount lens line-up as of September 2019.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe world's first electronic variable ND filter for full-frame sensors*\u003c\/strong\u003e\u003cbr\u003eRealize even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter—a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1\/4 to 1\/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher-density settings with a slower shutter speed for breathtaking artistic effects.\u003c\/p\u003e\n\u003cp\u003e*As of September 2019\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProven ergonomics \u0026amp; accessory compatibility\u003c\/strong\u003e\u003cbr\u003eFX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories, including U-series batteries, chargers, E-mount lenses, plus arms and lens adapters.*\u003c\/p\u003e\n\u003cp\u003eThe control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style—handheld, at waist level or shoulder-mounted.\u003c\/p\u003e\n\u003cp\u003eThe smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. The FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap.\u003c\/p\u003e\n\u003cp\u003e*BP-U30 and XDCA-FS7 are not compatible with the FX9.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e16-bit RAW capability*\u003c\/strong\u003e\u003cbr\u003e16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.**\u003c\/p\u003e\n\u003cp\u003e*RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle.\u003c\/p\u003e\n\u003cp\u003e**Compatible recorders to be announced\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStable, shake-free handheld footage\u003c\/strong\u003e\u003cbr\u003eAdvanced image stabilization information means even handheld footage can be transformed with Sony Catalyst Browse\/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal. Unlike in-camera or lens stabilization, metadata generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilization workflows.**\u003c\/p\u003e\n\u003cp\u003e*Catalyst Browse\/Catalyst Prepare Ver.2019.2 is required.\u003c\/p\u003e\n\u003cp\u003e**Resolution and angle of view reduced compared to native footage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBeautifully matched shooting partners\u003c\/strong\u003e\u003cbr\u003eOptimized for professional cinematography applications, the light and compact SELP28135G-powered zoom lens is an ideal complement for the full-frame imaging possibilities of the FX9.\u003c\/p\u003e\n\u003cp\u003eCircular aperture with full-frame image circle format\u003cbr\u003eMotorized servo zoom for smooth, precise zoom moves\u003cbr\u003eThree independent rings for focus, zoom and iris with smooth, silent drive\u003cbr\u003eYou have the choice of purchasing the FX9 on its own (PXW-FX9) or with the SELP28135G lens (PXW-FX9K).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCinema Lens Series\u003c\/strong\u003e\u003cbr\u003eExplore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE.\u003c\/p\u003e\n\u003cp\u003eThe first lens in the series, the FE C 16–35 mm T3.1 G full-frame wide-angle zoom, is due in early 2020.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdds shoulder-style operation, advanced networking\u003c\/strong\u003e\u003cbr\u003eFurther extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimizes camera weight distribution and ergonomics for comfortable shoulder-style shooting—ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming\/file transfers and timecode for multi-camera shoots.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003e4-channel audio input and recording\u003c\/strong\u003e\u003cbr\u003eThe FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interviews, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, a built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones to capture the voices of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter—with two extra XLR inputs—allows even more devices to be connected.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eMulti-Interface (MI) Shoe\u003c\/strong\u003e\u003cbr\u003eSony’s flexible Multi-Interface (MI) Shoe provides power, signal connections and coordinated on\/off switching with compatible Sony accessories. For example, you can connect and control Sony UWP-D wireless microphone systems (optional).\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eNetworked for high mobility\u003c\/strong\u003e\u003cbr\u003eThe FX9 features internal 5 GHz* and 2.4 GHz Wi-Fi capability as standard. Just switch on and log onto your preferred network to enable a host of advanced wireless production features:\u003c\/p\u003e\n\u003cp\u003eContent Browser Mobile™** allows the PXW-FX9 to be controlled remotely from a smartphone or tablet computer via a Wi-Fi connection. Adjust the exposure level, zoom, Record\/Stop and more via your mobile device—it’s ideal for single-operator shoots. One-touch authentication is also possible with smartphones offering NFC connectivity.\u003cbr\u003eFTP Transfer allows content files to be sent over the Internet for remote storage on an FTP server even while shooting. In the case of signal interruption, the system will automatically resume as soon as connection is restored.\u003cbr\u003eTrimming allows you to set start and end points in a clip, eliminating time-wasting transfers of unneeded content.\u003cbr\u003eXDCAM air can upload proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. News teams can even start logging clips while shooting is still going on, saving even more valuable time when a story is breaking.\u003c\/p\u003e\n\u003cp\u003eA wired LAN port with the optional XDCA-FX9 allows the FX9 to connect to the Internet with a standard Ethernet cable, enabling files to be streamed or transferred by FTP.\u003cbr\u003eDual Link Cellular is enabled with the optional XDCA-FX9 and uses two cellular networks in combination to provide an even more reliable network connection. The FX9 is compatible with standard USB cellular dongles from most networks. (Please check for the most appropriate service provider for your region. Standard network fees will apply.)\u003cbr\u003eHigh quality Sony QoS Streaming to Network RX Station (optional) and XDCAM air by Sony allows images to be streamed live for viewing at a remote location\u003cbr\u003e*5 GHz support dependent on country\/regional regulation. Only PXW-FX9V\/9VK support 5GHz.** Content Browser Mobile™ application can be downloaded from Google Play Store or App Store. 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The Blackmagic Pocket Cinema Camera 6K Pro adds additional pro features such as built in 2, 4 and 6 stop ND filters and an adjustable tilt HDR LCD with a bright 1500 nits that is ideal for use in bright sunlight. It also includes two mini XLR audio inputs and a larger NP-F570 style battery. Just like the standard 6K Version, the Blackmagic Pocket Cinema Camera 6K Pro features a larger 6144 x 3456 Super 35 sensor and EF lens mount. The EF Lens Mount allows you to use larger EF photographic lenses to create cinematic images with shallower depth of field, allowing creative defocussed backgrounds and gorgeous bokeh effects\u003c\/p\u003e\u003chr\u003e\u003ch2\u003eHigh Resolution Cinematic Digital Film Sensor\u003c\/h2\u003e\u003cp\u003eThe Blackmagic Design Pocket Cinema Camera 6K Pro features a powerful Super 35, 6144 x 3456 sensor, allowing you to capture flawless cinematic video. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Additionally, The Pocket Cinema 6K Pro also allows you to shoot up to 60 fps in full resolution or 120 fps windowed.\u003c\/p\u003e\u003chr\u003e\u003ch2\u003eBuilt in ND Filters\u003c\/h2\u003e\u003cp\u003eThe Blackmagic Pocket Cinema Camera 6K Pro features high quality, motorized IR ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical and IR wavelengths evenly, eliminating IR contamination of the images. Activation buttons are located on the rear of the camera body, placed within easy reach of your thumb from the multi function hand grip. 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It's the same high quality broadcast camera, but the HDMI centric design removes all the expensive broadcast connections so it's much lower cost. The HDMI is incredibly powerful as it connects video to the ATEM Mini, while at the same time camera control, tally and the remote record trigger is sent to the camera using the same HDMI connection. That makes it very fast to set up for a job.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eThe Ultimate Self Contained Live Production Camera\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile Blackmagic Studio Camera is designed for live production, it’s not limited to use with a live switcher! That’s because it records Blackmagic RAW to USB disks, so it can be used in any situation where you use a tripod! The large 7\" viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations and even weddings! The large bright display with side handles, touch screen and physical controls makes it easy to track shots while being comfortable to use for long periods of time. Because it’s so lightweight, it’s perfect when you're constantly changing locations and doing different kinds of work.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003eStudio Camera 4K Plus\u003c\/strong\u003e\u003cbr\u003eDesigned as the perfect studio camera for ATEM Mini, this model has a 4K sensor up to 25,600 ISO, MFT lens mount, HDMI out, 7\" LCD with sunshade, built-in color correction and recording to USB disks.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRevolutionary Studio Camera Design\u003c\/strong\u003e\u003cbr\u003eLarge broadcasters use expensive studio cameras that are extremely large, so they’re not very portable. The distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because it’s a combination of camera and viewfinder all in a single compact design. It features a lightweight carbon fiber reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production so it’s easy to track and frame shots with its large 7\" viewfinder. The touchscreen has menus for camera settings, and there's knobs for brightness, contrast and focus peaking. Plus a tripod mount with mounting plate is included for fast setup!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt In Davinci Resolve Color Corrector\u003c\/strong\u003e\u003cbr\u003eThe amazing 4K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production! Plus, when combined with the built in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. The sensor features a resolution of 4096 x 2160 which is great for both HD and Ultra HD work. Plus, all models support from 23.98 fps up to 60 fps.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLens Versatility\u003c\/strong\u003e\u003cbr\u003eWith the popular MFT lens mount, Blackmagic Studio Cameras are compatible with a wide range of affordable photographic lenses. Photographic lenses are incredible quality because they're designed for use in high resolution photography. Plus, the active lens mount lets you adjust the lens remotely! To eliminate the need to reach around to adjust the lens zoom and focus, the optional focus and zoom demands let you adjust the lens from the tripod handles just like a large studio camera! This means you avoid camera shake when adjusting the lens, so you can track shots and operate the camera without taking your hands off the tripod! It gives you the same feel as an expensive B4 broadcast lens!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePhysical \u0026amp; Touch Screen Controls\u003c\/strong\u003e\u003cbr\u003eBlackmagic Studio Cameras feature physical buttons and knobs as well as controls on the touchscreen. Knobs on the right side of the camera allow adjusting of the brightness, contrast and focus peaking. The focus peaking knob is incredibly useful as it lets you fine tune the detail highlight so you can get perfect focus as you zoom. The 3 function buttons on the left can have functions assigned to them, such as zebra, false color, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the menus. The touchscreen also includes a heads up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBlackmagic Design Studio Camera Features\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHDMI Out: Camera video output works in HD or Ultra HD\u003c\/li\u003e\n\u003cli\u003e12V DC: Power camera using a regular DC power adapter\u003c\/li\u003e\n\u003cli\u003eUSB-C Expansion: USB-C ports for recording to disks or focus and zoom demands\u003c\/li\u003e\n\u003cli\u003eHeadphone: Headphone socket supports consumer headphones\u003c\/li\u003e\n\u003cli\u003eExternal Mic: Connect video camera style microphones\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic Studio Camera 4K Plus\u003c\/li\u003e\n\u003cli\u003eBlackmagic Studio Camera Sun Shade\u003c\/li\u003e\n\u003cli\u003eTripod Mount compatible with 15mm lightweight rails\u003c\/li\u003e\n\u003cli\u003eTurret Dust Cap\u003c\/li\u003e\n\u003cli\u003eExternal 12V DC power supply with locking connector and international sockets adapters for most countries.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40665340674093,"sku":"81023","price":1345.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/CINSTUDMFT_G24PDD01hero.png?v=1654906786"},{"product_id":"blackmagic-pocket-cine-6k-g2","title":"Blackmagic Design Pocket Cinema Camera 6K G2","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cspan\u003eThe\u003cstrong\u003e Blackmagic Pocket Cinema Camera 6K G2\u003c\/strong\u003e is an advanced technology, handheld 6K digital film camera with 6144 x 3456 Super 35 high resolution HDR sensor, dual native ISO, EF lens mount and direct recording to USB-C disks! This powerful model adds an adjustable touchscreen, and a larger battery for longer run time. You can even add an optional OLED viewfinder!\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eThe elegant design of the Blackmagic Pocket Cinema Camera packs an incredible number of high end digital film features into a miniaturized, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at customers fingertips. Because itf s an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5 inch LCD makes it possible to get perfect focus at 4K and 6K resolutions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e: \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003eDesigned from carbon fiber polycarbonatecomposite\u003c\/li\u003e\n\u003cli\u003e6144 x 3456 sensor with 13 stops and dual native ISO up to25,600\u003c\/li\u003e\n\u003cli\u003eCompatible with awide range of popular EFlenses\u003c\/li\u003e\n\u003cli\u003eUp to 25,600 ISO for incredible low lightperformance\u003c\/li\u003e\n\u003cli\u003eStandard open file formats compatible with popularsoftware\u003c\/li\u003e\n\u003cli\u003eAdjustable LCDscreen\u003c\/li\u003e\n\u003cli\u003eIncludes Blackmagic Generation 5 ColorScience\u003c\/li\u003e\n\u003cli\u003eOptional Blackmagic Pocket Cinema Camera ProEVF\u003c\/li\u003e\n\u003cli\u003eProfessional mini XLR inputs with 48 volt phantompower\u003c\/li\u003e\n\u003cli\u003eLarger NP-F570 battery, optional Blackmagic Pocket Camera Battery ProGrip\u003c\/li\u003e\n\u003cli\u003eIncludes full DaVinci Resolve Studio for postproduction\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/xnEFUHm4mvc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40835548381229,"sku":"83132","price":2269.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/83132_Hero.png?v=1657140566"},{"product_id":"dji-ronin-4d-cinema-camera-6k","title":"DJI Ronin 4D-6K Cinema Camera","description":"\u003cp\u003eThe \u003cstrong\u003eDJI Ronin 4D-6K Cinema Camera\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e integrates cinematic imaging, a 4-axis gimbal, LiDAR focusing, and wireless video transmission and control, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003emaking it incredibly convenient for you to start shooting quickly. Its modular design supports expansion accessories, offering more creative possibilities.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eFull-Frame Gimbal Camera for Cinematic Footage\u003cbr\u003e\u003c\/strong\u003eThe full-frame X9 gimbal camera can internally record in ProRes 422 HQ, and supports 14+ stops of dynamic range, dual native ISO, built-in 9-stop ND filters, and interchangeable lens mounts to put cinematic imagery within your reach.\u003cmeta charset=\"utf-8\"\u003eAutofocus is fast, accurate, and reliable even in low-lit environments, and is now available on manual lenses. LiDAR Waveform makes manual focusing more intuitive and convenient. Automated Manual Focus delivers an unrivaled focusing experience.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePrecise and Intuitive LiDAR Focusing\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eThe Z-Axis effectively eliminates vertical camera shake and works with visual sensors and ActiveTrack Pro to let you create smooth, stable footage effortlessly.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4-Axis Active Stabilization on Par with a Dolly\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eThe Z-Axis effectively eliminates vertical camera shake and works with visual sensors and ActiveTrack Pro to let you create smooth, stable footage effortlessly.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eUp to 20,000-foot Wireless Transmission and Control Range\u003c\/strong\u003e\u003cbr\u003eO3 Pro Video Transmission Technology adds DFS frequency bands and enables 1080p\/60fps video transmission. It supports one transmitter with multiple receivers and can remotely control gimbal, focusing, and camera settings.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/TiVJnRXUwKw\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eIn The Box:\u003c\/strong\u003e\u003cbr\u003e1x DJI Zenmuse X9-6K Gimbal Camera\u003cbr data-mce-fragment=\"1\"\u003e1x Main Body\u003cbr data-mce-fragment=\"1\"\u003e1x LiDAR Range Finder\u003cbr data-mce-fragment=\"1\"\u003e1x DL Mount\u003cbr data-mce-fragment=\"1\"\u003e1x Left Hand Grip\u003cbr data-mce-fragment=\"1\"\u003e1x Right Hand Grip\u003cbr data-mce-fragment=\"1\"\u003e1x Top Handle\u003cbr data-mce-fragment=\"1\"\u003e1x High-Bright Main Monitor\u003cbr data-mce-fragment=\"1\"\u003e1x TB50 Battery Mount\u003cbr data-mce-fragment=\"1\"\u003e1x Power Adapter\u003cbr data-mce-fragment=\"1\"\u003e1x TB50 Charging Adapter\u003cbr data-mce-fragment=\"1\"\u003e1x AC Power Cable\u003cbr data-mce-fragment=\"1\"\u003e1x USB-A to USB-C Cable\u003cbr data-mce-fragment=\"1\"\u003e1x Base Plate\u003cbr data-mce-fragment=\"1\"\u003e1x Hand Grip Extended Control Sticks\u003cbr data-mce-fragment=\"1\"\u003e1x 3mm Ball-End Hex Key\u003cbr data-mce-fragment=\"1\"\u003e1x 1.5mm Ball-End Hex Key\u003cbr data-mce-fragment=\"1\"\u003e1x 10mm 1\/4\"-20 Screw\u003cbr data-mce-fragment=\"1\"\u003e1x Flat Head Screwdriver\u003cbr data-mce-fragment=\"1\"\u003e1x DL Mount Body Cap\u003cbr data-mce-fragment=\"1\"\u003e1x X9 Gimbal Base Cap\u003cbr data-mce-fragment=\"1\"\u003e1x DX Mount Body Cap\u003cbr data-mce-fragment=\"1\"\u003e1x DX Mount Lens Cap\u003cbr data-mce-fragment=\"1\"\u003e1x Ronin 4D Gimbal Base Cap\u003cbr data-mce-fragment=\"1\"\u003e1x TB50 Intelligent Battery\u003cbr data-mce-fragment=\"1\"\u003e1x LiDAR Range Finder\/Focus Motor Cable\u003cbr data-mce-fragment=\"1\"\u003e1x Left Hand Grip Strap\u003cbr data-mce-fragment=\"1\"\u003e1x Right Hand Grip Strap\u003cbr data-mce-fragment=\"1\"\u003e1x Ronin 4D Carrying Case\u003cbr data-mce-fragment=\"1\"\u003e1x X9 Counterweight (106 g)\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003eAll DJI brand products are non-returnable after any packaging has been opened.\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003eIf a DJI product has an initial manufacturer defect, the item may be exchanged within 7 days of original purchase. However, if there is any noticeable damage to the product, we cannot accept the exchange or return. If 7 days has passed since purchase, the defect should be addressed through the manufacturer's warranty: \u003c\/span\u003e\u003c\/i\u003e\u003ca href=\"https:\/\/www.dji.com\/support\/product\"\u003e\u003ci\u003e\u003cspan\u003ehttps:\/\/www.dji.com\/support\/product\u003c\/span\u003e\u003c\/i\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003eWe apologize, but there are no exceptions to these conditions for DJI products.\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":40902314000429,"sku":"83608","price":4999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/83608_01_Hero.png?v=1657945528"},{"product_id":"sony-fx30b-cinema-body","title":"Sony FX30 Digital Cinema Camera","description":"\u003cp\u003eThe \u003cstrong\u003eSony FX30\u003c\/strong\u003e captures beautiful cinematic imagery with 6K oversampling, high performance and highly efficient workflow. Enjoy hassle-free shooting with S Cinetone and S-Log3 for high level grading. Its compact size lets you take it anywhere, and sophisticated AF and stabilization makes advanced filmmaking more accessible than ever for up-and-coming creators.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e20.1 MP 1 Exmor R™ APS-C (Super 35mm format) image sensor with wide dynamic range\u003cbr\u003e\u003c\/strong\u003eSony’s acclaimed image sensor technology in a new back-illuminated 20.1 megapixels APS-C Exmor R CMOS sensor (Super 35 format) achieves high sensitivity, low noise, and wide dynamic latitude. 6K oversampling compresses a vast amount of information into 4K (QFHD: 3840 x 2160) output, delivering 4K movies with overwhelming resolution. Capture the scene in cinematic 4K resolution with the expressive depth of field, stunning bokeh, and cinematic freedom of an APS-C size sensor. The image sensor maximizes light collection efficiency so that clear, usable images can be captured in dim light. Standard ISO sensitivity is 100 to 32000, and latitude is an impressively wide 14+ stops.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eS-Cinetone for a cinematic look straight out of the camera without grading\u003c\/strong\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eThe FX30 includes S-Cinetone\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e, the same color science that produces the highly regarded FX9 and FX6 color and skin tones. Based on technology acquired through development of digital cinema cameras such as Sony’s VENICE 2, S Cinetone delivers natural mid-tones that are essential to healthy-looking skin color, plus soft colors and gorgeous highlights. Because S-Cinetone produces all this directly within the camera, it's easy to achieve a beautiful cinematic look without the necessity of post-production grading\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eFlexible ISO, Cine EI Quick and Cine EI Log shooting modes for optimized image quality\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e\u003cbr\u003eThree modes are provided for recording with the S-Log3 gamma curve (“Log Shooting Setting” in the menu) when post processing will be used to grade and finish the footage. Cine EI, inherited from Sony’s high-end Cinema Line models, offers wide latitude and the highest possible image quality. Cine EI Quick automatically switches the camera’s base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eUser LUTs can be applied to the LCD display and HDMI output and embedded in clips\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhen recording with the S-Log3 gamma curve, the low-contrast image displayed on the monitor can make it difficult to judge how the final image will look. The FX30 allows custom LUTs to be applied to the LCD monitor and HDMI output, providing a more accurate preview of the final image.  LUTs can also be embedded in clips to facilitate post-production processing. The FX30 even includes a new s709 preset LUT that can provide a more cinematic look while monitoring. In addition to the preset LUTs, up to 16 user LUTs (.cube format)5 can be imported into the camera via memory card.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Base ISO and a 14+ stop3 range for wide latitude and low-noise images\u003c\/strong\u003e\u003cbr\u003eThe Dual Base ISO provides two sensitivity settings - one at ISO 800 and one at ISO 2500. This allows you to select an appropriate noise floor, for clean images, as well as maximize the FX30’s dynamic range when shooting in both bright or low-light conditions. Furthermore, a wide 14+ stop latitude minimizes the risk of blown highlights or blocked shadows over a wide range of lighting conditions, making it easier to shoot top-quality images in just about any shooting situation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLog recording for smooth cinematic image quality when color grading\u003c\/strong\u003e\u003cbr\u003eFor full-scale productions, the S-Log3 gamma curve provided in the FX30 has been designed for smooth gradations, and to make it easier to achieve cinematic image quality when color grading in post-production. Both S-Log3 and S-Gamut3.Cine offer high-quality color reproduction over a wide latitude, and special care has been taken to adjust the camera's output to ensure that the highest image quality can be easily achieved during post processing.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDependable, accurate autofocus with Real-time Eye and Real-time Tracking AF\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSophisticated tracking features keep your subject in steady focus so you can concentrate on composition. Wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame. Real-time Eye AF ensures precise focus on the face and eyes (human, animal, or bird), while Real-time Tracking provides reliable tracking thanks to Sony‘s unique AI-based subject recognition algorithms. Improved tracking is achieved even when shooting at high 120p frame rates.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eImage stabilization Active Mode supports handheld movie shooting\u003c\/strong\u003e\u003cbr\u003eActive Mode utilizes an in-body 5-axis sensor shift image stabilizer and provides increased stabilization for movie shooting. A precision gyroscope sensor accurately measures camera shake and compensates optically, making stable video possible even when shooting hand-held without a gimbal, even while walking, and at 4K high resolution. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eExtensive recording formats for high image quality and advanced post-production\u003c\/strong\u003e\u003cbr\u003eThe FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All Intra compression, making it possible to grade for fuller, more natural gradations while generally providing greater editing freedom.  In addition to XAVC S AVC\/H.264 encoding, XAVC HS format recording, using the HEVC\/H.265 codec, roughly doubles the compression efficiency. XAVC S-I 4K and XAVC S-I HD formats provide per-frame Intra compression so the user can choose the most suitable format for the job at hand.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCreative slow-motion options with up to 4K (QFHD) 120p with autofocus\u003c\/strong\u003e\u003cbr\u003eThe FX30 offers 4K recording at up to 120 frames per second. Extraordinarily smooth 5x (max.) slow-motion imagery at QFHD resolution with autofocus provides new expressive capability. The ability to capture moving subjects in smooth slow motion opens up a whole new world of creative potential\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e4K 16-bit RAW output from HDMI terminal for compatible external recorders\u003cbr\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFor demanding post-production workflows, 16-bit RAW output\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eis available over HDMI connection to compatible external recorders\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution. \u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eA selection of Creative Looks to create interesting moods right in the camera\u003c\/strong\u003e\u003cbr\u003eA selection of Creative Looks makes it easy to create interesting moods right in the camera. The Creative Look presets can be used as is, or further customized using individual parameter settings such as hue, color depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user's preference, and favorite settings can be registered as custom looks.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSophisticated focus functions to handle any situation\u003c\/strong\u003e\u003cbr\u003eThe FX30 makes fast, accurate focusing as easy as possible. AF Assist smoothly switches between auto and manual focus, it enables easy rack focusing, and it can save time even when you are primarily using manual focus. Focus Map12 makes it easy to visualize depth of field while shooting and Breathing Compensation provides a stable angle of view when rack focusing by minimizing the field-of-view shift that can occur with some lenses.  Additional breathing compensation is also available in post-production software supported by camera metadata.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUninterrupted 4K 60p recording with cooling fan ventilation\u003c\/strong\u003e\u003cbr\u003eFor uninterrupted 4K 60p recording, the FX30 features an innovative heat dissipation structure, including a unique Sony Σ (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimized the camera’s airflow and heatsink placement. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMetadata to facilitate editing with Catalyst Browse and Prepare software\u003c\/strong\u003e\u003cbr\u003eSony's Catalyst Browse and Prepare software are ideal production partners for the FX30. The camera records five types of metadata: LUTs, image stabilization24, focus breathing, camera rotation and shot marks. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or purchased Catalyst Prepare software.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProxy recording for efficient editing workflow\u003c\/strong\u003e\u003cbr\u003eLow-bitrate HD proxy files can be recorded simultaneously in nearly all recording formats. The smaller proxy video files can be used for editing previews prior to final 4K online editing, reducing computer load and enabling a faster workflow.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTime code input synchronization capability\u003c\/strong\u003e\u003cbr\u003eThe FX30 can be synchronized (TC-IN) to a second camera that has a time code output terminal by connecting the FX30’s Multi\/Micro USB terminal to the time code source via an optional VMC-BNCM1 adaptor and standard BNC cable.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStill image shooting function\u003c\/strong\u003e\u003cbr\u003eBecause the FX30 can shoot stills as well as movies, it can be handy to use when you are location hunting. For example, you can use it to shoot stills that will be used in storyboards or pre-production presentations.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNew list-style main menu for quick access to frequently used items\u003c\/strong\u003e\u003cbr\u003eThe camera’s new list-style main menu gives you access to frame rate, shutter speed, and other essential shooting parameters. Main menu display can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFlexible, high-resolution touch-panel LCD monitor\u003c\/strong\u003e\u003cbr\u003eThe FX30 features a side-opening vari-angle rear monitor that allows broad positioning and framing freedom for gimbal-mounted shots, handheld shots, very low ground-level shots, or whatever the shoot requires. The large 3.0 type 2.36 million-dot (approx.) touch-panel LCD monitor provides clear viewing in bright outdoor settings. The function (Fn) menu can be displayed by swiping up on the monitor, for quick access to frequently used assigned functions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBroad connectivity for a wide range of shooting needs\u003c\/strong\u003e\u003cbr\u003eAn HDMI Type-A connector can be used to feed 4K, 16-bit RAW, or other movie formats to an external recorder or display device, with the option of status overlays included in the HDMI output. Other connectors include USB Type-C®, Multi\/Micro-USB, mic, headphone, and a Multi Interface (MI) Shoe with built-in digital audio interface. The FX30 also supports UVC (USB Video Class) and UAC (USB Audio Class) standards and can serve as a high-performance streaming camera or webcam.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual card slots, both compatible with CFexpress Type A and SDXC\/SDHC\u003c\/strong\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eThe FX30’s two media slots are compatible with CFexpress Type A cards as well as SDXC\/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write\/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eRecording (tally) lamps and emphasized record displays\u003c\/strong\u003e\u003cbr\u003eRecording (tally) lamps are provided on the upper front and rear of the camera. The REC button on the top of the camera is also illuminated and linked to the rear recording lamp. To make it clear when the camera is in record mode a red frame appears on the monitor display so that the operator can easily confirm that recording is in progress.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eComprehensive zoom control\u003c\/strong\u003e\u003cbr\u003eThe zoom lever placed on the top of the grip not only controls compatible powered zoom lenses, but also allows Clear Image Zoom to be used with unpowered zoom and prime lenses with less image degradation. This can significantly reduce the number of lenses required for many projects. Zoom speed can be assigned to a custom button or selected conditionally depending on whether the camera is in standby mode or recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUninterrupted power for extended recording by USB PD support\u003c\/strong\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eThe FX30 supports USB PD (Power Delivery), allowing higher power to be supplied from an external source so that recording can be continued for extended periods without draining the internal battery\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMultiple ¼”-20 threaded mounting points make a cage unnecessary\u003c\/strong\u003e\u003cbr\u003eDesigned for mobility and efficiency, the FX30 body features five thread holes (1\/4-20 UNC) for accessories that make a cage unnecessary. While providing plenty of capacity for accessory attachment, the fact that no cage is required contributes to reduced system size and weight for easier handheld shooting.  The XLR handle unit provides three additional thread holes for accessories. External monitors, recorders, batteries, video lights, extension grips, wireless microphone receivers, or other add-ons can be stably and securely attached.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact, lightweight body designed for mobility\u003c\/strong\u003e\u003cbr\u003eThe FX30 body is just 77.8 mm high, 129.7 mm wide, and 84.5 mm deep, excluding protrusions. It weighs 646 grams with battery and memory card (951 grams with XLR handle unit) and features a distinctive flat-top design that is suitable not only for handheld shooting, but for gimbal mounting. The camera grip has been designed to provide optimum flexibility, stability, and comfort for extended handheld shooting sessions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust and moisture resistant design to handle challenging environments\u003c\/strong\u003e \u003cbr\u003eDust and moisture resistance refinements have been implemented throughout the body. Sealing is provided throughout the body as well as the battery compartment cover, and the media slot has a double sliding cover and lock lever to keep water out. Cooling airflow from inlet to exhaust is completely isolated from the body interior. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDurable magnesium alloy chassis\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe camera’s body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOne Mount: connect seamlessly with E-mount interchangeable lenses\u003c\/strong\u003e\u003cbr\u003eThe One Mount concept is based on Sony's E-mount platform of interchangeable lenses. The FX30 is compatible with all E-mount lenses, including power zoom and video optimized models, so you can choose the right lens for any situation.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":41197133266989,"sku":"85938","price":2099.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/85938_Hero.png?v=1664385907"},{"product_id":"sony-fx30-cinema-w-xlr-handle","title":"Sony FX30 Digital Cinema Camera with XLR Handle","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003eSony FX30\u003c\/strong\u003e\u003cspan\u003e captures beautiful cinematic imagery with 6K oversampling, high performance and highly efficient workflow. Enjoy hassle-free shooting with S Cinetone and S-Log3 for high level grading. Its compact size lets you take it anywhere, and sophisticated AF and stabilization makes advanced filmmaking more accessible than ever for up-and-coming creators.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e20.1 MP 1 Exmor R™ APS-C (Super 35mm format) image sensor with wide dynamic range\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eSony’s acclaimed image sensor technology in a new back-illuminated 20.1 megapixels APS-C Exmor R CMOS sensor (Super 35 format) achieves high sensitivity, low noise, and wide dynamic latitude. 6K oversampling compresses a vast amount of information into 4K (QFHD: 3840 x 2160) output, delivering 4K movies with overwhelming resolution. Capture the scene in cinematic 4K resolution with the expressive depth of field, stunning bokeh, and cinematic freedom of an APS-C size sensor. The image sensor maximizes light collection efficiency so that clear, usable images can be captured in dim light. Standard ISO sensitivity is 100 to 32000, and latitude is an impressively wide 14+ stops.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eXLR handle unit for high-quality external audio input\u003c\/strong\u003e\u003cbr\u003eThe XLR handle unit provides two XLR audio inputs to facilitate high-quality audio recording. With an optional XLR microphone, digital audio data can be transferred directly to the camera for outstanding audio quality without noise or signal degradation. There is also a 3.5 mm stereo mini jack for 4-channel recording, for compatibility with 2-channel and 4-channel audio formats.  The Multi-interface shoe can be used with compatible Sony microphones\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eS-Cinetone for a cinematic look straight out of the camera without grading\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe FX30 includes S-Cinetone\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e, the same color science that produces the highly regarded FX9 and FX6 color and skin tones. Based on technology acquired through development of digital cinema cameras such as Sony’s VENICE 2, S Cinetone delivers natural mid-tones that are essential to healthy-looking skin color, plus soft colors and gorgeous highlights. Because S-Cinetone produces all this directly within the camera, it's easy to achieve a beautiful cinematic look without the necessity of post-production grading\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eFlexible ISO, Cine EI Quick and Cine EI Log shooting modes for optimized image quality\u003c\/strong\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003eThree modes are provided for recording with the S-Log3 gamma curve (“Log Shooting Setting” in the menu) when post processing will be used to grade and finish the footage. Cine EI, inherited from Sony’s high-end Cinema Line models, offers wide latitude and the highest possible image quality. Cine EI Quick automatically switches the camera’s base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eUser LUTs can be applied to the LCD display and HDMI output and embedded in clips\u003c\/strong\u003e\u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhen recording with the S-Log3 gamma curve, the low-contrast image displayed on the monitor can make it difficult to judge how the final image will look. The FX30 allows custom LUTs to be applied to the LCD monitor and HDMI output, providing a more accurate preview of the final image.  LUTs can also be embedded in clips to facilitate post-production processing. The FX30 even includes a new s709 preset LUT that can provide a more cinematic look while monitoring. In addition to the preset LUTs, up to 16 user LUTs (.cube format)5 can be imported into the camera via memory card.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Base ISO and a 14+ stop3 range for wide latitude and low-noise images\u003c\/strong\u003e\u003cbr\u003eThe Dual Base ISO provides two sensitivity settings - one at ISO 800 and one at ISO 2500. This allows you to select an appropriate noise floor, for clean images, as well as maximize the FX30’s dynamic range when shooting in both bright or low-light conditions. Furthermore, a wide 14+ stop latitude minimizes the risk of blown highlights or blocked shadows over a wide range of lighting conditions, making it easier to shoot top-quality images in just about any shooting situation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLog recording for smooth cinematic image quality when color grading\u003c\/strong\u003e\u003cbr\u003eFor full-scale productions, the S-Log3 gamma curve provided in the FX30 has been designed for smooth gradations, and to make it easier to achieve cinematic image quality when color grading in post-production. Both S-Log3 and S-Gamut3.Cine offer high-quality color reproduction over a wide latitude, and special care has been taken to adjust the camera's output to ensure that the highest image quality can be easily achieved during post processing.\u003cbr\u003e\u003c\/p\u003e\n\u003cstrong\u003eDependable, accurate autofocus with Real-time Eye and Real-time Tracking AF\u003c\/strong\u003e\u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSophisticated tracking features keep your subject in steady focus so you can concentrate on composition. Wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame. Real-time Eye AF ensures precise focus on the face and eyes (human, animal, or bird), while Real-time Tracking provides reliable tracking thanks to Sony‘s unique AI-based subject recognition algorithms. Improved tracking is achieved even when shooting at high 120p frame rates.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eImage stabilization Active Mode supports handheld movie shooting\u003c\/strong\u003e\u003cbr\u003eActive Mode utilizes an in-body 5-axis sensor shift image stabilizer and provides increased stabilization for movie shooting. A precision gyroscope sensor accurately measures camera shake and compensates optically, making stable video possible even when shooting hand-held without a gimbal, even while walking, and at 4K high resolution. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eExtensive recording formats for high image quality and advanced post-production\u003c\/strong\u003e\u003cbr\u003eThe FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All Intra compression, making it possible to grade for fuller, more natural gradations while generally providing greater editing freedom.  In addition to XAVC S AVC\/H.264 encoding, XAVC HS format recording, using the HEVC\/H.265 codec, roughly doubles the compression efficiency. XAVC S-I 4K and XAVC S-I HD formats provide per-frame Intra compression so the user can choose the most suitable format for the job at hand.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCreative slow-motion options with up to 4K (QFHD) 120p with autofocus\u003c\/strong\u003e\u003cbr\u003eThe FX30 offers 4K recording at up to 120 frames per second. Extraordinarily smooth 5x (max.) slow-motion imagery at QFHD resolution with autofocus provides new expressive capability. The ability to capture moving subjects in smooth slow motion opens up a whole new world of creative potential\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstrong\u003e4K 16-bit RAW output from HDMI terminal for compatible external recorders\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eFor demanding post-production workflows, 16-bit RAW output\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eis available over HDMI connection to compatible external recorders\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution. \u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eA selection of Creative Looks to create interesting moods right in the camera\u003c\/strong\u003e\u003cbr\u003eA selection of Creative Looks makes it easy to create interesting moods right in the camera. The Creative Look presets can be used as is, or further customized using individual parameter settings such as hue, color depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user's preference, and favorite settings can be registered as custom looks.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSophisticated focus functions to handle any situation\u003c\/strong\u003e\u003cbr\u003eThe FX30 makes fast, accurate focusing as easy as possible. AF Assist smoothly switches between auto and manual focus, it enables easy rack focusing, and it can save time even when you are primarily using manual focus. Focus Map12 makes it easy to visualize depth of field while shooting and Breathing Compensation provides a stable angle of view when rack focusing by minimizing the field-of-view shift that can occur with some lenses.  Additional breathing compensation is also available in post-production software supported by camera metadata.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUninterrupted 4K 60p recording with cooling fan ventilation\u003c\/strong\u003e\u003cbr\u003eFor uninterrupted 4K 60p recording, the FX30 features an innovative heat dissipation structure, including a unique Sony Σ (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimized the camera’s airflow and heatsink placement. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.\u003cbr\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMetadata to facilitate editing with Catalyst Browse and Prepare software\u003c\/strong\u003e\u003cbr\u003eSony's Catalyst Browse and Prepare software are ideal production partners for the FX30. The camera records five types of metadata: LUTs, image stabilization24, focus breathing, camera rotation and shot marks. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or purchased Catalyst Prepare software.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProxy recording for efficient editing workflow\u003c\/strong\u003e\u003cbr\u003eLow-bitrate HD proxy files can be recorded simultaneously in nearly all recording formats. The smaller proxy video files can be used for editing previews prior to final 4K online editing, reducing computer load and enabling a faster workflow.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTime code input synchronization capability\u003c\/strong\u003e\u003cbr\u003eThe FX30 can be synchronized (TC-IN) to a second camera that has a time code output terminal by connecting the FX30’s Multi\/Micro USB terminal to the time code source via an optional VMC-BNCM1 adaptor and standard BNC cable.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStill image shooting function\u003c\/strong\u003e\u003cbr\u003eBecause the FX30 can shoot stills as well as movies, it can be handy to use when you are location hunting. For example, you can use it to shoot stills that will be used in storyboards or pre-production presentations.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNew list-style main menu for quick access to frequently used items\u003c\/strong\u003e\u003cbr\u003eThe camera’s new list-style main menu gives you access to frame rate, shutter speed, and other essential shooting parameters. Main menu display can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFlexible, high-resolution touch-panel LCD monitor\u003c\/strong\u003e\u003cbr\u003eThe FX30 features a side-opening vari-angle rear monitor that allows broad positioning and framing freedom for gimbal-mounted shots, handheld shots, very low ground-level shots, or whatever the shoot requires. The large 3.0 type 2.36 million-dot (approx.) touch-panel LCD monitor provides clear viewing in bright outdoor settings. The function (Fn) menu can be displayed by swiping up on the monitor, for quick access to frequently used assigned functions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBroad connectivity for a wide range of shooting needs\u003c\/strong\u003e\u003cbr\u003eAn HDMI Type-A connector can be used to feed 4K, 16-bit RAW, or other movie formats to an external recorder or display device, with the option of status overlays included in the HDMI output. Other connectors include USB Type-C®, Multi\/Micro-USB, mic, headphone, and a Multi Interface (MI) Shoe with built-in digital audio interface. The FX30 also supports UVC (USB Video Class) and UAC (USB Audio Class) standards and can serve as a high-performance streaming camera or webcam.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual card slots, both compatible with CFexpress Type A and SDXC\/SDHC\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe FX30’s two media slots are compatible with CFexpress Type A cards as well as SDXC\/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write\/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eRecording (tally) lamps and emphasized record displays\u003c\/strong\u003e\u003cbr\u003eRecording (tally) lamps are provided on the upper front and rear of the camera. The REC button on the top of the camera is also illuminated and linked to the rear recording lamp. To make it clear when the camera is in record mode a red frame appears on the monitor display so that the operator can easily confirm that recording is in progress.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eComprehensive zoom control\u003c\/strong\u003e\u003cbr\u003eThe zoom lever placed on the top of the grip not only controls compatible powered zoom lenses, but also allows Clear Image Zoom to be used with unpowered zoom and prime lenses with less image degradation. This can significantly reduce the number of lenses required for many projects. Zoom speed can be assigned to a custom button or selected conditionally depending on whether the camera is in standby mode or recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUninterrupted power for extended recording by USB PD support\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe FX30 supports USB PD (Power Delivery), allowing higher power to be supplied from an external source so that recording can be continued for extended periods without draining the internal battery\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMultiple ¼”-20 threaded mounting points make a cage unnecessary\u003c\/strong\u003e\u003cbr\u003eDesigned for mobility and efficiency, the FX30 body features five thread holes (1\/4-20 UNC) for accessories that make a cage unnecessary. While providing plenty of capacity for accessory attachment, the fact that no cage is required contributes to reduced system size and weight for easier handheld shooting.  The XLR handle unit provides three additional thread holes for accessories. External monitors, recorders, batteries, video lights, extension grips, wireless microphone receivers, or other add-ons can be stably and securely attached.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact, lightweight body designed for mobility\u003c\/strong\u003e\u003cbr\u003eThe FX30 body is just 77.8 mm high, 129.7 mm wide, and 84.5 mm deep, excluding protrusions. It weighs 646 grams with battery and memory card (951 grams with XLR handle unit) and features a distinctive flat-top design that is suitable not only for handheld shooting, but for gimbal mounting. The camera grip has been designed to provide optimum flexibility, stability, and comfort for extended handheld shooting sessions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust and moisture resistant design to handle challenging environments\u003c\/strong\u003e\u003cbr\u003eDust and moisture resistance refinements have been implemented throughout the body. Sealing is provided throughout the body as well as the battery compartment cover, and the media slot has a double sliding cover and lock lever to keep water out. Cooling airflow from inlet to exhaust is completely isolated from the body interior. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDurable magnesium alloy chassis\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe camera’s body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOne Mount: connect seamlessly with E-mount interchangeable lenses\u003c\/strong\u003e\u003cbr\u003eThe One Mount concept is based on Sony's E-mount platform of interchangeable lenses. The FX30 is compatible with all E-mount lenses, including power zoom and video optimized models, so you can choose the right lens for any situation.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":41197133299757,"sku":"85931","price":2499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/85931_hero.png?v=1664390017"},{"product_id":"bmd-cinema-camera-6k","title":"Blackmagic Design Cinema Camera 6K","description":"\u003ch3\u003eBlackmagic Design Cinema Camera 6K\u003c\/h3\u003e\n\u003cp\u003eThe\u003cstrong\u003e Blackmagic Cinema Camera 6K\u003c\/strong\u003e is an extremely high end digital film camera that produces precise skin tones and rich organic colors. The camera features a massive full frame 24 x 36mm 6K sensor with wide dynamic range, a very flexible L-Mount for lenses and a built in optical low pass filter that's custom designed to match the sensor. You also get fast CFexpress media and the camera can even use Pocket Cinema Camera accessories! When you are doing cloud and mobile work, the camera records both deep bit depth Blackmagic RAW and H.264 proxies at the same time! No other camera includes this level of technology, image quality and portability!\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eGet the \"Hollywood Look\" with Digital Film!\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eBlackmagic Cinema Camera 6K has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more! You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eLarge Format Cinematic Digital Film Sensor!\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eBlackmagic Cinema Camera 6K features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic color science means you get the same imaging technology as expensive digital cinema cameras.\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eFull Frame Flexibility\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eThe large full frame sensor in Blackmagic Cinema Camera 6K lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality!\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eNext Generation L‑Mount!\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eBlackmagic Cinema Camera 6K features an L-Mount, an advanced lens mount designed to accommodate full frame sensors while ensuring compatibility with new and vintage lenses! With a large diameter of 51.6mm, L-Mount works with the latest full frame lenses from manufacturers such as Leica, Lumix and Sigma. Plus, a very short flange distance of only 20mm means you can easily add adapters for a variety of lens mounts without impacting image quality. Imagine using modern high speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses! With L-Mount, you get a single mount that works with virtually any lens for unlimited creative choice!\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eShoot Incredible High Dynamic Range (HDR) Images\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic Cinema Camera 6K has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colors than the standard DCI-P3 colorspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading!\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eDual Gain ISO for Exceptional Low Light Performance\u003c\/h6\u003e\n\u003cp\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night! The Blackmagic Cinema Camera 6K features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights.\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eMultiple Resolutions and Frame Rates\u003c\/h6\u003e\n\u003cp\u003eBlackmagic Cinema Camera 6K can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels! Blackmagic Cinema Camera 6K will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4832 x 4032. You can even shoot 120 fps in 1080HD! With Blackmagic Cinema Camera 6K, you’ll always be able to shoot the right resolution for the job!\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eLightweight Carbon Fiber Polycarbonate Composite\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eThe elegant design of Blackmagic Cinema Camera 6K packs an incredible number of high end digital film features into a miniaturized, handheld design based on the Pocket Cinema Camera platform. Made from lightweight carbon fiber polycarbonate composite, the camera has a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5\" LCD makes it possible to get perfect focus at 6K resolution. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker.\u003c\/p\u003e\n\u003ch6\u003eFingertip Shooting Controls\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eThe front and top of the Blackmagic Cinema Camera 6K features record start\/stop and still photo buttons along with dedicated controls for iris, ISO, white balance and shutter speed. The main power switch is located on the top next to a row of 3 customizable function buttons.Fingertip Shooting Controls\u003cbr\u003eThe front and top of the Blackmagic Cinema Camera 6K features record start\/stop and still photo buttons along with dedicated controls for iris, ISO, white balance and shutter speed. The main power switch is located on the top next to a row of 3 customizable function buttons.\u003c\/p\u003e\n\u003ch6\u003eMultifunction Grip with Fingertip Controls!\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eThe multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments! Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic Cinema Camera 6K features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false color and more.\u003c\/p\u003e\n\u003ch6\u003eShoot in Vertical Aspect Ratio!\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eNow you can easily create cinematic content for TikTok, YouTube Shorts and more! Simply rotate the Blackmagic Cinema Camera 6K to shoot vertical aspect ratios such as 9:16 and 4:5. The on screen HUD rotates so critical information, such as frame rate, shutter angle and frame guides, are easy to view, even when the camera’s turned upside down! You can even switch on frame guides so important details stay in shot for different aspect ratios. When you import your files into DaVinci Resolve, clips are automatically tagged as vertical so they appear correctly in your timeline. Once you’ve finished your project, it’s easy to upload to your channel with direct exporting to TikTok and YouTube!\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003ePost Production Friendly File Formats!\u003c\/h6\u003e\n\u003cp\u003eBlackmagic Cinema Camera records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes! Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eRecord to CFexpress Cards or External Disks!\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eThe Blackmagic Cinema Camera 6K features a built in CFexpress card recorder, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card! The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software!\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eHighlights:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e36 x 24mm Full Frame 6K 6048 x 4032 sensor\u003c\/li\u003e\n\u003cli\u003eOpen gate 3:2, full height 6:5 anamorphic and Super 35 for creating cinematic content\u003c\/li\u003e\n\u003cli\u003eL-Mount compatible with a wide range of still photography and cinema lenses\u003c\/li\u003e\n\u003cli\u003eRecords full resolution up to 36 fps or 120 fps windowed\u003c\/li\u003e\n\u003cli\u003eExtremely fast CFexpress card recording\u003c\/li\u003e\n\u003cli\u003eAdjustable, HDR 1500 nit LCD screen\u003c\/li\u003e\n\u003cli\u003eOptional Blackmagic Pocket Cinema Camera Pro EVF\u003c\/li\u003e\n\u003cli\u003eLarger NP-F570 battery, optional Blackmagic Pocket Camera Battery Pro Grip\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFeatures:\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLarge Format Cinematic Digital Film Sensor\u003c\/li\u003e\n\u003cli\u003eFull Frame Flexibility\u003c\/li\u003e\n\u003cli\u003eNext Generation L-Mount\u003c\/li\u003e\n\u003cli\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/li\u003e\n\u003cli\u003eDual Gain ISO for Exceptional Low Light Performance\u003c\/li\u003e\n\u003cli\u003eMultiple Resolutions and Frame Rates\u003c\/li\u003e\n\u003cli\u003eLightweight Carbon Fiber Polycarbonate Composite\u003c\/li\u003e\n\u003cli\u003eMultifunction Grip with Fingertip Controls\u003c\/li\u003e\n\u003cli\u003eShoot in Vertical Aspect Ratio\u003c\/li\u003e\n\u003cli\u003ePost Production Friendly File Formats\u003c\/li\u003e\n\u003cli\u003eRecord to CFexpress Cards or External Disks\u003c\/li\u003e\n\u003cli\u003eThe quality of RAW and the speed of video\u003c\/li\u003e\n\u003cli\u003eLarge 5\" LCD Monitor\u003c\/li\u003e\n\u003cli\u003eTouchscreen for Fast Setup\u003c\/li\u003e\n\u003cli\u003ePowered by Blackmagic OS\u003c\/li\u003e\n\u003cli\u003eGeneration 5 Color Science\u003c\/li\u003e\n\u003cli\u003eOptional Viewfinder for Professional Shooting\u003c\/li\u003e\n\u003cli\u003eProfessional Connections for Custom Rigs\u003c\/li\u003e\n\u003cli\u003e4 Built-in Microphones and Professional Audio Inputs\u003c\/li\u003e\n\u003cli\u003eLoad Custom 3D LUTs to Recreate Film Looks\u003c\/li\u003e\n\u003cli\u003eUSB-C for External Disks and Ethernet Control\u003c\/li\u003e\n\u003cli\u003eGet Multi Camera Shoots in Perfect Sync\u003c\/li\u003e\n\u003cli\u003eShoot Still Frames up to 24.6 Megapixels\u003c\/li\u003e\n\u003cli\u003eLocalized in 13 Popular Languages\u003c\/li\u003e\n\u003cli\u003eWireless Bluetooth Camera Remote Control\u003c\/li\u003e\n\u003cli\u003ePower from Batteries, 12V DC and Recharge via USB-C\u003c\/li\u003e\n\u003cli\u003eIncludes DaVinci Resolve Studio\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCompatible With:\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eLenses:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLeica L Mount Lenses\u003c\/li\u003e\n\u003cli\u003eLumix L Mount Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eProduct SKU:\u003c\/h4\u003e\n\u003cp\u003eCINECAM60KLFL\u003c\/p\u003e\n\u003ch4\u003eIn The Box:\u003c\/h4\u003e\n\u003cp\u003eBlackmagic Design Cinema Camera 6K\u003cbr\u003eLens Turret Dust Cap\u003cbr\u003eCamera Strap\u003cbr\u003e30W Power Supply with Locking Connector and International Adapters\u003cbr\u003eNP-F570 Battery\u003cbr\u003eNP-F Series Battery USB Charger\u003cbr\u003eDaVinci Resolve Studio Activation Key\u003cbr\u003eUser Manual\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNote: This is the camera body only. Optional Accessories and Lenses are sold separately. \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":41745856331821,"sku":"96899","price":3089.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/96899_CINECAM60KLFL_01_Hero.jpg?v=1746672732"},{"product_id":"dji-ronin-4d-cinema-cam-8k-kit","title":"DJI Ronin 4D 4-Axis Cinema Camera 8K Combo Kit with DL PZ 17-28mm T3.0 ASPH Lens","description":"The \u003cstrong\u003eRonin 4D,\u003c\/strong\u003e is DJI's most advanced technologies have been integrated into one cutting-edge and comprehensive cinematography solution, which offers groundbreaking flexibility to solo cinematographers and unlimited possibilities for coordinated shooting. This powerful, next-generation cinema camera was designed and built to be the future of filmmaking. An all-in-one 8K cinema camera is now within reach, and imaging excellence is redefined.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIntegrated Design\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eDJI Ronin 4D offers a completely unique design. Crafted with carbon fiber and aluminum magnesium, its solid body integrates the imaging, stabilization, and focusing systems, as well as wireless transmission and control. This avoids time-consuming setup and enables quicker shooting.\u003cbr\u003e\u003cbr\u003e\n\u003ch3\u003eCinematic Imaging System\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eProcessing Power\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eRonin 4D is equipped with Zenmuse X9, DJI’s flagship full-frame camera. It also features DJI’s latest image processing system, CineCore 3.0. This system uses DJI’s proprietary chip to provide advanced processor architecture, offering extremely high-performance computing power in a compact cinema camera. CineCore 3.0 allows Ronin 4D to support internal recording of Apple ProRes RAW, ProRes 4444 XQ, ProRes 422 HQ, ProRes 422 LT, and H.264 video. It also supports up to 8K\/75fps and 4K\/120fps video recording, delivering multiple options for professional-level creation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eResolution\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eDCI 8K (8192×4320)\/60fps video retains every little detail, from rich foliage to inspiring architecture, skin texture to strands of hair, all with flawless quality. For those who need to output in 4K, recording in 8K offers unprecedented creative options with more flexibility for cropping, re-composing, and stabilizing videos in post.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh ISO\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eZenmuse X9 supports dual native ISO. X9-8K defaults to EI 320\/1600. With Dynamic Range Expansion on, X9-8K can support EI 800\/4000, while X9-6K supports EI 800\/5000, which records images with exquisite detail and minimal noise, even when filming an evening cityscape or beach, or a scene lit by dim candlelight.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith 14+ stops of dynamic range, Zenmuse X9 delivers natural transitions of highlights and shadows in complex lighting conditions such as backlit scenes and direct sunlight. These traditionally difficult scenes can now be captured easily and with confidence.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eColor Science\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eDJI Cinema Color Science (DCCS) is a comprehensive system comprising the CineCore image processing platform, the DCCS color engine, D-Gamut color space, and D-Log curve, all culminating from years of imaging experience by DJI. It's designed to unlock the full potential of professional aerial and ground imaging equipment, offering creators more room for creativity and vividly recreating the kaleidoscopic colors seen by the human eye. In addition, X9 supports the industry-standard ACES workflow for effortless compatibility with the color systems of other cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-In 9-Stop ND Filters\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eX9 has 9-stop built-in high-quality ND filters (ND 2 to ND 512, or ND 0.3 to ND 2.7) that can be quickly and easily switched thanks to an internal motorized system. These filters were also designed to match and compliment the color science of Ronin 4D.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDL Prime Lenses\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eX9’s standard DL mount supports a set of compact full-frame prime lenses. The housings are made of lightweight, monocoque carbon fiber, so each lens weighs just 180 g.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDL Zoom Lens\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn addition to prime lenses, X9 is compatible with DJI’s first cinema zoom lens DL PZ 17-28 mm T3.0 ASPH, which covers ultra-wide to wide-angle focal lengths with a minimum object distance of 0.19 m, delivering ultra-high resolution from center to edge. The lens body is made of magnesium aluminum alloy and weighs only approximately 520 g, making it a perfect match for the X9 gimbal camera from size to weight.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInterchangeable Mounts\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eX9 supports interchangeable lens mounts, including DJI’s proprietary DL mount as well as third-party mounts like Leica L, Leica M, Sony E, and ARRI PL (E-mount and PL-mount units are provided by third parties). Ultra-wide, f\/0.95 large-aperture, power zoom, macro, and anamorphic lenses that are compatible with traditional cinema cameras also work on X9, providing flexible lens options.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteady in Every Way\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4-Axis Stabilization\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eDJI Ronin 4D adds a Z-Axis to the traditional 3-axis gimbal, which effectively decreases vertical camera shake and offers stabilization performance on par with a dolly. The four axes work together with a downward ToF sensor, forward and downward dual-visual sensors, a built-in IMU and barometer, and an advanced new algorithm to bring the overall stabilization to a whole new level.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIntegrated Gimbal Camera\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eRonin 4D integrates the imaging and stabilization systems while keeping only the sensor and necessary optical components in the gimbal camera. The tilt axis of the gimbal uses dual symmetric motors, whereas both the pan axis and the roll axis are designed with an additional stiffness buffer.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLiDAR Focusing System\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLiDAR Range Measurement\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe LiDAR Range Finder can cast up to 43,200 ranging points within a 10-meter detection range. Compared with phase detection autofocus (PDAF), Ronin 4D’s LiDAR Focusing System can focus faster, without compromising the image quality or relying on the surface texture of the subject. This is especially useful in low-light environments and results in exceptional focusing capabilities compared to other cinema cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e:\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHighest Resolution: 8K\/75fps (Full-frame 2.39:1) and 8K\/60fps (Full-frame 17:9)\u003c\/li\u003e\n\u003cli\u003eHighest Frame Rate: 4K\/120fps (Full-frame 17:9)\u003c\/li\u003e\n\u003cli\u003eRecording Codec: Apple ProRes RAW, Apple ProRes 422 HQ and H.264\u003c\/li\u003e\n\u003cli\u003eNative ISO: 320\/1600 (Default) and 800\/4000 (Dynamic Range Expansion on)\u003c\/li\u003e\n\u003cli\u003eHighest Dynamic Range: 14.7 stops\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eWhat's in The Box\u003c\/strong\u003e:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eZenmuse X9-8K Gimbal Camera\u003c\/li\u003e\n\u003cli\u003eMain Body\u003c\/li\u003e\n\u003cli\u003eDJI DL PZ 17-28mm T3.0 ASPH Lens\u003c\/li\u003e\n\u003cli\u003eLiDAR Range Finder\u003c\/li\u003e\n\u003cli\u003eDL Mount\u003c\/li\u003e\n\u003cli\u003eLeft Hand Grip\u003c\/li\u003e\n\u003cli\u003eRight Hand Grip\u003c\/li\u003e\n\u003cli\u003eTop Handle\u003c\/li\u003e\n\u003cli\u003eHigh-Bright Main Monitor\u003c\/li\u003e\n\u003cli\u003ePROSSD 1TB\u003c\/li\u003e\n\u003cli\u003ePROSSD Mount\u003c\/li\u003e\n\u003cli\u003eTB50 Battery Mount\u003c\/li\u003e\n\u003cli\u003ePower Adapter\u003c\/li\u003e\n\u003cli\u003eTB50 Charging Adapter\u003c\/li\u003e\n\u003cli\u003e8x - AC Power Cable\u003c\/li\u003e\n\u003cli\u003eUSB-A to USB-C Cable\u003c\/li\u003e\n\u003cli\u003eUSB-C to USB-C Cable\u003c\/li\u003e\n\u003cli\u003eBase Plate\u003c\/li\u003e\n\u003cli\u003eHand Grip Extended Control Sticks\u003c\/li\u003e\n\u003cli\u003e3mm Ball-End Hex Key\u003c\/li\u003e\n\u003cli\u003e2.5mm Ball-End Hex Key\u003c\/li\u003e\n\u003cli\u003e1.5mm Ball-End Hex Key\u003c\/li\u003e\n\u003cli\u003e3x - 10mm 1\/4\"-20 Screw\u003c\/li\u003e\n\u003cli\u003eFlat Head Screwdriver\u003c\/li\u003e\n\u003cli\u003eX9 Gimbal Base Cap\u003c\/li\u003e\n\u003cli\u003eDX Mount Body Cap\u003c\/li\u003e\n\u003cli\u003eDX Mount Lens Cap\u003c\/li\u003e\n\u003cli\u003eRonin 4D Gimbal Base Cap\u003c\/li\u003e\n\u003cli\u003eTB50 Intelligent Battery\u003c\/li\u003e\n\u003cli\u003eLiDAR Range Finder\/Focus Motor Cable\u003c\/li\u003e\n\u003cli\u003eLeft Hand Grip Strap\u003c\/li\u003e\n\u003cli\u003eRight Hand Grip Strap\u003c\/li\u003e\n\u003cli\u003eRonin 4D Carrying Case\u003c\/li\u003e\n\u003cli\u003eX9 Counterweight (106 g)\u003c\/li\u003e\n\u003cli\u003eDJI Ronin 4D RAW License Key\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll DJI brand products are non-returnable after any packaging has been opened.\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIf a DJI product has an initial manufacturer defect, the item may be exchanged within 7 days of original purchase. However, if there is any noticeable damage to the product, we cannot accept the exchange or return. If 7 days has passed since purchase, the defect should be addressed through the manufacturer's warranty: \u003c\/span\u003e\u003c\/i\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.dji.com\/support\/product\" data-mce-href=\"https:\/\/www.dji.com\/support\/product\" target=\"_blank\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ehttps:\/\/www.dji.com\/support\/product\u003c\/span\u003e\u003c\/i\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe apologize, but there are no exceptions to these conditions for DJI products.\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":41973438054445,"sku":"1899","price":9999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/1899_Hero.png?v=1703002487"},{"product_id":"bmd-micro-studio-cam-4k-g2","title":"Blackmagic Design Micro Studio Camera 4K G2","description":"\u003ch3\u003eBlackmagic Design Micro Studio Camera 4K G2\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic Micro Studio Camera 4K G2\u003c\/strong\u003e is the perfect solution for placing cameras on set when you don't have space for regular sized cameras! It includes the popular MFT lens mount, very low light 4K image sensor and cinematic color science! So it's small, but has the features of a full sized studio camera! You also get 12G-SDI for HD and Ultra HD operation up to 2160p60. It's also possible to control the built in color corrector and lens using the SDI and HDMI connections. It can even record Blackmagic RAW to USB disks! Plus Blackmagic Micro Studio Camera 4K goes well beyond broadcast quality with log gamma, allowing you to create cinematic color corrected looks, all in camera!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for Live Production\u003c\/strong\u003e\u003cbr\u003eThe small size of the Micro Studio Camera makes it virtually invisible, so you can place it just about anywhere on set. You can have more camera angles than ever before for your live production to create a more interesting program. Its professional broadcast connections make it perfect for any kind of work such as television production, broadcast news, sports, education, conference centers and churches! It's now easy to hide lots of cameras on stage for the most incredible shots! While Blackmagic Micro Studio Camera is designed for live production, it can also be used with editing software. That’s because it can record Blackmagic RAW to USB disks for later editing and color correction!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRevolutionary Studio Camera Design\u003c\/strong\u003e\u003cbr\u003eLarge broadcasters use expensive studio cameras that are extremely large, so they’re not very flexible. The distinctive Blackmagic Micro Studio Camera has all the benefits of a large studio camera in a tiny rugged body you can put virtually anywhere! It features a super tough magnesium alloy core in a body that’s not much larger than the lens mount itself! You can use affordable, high performance MFT lenses or add adapters to work with broadcast lenses. The camera is designed for live production so its HDMI and SDI uses the same camera control protocol as ATEM switchers. Plus the buttons on the front of the camera give you quick access to the settings menu and for triggering recording!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExceptional Low Light Performance\u003c\/strong\u003e\u003cbr\u003eIn advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO the more gain can be added so it’s possible to shoot in natural light, or even at night! The Blackmagic Micro Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera HDMI menu, or remotely from a switcher using the SDI\/HDMI remote camera control.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGet Cinematic Images in Live Production!\u003c\/strong\u003e\u003cbr\u003eThe amazing 4K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production! Plus, when combined with the built in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. The sensor features a resolution of 4096 x 2160 which is great for both HD and Ultra HD work. Plus, Blackmagic Micro Studio Camera supports from 23.98 fps up to 60 fps.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAffordable Photographic Lenses!\u003c\/strong\u003e\u003cbr\u003eWith the popular MFT lens mount, Blackmagic Micro Studio Camera is compatible with a wide range of affordable photographic lenses from Olympus, Lumix, Sigma and more! Photographic lenses are incredible quality because they're designed for use in high resolution photography. Plus, the active lens mount lets you adjust the lens remotely! This is ideal as it lets you adjust cameras mounted high up in hard to reach areas without needing to physically access them. Plus, the optional focus and zoom demands let you adjust the lens just like a large studio camera! This means you can set important lens settings such as focus, zoom and iris just like you can with an expensive B4 broadcast lens!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-in Tally for On Air Status\u003c\/strong\u003e\u003cbr\u003eBlackmagic Micro Studio Camera 4K features a tally light that illuminates red for on air, green for preview and orange for ISO recording. This makes it easy for talent to present with confidence as they know at a glance which camera is on air! You get full support for the SDI and HDMI tally protocol from switchers such as ATEM Television Studio, ATEM Constellation and ATEM Mini. This means that a director can cut between cameras and the tally information will be sent back to the cameras, lighting up the tally light on the camera whenever it's on air. Because the tally it sent via the SDI and HDMI connections to the camera, complex cabling is eliminated.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePowerful Broadcast Connections\u003c\/strong\u003e\u003cbr\u003eBlackmagic Micro Studio Camera 4K has lots of connections for connecting to broadcast equipment. It has 12G-SDI that supports video, tally and camera return which makes setup much faster! It includes a full size HDMI connector for local video monitoring so you can attach a monitor such as a Blackmagic Video Assist to change settings through the menu overlay or check the position of a remote camera. You also get a USB-C expansion port for recording to external disks or controlling the camera via zoom and focus demands. You can even connect a USB-C to Ethernet adapter to control the camera over a network via REST APIs! Plus there’s a 3.5mm port for connecting a microphone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTwo Ways to Connect\u003c\/strong\u003e\u003cbr\u003eBlackmagic Micro Studio Cameras can be connected in lots of different ways! They feature HDMI so are perfect for HDMI switchers such as ATEM Mini. The HDMI supports video, tally, control and record trigger for a broadcast style workflow using a single HDMI cable. They also have 12G‑SDI so you can connect to SDI based switchers such as the ATEM Constellation. There's a 12G‑SDI connection for camera video, and one for program return. The program return also includes tally and remote camera control.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIncludes Built-in Microphones\u003c\/strong\u003e\u003cbr\u003eBlackmagic Micro Studio Camera includes built in microphones so you get sound included in the design making setup much faster. Each microphone is placed at the optimal position meaning you get better stereo separation than what is possible on a regular video camera. There’s also a 3.5mm audio input so you can connect to video microphones when you need to add larger more directional microphones with wind protection. Whether you’re using the built in microphones or attaching an external mic, the audio is embedded into the SDI and HDMI video outputs so you get perfect audio and video sync!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUSB-C for External Disks and Ethernet Control\u003c\/strong\u003e\u003cbr\u003eBlackmagic Micro Studio Camera 4K features a high speed USB-C expansion port that lets you record to external disks, control the camera via a network or connect a wide range of accessories! Plug in an external USB disk and the camera can record high quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work and you don't need to waste time copying files. Or add a USB-C to Ethernet adapter to control your camera over a network via easy to use REST APIs. Plus plug in optional focus and zoom demands to allow full lens control, just like a large studio camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIncredible Blackmagic RAW Quality\u003c\/strong\u003e\u003cbr\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed, so add noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich color throughout the whole post production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003cbr\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. The menus are overlaid on the HDMI video output. The interface uses the row of buttons on the front of the camera to access menus and adjust settings so it’s always accessible, even when rigged into tight locations! You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLocalized in 13 Popular Languages\u003c\/strong\u003e\u003cbr\u003eBlackmagic Micro Studio Camera 4K is designed to be used worldwide so it support 13 popular languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Ukrainian, Chinese, Japanese or Korean. It’s easy to switch to another language simply by going into the menu settings. When switching between languages, all the on screen overlays, heads up display, and setup menus will be displayed in the selected language and you can change languages any time you like!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBattery Back-up Power\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Micro Studio Camera has lots of different power options! It includes a common 12V DC locking power connector so the cable won't be accidentally pulled out. Plus, the camera includes a power supply with 5 different AC socket adapters for different countries. The camera also supports a standard LP-E6 compatible battery so you can add a battery for local power backup during critical live broadcasts! These batteries are readily available around the world and will be kept trickle charged by the camera. You can even use an adapter to connect the camera to V-Lock batteries for true all day power! That’s a great solution when there's no power available where the cameras are placed!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFocus and Zoom Demands\u003c\/strong\u003e\u003cbr\u003eThe optional zoom and focus demands can be added when you want to rig the Blackmagic Micro Studio Camera 4K as a bigger custom studio camera! The focus and zoom demands have USB-C connections and make photographic lenses feel like large broadcast lenses! Each zoom and focus demand has 2 USB-C ports, so you can daisy chain them then connect to the cameras USB connection. The design has an incredibly precise feel and so you get very fine lens control, and you can frame and adjust the lens without taking your hands off the tripod handles. The buttons can be customized for different camera functions. Plus, hardware is included for mounting the focus and zoom demand onto tripod handles.\u003c\/p\u003e\n\u003ch4\u003eFeatures:\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eSmallest Ultra HD Broadcast Camera\u003c\/li\u003e\n\u003cli\u003eActive Micro Four Thirds Lens Mount\u003c\/li\u003e\n\u003cli\u003eDesigned for Live Production\u003c\/li\u003e\n\u003cli\u003eUHD 4K Resolutions up to 3840 x 2160p60\u003c\/li\u003e\n\u003cli\u003e12G-SDI Video Input\/Output, HDMI Output\u003c\/li\u003e\n\u003cli\u003e13-Stop Dynamic Range, Compact Design\u003c\/li\u003e\n\u003cli\u003eCamera Control via SDI, HDMI, or USB\u003c\/li\u003e\n\u003cli\u003eBuilt-In Color Corrector\u003c\/li\u003e\n\u003cli\u003eCanon LP-E6 Battery Slot\u003c\/li\u003e\n\u003cli\u003eUSB-C Expansion Port, 3.5mm Audio In\u003c\/li\u003e\n\u003cli\u003eProgram and Talkback over SDI, Tally\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eIn The Box:\u003c\/h4\u003e\n\u003cp\u003eBlackmagic Design Micro Studio Camera 4K G2\u003cbr\u003eTurret Dust Cap\u003cbr\u003e12V DC Power Supply with Locking Connector and International Socket Adapters\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003eWelcome wallet with QR code for software download\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNote: Lenses, Battery and Power are not included.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":42117758746669,"sku":"3437","price":1179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/3437_01_Hero.png?v=1708738496"},{"product_id":"bmd-pyxis-6k-cine-box-cam-pl","title":"Blackmagic Design PYXIS 6K Cinema Box Camera - PL Mount","description":"\u003cdiv class=\"Polaris-Popover__ContentContainer\"\u003e\n\u003cdiv id=\":rth:\" class=\"Polaris-Popover__Content Polaris-Popover__Content--fluidContent\"\u003e\n\u003cdiv class=\"Polaris-Popover__Pane Polaris-Scrollable Polaris-Scrollable--vertical Polaris-Scrollable--horizontal Polaris-Scrollable--scrollbarWidthThin\" data-polaris-scrollable=\"true\"\u003e\n\u003cdiv class=\"_PopoverContainer_1o103_1\"\u003e\n\u003cdiv class=\"Polaris-Popover__Pane Polaris-Scrollable Polaris-Scrollable--vertical Polaris-Scrollable--horizontal Polaris-Scrollable--scrollbarWidthThin\" data-polaris-scrollable=\"true\"\u003e\n\u003cdiv class=\"_Container_1kcqz_1\"\u003e\n\u003cdiv class=\"_Vertical_1kcqz_9\"\u003e\n\u003cdiv class=\"_VerticalLayout_tmqkl_40\"\u003e\n\u003cdiv class=\"_OutputSection_tmqkl_1\" aria-live=\"polite\"\u003e\n\u003cdiv class=\"_ContentWrapper_tmqkl_19\"\u003e\n\u003cdiv class=\"_Content_tmqkl_19 _VerticalContent_tmqkl_45 Polaris-Scrollable Polaris-Scrollable--vertical Polaris-Scrollable--horizontal Polaris-Scrollable--scrollbarWidthThin\" data-polaris-scrollable=\"true\"\u003e\n\u003cdiv class=\"Polaris-Box\"\u003e\n\u003cdiv class=\"Polaris-InlineStack\"\u003e\n\u003cdiv class=\"_TextOutput_zc9gg_1\"\u003e\n\u003cdiv class=\"_PlainText_zc9gg_26 _Vertical_zc9gg_21\"\u003e\n\u003ch3 class=\"Polaris-Text--root Polaris-Text--bodyMd\"\u003eBlackmagic Design PYXIS 6K PL Cinema Box Camera\u003c\/h3\u003e\n\u003cp class=\"Polaris-Text--root Polaris-Text--bodyMd\"\u003eThe \u003cstrong\u003eBlackmagic PYXIS 6K\u003c\/strong\u003e is an advanced digital film camera with a versatile design that allows for customizable camera rigs. Equipped with a full frame 36 x 24mm 6K sensor and a built-in optical low pass filter, this camera offers precise skin tones and rich organic colors. This camera includes 2x CFexpress media recorders and boasts Ethernet connectivity, allowing for effortless media sharing to Blackmagic Cloud. Additionally, it records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch4\u003eDesigned for Maximum Customizability!\u003c\/h4\u003e\n\u003cp\u003eWith multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1\/4″ and 3\/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable!\u003c\/p\u003e\n\u003ch4\u003eGet the \"Hollywood Look\" with Digital Film!\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!\u003c\/p\u003e\n\u003ch4\u003eLarge Format Cinematic Digital Film Sensor!\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic color science means you get the same imaging technology as expensive digital cinema cameras.\u003c\/p\u003e\n\u003ch4\u003eFull Frame Flexibility\u003c\/h4\u003e\n\u003cp\u003eThe large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality!\u003c\/p\u003e\n\u003ch4\u003eThree Great Models!\u003c\/h4\u003e\n\u003cp\u003eWith 3 models, you can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world! The L-Mount model works with the latest full frame lenses from Leica, Lumix and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice!\u003c\/p\u003e\n\u003ch4\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/h4\u003e\n\u003cp\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colors than the standard DCI-P3 colorspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading!\u003c\/p\u003e\n\u003ch4\u003eDual Gain ISO for Exceptional Low Light Performance\u003c\/h4\u003e\n\u003cp\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night! Blackmagic PYXIS features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights.\u003c\/p\u003e\n\u003ch4\u003eMultiple Resolutions and Frame Rates\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels! Blackmagic PYXIS will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4832 x 4032. You can even shoot 120 fps in 1080HD! With Blackmagic PYXIS, you’ll always be able to shoot the right resolution for the job!\u003c\/p\u003e\n\u003ch4\u003eLarge 4″ LCD Monitor\u003c\/h4\u003e\n\u003cp\u003eThe built in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set! Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor! You can even use the display as a focus assist station! Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired color and look.\u003c\/p\u003e\n\u003ch4\u003eAll Controls at your Fingertips\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings! A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false color and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.\u003c\/p\u003e\n\u003ch4\u003eSide Plates for Flexible Mounting Options!\u003c\/h4\u003e\n\u003cp\u003eThe innovative side plates expand the riggability of your camera even further! The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminum as the camera body and features 2 1\/4″ thread mounts and one 3\/8″ thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming! The optional Rosette Plate gives you maximum flexibility with 5 1\/4″ thread mounts and 4 3\/8″ thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms!\u003c\/p\u003e\n\u003ch4\u003ePost Production Friendly File Formats!\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes! Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/p\u003e\n\u003ch4\u003eRecord to CFexpress Cards or External Disks!\u003c\/h4\u003e\n\u003cp\u003eThe Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card! Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping! The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software!\u003c\/p\u003e\n\u003ch4\u003eBlackmagic RAW\u003c\/h4\u003e\n\u003cp\u003eThe quality of RAW and the speed of video!\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColor Temperature\u003c\/strong\u003e\u003cbr\u003eSetting the color temperature tells the camera how to interpret white and other colors in an image. Instead of saving images with color values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eContrast\u003c\/strong\u003e\u003cbr\u003eAdjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and color correcting.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eISO\u003c\/strong\u003e\u003cbr\u003eChanging the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTint\u003c\/strong\u003e\u003cbr\u003eAdjusting tint is another way you can affect the overall color balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colors in different directions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSaturation\u003c\/strong\u003e\u003cbr\u003eSaturation is the strength or purity of a color. More saturated colors are pure and less saturated colors have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colors visually pop or become muted.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExposure\u003c\/strong\u003e\u003cbr\u003eIn order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed!\u003c\/p\u003e\n\u003ch4\u003ePowered by Blackmagic OS\u003c\/h4\u003e\n\u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\n\u003ch4\u003eGeneration 5 Color Science\u003c\/h4\u003e\n\u003cp\u003eFeaturing the same generation 5 color science as the high end URSA Cine, the Blackmagic PYXIS delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve.\u003c\/p\u003e\n\u003ch4\u003eLive Sync to Blackmagic Cloud and Editors\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multi-view. Blackmagic Cloud is a revolution in global post production workflows!\u003c\/p\u003e\n\u003ch4\u003eThree Post Production Workflows!\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecord to Internal Storage - \u003c\/strong\u003eYou can record to the internal media or an external USB-C flash disk. This will allow you to browse the clips and let the camera sync your media files to other users globally.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelect and Upload Clips -\u003c\/strong\u003e If you're offline, then later when you have internet access you can browse media and manually select which clips you want to upload to Blackmagic Cloud.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecord into DaVinci Resolve - \u003c\/strong\u003eLog into Blackmagic Cloud and select a DaVinci Resolve project before recording. After each individual recording the media will automatically upload and sync to all DaVinci users on that project.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/h4\u003e\n\u003cp\u003eWhen uploading to Blackmagic Cloud, you can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Plus it works with the latest high speed 5G phones, as well as 4G phones! You can also connect via wired Ethernet using the camera’s Ethernet port. This lets you get your media out as you shoot so post production teams anywhere in the world can start work in real time! Plus on set grading can be done in a grading suite and synced back to DaVinci on set. It’s a truly global post production solution that works with Blackmagic Cloud to create amazing teams of creative people.\u003c\/p\u003e\n\u003ch4\u003eWorks with URSA Cine Viewfinder and Accessories\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included extension arm and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.\u003c\/p\u003e\n\u003ch4\u003eProfessional Connections for Custom Rigs!\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set. There’s also a mini XLR connection with 48 volt phantom power for microphones, a 3.5 mm video camera style microphone input, timecode in, reference input, headphone connection and a locking DC power connector!\u003c\/p\u003e\n\u003ch4\u003eBuilt-in Microphones and Professional Audio Inputs\u003c\/h4\u003e\n\u003cp\u003eWith professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again! Blackmagic PYXIS features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound and are ideal for recording guide tracks on location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. These audio connections allow you to record separate audio tracks using microphones, without an external mixer.\u003c\/p\u003e\n\u003ch4\u003eLoad Custom 3D LUTs to Recreate Film Looks!\u003c\/h4\u003e\n\u003cp\u003eDigital film cameras shoot logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic PYXIS works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003c\/p\u003e\n\u003ch4\u003eUSB-C for External Disks and Ethernet Control\u003c\/h4\u003e\n\u003cp\u003eThe Blackmagic PYXIS features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb\/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and color correction from the same disk straight away, eliminating file copying. You can also use the camera’s built in Ethernet port to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network!\u003c\/p\u003e\n\u003ch4\u003eBuilt In SRT and RTMP Live Streaming\u003c\/h4\u003e\n\u003cp\u003eNow you can live stream from film sets! Blackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more! For internet access, you have two options, one to connect via Ethernet or you can connect a 4G or 5G phone for mobile data! As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD! If you want to create a wireless link back to the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now the whole post production team can keep an eye on the shoot, live, while it's happening!\u003c\/p\u003e\n\u003ch4\u003eGet Multi Camera Shoots in Perfect Sync!\u003c\/h4\u003e\n\u003cp\u003eProfessional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync! Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras! Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots!\u003c\/p\u003e\n\u003ch4\u003eShoot Still Frames up to 24.6 Megapixels!\u003c\/h4\u003e\n\u003cp\u003eIn addition to shooting video, Blackmagic PYXIS can also capture high resolution stills. Simply press the dedicated stills button to record 24.6 megapixel images. Still images are saved as Blackmagic RAW, so you get a very high image quality, which is perfect for making high resolution professional prints or for later editing in DaVinci Resolve. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set.\u003c\/p\u003e\n\u003ch4\u003eLocalized in 13 Popular Languages\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS is designed to be used worldwide and supports 13 different languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide! When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language.\u003c\/p\u003e\n\u003ch4\u003eWireless Bluetooth Camera Remote Control\u003c\/h4\u003e\n\u003cp\u003eIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/p\u003e\n\u003ch4\u003ePower from Batteries or 12V DC!\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS uses high capacity BP-U series batteries. These popular batteries come in a variety of capacities and are commonly available around the world. The highest capacity BP-U series battery lets you shoot for over 3 hours on a single charge! Plus there are a wide range of battery adapters and charger plates available from third parties so never have a flat battery. When using DC power, a locking connector is used so you won't have to worry about losing power during a shoot, perfect for when your camera is out of reach on a mount or jib! You also get a set of international socket adapters for worldwide use.\u003c\/p\u003e\n\u003ch4\u003eIncludes DaVinci Resolve Studio\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a single software application! Now you can use the same high end software that professional editors and colorists use!\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eBlackmagic Design PYXIS 6K Cinema Box Camera - PL Mount\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":42434775679021,"sku":"7765","price":3515.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/7765_01_Hero.png?v=1713141969"},{"product_id":"bmd-pyxis-6k-cine-box-cam-lmnt","title":"Blackmagic Design PYXIS 6K Cinema Box Camera - L-Mount","description":"\u003cdiv class=\"Polaris-Popover__ContentContainer\"\u003e\n\u003cdiv id=\":rth:\" class=\"Polaris-Popover__Content Polaris-Popover__Content--fluidContent\"\u003e\n\u003cdiv class=\"Polaris-Popover__Pane Polaris-Scrollable Polaris-Scrollable--vertical Polaris-Scrollable--horizontal Polaris-Scrollable--scrollbarWidthThin\" data-polaris-scrollable=\"true\"\u003e\n\u003cdiv class=\"_PopoverContainer_1o103_1\"\u003e\n\u003cdiv class=\"Polaris-Popover__Pane Polaris-Scrollable Polaris-Scrollable--vertical Polaris-Scrollable--horizontal Polaris-Scrollable--scrollbarWidthThin\" data-polaris-scrollable=\"true\"\u003e\n\u003cdiv class=\"_Container_1kcqz_1\"\u003e\n\u003cdiv class=\"_Vertical_1kcqz_9\"\u003e\n\u003cdiv class=\"_VerticalLayout_tmqkl_40\"\u003e\n\u003cdiv class=\"_OutputSection_tmqkl_1\" aria-live=\"polite\"\u003e\n\u003cdiv class=\"_ContentWrapper_tmqkl_19\"\u003e\n\u003cdiv class=\"_Content_tmqkl_19 _VerticalContent_tmqkl_45 Polaris-Scrollable Polaris-Scrollable--vertical Polaris-Scrollable--horizontal Polaris-Scrollable--scrollbarWidthThin\" data-polaris-scrollable=\"true\"\u003e\n\u003cdiv class=\"Polaris-Box\"\u003e\n\u003cdiv class=\"Polaris-InlineStack\"\u003e\n\u003cdiv class=\"_TextOutput_zc9gg_1\"\u003e\n\u003cdiv class=\"_PlainText_zc9gg_26 _Vertical_zc9gg_21\"\u003e\n\u003ch3 class=\"Polaris-Text--root Polaris-Text--bodyMd\"\u003eBlackmagic Design PYXIS 6K L-Mount Cinema Box Camera\u003c\/h3\u003e\n\u003cp class=\"Polaris-Text--root Polaris-Text--bodyMd\"\u003eThe \u003cstrong\u003eBlackmagic PYXIS 6K\u003c\/strong\u003e is an advanced digital film camera with a versatile design that allows for customizable camera rigs. Equipped with a full frame 36 x 24mm 6K sensor and a built-in optical low pass filter, this camera offers precise skin tones and rich organic colors. This camera includes 2x CFexpress media recorders and boasts Ethernet connectivity, allowing for effortless media sharing to Blackmagic Cloud. Additionally, it records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch4\u003eDesigned for Maximum Customizability!\u003c\/h4\u003e\n\u003cp\u003eWith multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1\/4″ and 3\/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable!\u003c\/p\u003e\n\u003ch4\u003eGet the \"Hollywood Look\" with Digital Film!\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!\u003c\/p\u003e\n\u003ch4\u003eLarge Format Cinematic Digital Film Sensor!\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic color science means you get the same imaging technology as expensive digital cinema cameras.\u003c\/p\u003e\n\u003ch4\u003eFull Frame Flexibility\u003c\/h4\u003e\n\u003cp\u003eThe large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality!\u003c\/p\u003e\n\u003ch4\u003eThree Great Models!\u003c\/h4\u003e\n\u003cp\u003eWith 3 models, you can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world! The L-Mount model works with the latest full frame lenses from Leica, Lumix and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice!\u003c\/p\u003e\n\u003ch4\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/h4\u003e\n\u003cp\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colors than the standard DCI-P3 colorspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading!\u003c\/p\u003e\n\u003ch4\u003eDual Gain ISO for Exceptional Low Light Performance\u003c\/h4\u003e\n\u003cp\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night! Blackmagic PYXIS features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights.\u003c\/p\u003e\n\u003ch4\u003eMultiple Resolutions and Frame Rates\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels! Blackmagic PYXIS will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4832 x 4032. You can even shoot 120 fps in 1080HD! With Blackmagic PYXIS, you’ll always be able to shoot the right resolution for the job!\u003c\/p\u003e\n\u003ch4\u003eLarge 4″ LCD Monitor\u003c\/h4\u003e\n\u003cp\u003eThe built in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set! Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor! You can even use the display as a focus assist station! Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired color and look.\u003c\/p\u003e\n\u003ch4\u003eAll Controls at your Fingertips\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings! A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false color and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.\u003c\/p\u003e\n\u003ch4\u003eSide Plates for Flexible Mounting Options!\u003c\/h4\u003e\n\u003cp\u003eThe innovative side plates expand the riggability of your camera even further! The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminum as the camera body and features 2 1\/4″ thread mounts and one 3\/8″ thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming! The optional Rosette Plate gives you maximum flexibility with 5 1\/4″ thread mounts and 4 3\/8″ thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms!\u003c\/p\u003e\n\u003ch4\u003ePost Production Friendly File Formats!\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes! Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/p\u003e\n\u003ch4\u003eRecord to CFexpress Cards or External Disks!\u003c\/h4\u003e\n\u003cp\u003eThe Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card! Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping! The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software!\u003c\/p\u003e\n\u003ch4\u003eBlackmagic RAW\u003c\/h4\u003e\n\u003cp\u003eThe quality of RAW and the speed of video!\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColor Temperature\u003c\/strong\u003e\u003cbr\u003eSetting the color temperature tells the camera how to interpret white and other colors in an image. Instead of saving images with color values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eContrast\u003c\/strong\u003e\u003cbr\u003eAdjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and color correcting.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eISO\u003c\/strong\u003e\u003cbr\u003eChanging the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTint\u003c\/strong\u003e\u003cbr\u003eAdjusting tint is another way you can affect the overall color balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colors in different directions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSaturation\u003c\/strong\u003e\u003cbr\u003eSaturation is the strength or purity of a color. More saturated colors are pure and less saturated colors have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colors visually pop or become muted.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExposure\u003c\/strong\u003e\u003cbr\u003eIn order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed!\u003c\/p\u003e\n\u003ch4\u003ePowered by Blackmagic OS\u003c\/h4\u003e\n\u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\n\u003ch4\u003eGeneration 5 Color Science\u003c\/h4\u003e\n\u003cp\u003eFeaturing the same generation 5 color science as the high end URSA Cine, the Blackmagic PYXIS delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve.\u003c\/p\u003e\n\u003ch4\u003eLive Sync to Blackmagic Cloud and Editors\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multi-view. Blackmagic Cloud is a revolution in global post production workflows!\u003c\/p\u003e\n\u003ch4\u003eThree Post Production Workflows!\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecord to Internal Storage - \u003c\/strong\u003eYou can record to the internal media or an external USB-C flash disk. This will allow you to browse the clips and let the camera sync your media files to other users globally.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelect and Upload Clips -\u003c\/strong\u003e If you're offline, then later when you have internet access you can browse media and manually select which clips you want to upload to Blackmagic Cloud.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecord into DaVinci Resolve - \u003c\/strong\u003eLog into Blackmagic Cloud and select a DaVinci Resolve project before recording. After each individual recording the media will automatically upload and sync to all DaVinci users on that project.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/h4\u003e\n\u003cp\u003eWhen uploading to Blackmagic Cloud, you can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Plus it works with the latest high speed 5G phones, as well as 4G phones! You can also connect via wired Ethernet using the camera’s Ethernet port. This lets you get your media out as you shoot so post production teams anywhere in the world can start work in real time! Plus on set grading can be done in a grading suite and synced back to DaVinci on set. It’s a truly global post production solution that works with Blackmagic Cloud to create amazing teams of creative people.\u003c\/p\u003e\n\u003ch4\u003eWorks with URSA Cine Viewfinder and Accessories\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included extension arm and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.\u003c\/p\u003e\n\u003ch4\u003eProfessional Connections for Custom Rigs!\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set. There’s also a mini XLR connection with 48 volt phantom power for microphones, a 3.5 mm video camera style microphone input, timecode in, reference input, headphone connection and a locking DC power connector!\u003c\/p\u003e\n\u003ch4\u003eBuilt-in Microphones and Professional Audio Inputs\u003c\/h4\u003e\n\u003cp\u003eWith professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again! Blackmagic PYXIS features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound and are ideal for recording guide tracks on location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. These audio connections allow you to record separate audio tracks using microphones, without an external mixer.\u003c\/p\u003e\n\u003ch4\u003eLoad Custom 3D LUTs to Recreate Film Looks!\u003c\/h4\u003e\n\u003cp\u003eDigital film cameras shoot logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic PYXIS works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003c\/p\u003e\n\u003ch4\u003eUSB-C for External Disks and Ethernet Control\u003c\/h4\u003e\n\u003cp\u003eThe Blackmagic PYXIS features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb\/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and color correction from the same disk straight away, eliminating file copying. You can also use the camera’s built in Ethernet port to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network!\u003c\/p\u003e\n\u003ch4\u003eBuilt In SRT and RTMP Live Streaming\u003c\/h4\u003e\n\u003cp\u003eNow you can live stream from film sets! Blackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more! For internet access, you have two options, one to connect via Ethernet or you can connect a 4G or 5G phone for mobile data! As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD! If you want to create a wireless link back to the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now the whole post production team can keep an eye on the shoot, live, while it's happening!\u003c\/p\u003e\n\u003ch4\u003eGet Multi Camera Shoots in Perfect Sync!\u003c\/h4\u003e\n\u003cp\u003eProfessional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync! Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras! Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots!\u003c\/p\u003e\n\u003ch4\u003eShoot Still Frames up to 24.6 Megapixels!\u003c\/h4\u003e\n\u003cp\u003eIn addition to shooting video, Blackmagic PYXIS can also capture high resolution stills. Simply press the dedicated stills button to record 24.6 megapixel images. Still images are saved as Blackmagic RAW, so you get a very high image quality, which is perfect for making high resolution professional prints or for later editing in DaVinci Resolve. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set.\u003c\/p\u003e\n\u003ch4\u003eLocalized in 13 Popular Languages\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS is designed to be used worldwide and supports 13 different languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide! When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language.\u003c\/p\u003e\n\u003ch4\u003eWireless Bluetooth Camera Remote Control\u003c\/h4\u003e\n\u003cp\u003eIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/p\u003e\n\u003ch4\u003ePower from Batteries or 12V DC!\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS uses high capacity BP-U series batteries. These popular batteries come in a variety of capacities and are commonly available around the world. The highest capacity BP-U series battery lets you shoot for over 3 hours on a single charge! Plus there are a wide range of battery adapters and charger plates available from third parties so never have a flat battery. When using DC power, a locking connector is used so you won't have to worry about losing power during a shoot, perfect for when your camera is out of reach on a mount or jib! You also get a set of international socket adapters for worldwide use.\u003c\/p\u003e\n\u003ch4\u003eIncludes DaVinci Resolve Studio\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a single software application! Now you can use the same high end software that professional editors and colorists use!\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eBlackmagic Design PYXIS 6K Cinema Box Camera - L-Mount\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":42434775711789,"sku":"7758","price":3295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/7758_01_Hero.png?v=1713141818"},{"product_id":"bmd-pyxis-6k-cine-box-cam-ef","title":"Blackmagic Design PYXIS 6K Cinema Box Camera - EF Mount","description":"\u003cdiv class=\"Polaris-Popover__ContentContainer\"\u003e\n\u003cdiv id=\":rth:\" class=\"Polaris-Popover__Content Polaris-Popover__Content--fluidContent\"\u003e\n\u003cdiv class=\"Polaris-Popover__Pane Polaris-Scrollable Polaris-Scrollable--vertical Polaris-Scrollable--horizontal Polaris-Scrollable--scrollbarWidthThin\" data-polaris-scrollable=\"true\"\u003e\n\u003cdiv class=\"_PopoverContainer_1o103_1\"\u003e\n\u003cdiv class=\"Polaris-Popover__Pane Polaris-Scrollable Polaris-Scrollable--vertical Polaris-Scrollable--horizontal Polaris-Scrollable--scrollbarWidthThin\" data-polaris-scrollable=\"true\"\u003e\n\u003cdiv class=\"_Container_1kcqz_1\"\u003e\n\u003cdiv class=\"_Vertical_1kcqz_9\"\u003e\n\u003cdiv class=\"_VerticalLayout_tmqkl_40\"\u003e\n\u003cdiv class=\"_OutputSection_tmqkl_1\" aria-live=\"polite\"\u003e\n\u003cdiv class=\"_ContentWrapper_tmqkl_19\"\u003e\n\u003cdiv class=\"_Content_tmqkl_19 _VerticalContent_tmqkl_45 Polaris-Scrollable Polaris-Scrollable--vertical Polaris-Scrollable--horizontal Polaris-Scrollable--scrollbarWidthThin\" data-polaris-scrollable=\"true\"\u003e\n\u003cdiv class=\"Polaris-Box\"\u003e\n\u003cdiv class=\"Polaris-InlineStack\"\u003e\n\u003cdiv class=\"_TextOutput_zc9gg_1\"\u003e\n\u003cdiv class=\"_PlainText_zc9gg_26 _Vertical_zc9gg_21\"\u003e\n\u003ch3 class=\"Polaris-Text--root Polaris-Text--bodyMd\"\u003eBlackmagic Design PYXIS 6K EF Cinema Box Camera\u003c\/h3\u003e\n\u003cp class=\"Polaris-Text--root Polaris-Text--bodyMd\"\u003eThe \u003cstrong\u003eBlackmagic PYXIS 6K\u003c\/strong\u003e is an advanced digital film camera with a versatile design that allows for customizable camera rigs. Equipped with a full frame 36 x 24mm 6K sensor and a built-in optical low pass filter, this camera offers precise skin tones and rich organic colors. This camera includes 2x CFexpress media recorders and boasts Ethernet connectivity, allowing for effortless media sharing to Blackmagic Cloud. Additionally, it records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch4\u003eDesigned for Maximum Customizability!\u003c\/h4\u003e\n\u003cp\u003eWith multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1\/4″ and 3\/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable!\u003c\/p\u003e\n\u003ch4\u003eGet the \"Hollywood Look\" with Digital Film!\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!\u003c\/p\u003e\n\u003ch4\u003eLarge Format Cinematic Digital Film Sensor!\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic color science means you get the same imaging technology as expensive digital cinema cameras.\u003c\/p\u003e\n\u003ch4\u003eFull Frame Flexibility\u003c\/h4\u003e\n\u003cp\u003eThe large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality!\u003c\/p\u003e\n\u003ch4\u003eThree Great Models!\u003c\/h4\u003e\n\u003cp\u003eWith 3 models, you can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world! The L-Mount model works with the latest full frame lenses from Leica, Lumix and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice!\u003c\/p\u003e\n\u003ch4\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/h4\u003e\n\u003cp\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colors than the standard DCI-P3 colorspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading!\u003c\/p\u003e\n\u003ch4\u003eDual Gain ISO for Exceptional Low Light Performance\u003c\/h4\u003e\n\u003cp\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night! Blackmagic PYXIS features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights.\u003c\/p\u003e\n\u003ch4\u003eMultiple Resolutions and Frame Rates\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels! Blackmagic PYXIS will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4832 x 4032. You can even shoot 120 fps in 1080HD! With Blackmagic PYXIS, you’ll always be able to shoot the right resolution for the job!\u003c\/p\u003e\n\u003ch4\u003eLarge 4″ LCD Monitor\u003c\/h4\u003e\n\u003cp\u003eThe built in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set! Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor! You can even use the display as a focus assist station! Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired color and look.\u003c\/p\u003e\n\u003ch4\u003eAll Controls at your Fingertips\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings! A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false color and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.\u003c\/p\u003e\n\u003ch4\u003eSide Plates for Flexible Mounting Options!\u003c\/h4\u003e\n\u003cp\u003eThe innovative side plates expand the riggability of your camera even further! The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminum as the camera body and features 2 1\/4″ thread mounts and one 3\/8″ thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming! The optional Rosette Plate gives you maximum flexibility with 5 1\/4″ thread mounts and 4 3\/8″ thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms!\u003c\/p\u003e\n\u003ch4\u003ePost Production Friendly File Formats!\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes! Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/p\u003e\n\u003ch4\u003eRecord to CFexpress Cards or External Disks!\u003c\/h4\u003e\n\u003cp\u003eThe Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card! Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping! The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software!\u003c\/p\u003e\n\u003ch4\u003eBlackmagic RAW\u003c\/h4\u003e\n\u003cp\u003eThe quality of RAW and the speed of video!\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColor Temperature\u003c\/strong\u003e\u003cbr\u003eSetting the color temperature tells the camera how to interpret white and other colors in an image. Instead of saving images with color values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eContrast\u003c\/strong\u003e\u003cbr\u003eAdjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and color correcting.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eISO\u003c\/strong\u003e\u003cbr\u003eChanging the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTint\u003c\/strong\u003e\u003cbr\u003eAdjusting tint is another way you can affect the overall color balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colors in different directions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSaturation\u003c\/strong\u003e\u003cbr\u003eSaturation is the strength or purity of a color. More saturated colors are pure and less saturated colors have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colors visually pop or become muted.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExposure\u003c\/strong\u003e\u003cbr\u003eIn order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed!\u003c\/p\u003e\n\u003ch4\u003ePowered by Blackmagic OS\u003c\/h4\u003e\n\u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\n\u003ch4\u003eGeneration 5 Color Science\u003c\/h4\u003e\n\u003cp\u003eFeaturing the same generation 5 color science as the high end URSA Cine, the Blackmagic PYXIS delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve.\u003c\/p\u003e\n\u003ch4\u003eLive Sync to Blackmagic Cloud and Editors\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multi-view. Blackmagic Cloud is a revolution in global post production workflows!\u003c\/p\u003e\n\u003ch4\u003eThree Post Production Workflows!\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecord to Internal Storage - \u003c\/strong\u003eYou can record to the internal media or an external USB-C flash disk. This will allow you to browse the clips and let the camera sync your media files to other users globally.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelect and Upload Clips -\u003c\/strong\u003e If you're offline, then later when you have internet access you can browse media and manually select which clips you want to upload to Blackmagic Cloud.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecord into DaVinci Resolve - \u003c\/strong\u003eLog into Blackmagic Cloud and select a DaVinci Resolve project before recording. After each individual recording the media will automatically upload and sync to all DaVinci users on that project.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/h4\u003e\n\u003cp\u003eWhen uploading to Blackmagic Cloud, you can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Plus it works with the latest high speed 5G phones, as well as 4G phones! You can also connect via wired Ethernet using the camera’s Ethernet port. This lets you get your media out as you shoot so post production teams anywhere in the world can start work in real time! Plus on set grading can be done in a grading suite and synced back to DaVinci on set. It’s a truly global post production solution that works with Blackmagic Cloud to create amazing teams of creative people.\u003c\/p\u003e\n\u003ch4\u003eWorks with URSA Cine Viewfinder and Accessories\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included extension arm and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.\u003c\/p\u003e\n\u003ch4\u003eProfessional Connections for Custom Rigs!\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set. There’s also a mini XLR connection with 48 volt phantom power for microphones, a 3.5 mm video camera style microphone input, timecode in, reference input, headphone connection and a locking DC power connector!\u003c\/p\u003e\n\u003ch4\u003eBuilt-in Microphones and Professional Audio Inputs\u003c\/h4\u003e\n\u003cp\u003eWith professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again! Blackmagic PYXIS features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound and are ideal for recording guide tracks on location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. These audio connections allow you to record separate audio tracks using microphones, without an external mixer.\u003c\/p\u003e\n\u003ch4\u003eLoad Custom 3D LUTs to Recreate Film Looks!\u003c\/h4\u003e\n\u003cp\u003eDigital film cameras shoot logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic PYXIS works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003c\/p\u003e\n\u003ch4\u003eUSB-C for External Disks and Ethernet Control\u003c\/h4\u003e\n\u003cp\u003eThe Blackmagic PYXIS features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb\/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and color correction from the same disk straight away, eliminating file copying. You can also use the camera’s built in Ethernet port to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network!\u003c\/p\u003e\n\u003ch4\u003eBuilt In SRT and RTMP Live Streaming\u003c\/h4\u003e\n\u003cp\u003eNow you can live stream from film sets! Blackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more! For internet access, you have two options, one to connect via Ethernet or you can connect a 4G or 5G phone for mobile data! As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD! If you want to create a wireless link back to the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now the whole post production team can keep an eye on the shoot, live, while it's happening!\u003c\/p\u003e\n\u003ch4\u003eGet Multi Camera Shoots in Perfect Sync!\u003c\/h4\u003e\n\u003cp\u003eProfessional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync! Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras! Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots!\u003c\/p\u003e\n\u003ch4\u003eShoot Still Frames up to 24.6 Megapixels!\u003c\/h4\u003e\n\u003cp\u003eIn addition to shooting video, Blackmagic PYXIS can also capture high resolution stills. Simply press the dedicated stills button to record 24.6 megapixel images. Still images are saved as Blackmagic RAW, so you get a very high image quality, which is perfect for making high resolution professional prints or for later editing in DaVinci Resolve. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set.\u003c\/p\u003e\n\u003ch4\u003eLocalized in 13 Popular Languages\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS is designed to be used worldwide and supports 13 different languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide! When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language.\u003c\/p\u003e\n\u003ch4\u003eWireless Bluetooth Camera Remote Control\u003c\/h4\u003e\n\u003cp\u003eIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/p\u003e\n\u003ch4\u003ePower from Batteries or 12V DC!\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS uses high capacity BP-U series batteries. These popular batteries come in a variety of capacities and are commonly available around the world. The highest capacity BP-U series battery lets you shoot for over 3 hours on a single charge! Plus there are a wide range of battery adapters and charger plates available from third parties so never have a flat battery. When using DC power, a locking connector is used so you won't have to worry about losing power during a shoot, perfect for when your camera is out of reach on a mount or jib! You also get a set of international socket adapters for worldwide use.\u003c\/p\u003e\n\u003ch4\u003eIncludes DaVinci Resolve Studio\u003c\/h4\u003e\n\u003cp\u003eBlackmagic PYXIS includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a single software application! Now you can use the same high end software that professional editors and colorists use!\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eBlackmagic Design PYXIS 6K Cinema Box Camera - EF Mount\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":42434775744557,"sku":"7751","price":3295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/7751_01_Hero.png?v=1713139437"},{"product_id":"canon-eos-c400-cinema-camera","title":"Canon EOS C400 Cinema Camera","description":"\u003ch4\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/zjp1R2f0uQ8?si=FcYBUcX-CLyKGMvo\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/h4\u003e\n\u003ch4\u003eCanon EOS C400 Cinema Camera\u003c\/h4\u003e\n\u003cp\u003eInnovation, versatility and imaging excellence all merge in the \u003cstrong\u003eCanon EOS C400\u003c\/strong\u003e, the full frame, RF-mount cinema camera tailored for boundless creativity.\u003cbr\u003e\u003cbr\u003eThe compact camera body is well-appointed and includes Canon's newly-developed 6K full frame Back-Illuminated Stacked CMOS sensor. The EOS C400 features 6K\/60p Cinema RAW Light and 4K\/120p internal recording along with Canon’s next-generation Dual Pixel CMOS AF II, among other outstanding features. Additionally, the EOS C400 has a variety of interfaces, including return input, Ethernet, and Wi-Fi, enabling control from various Canon and third-party devices.\u003cbr\u003e\u003cbr\u003eThe EOS C400 is the ideal fusion of both functionality and form, and seamlessly integrates into almost any production with its robust and compact design.\u003c\/p\u003e\n\u003ch6\u003e6K Full Frame Back-illuminated Stacked CMOS Sensor Supports Super 35mm and Super 16 Crop Modes \u003c\/h6\u003e\n\u003cdiv style=\"text-align: start;\" data-mce-style=\"text-align: start;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features1_240x240.jpg?v=1717545170\" alt=\"\" style=\"margin-bottom: 16px; float: start;\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features1_240x240.jpg?v=1717545170\" data-mce-style=\"margin-bottom: 16px; float: start;\"\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003eThe EOS C400 is the first Cinema EOS camera to feature the newly developed, 6K back-illuminated stacked full frame CMOS sensor, which offers exceptionally low noise. The sensor delivers faster read-out speeds than previous EOS sensors and when compared to a front-illuminated CMOS sensor, the sensor’s architecture provides improved sensitivity as it increases light capturing efficiency and improves 4K image quality with 6K oversampling.\u003c\/div\u003e\n\u003ch6 style=\"text-align: start;\" data-mce-style=\"text-align: start;\"\u003e\n\u003cbr\u003eSuper 35mm and Super 16 Crop Modes\u003c\/h6\u003e\n\u003cdiv style=\"text-align: start;\" data-mce-style=\"text-align: start;\"\u003eThe EOS C400 camera’s Full Frame sensor is capable of capturing footage in both 17:9 and 16:9 formats, and supports the use of Super 35mm and Super 16mm lenses with the appropriate sensor crop modes.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\" data-mce-style=\"text-align: start;\"\u003e\u003cimg style=\"margin-bottom: 16px; float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features2_480x480.jpg?v=1717545236\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features2_480x480.jpg?v=1717545236\" data-mce-style=\"margin-bottom: 16px; float: none;\"\u003e\u003c\/div\u003e\n\u003ch6 data-mce-style=\"text-align: start;\"\u003eTriple Base ISO (800, 3200 and 12,800)\u003c\/h6\u003e\n\u003cdiv style=\"text-align: start;\" data-mce-style=\"text-align: start;\"\u003eOur newly developed, full frame 6K back-illuminated stacked sensor offers triple-base ISO, which allows the EOS C400 to deliver stunning imagery in a wide range of lighting conditions. With base ISOs of 800, 3200, and 12,800, you will be able to maximize the full dynamic range of the sensor in brilliantly lit or low-light shooting conditions.\u003cbr\u003e\u003cimg style=\"margin-bottom: 16px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features3a_480x480.jpg?v=1717545318\" data-mce-style=\"margin-bottom: 16px; float: start;\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features3a_480x480.jpg?v=1717545318\"\u003e\n\u003c\/div\u003e\n\u003ch6 data-mce-style=\"text-align: start;\"\u003eInternal Cinema RAW Light, XF-AVC Recording and New XF-HEVC S, XF-AVC S Formats\u003c\/h6\u003e\n\u003cdiv style=\"text-align: start;\" data-mce-style=\"text-align: start;\"\u003e\u003cspan data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe EOS C400 can record up to 6K 60P Cinema RAW Light with an additional three Cinema RAW Light recording modes, HQ, ST and LT also with 12-bit recording. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\" data-mce-style=\"text-align: start;\"\u003e\n\u003cp\u003eOther recording options include our standard XF-AVC codec which can record in 10-bit 4:2:2 with oversampling from the 6K sensor, creating rich detail and smooth imagery, at frame rates up to 120P, without the need for cropping the image from the sensor. For slow or fast motion recording, the C400 can support up to 4K 120P and 2K 180.  \u003cbr\u003eAdditionally, the C400 has two new recording codecs, XF-AVC S and XF-HEVC S. These formats feature an easy-to-manage naming system and folder structure, while recording in the familiar MP4 format and preserving metadata. \u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch6\u003eCFexpress Type B And SD Cards Slots\u003c\/h6\u003e\n\u003cp\u003eCFexpress and SD card slots on the EOS C400 allow for simultaneous recording even when shooting RAW. All recording options are recorded to the camera’s CFexpress slot with  sub-recording and proxy options available on the SD card slot.\u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features5_240x240.jpg?v=1717545651\" data-mce-style=\"float: start;\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features5_240x240.jpg?v=1717545651\"\u003e\u003c\/p\u003e\n\u003ch6\u003eBuilt in Mechanical ND Filters\u003c\/h6\u003e\n\u003cp\u003eThe C400’s compact mechanical ND filter assembly is specifically designed for the RF mount's short flange back. Buttons for direct control of ND filters are located on the right-hand side of the camera. \u003cbr\u003e\u003cbr\u003eThe C400 provides up to ten stops of ND filtration, allowing users to shoot in various lighting conditions. The use of ND filters allows a camera operator to adjust exposure while maintaining the depth of field. \u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features6_240x240.jpg?v=1717545731\" data-mce-style=\"float: start;\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features6_240x240.jpg?v=1717545731\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6\u003eImproved Autofocus with Dual Pixel CMOS AF II\u003c\/h6\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe C400 supports the next generation of Canon’s acclaimed Dual Pixel CMOS Autofocus, Dual Pixel CMOS AF II. The back-illuminated stacked sensor provides better light-capturing efficiency, widening the area of the sensor that can be used for AF. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features7_480x480.jpg?v=1717545796\" style=\"margin-bottom: 16px; float: none;\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features7_480x480.jpg?v=1717545796\" data-mce-style=\"margin-bottom: 16px; float: none;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cspan data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eEOS Intelligent Tracking and Recognition\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eWith outstanding speed, precision, and wide AF range, Dual Pixel CMOS AF II uses the EOS Intelligent Tracking and Recognition (iTR AF X) algorithm, developed with deep learning technology, to enable high-performance subject detection. In addition to human eyes, face, and head, the camera can now detect the body of a person and follow them with high accuracy.​ \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features8_480x480.jpg?v=1717546000\" style=\"margin-bottom: 16px; float: start;\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features8_480x480.jpg?v=1717546000\" data-mce-style=\"margin-bottom: 16px; float: start;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cspan data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eiTR AF X Animal Detection\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eiTR AF X Animal Detection detects the eyes, face, or the entire body of certain animals to enable highly accurate focusing and tracking not affected by subject size or face orientation.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003eMount Adapter PL-RF with Cooke\/i Technology Compatibility\u003c\/h6\u003e\n\u003cp\u003eThe Mount Adapter PL-RF, new to the RF ecosystem, unlocks a broad assortment of PL mount lenses for Canon’s RF cameras. The adapter is compatible with Cooke\/i Technology’s metadata protocol and includes lock plates to ensure a secure lens mount. \u003c\/p\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003c\/strong\u003eVariety of Interfaces​, Including Timecode and Genlock\u003c\/h6\u003e\n\u003cp\u003eThe C400 has diverse set of interfaces making it a versatile camera for film set production and live broadcast production.\u003cbr\u003e\u003cbr\u003eA dedicated 12-pin LENS terminal for broadcast and cine-servo lenses, 12G-SDI (SDI OUT) and 3G-SDI (MON.) for monitor outputs, two mini-XLR audio inputs (INPUT 1 and INPUT 2), DIN connectors for Time Code (TC), Genlock and return video (G-LOCK\/SYNC\/RET), a full-size HDMI (HDMI OUT), built-in Wi-Fi, Ethernet and REMOTE terminal.\u003c\/p\u003e\n\u003ch6\u003eReturn Video Input, Ethernet, and Wi-Fi Control\u003c\/h6\u003e\n\u003cp\u003e\u003cspan data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe versatile C400 has specialized functions for live productions including a return video input that notifies operators which camera is currently being broadcast live. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe built-in Ethernet port enables Canon's IP-based remote control XC Protocol. XC Protocol helps to maximize operability and remote control of camera settings. Using the XC Protocol, the camera can be operated by Canon’s RC-IP1000 and RC-IP100 controllers, and XC Protocol-enabled third-party remote control panels (RCP) can remotely shade the camera. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditionally, Canon’s Remote Control Camera Application (RCCA) can control camera settings as well as multiple cameras. The camera also features SRT protocol, enabling IP streaming of video and audio.\u003c\/p\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003c\/strong\u003eCompact, Lightweight, Ergonomic Body Design\u003c\/h6\u003e\n\u003cp\u003eThe RF mount’s short flange back allows the EOS C400 body to be small and lightweight making the camera just as comfortable on a drone or a gimbal as it is on your shoulder, a tripod, or any configuration where compact size and light weight are important.\u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features13_480x480.jpg?v=1717546239\" data-mce-style=\"float: start;\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features13_480x480.jpg?v=1717546239\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eNew LCD, Handle and Grip Design\u003c\/h6\u003e\n\u003cp\u003eThe EOS C400 ships with a variety of beneficial accessories including a new LCD touch-screen monitor, camera grip and battery pack. \u003cbr\u003e\u003cbr\u003eA new handle assembly with captive screws and Multi-function Shoe has been designed for the EOS C400. The new LCD attachment allows the camera operator to adjust the angle and distance of the LCD monitor to suit almost any shooting style including handheld and shoulder-mounted. The LCD monitor also employs the MC-5U, a USB-C cable connecting to the camera body.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features14a_240x240.jpg?v=1717546298\" data-mce-style=\"float: start;\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features14a_240x240.jpg?v=1717546298\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features14b_240x240.jpg?v=1717546326\" data-mce-style=\"float: start;\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features14b_240x240.jpg?v=1717546326\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe EOS C400 also has an ergonomic camera grip for operator comfort, with three additional assignable buttons. The grip can be articulated to achieve a range of shooting angles.\u003cbr\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features15a_240x240.jpg?v=1717546363\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features15a_240x240.jpg?v=1717546363\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features15b_240x240.jpg?v=1717546383\" style=\"float: none;\" data-mce-style=\"float: none;\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features15b_240x240.jpg?v=1717546383\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eAuto Clear Scan Mode\u003c\/h6\u003e\n\u003cp\u003eThe Auto Clear Scan setting available in the camera is an automatic shutter mode setting that can detect the frequency of light sources between 50.0 Hz to 2011.2 Hz to help reduce or virtually eliminate the flickering in some LED walls.\u003c\/p\u003e\n\u003ch6\u003eCanon Multi-Camera Control App\u003c\/h6\u003e\n\u003cp\u003eThe EOS C400 is compatible with the Canon Multi-Camera Control App for iPhone. \u003cbr\u003eThis app empowers camera operators to have control over recording start and stop, focus, zoom and iris, ND Filters, ISO, Shutter, White Balance, Custom Picture and more, all while viewing the image from the camera.\u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features17_240x240.png?v=1717546442\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c400-features17_240x240.png?v=1717546442\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eFeatures:\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e6K Full-Frame Back-illuminated stacked CMOS sensor supports Super 35mm and Super 16 modes\u003c\/li\u003e\n\u003cli\u003eTriple-base ISO (800, 3200, 12,800)\u003c\/li\u003e\n\u003cli\u003eInternal Cinema RAW Light, XF-AVC recording and new XF-HEVC S, XF-AVC S formats\u003c\/li\u003e\n\u003cli\u003eBuilt-in Mechanical ND Filters\u003c\/li\u003e\n\u003cli\u003eImproved autofocus with Dual Pixel CMOS AF II\u003c\/li\u003e\n\u003cli\u003ePL-RF Mount Adapter* with Cooke\/i Technology compatibility\u003c\/li\u003e\n\u003cli\u003eVariety of interfaces, including Timecode and Genlock\u003c\/li\u003e\n\u003cli\u003eReturn video input and Ethernet, Wi-Fi control\u003c\/li\u003e\n\u003cli\u003eCompact, lightweight, ergonomic body design\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eIn The Box:\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003eCanon EOS C400 Digital Cinema Camera\u003cbr\u003eLCD Monitor\u003cbr\u003eLCD Attachment Unit\u003cbr\u003eCanon MC-5U USB-C LCD Monitor Cable\u003cbr\u003eHandle Unit\u003cbr\u003eCamera Grip\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eCanon BP-A60N Battery Pack for EOS C400\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eCanon CA-CP300 B Compact Power Adapter for EOS C400\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eCanon CG-A20 Battery Charger for EOS C300 Mark II, C200 and C200B Batteries\u003cbr\u003eMicrophone Holder\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNote: Recording media, lenses and the Canon \u003cmeta charset=\"utf-8\"\u003ePL Mount Adapter are sold separately.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":42766432632877,"sku":"9721","price":8799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/9721_01_Hero.png?v=1717706826"},{"product_id":"canon-eos-c80","title":"Canon EOS C80 Cinema Camera","description":"\u003ch1 class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003eCanon EOS C80\u003c\/span\u003e\u003c\/b\u003e\u003c\/h1\u003e\n\u003cp class=\"summary_description\"\u003eThe \u003cstrong\u003eCanon EOS C80 RF Cinema Camera\u003c\/strong\u003e is an absolute powerhouse, combining cutting-edge technology with unmatched portability. The 6K full-frame sensor and triple-base ISO open up endless possibilities for filmmakers, allowing them to shoot in virtually any lighting condition without compromising image quality. Its versatile design makes it perfect for a wide range of production setups, while the advanced autofocus system ensures flawless precision, even with fast-moving subjects. This camera is a true game-changer for professionals looking to take their work to the next level.\u003c\/p\u003e\n\u003cdiv id=\"block-template--15586422685801__main-13e87245-3495-410d-81b9-82656dd17213\"\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003ca name=\"_Hlk165472837\"\u003e\u003c\/a\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e6K Full-frame Back-illuminated stacked CMOS sensor \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003eTriple\u003cspan class=\"normaltextrun\"\u003e\u003cspan style=\"color: #1e1c11; position: relative; top: -.5pt; mso-text-raise: .5pt;\"\u003e-base ISO (800, 3200, 12,800)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"eop\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan class=\"normaltextrun\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: #1e1c11; position: relative; top: -.5pt; mso-text-raise: .5pt;\"\u003eInternal recording: 6K 30P Cinema RAW Light, XF-AVC, XF-HEVC S and XF-AVC S\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-theme-font: minor-latin;\"\u003eDual Pixel CMOS AF II\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cspan class=\"normaltextrun\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; color: #1e1c11; position: relative; top: -.5pt; mso-text-raise: .5pt;\"\u003e12G SDI and a variety of interfaces\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"eop\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-theme-font: minor-latin;\"\u003e including Wi-Fi and Ethernet\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003ca name=\"_Hlk174353661\"\u003e\u003c\/a\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-theme-font: minor-latin;\"\u003eBuilt-in ND filters, improved body design, compact and lightweight\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eUnleashing Limitless Creativity: Canon EOS C80 RF Cinema Camera\u003c\/h3\u003e\n\u003cp\u003e\u003cimg height=\"324\" width=\"486\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/eos-c80-features19a.jpg?v=1725935224\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eStep into a world of creative freedom with the Canon EOS C80 RF Cinema Camera, designed to revolutionize the way you capture cinematic content. This camera embodies the perfect balance between portability and professional performance, making it a top choice for filmmakers and content creators alike. The 6K full-frame back-illuminated stacked CMOS sensor offers jaw-dropping detail and stunning color accuracy, while the lightweight design allows you to take your creativity anywhere—from bustling cityscapes to remote, rugged landscapes. Whether you're capturing a feature film, documentary, or live event, the EOS C80 delivers world-class image quality with unmatched flexibility.\u003c\/p\u003e\n\u003cdiv\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0750\/1017\/files\/EOS-C80-RF-Cinema-Camera-Body-12_480x480.jpg?v=1725659269\" alt=\"EOS-C80-RF-Cinema-Camera-Body-12\"\u003e\u003c\/div\u003e\n\u003ch3\u003eAdvanced Imaging Technology for Cinematic Brilliance\u003c\/h3\u003e\n\u003cp\u003eThe heart of the EOS C80 is its advanced 6K back-illuminated stacked CMOS sensor, offering filmmakers a vast dynamic range and reduced noise in all lighting conditions. This cutting-edge sensor architecture increases light-capturing efficiency, ensuring that your footage remains bright and clear, even in the most challenging environments. The triple-base ISO system (800, 3200, 12,800) pushes the boundaries of low-light performance, giving you the flexibility to shoot from the brightest daylight to dim, candle-lit settings without sacrificing image integrity. This sensor also allows for incredible 4K footage through 6K oversampling, producing smooth, detailed visuals that exceed industry standards.\u003c\/p\u003e\n\u003cp\u003eThe camera's ability to record in 6K 30P Cinema RAW Light internally opens new possibilities for filmmakers, providing a high-resolution, minimally compressed format that preserves every detail of your shot. This flexibility continues with XF-AVC and XF-HEVC codecs, allowing for efficient 10-bit 4:2:2 recording, perfect for high-end productions or fast-paced environments where storage and data management are key concerns. Whether you’re capturing slow-motion at 4K 120P or fast action at 2K 180P, the EOS C80 ensures that every frame is filled with breathtaking clarity and vivid detail, giving you maximum creative control in post-production.\u003c\/p\u003e\n\u003cdiv\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0750\/1017\/files\/EOS-C80-RF-Cinema-Camera-Body-11_480x480.jpg?v=1725659269\" alt=\"EOS-C80-RF-Cinema-Camera-Body-11\"\u003e\u003c\/div\u003e\n\u003ch3\u003ePrecision Autofocus and Versatility in Every Shot\u003c\/h3\u003e\n\u003cp\u003eCanon's renowned Dual Pixel CMOS AF II takes autofocus technology to the next level, ensuring that your subjects remain in sharp focus, no matter how fast they move. Whether you're capturing the subtle expressions of a lead actor or fast-paced wildlife scenes, this system tracks subjects with pinpoint accuracy. Powered by EOS iTR AF X technology—developed with deep learning algorithms—the camera can detect and track human faces, heads, and bodies, as well as animals, ensuring precision focus even when subjects are in motion or partially obscured. This advanced autofocus also excels in challenging conditions like low light or high contrast, where other systems may struggle.\u003c\/p\u003e\n\u003cp\u003eWhen recording high-speed footage, the EOS C80 continues to shine with its autofocus capabilities, supporting subject tracking at up to 120fps in 4K. Whether you're capturing sports, nature, or dramatic action sequences, the camera delivers smooth, responsive performance that makes your scenes come to life. The real-time autofocus feedback ensures that each shot is perfectly framed and focused, eliminating the need for constant manual adjustments.\u003c\/p\u003e\n\u003cdiv\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0750\/1017\/files\/EOS-C80-RF-Cinema-Camera-Body-14_480x480.jpg?v=1725659269\" alt=\"EOS-C80-RF-Cinema-Camera-Body-14\"\u003e\u003c\/div\u003e\n\u003ch3\u003eStreamlined for Professional Production\u003c\/h3\u003e\n\u003cp\u003eThe EOS C80’s robust connectivity options make it an indispensable tool for professional workflows. With dual SD card slots, you can record simultaneously in multiple formats or resolutions, ensuring backup and proxy files are always ready for post-production. Whether you're working on lengthy productions or capturing high-bitrate footage, the C80’s dual-card setup offers flexibility and reliability that professionals demand. Its compatibility with SD UHS-II, V90-class cards ensures fast, reliable performance during even the most data-intensive shoots.\u003c\/p\u003e\n\u003cp\u003eIn addition to its dual SD slots, the camera includes 12G-SDI and HDMI interfaces, providing high-quality, uncompressed video output for live broadcasts, studio setups, or multi-camera productions. The 12G-SDI connection supports ultra-high-definition signals over a single cable, while the full-size HDMI port allows seamless integration with external monitors and recorders. For audio, the EOS C80 features two mini-XLR inputs, offering professional-level sound recording capabilities, whether you're using external microphones or directly inputting from a soundboard. The camera’s Ethernet and Wi-Fi capabilities add even more convenience, enabling IP-based remote control through Canon’s XC Protocol, making it easier than ever to operate the camera in studio environments or from remote locations.\u003c\/p\u003e\n\u003cdiv\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0750\/1017\/files\/EOS-C80-RF-Cinema-Camera-Body-15_480x480.jpg?v=1725903666\" alt=\"EOS-C80-RF-Cinema-Camera-Body-15\"\u003e\u003c\/div\u003e\n\u003ch3\u003eErgonomics and Build Designed for Creative Freedom\u003c\/h3\u003e\n\u003cp\u003eCompact, lightweight, and versatile, the EOS C80 is built for filmmakers who need to adapt to any shooting environment. Whether you're mounting it on a gimbal, drone, or shoulder rig, its ergonomic design ensures maximum comfort and ease of use. The camera’s RF mount offers extensive lens compatibility, allowing you to use Canon’s wide range of RF lenses, as well as PL mount lenses via an adapter. This flexibility is key for productions that require specialized lenses or unique visual aesthetics.\u003c\/p\u003e\n\u003cp\u003eFor shooting in variable lighting conditions, the built-in ND filters, offering up to ten stops of filtration, give filmmakers the ability to control exposure while maintaining their desired depth of field. Whether you’re shooting in bright sunlight or indoors, the ND filters provide precise control, allowing you to keep your shots consistent and professional-looking. The C80’s redesigned joystick controller, positioned for easy access, enhances user experience, allowing filmmakers to intuitively navigate settings and make quick adjustments on the fly. Additionally, the camera’s new quarter-inch baseplate mounting hole expands your rigging options, making it even more versatile for a wide range of shooting setups.\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-left: .25in; text-align: center;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-no-proof: yes;\"\u003e\u003c!-- [if !vml]--\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003eIn The Box:\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003eEOS C80 Digital Cinema Camera\u003cbr\u003eHandle Unit\u003cbr\u003eBP-A30N Battery Pack\u003cbr\u003eCA-CP300 B Compact Power Adapter\u003cbr\u003eCG-A20 Battery Charger\u003cbr\u003eMicrophone Holder\u003cbr\u003eSS-1200 Shoulder Strap \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"mso-element: endnote-list;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"mso-element: endnote-list;\"\u003e\n\u003c!-- [if !supportEndnotes]--\u003e\u003cbr clear=\"all\"\u003e\u003chr width=\"33%\" size=\"1\" align=\"left\"\u003e\n\u003c!--[endif]--\u003e\n\u003cdiv id=\"edn1\" style=\"mso-element: endnote;\"\u003e\n\u003cp class=\"MsoEndnoteText\"\u003e\u003ca title=\"\" name=\"_edn1\" href=\"#_ednref1\" style=\"mso-endnote-id: edn1;\"\u003e\u003cspan class=\"MsoEndnoteReference\"\u003e\u003cspan style=\"mso-special-character: footnote;\"\u003e\u003c!-- [if !supportFootnotes]--\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003e[i]\u003c\/span\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e When recording in XF-AVC, XF-HEVC S and XF-AVC S in full-frame sensor mode at a frame rate of 60p or lower.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"edn2\" style=\"mso-element: endnote;\"\u003e\n\u003cp class=\"MsoEndnoteText\"\u003e\u003ca title=\"\" name=\"_edn2\" href=\"#_ednref2\" style=\"mso-endnote-id: edn2;\"\u003e\u003cspan class=\"MsoEndnoteReference\"\u003e\u003cspan style=\"mso-special-character: footnote;\"\u003e\u003c!-- [if !supportFootnotes]--\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003e[ii]\u003c\/span\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e During slow-motion recording, simultaneous recording may not be possible depending on frame rate.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"edn3\" style=\"mso-element: endnote;\"\u003e\n\u003cp class=\"MsoEndnoteText\"\u003e\u003ca title=\"\" name=\"_edn3\" href=\"#_ednref3\" style=\"mso-endnote-id: edn3;\"\u003e\u003cspan class=\"MsoEndnoteReference\"\u003e\u003cspan style=\"mso-special-character: footnote;\"\u003e\u003c!-- [if !supportFootnotes]--\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003e[iii]\u003c\/span\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e Animal detection may not be possible with some animals. Subjects that are not dogs or cats may be detected as animals in some cases.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":43024183001133,"sku":"13288","price":5499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/EOSC8001.png?v=1725938052"},{"product_id":"blackmagic-studio-cam-4kpro-g2","title":"Blackmagic Design Studio Camera 4K Pro G2","description":"\u003ch4\u003eDesigned for professional SDI switchers, you get the features of the Studio Camera Plus, as well as 12G‑SDI, XLR audio, bright HDR LCD, 5-pin XLR talkback, 10G Ethernet IP link and HD live streaming.\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003eDesigned for powerful SDI switchers, \u003cstrong\u003eBlackmagic Studio Camera 4K Pro G2\u003c\/strong\u003e adds professional 12G-SDI and 10G Ethernet connections. That's perfect when the camera is located a long distance from a switcher. There's a 12G‑SDI output and a 12G‑SDI program return input that includes camera control, talkback and tally. You also get the same powerful HDMI output with control features. Plus the 10G Ethernet connection allows all connections on a single cable for a SMPTE style workflow that's much lower cost.\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eThe ultimate self contained live production camera!\u003c\/h6\u003e\n\u003cp\u003eIntroducing the world’s most advanced self contained studio camera! Blackmagic Studio Cameras have the same features as large studio cameras, miniaturized into a single compact and portable design. Plus with digital film camera dynamic range and color science, the cameras can handle extremely difficult lighting conditions while producing cinematic looking images. The sensor features an ISO up to 25,600 so you can create amazing images even in dimly lit venues. It even works under moonlight! Advanced features include talkback, tally, camera control, built in color corrector, Blackmagic RAW recording to USB disks, live streaming and more! You can even add a focus and zoom demand for lens control!\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Studio Camera 4K Plus G2: \u003c\/strong\u003eThe perfect mini studio camera features a cinematic 4K sensor up to 25,600 ISO, MFT lens mount, 12G-SDI and HDMI, 3.5mm talkback, 7\" LCD with sunshade, color corrector and recording to USB disks.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Studio Camera 4K Pro G2: \u003c\/strong\u003eDesigned for professional SDI switchers, you get the features of the Studio Camera Plus, as well as 12G‑SDI, XLR audio, bright HDR LCD, 5-pin XLR talkback, 10G Ethernet IP link and HD live streaming.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Studio Camera 6K Pro: \u003c\/strong\u003eDesigned as the most advanced ultra portable studio camera, this model has the features of the Studio Camera 4K Pro G2 model plus a larger 6K sensor, EF lens mount and remote controllable ND filters.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch6\u003eDesigned for Live Production\u003c\/h6\u003e\n\u003cp\u003eWhile Blackmagic Studio Camera is designed for live production, it’s not limited to use with a live switcher! That’s because it records Blackmagic RAW to USB disks, so it can be used in any situation where you use a tripod! The large 7\" viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations and even weddings! The large bright display with side handles, touch screen and physical controls makes it easy to track shots while being comfortable to use for long periods of time. Because it’s so lightweight, it’s perfect when you're constantly changing locations and doing different kinds of work.\u003c\/p\u003e\n\u003ch6\u003eRevolutionary Studio Camera Design\u003c\/h6\u003e\n\u003cp\u003eLarge broadcasters use expensive studio cameras that are extremely large, so they’re not very portable. The distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because it’s a combination of camera and viewfinder all in a single compact design. It features a lightweight carbon fiber reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production so it’s easy to track and frame shots with its large 7\" viewfinder. The touchscreen has menus for camera settings, and there's knobs for brightness, contrast and focus peaking. Plus a tripod mount with mounting plate is included for fast setup!\u003c\/p\u003e\n\u003ch6\u003eExceptional Low Light Performance\u003c\/h6\u003e\n\u003cp\u003eIn advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO the more gain can be added so it’s possible to shoot in natural light, or even at night! The Blackmagic Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera, or remotely from a switcher using the SDI or Ethernet remote camera control.\u003c\/p\u003e\n\u003ch6\u003eGet Cinematic Images in Live Production!\u003c\/h6\u003e\n\u003cp\u003eAmazing sensors combined with Blackmagic generation 5 color science give you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production! Plus, when combined with the built in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. Great for both HD and Ultra HD production, the 4K models feature a resolution of 3840 x 2160 and the 6K model has a resolution of 6144 x 3456. Plus, all models support 23.98 to 60 fps.\u003c\/p\u003e\n\u003ch6\u003eAffordable Photographic Lenses!\u003c\/h6\u003e\n\u003cp\u003eWith the popular EF or MFT lens mounts, Blackmagic Studio Cameras are compatible with a wide range of affordable photographic lenses. Photographic lenses are incredible quality because they're designed for use in high resolution photography. Plus, the active lens mount lets you adjust the lens remotely! To eliminate the need to reach around to adjust the lens manually, the optional focus and zoom demands let you adjust the lens from the tripod handles just like a large studio camera! This means you avoid camera shake when adjusting the lens so you can track shots and operate the camera without taking your hands off the tripod! It gives you the same feel as an expensive B4 broadcast lens!\u003c\/p\u003e\n\u003ch6\u003eFrame Shots with Large 7\" Viewfinder\u003c\/h6\u003e\n\u003cp\u003eThe large 7\" high resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. The Pro models features an HDR display with extremely high brightness, perfect outdoors in sunlight! On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus and you can load and customize presets for different jobs. The included sun shade can be folded to protect the screen for transport plus it's compatible with sun shades from the Blackmagic Studio Viewfinder!\u003c\/p\u003e\n\u003ch6\u003ePhysical and Touchscreen Controls\u003c\/h6\u003e\n\u003cp\u003eBlackmagic Studio Cameras feature physical buttons and knobs as well as controls on the touchscreen. Knobs on the right side of the camera allow adjusting of the brightness, contrast and focus peaking. The focus peaking knob is incredibly useful as it lets you fine tune the detail highlight so you can get perfect focus as you zoom. The 3 function buttons on the left can have functions assigned to them, such as zebra, false color, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the menus. The touchscreen also includes a heads up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets.\u003c\/p\u003e\n\u003ch6\u003eBuilt-in Tally for On Air Status\u003c\/h6\u003e\n\u003cp\u003eBlackmagic Studio Cameras feature a very large tally light that illuminates red for on air, green for preview and orange for ISO recording. The tally light also includes clip on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20 feet away! The Blackmagic Studio Cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means that a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring so job setup is faster.\u003c\/p\u003e\n\u003ch6\u003eCommunicate with the Director via Talkback\u003c\/h6\u003e\n\u003cp\u003eUnlike consumer cameras, Blackmagic Studio Cameras have SDI connections that include talkback so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot at the same time! All models support 3.5mm headsets that are designed for smartphones, while the Pro models support standard 5 pin XLR broadcast headsets. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback!\u003c\/p\u003e\n\u003ch6\u003ePowerful Broadcast Connections\u003c\/h6\u003e\n\u003cp\u003eBlackmagic Studio cameras have lots of connections for connecting to both consumer and broadcast equipment. All models feature HDMI and 12G‑SDI with talkback, tally, camera control and record trigger, perfect for ATEM Mini or ATEM SDI switchers! You also get headphone and mic connections, and 2 USB‑C expansion ports. The advanced Blackmagic Studio Camera Pro models are designed for broadcast workflows so have 10GBASE‑T Ethernet and balanced XLR audio inputs. The 10G Ethernet allows all video, tally, talkback and camera power via a single connection so setup is much faster! That's just like a SMPTE fiber workflow, but using standard Category 6A copper Ethernet cable so it's much lower cost.\u003c\/p\u003e\n\u003ch6\u003eFour Ways to Connect\u003c\/h6\u003e\n\u003cp\u003eBlackmagic Studio Cameras can be connected in lots of different ways! All models feature HDMI so are perfect for HDMI switchers such as ATEM Mini. The HDMI supports video, tally, control and record trigger for a broadcast style workflow using a single HDMI cable. They also have 12G‑SDI so you can connect to SDI based switchers such as the ATEM Constellation. There's a 12G‑SDI connection for camera video, and one for program return. The program return also includes tally, talkback and remote camera control. Blackmagic Studio Camera Pro models can also use 10G Ethernet to get camera video, program return, tally, talkback, camera control and even power using a regular Cat6A Ethernet cable!\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnect via HDMI: \u003c\/strong\u003eUsing the HDMI output, you can connect to switchers such as ATEM Mini! Plus the HDMI connection supports sending tally, color corrector control and record trigger back to the camera from the switcher.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnect via SDI: \u003c\/strong\u003eUse the SDI output and the SDI program return for 2 way talkback between the camera and any SDI ATEM switcher. Tally and control is also sent to the camera via the SDI program return.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnect via Ethernet: \u003c\/strong\u003eThe 10G Ethernet connection allows all signals and camera power using a single Cat 6A copper Ethernet cable! That includes the camera video, program return, tally, talkback, camera control and more!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnect via USB Disk: \u003c\/strong\u003eYou can even shoot without a switcher as the large screen makes the camera fantastic for shooting while recording to Blackmagic RAW on a USB flash disk. The big screen makes framing shots very easy!\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch6\u003eGet Low Cost Camera Control via SDI\u003c\/h6\u003e\n\u003cp\u003eAll Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the camera's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher’s SDI program output to the camera via the SDI program input. The switcher can perform color correction, tally and lens control and these are sent to all cameras. All you need to do is select the correct camera number and it all works. Even ATEM Mini switchers can control Blackmagic Studio Cameras because the HDMI output to the switcher has return data communication that can send control information back to the camera. All this means the camera operator is free to focus on framing shots.\u003c\/p\u003e\n\u003ch6\u003eLow Cost SMPTE Fiber Style Workflow\u003c\/h6\u003e\n\u003cp\u003eThe Blackmagic Studio Camera 4K Pro G2 and 6K Pro models support connecting cameras via a single Ethernet cable. It’s so simple, just plug in and you're ready! Traditional broadcast studio cameras use SMPTE fiber to communicate and power cameras, however SMPTE fiber is very expensive. Blackmagic Studio Camera Pro models have 10G Ethernet as an alternative to SMPTE fiber so it's much lower cost. The Ethernet includes all camera video, program return feeds, tally, talkback, camera control and also power. The Blackmagic Studio Converter handles all video conversions at the switcher end plus adds power to the Ethernet cable. That means you don't need to connect power to the camera!\u003c\/p\u003e\n\u003ch6\u003eLive Streaming for Global Remote Cameras\u003c\/h6\u003e\n\u003cp\u003eNow you can place cameras remotely, anywhere in the world as the Blackmagic Studio Camera 4K Pro G2 and 6K Pro models have built in live streaming! This means you can place a camera in a remote location and it can generate a H.264 HD live stream that is sent over the internet back to the studio. Simply connect the camera to the internet using the built in Ethernet connection, or you can connect a 4G or 5G phone to the USB-C port to stream via remote data! The live stream is received in the studio by an ATEM Streaming Bridge where it's converted back to video for connection to a switcher. The ATEM Streaming Bridge can even send tally, talkback and camera control back to the camera!\u003c\/p\u003e\n\u003ch6\u003eUSB Expansion Port for Accessories\u003c\/h6\u003e\n\u003cp\u003eThe Blackmagic Studio Camera features a high speed USB-C expansion port that allows you to record to external disks, control the camera via a network or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time copying files. Or add a USB-C to Ethernet adapter to control your camera over a network via easy to use REST APIs. You can even copy files off the camera via the network! Plus plug in optional focus and zoom demands to allow full lens control, just like a large studio camera.\u003c\/p\u003e\n\u003ch6\u003eIncredible Blackmagic RAW Quality\u003c\/h6\u003e\n\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed, so add noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich color throughout the whole post production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/p\u003e\n\u003ch6\u003eIncludes Built-in Microphones\u003c\/h6\u003e\n\u003cp\u003eBlackmagic Studio Cameras include built in microphones so you get sound included in the design making setup much faster. Plus the built in microphones are shock and wind resistant, so you get great sound even in tough conditions! With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There’s also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack. On the Blackmagic Studio Camera Pro model you get professional XLR audio inputs and a built in speaker for listening to the program return audio.\u003c\/p\u003e\n\u003ch6\u003eWorld's Best Camera Audio\u003c\/h6\u003e\n\u003cp\u003eBecause the most common location to place microphones is near to cameras, the Pro models include the best audio ever designed into a studio camera! The professional 2 channel balanced XLR inputs support +24 dBu line level and have an ultra low noise microphone preamplifier with P48 phantom power alongside an equivalent input noise (E.I.N.) of -131 dBV(A). That's followed by two 117 dB high dynamic range analog to digital converters, so you get the high end audio demanded by broadcasters and audio engineers. This means any microphone plugged into the XLR inputs will have a higher level of noise than the camera's audio!\u003c\/p\u003e\n\u003ch6\u003eMonitor Program Video\u003c\/h6\u003e\n\u003cp\u003eThe Blackmagic Studio Camera lets you view program video from the switcher at the press of a button! Simply press the camera’s PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. Plus the built in speaker lets you monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means even if the camera operator is a large distance away from the switcher, they can still keep up with what’s happening and remain alert.\u003c\/p\u003e\n\u003ch6\u003eBuilt In ND Filters\u003c\/h6\u003e\n\u003cp\u003eBlackmagic Studio Camera 6K Pro features high quality, remote controllable ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters give you additional latitude even under harsh lighting. The filters are designed to filter both optical and IR wavelengths evenly, eliminating IR contamination of the images. The ND filters can be electronically controlled by the function buttons on the back of the camera, using buttons on the demand and remotely. Because they can be controlled remotely by the camera control operator, the camera operator is free to focus on getting the perfect shot!\u003c\/p\u003e\n\u003ch6\u003ePowered by Blackmagic OS\u003c\/h6\u003e\n\u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eSupports 3D LUTs for Film Looks!\u003c\/h6\u003e\n\u003cp\u003eWhen Blackmagic RAW files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer looking images on the LCD. 3D LUTs are also saved into the Blackmagic RAW files so they can be used in later post production, but they are never burned into the Blackmagic RAW image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic RAW file, but only used when you enable it.\u003c\/p\u003e\n\u003ch6\u003eLocalized in 13 Popular Languages\u003c\/h6\u003e\n\u003cp\u003eThe Blackmagic Studio Cameras are designed to be used worldwide so they support 13 popular languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Ukrainian, Chinese, Japanese or Korean. It’s easy to switch to another language simply by going into the menu settings. When switching between languages, all the on screen overlays, heads up display, and setup menus will be displayed in the selected language and you can change languages any time you like!\u003c\/p\u003e\n\u003ch6\u003ePowers From DC or 10G Ethernet\u003c\/h6\u003e\n\u003cp\u003eBlackmagic Studio Cameras have lots of different power options! All models have a common 12V DC locking power connector so the cable won't be accidentally pulled out. Plus, the camera includes a power supply with 5 different AC socket adapters for different countries. However if you're using a single Ethernet cable to connect to the Blackmagic Studio Camera Pro models, then the whole camera and its accessories can be powered from the Ethernet connection. The Blackmagic Studio Converter has a large power supply that adds PoE power to the Ethernet cable so you don't need any power connection to the camera. That’s a great solution when there's no power available where the cameras are placed!\u003c\/p\u003e\n\u003ch6\u003eOptional Accessories\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocus and Zoom Demands: \u003c\/strong\u003eThe optional zoom and focus demands can be added to turn affordable photography lenses into amazing broadcast lenses! The focus and zoom demands have USB-C connections so they work with all Blackmagic Studio Camera models. Each zoom and focus demand has 2 USB-C ports, so you can daisy chain them then connect to the camera with a single USB connection. The design has an incredibly precise feel and so you get very fine lens control, and you can frame and adjust the lens without taking your hands off the tripod handles. The buttons can be customized so you can assign different camera functions to them! Plus, hardware is included for mounting the focus and zoom demand onto tripod handles.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Studio Converter: \u003c\/strong\u003eWith 10G Ethernet on the Pro models, you can connect all signals to the camera with the one Ethernet IP link connection. That means the camera feed, return program feed, timecode, reference, tally, talkback and control are all sent down the single cable. That's the same benefits of SMPTE fiber, but the standard 10G copper Ethernet cable is much lower cost. The Blackmagic Studio Converter allows breakout of all the video, audio and talkback connections at the studio end. It also includes a massive power supply that powers the camera down the Ethernet cable, so you don't need a power source near the camera. Plus you can fit 2 per rack unit using a Blackmagic Universal Rack Shelf!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eFeatures:\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e4K studio video camera for streaming and recording\u003c\/li\u003e\n\u003cli\u003eRecord up to 60 fps at 3840 x 2160 Ultra HD filming resolution\u003c\/li\u003e\n\u003cli\u003eAuto-focus available for use with compatible video camera lenses\u003c\/li\u003e\n\u003cli\u003eEasy-use touchscreen settings with 2,000 nit brightness for flawless control in any environment\u003c\/li\u003e\n\u003cli\u003eCustomizable rotary settings dial, program button, and F1, F2, and F3 function buttons\u003c\/li\u003e\n\u003cli\u003eDual 1\/4-inch and single 3\/8-inch provide versatile mounting possibilities\u003c\/li\u003e\n\u003cli\u003eConvenient remote-control access via SDI, HDMI, or Ethernet connection\u003c\/li\u003e\n\u003cli\u003eBuilt-in stereo microphone and mono speaker\u003c\/li\u003e\n\u003cli\u003eRTMP direct livestreaming with Ethernet or USB-C shared mobile Internet connection — compatible with most major streaming platforms\u003c\/li\u003e\n\u003cli\u003eCapable of formatting to ExFAT or HFS+ file systems\u003c\/li\u003e\n\u003cli\u003ePowered with included external 12V DC power supply (includes adapter sockets for most international outlets)\u003c\/li\u003e\n\u003cli\u003eBlackmagic Camera Setup software for Mac and Windows operating systems\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eSoftware:\u003c\/h4\u003e\n\u003cp\u003eBlackmagic Camera Setup for Mac \u0026amp; Windows\u003c\/p\u003e\n\u003ch4\u003eProduct SKU:\u003c\/h4\u003e\n\u003cp\u003eCINSTUDMFT\/G24PDFG2\u003c\/p\u003e\n\u003ch4\u003eIn The Box:\u003c\/h4\u003e\n\u003cp\u003eBlackmagic Design Studio Camera 4K Pro G2\u003cbr\u003eSun Hood\u003cbr\u003eTurret Dust Cap\u003cbr\u003eUniversal Power Supply with International Socket Adapters\u003cbr\u003e15mm LWS Tripod Mount\u003cbr\u003eTally Decal Set\u003cbr\u003eDaVinci Resolve 18 Free Download\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNote: Lenses are sold separately. \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":43244391956525,"sku":"89804","price":1865.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/89804_CINSTUDMFT-G24PDFG2_01_Hero.png?v=1738181264"},{"product_id":"bmd-ursa-cine-17k-65-body","title":"Blackmagic Design URSA Cine 17K 65 Cinema Camera","description":"\u003ch3\u003eBlackmagic Design URSA Cine 17K 65 Cinema Camera\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic URSA Cine 17K 65\u003c\/strong\u003e is a revolution in digital film with an extremely large format 17520 x 8040 65mm RGBW sensor with larger photo-sites for 16 stops of dynamic range. The URSA Cine 17K 65 Body model is ideal when you have existing camera accessories that you want to use to create your own camera rig. It excludes top handle, baseplate, power supply, battery plate and LPL lens mount. It does come with an interchangeable PL lens mount, a dedicated assist station with a second 5″ HDR LCD touchscreen and industry standard Lemo and Fischer connections. Blackmagic URSA Cine 17K 65 Body also includes an 8TB media module, high speed 10G Ethernet and WiFi for fast media upload and syncing to Blackmagic Cloud.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003ch6\u003eEffective Sensor Size 50.81 mm x 23.32 mm (65mm Format)\u003c\/h6\u003e\n\u003ch6\u003ePixel Pitch 2.9 microns\u003c\/h6\u003e\n\u003ch6\u003ePL \u003cmeta charset=\"utf-8\"\u003eLens Mount. Interchangeable with optional URSA Cine Mounts, LPL, EF and HC.\u003c\/h6\u003e\n\u003ch6\u003eLens Control\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eLens data from compatible PL or LPL lenses and control of some PL lenses. Lens control of compatible EF lenses.\u003c\/p\u003e\n\u003ch6\u003eDynamic Range 16 Stops\u003c\/h6\u003e\n\u003ch6\u003eShooting Formats\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003e17,520 x 8040 (17K 2.2:1 open gate)\u003cbr\u003e16,128 x 8040 (17K 2:1)\u003cbr\u003e15,360 x 8040 (17K 17:9)\u003cbr\u003e14,304 x 8040 (17K 16:9)\u003cbr\u003e17,520 x 7296 (17K 2.4:1)\u003cbr\u003e12,288 x 8040 (12K 3:2)\u003cbr\u003e12,288 x 6912 (12K 16:9)\u003cbr\u003e12,288 x 6480 (12K 17:9)\u003cbr\u003e12,288 x 5112 (12K 2.4:1)\u003cbr\u003e9648 x 8040 (12K 6:5)\u003cbr\u003e11,680 x 5360 (8K 2.2:1 open gate)\u003cbr\u003e10,752 x 5360 (8K 2:1 full height)\u003cbr\u003e8192 x 5360 (8K 3:2)\u003cbr\u003e8192 x 4608 (8K 16:9)\u003cbr\u003e8192 x 4320 (8K 17:9)\u003cbr\u003e8192 x 3408 (8K 2.4:1)\u003cbr\u003e5840 x 2680 (4K 2.2:1 open gate)\u003cbr\u003e5376 x 2680 (4K 2:1 full height)\u003cbr\u003e4096 x 2680 (4K 3:2)\u003cbr\u003e4096 x 2304 (4K 16:9)\u003cbr\u003e4096 x 2160 (4K 17:9)\u003cbr\u003e4096 x 1704 (4K 2.4:1)\u003c\/p\u003e\n\u003ch6\u003eFrame Rates\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eProject frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Maximum sensor frame rate dependent on\u003cbr\u003eresolution selected.\u003c\/p\u003e\n\u003ch6\u003eHigh Speed Frame Rates\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003e17K 2.2:1 open gate up to 60 fps\u003cbr\u003e12K 2.4:1 up to 90fps\u003cbr\u003e8K 2.2:1 open gate up to 100 fps\u003cbr\u003e8K 2.4:1 up to 170 fps\u003c\/p\u003e\n\u003ch6\u003eNo Built in ND Filters\u003c\/h6\u003e\n\u003ch6\u003eFocus button turns on peaking, auto focus available using compatible lenses.\u003c\/h6\u003e\n\u003ch6\u003eIris Control\u003c\/h6\u003e\n\u003cp\u003eIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.\u003c\/p\u003e\n\u003ch6\u003eScreens\u003c\/h6\u003e\n\u003cp\u003e2 x Monitoring Screens\u003cbr\u003e1 x Camera Status Screen\u003c\/p\u003e\n\u003ch6\u003e5\" Monitoring Screen\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cmeta charset=\"utf-8\"\u003e1920px x 1080px Monitoring Screen Resolution\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cmeta charset=\"utf-8\"\u003e1500 nits. Monitoring Screen Brightness\u003c\/h6\u003e\n\u003ch6\u003eLCD capacitive touchscreen\u003c\/h6\u003e\n\u003ch6\u003eMetadata Support\u003c\/h6\u003e\n\u003cp\u003eAutomatically populated lens data from i\/Technology with compatible PL, LPL lenses and electronic EF and Hasselblad HC lenses when using optional EF lens mount or HC lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.\u003c\/p\u003e\n\u003ch6\u003eControls\u003c\/h6\u003e\n\u003cp\u003eTouchscreen menus on 5 inch screen.\u003cbr\u003ePush buttons for other controls.\u003cbr\u003e7 assignable shortcut keys plus 6 assignable viewfinder shortcut keys on optional URSA Cine EVF.\u003c\/p\u003e\n\u003ch6\u003eHighly accurate timecode clock. Less than 1 frame drift every 8 hours.\u003c\/h6\u003e\n\u003ch3\u003eConnections:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal Video Outputs\u003c\/strong\u003e: 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Rates\u003c\/strong\u003e: 1.5G, 3G, 6G, 12G.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog Audio Inputs\u003c\/strong\u003e: 2 x XLR analog switchable between mic, line and AES audio. Phantom power support.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog Audio Outputs\u003c\/strong\u003e: 1 x 3.5mm headphone jack\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReference Inputs\u003c\/strong\u003e: Tri-Sync\/Black Burst and Timecode.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eViewfinder\u003c\/strong\u003e: 1 x Viewfinder USB-C with video, power, camera control data and locking connector. Works with URSA Cine EVF and PYXIS Monitor.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB-C Monitor Outputs\u003c\/strong\u003e: 2 x USB-C side monitor ports support URSA Cine EVF, PYXIS Monitor or DisplayPort monitors.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAccessories\u003c\/strong\u003e: 1 x 7-pin Lemo ‘EXT’ for power out, serial communication, and run\/stop. 1 x 3-pin Fischer ‘RS’ for power out\u003cbr\u003eand run\/stop.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComputer Interface\u003c\/strong\u003e: 2 x USB-C side expansion ports for camera accessories. Software updates using side USB-C closer to rear.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEthernet\u003c\/strong\u003e: 1 x 10Gb\/s RJ‑45 connector supporting 10\/100\/1000\/10G BASE-T for SMB file sharing, Web Media Management, Blackmagic Cloud uploads, camera control and streaming.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePL Mount Lenses\u003c\/li\u003e\n\u003cli\u003eInterchangeable with optional URSA Cine Mounts, LPL, EF and HC.\n\u003cul\u003e\n\u003cli\u003eLenses and control of some PL lenses.\u003c\/li\u003e\n\u003cli\u003eLens control of compatible EF lenses.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOptional Accessories:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic URSA Cine EVF\u003c\/li\u003e\n\u003cli\u003eBlackmagic PYXIS Monitor\u003c\/li\u003e\n\u003cli\u003eBlackmagic PYXIS Monitor Kit\u003c\/li\u003e\n\u003cli\u003eBlackmagic PYXIS Monitor EVF Kit\u003c\/li\u003e\n\u003cli\u003eBlackmagic URSA Cine Mount PL\u003c\/li\u003e\n\u003cli\u003eBlackmagic URSA Cine Mount EF (for limited shooting formats)\u003c\/li\u003e\n\u003cli\u003eBlackmagic URSA Cine Mount HC\u003c\/li\u003e\n\u003cli\u003eBlackmagic URSA Cine Mount Shims\u003c\/li\u003e\n\u003cli\u003eBlackmagic URSA Cine Battery Plate B Mnt\u003c\/li\u003e\n\u003cli\u003eBlackmagic URSA Cine Battery Plate Gold\u003c\/li\u003e\n\u003cli\u003eBlackmagic URSA Cine Battery Plate VLock\u003c\/li\u003e\n\u003cli\u003eBlackmagic URSA Cine Baseplate 15\u003c\/li\u003e\n\u003cli\u003eBlackmagic URSA Cine Baseplate 19\u003c\/li\u003e\n\u003cli\u003eBlackmagic URSA Cine Handle\u003c\/li\u003e\n\u003cli\u003eBlackmagic URSA Cine Grips\u003c\/li\u003e\n\u003cli\u003eBlackmagic URSA Cine 5\" LCD Sunshade\u003c\/li\u003e\n\u003cli\u003eBlackmagic Media Dock\u003c\/li\u003e\n\u003cli\u003eBlackmagic Media Module 8TB\u003c\/li\u003e\n\u003cli\u003eATEM Streaming Bridge\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eProduct SKU:\u003c\/h3\u003e\n\u003cp\u003eCINEURSAA17K65BODY\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eBlackmagic Design URSA Cine 17K 65 Cinema Camera (Body Only)\u003cbr\u003ePL Mount (Preinstalled)\u003cbr\u003eMedia Module (8TB)\u003cbr\u003eWi-Fi Antenna Set\u003cbr\u003ePL Body Cap\u003cbr\u003eDaVinci Resolve Studio License (Download)\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":43395280666669,"sku":"22402","price":21995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/22402_CINEURSAA17K65BODY_02_Hero.png?v=1757452517"},{"product_id":"bmd-pyxis-12k-cine-box-cam-pl","title":"Blackmagic Design PYXIS 12K Cinema Box Camera - PL Mount","description":"\u003ch3\u003eBlackmagic Design PYXIS 12K Cinema Box Camera\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic PYXIS 12K PL\u003c\/strong\u003e is an advanced digital film camera with an incredibly versatile design that lets you build the perfect camera rig for your production. This new model features a 12,288 x 8040 full frame RGBW sensor with built in optical low pass filter, 16 stops of dynamic range, dual CFexpress media slots, all in a customizable body with flexible mounting options and side plates. Blackmagic PYXIS 12K PL features a fixed PL mount that works with high quality professional cinema lenses.\u003c\/p\u003e\n\u003ch6\u003e2 Great Models for Advanced Digital Film!\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic PYXIS 6K\u003c\/strong\u003e\u003cbr\u003eAdvanced digital film camera with an incredibly versatile design! Includes full frame 36 x 24mm 6K sensor, wide dynamic range and choice of EF, PL or L Mount. Records Blackmagic RAW with proxies to CFexpress.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic PYXIS 12K\u003c\/strong\u003e\u003cbr\u003eAdvanced digital film camera with a revolutionary full frame 36 x 24mm RGBW sensor up to 12288 x 8040 resolution, 16 stops dynamic range and choice of EF, PL or L Mount. Records Blackmagic RAW with proxies to CFexpress.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eDesigned for Maximum Customizability!\u003c\/h6\u003e\n\u003cp\u003eWith multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1\/4″ and 3\/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable!\u003c\/p\u003e\n\u003ch6\u003eGet the “Hollywood Look” with Digital Film!\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!\u003c\/p\u003e\n\u003ch6\u003eLarge Format Cinematic Digital Film Sensor!\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS models feature a large full frame sensor with a native resolution of 6048 x 4032 or a massive 12288 x 8040! That's almost three times larger than a Super 35 sensor and lets you shoot with a shallow depth of field or use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright light or in almost no light at all, the massive dynamic range with high performance sensor provides stunning low noise images in all lighting conditions. Plus, PYXIS lets you shoot up to 120 fps on the 6K model, or 112 fps on the PYXIS 12K. This amazing sensor combined with Blackmagic color science gives you the same quality as the most expensive digital cinema cameras.\u003c\/p\u003e\n\u003ch6\u003eFull Frame Flexibility\u003c\/h6\u003e\n\u003cp\u003eThe large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality!\u003c\/p\u003e\n\u003ch6\u003eChoose from Three Lens Mounts!\u003c\/h6\u003e\n\u003cp\u003eYou can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world! The L-Mount model works with the latest full frame lenses from Leica, Lumix and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice!\u003c\/p\u003e\n\u003ch6\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/h6\u003e\n\u003cp\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS 6K has an incredible 13 stops of dynamic range and PYXIS 12K, a massive 16 stops of dynamic range, which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading!\u003c\/p\u003e\n\u003ch6\u003eExceptional Low Light Performance\u003c\/h6\u003e\n\u003cp\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light, even at night! Blackmagic PYXIS models feature ISO up to 25,600, which means they’re optimized to minimize noise in images, while maintaining the full dynamic range of the sensor. PYXIS 6K has a native ISO of 400, which is ideal for scenes with on-set lighting and a secondary high base ISO of 3200, which is perfect for shooting in dimly lit environments. PYXIS 12K has an ISO of 200 to 3200 and is optimized for 800. This makes it easy to capture great images when you don’t have time to set up lights.\u003c\/p\u003e\n\u003ch6\u003eMultiple Resolutions and Frame Rates\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS models can shoot in all standard resolutions and frame rates from HD up to DCI 4K, 6K, 8K and even 12K. Blackmagic PYXIS 12K features a multi scale sensor with that lets you shoot in 12K, 8K or 4K at the full sensor size. Shoot up to 40 fps at 12288 x 8040 3:2 open gate or 60 fps at 12288 x 5112 2.4:1 and 112 fps at 8192 x 3408 8K. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 9.6K at 9648 x 8040. With the 6K model, you can shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16.\u003c\/p\u003e\n\u003ch6\u003eLarge 4″ LCD Monitor\u003c\/h6\u003e\n\u003cp\u003eThe built in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set! Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor! You can even use the display as a focus assist station! Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired color and look.\u003c\/p\u003e\n\u003ch6\u003eAll Controls at your Fingertips\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings! A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false color and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.\u003c\/p\u003e\n\u003ch6\u003eAdd Touchscreen Monitoring with Camera Control\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS Monitor is a versatile 5″ HDR touchscreen monitor with full camera control that can be mounted almost anywhere! It provides the same controls and overlays as PYXIS’ built in LCD, so it’s perfect to use when rigging or accessories block the internal display. Multiple mounting points make it easy to attach on any camera rig and use as a large viewfinder for easier focusing and framing. Or use it as an assist station so crew can frame and monitor shots from any position on set! There are 3 customizable buttons for quick access to zebra, focus assist, false color and more. Plus, the bright 1500 nit display and removable sunshade ensure visibility, even in sunlight!\u003c\/p\u003e\n\u003ch6\u003eSide Plates for Flexible Mounting Options!\u003c\/h6\u003e\n\u003cp\u003eThe innovative side plates expand the riggability of your camera even further! The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminum as the camera body and features 2 1\/4″ thread mounts and one 3\/8″ thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming! The optional Rosette Plate gives you maximum flexibility with 5 1\/4″ thread mounts and 4 3\/8″ thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms!\u003c\/p\u003e\n\u003ch6\u003eTransform Into a Fast Paced Broadcast Camera!\u003c\/h6\u003e\n\u003cp\u003eThe Blackmagic PYXIS Pro Handle and Pro Grip transforms Blackmagic PYXIS into a flexible run and gun camera for ENG and documentary work! The top handle includes an integrated HD OLED viewfinder with precision glass optics, making outdoor shooting easy and accurate. It also features high quality stereo microphone with an ultra low noise floor for great sound in any location. There’s even a zoom rocker, an easy to reach record start\/stop button and custom function buttons! The Pro Grip adds a secure hand strap, assignable camcorder style zoom rocker and record button, making Blackmagic PYXIS even more versatile for fast paced productions!\u003c\/p\u003e\n\u003ch6\u003ePost Production Friendly File Formats!\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes! Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in HD, 4K, 6K, 8K or even a massive 12K! Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/p\u003e\n\u003ch6\u003eRecord to CFexpress Cards or External Disks!\u003c\/h6\u003e\n\u003cp\u003eThe Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card! Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping! The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software!\u003c\/p\u003e\n\u003ch6\u003eBlackmagic RAW: The quality of RAW and the speed of video!\u003c\/h6\u003e\n\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eColor Temperature\u003c\/strong\u003e: Setting the color temperature tells the camera how to interpret white and other colors in an image. Instead of saving images with color values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContrast\u003c\/strong\u003e: Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and color correcting.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISO\u003c\/strong\u003e: Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTint\u003c\/strong\u003e: Adjusting tint is another way you can affect the overall color balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colors in different directions.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSaturation\u003c\/strong\u003e: Saturation is the strength or purity of a color. More saturated colors are pure and less saturated colors have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colors visually pop or become muted.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExposure\u003c\/strong\u003e: In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003ePowered by Blackmagic OS\u003c\/h6\u003e\n\u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\n\u003ch6\u003eGeneration 5 Color Science\u003c\/h6\u003e\n\u003cp\u003eFeaturing the same generation 5 color science as the high end URSA Cine, the Blackmagic PYXIS delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve.\u003c\/p\u003e\n\u003ch6\u003eLive Sync to Blackmagic Cloud and Editors\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post production workflows!\u003c\/p\u003e\n\u003ch6\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/h6\u003e\n\u003cp\u003eWhen uploading to Blackmagic Cloud, you can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Plus it works with the latest high speed 5G phones, as well as 4G phones! You can also connect via wired Ethernet using the camera’s Ethernet port. This lets you get your media out as you shoot so post production teams anywhere in the world can start work in real time! Plus on set grading can be done in a grading suite and synced back to DaVinci on set. It’s a truly global post production solution that works with Blackmagic Cloud to create amazing teams of creative people.\u003c\/p\u003e\n\u003ch6\u003eWorks with URSA Cine Viewfinder and Accessories\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included extension arm and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.\u003c\/p\u003e\n\u003ch6\u003eProfessional Connections for Custom Rigs!\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set. There’s also a mini XLR connection with 48 volt phantom power for microphones, a 3.5 mm video camera style microphone input, timecode in, reference input, headphone connection and a locking DC power connector!\u003c\/p\u003e\n\u003ch6\u003eBuilt-in Microphones and Professional Audio Inputs\u003c\/h6\u003e\n\u003cp\u003eWith professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again! Blackmagic PYXIS features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound and are ideal for recording guide tracks on location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. These audio connections allow you to record separate audio tracks using microphones, without an external mixer.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3.5mm Stereo Input\u003c\/li\u003e\n\u003cli\u003eXLR with Phantom Power\u003c\/li\u003e\n\u003cli\u003e3.5mm Headphone Jack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eLoad Custom 3D LUTs to Recreate Film Looks!\u003c\/h6\u003e\n\u003cp\u003eDigital film cameras shoot logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic PYXIS works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003c\/p\u003e\n\u003ch6\u003eUSB-C for External Disks and Ethernet Control\u003c\/h6\u003e\n\u003cp\u003eThe Blackmagic PYXIS features an innovative and high speed USB-C Expansion Port that operates at up to 10 Gb\/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and color correction from the same disk straight away, eliminating file copying. You can also use the camera’s built in Ethernet port to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network!\u003c\/p\u003e\n\u003ch6\u003eBuilt In SRT and RTMP Live Streaming\u003c\/h6\u003e\n\u003cp\u003eNow you can live stream from film sets! Blackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more! For internet access, you have two options, one to connect via Ethernet or you can connect a 4G or 5G phone for mobile data! As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD! If you want to create a wireless link back to the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now the whole post production team can keep an eye on the shoot, live, while it's happening!\u003c\/p\u003e\n\u003ch6\u003eGet Multi Camera Shoots in Perfect Sync!\u003c\/h6\u003e\n\u003cp\u003eProfessional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync! Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras! Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots!\u003c\/p\u003e\n\u003ch6\u003eLocalized in 13 Popular Languages\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS is designed to be used worldwide and supports 13 different languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide! When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language.\u003c\/p\u003e\n\u003ch6\u003eWireless Bluetooth Camera Remote Control\u003c\/h6\u003e\n\u003cp\u003eIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/p\u003e\n\u003ch6\u003ePower from Batteries or 12‑18V DC!\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS uses high capacity BP-U series batteries. These popular batteries come in a variety of capacities and are commonly available around the world. The highest capacity BP-U series battery lets you shoot for over 3 hours on a single charge! Plus there are a wide range of battery adapters and charger plates available from third parties so never have a flat battery. When using DC power, a locking connector is used so you won't have to worry about losing power during a shoot, perfect for when your camera is out of reach on a mount or jib! You also get a set of international socket adapters for worldwide use.\u003c\/p\u003e\n\u003ch6\u003eIncludes DaVinci Resolve Studio\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a single software application! Now you can use the same high end software that professional editors and colorists use!\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLarge-Format Full-Frame 12K Sensor\u003c\/li\u003e\n\u003cli\u003e16 Stops of Dynamic Range\u003c\/li\u003e\n\u003cli\u003eBlackmagic RAW up to 12K 3:2 Open Gate\u003c\/li\u003e\n\u003cli\u003eBuilt-In Optical Low-Pass Filter\u003c\/li\u003e\n\u003cli\u003eTwo CFexpress Card Slots, USB-C Port\u003c\/li\u003e\n\u003cli\u003eCompact Form with Switchable Side Plates\u003c\/li\u003e\n\u003cli\u003e4\" HDR LCD Touchscreen\u003c\/li\u003e\n\u003cli\u003e10GbE Ethernet Port, 10GHDBase-T Support\u003c\/li\u003e\n\u003cli\u003eHFR Button \u0026amp; Three Assignable Shortcuts\u003c\/li\u003e\n\u003cli\u003eMini-XLR \u0026amp; 3.5mm Audio Inputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePL Mount Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOptional Accessories (Sold Separately):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic URSA Cine Handle\u003c\/li\u003e\n\u003cli\u003eBlackmagic URSA Cine EVF\u003c\/li\u003e\n\u003cli\u003eBlackmagic PYXIS Rosette Plate\u003c\/li\u003e\n\u003cli\u003eBlackmagic PYXIS Monitor\u003c\/li\u003e\n\u003cli\u003eBlackmagic PYXIS Monitor Kit\u003c\/li\u003e\n\u003cli\u003eBlackmagic PYXIS Monitor EVF Kit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003e5.94 x 4.69 x 4.17\" (W x H xD)\u003c\/p\u003e\n\u003ch3\u003eProduct SKU:\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCINECAMCPYXO12LFPL\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eBlackmagic Design PYXIS 12K Cinema Box Camera - PL Mount\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eLens Turret Dust Cap\u003cbr\u003ePYXIS Standard Plate\u003cbr\u003ePYXIS SSD Plate\u003cbr\u003e90W Power Supply With Locking Connector And International Adapters\u003cbr\u003eWelcome Booklet\u003cbr\u003eDaVinci Resolve Studio Activation Key\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":43395280764973,"sku":"22374","price":5495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/22374_CINECAMCPYXO12LFPL_01_Hero.jpg?v=1746828513"},{"product_id":"bmd-pyxis-12k-cine-box-cam-lmt","title":"Blackmagic Design PYXIS 12K Cinema Box Camera - L-Mount","description":"\u003ch3\u003eBlackmagic Design PYXIS 12K Cinema Box Camera\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eBlackmagic PYXIS 12K L-Mount\u003c\/strong\u003e is an advanced digital film camera with an incredibly versatile design that lets you build the perfect camera rig for your production. This new model features a 12,288 x 8040 full frame RGBW sensor with built in optical low pass filter, 16 stops of dynamic range, dual CFexpress media slots, all in a customizable body with flexible mounting options and side plates. Blackmagic PYXIS 12K L-Mount features a fixed L-Mount that works with the latest full frame lenses and a wide range of lens adapters.\u003c\/p\u003e\n\u003ch6\u003e2 Great Models for Advanced Digital Film!\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic PYXIS 6K\u003c\/strong\u003e\u003cbr\u003eAdvanced digital film camera with an incredibly versatile design! Includes full frame 36 x 24mm 6K sensor, wide dynamic range and choice of EF, PL or L Mount. Records Blackmagic RAW with proxies to CFexpress.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic PYXIS 12K\u003c\/strong\u003e\u003cbr\u003eAdvanced digital film camera with a revolutionary full frame 36 x 24mm RGBW sensor up to 12288 x 8040 resolution, 16 stops dynamic range and choice of EF, PL or L Mount. Records Blackmagic RAW with proxies to CFexpress.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eDesigned for Maximum Customizability!\u003c\/h6\u003e\n\u003cp\u003eWith multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1\/4″ and 3\/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable!\u003c\/p\u003e\n\u003ch6\u003eGet the “Hollywood Look” with Digital Film!\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!\u003c\/p\u003e\n\u003ch6\u003eLarge Format Cinematic Digital Film Sensor!\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS models feature a large full frame sensor with a native resolution of 6048 x 4032 or a massive 12288 x 8040! That's almost three times larger than a Super 35 sensor and lets you shoot with a shallow depth of field or use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright light or in almost no light at all, the massive dynamic range with high performance sensor provides stunning low noise images in all lighting conditions. Plus, PYXIS lets you shoot up to 120 fps on the 6K model, or 112 fps on the PYXIS 12K. This amazing sensor combined with Blackmagic color science gives you the same quality as the most expensive digital cinema cameras.\u003c\/p\u003e\n\u003ch6\u003eFull Frame Flexibility\u003c\/h6\u003e\n\u003cp\u003eThe large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality!\u003c\/p\u003e\n\u003ch6\u003eChoose from Three Lens Mounts!\u003c\/h6\u003e\n\u003cp\u003eYou can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world! The L-Mount model works with the latest full frame lenses from Leica, Lumix and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice!\u003c\/p\u003e\n\u003ch6\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/h6\u003e\n\u003cp\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS 6K has an incredible 13 stops of dynamic range and PYXIS 12K, a massive 16 stops of dynamic range, which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading!\u003c\/p\u003e\n\u003ch6\u003eExceptional Low Light Performance\u003c\/h6\u003e\n\u003cp\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light, even at night! Blackmagic PYXIS models feature ISO up to 25,600, which means they’re optimized to minimize noise in images, while maintaining the full dynamic range of the sensor. PYXIS 6K has a native ISO of 400, which is ideal for scenes with on-set lighting and a secondary high base ISO of 3200, which is perfect for shooting in dimly lit environments. PYXIS 12K has an ISO of 200 to 3200 and is optimized for 800. This makes it easy to capture great images when you don’t have time to set up lights.\u003c\/p\u003e\n\u003ch6\u003eMultiple Resolutions and Frame Rates\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS models can shoot in all standard resolutions and frame rates from HD up to DCI 4K, 6K, 8K and even 12K. Blackmagic PYXIS 12K features a multi scale sensor with that lets you shoot in 12K, 8K or 4K at the full sensor size. Shoot up to 40 fps at 12288 x 8040 3:2 open gate or 60 fps at 12288 x 5112 2.4:1 and 112 fps at 8192 x 3408 8K. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 9.6K at 9648 x 8040. With the 6K model, you can shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16.\u003c\/p\u003e\n\u003ch6\u003eLarge 4″ LCD Monitor\u003c\/h6\u003e\n\u003cp\u003eThe built in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set! Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor! You can even use the display as a focus assist station! Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired color and look.\u003c\/p\u003e\n\u003ch6\u003eAll Controls at your Fingertips\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings! A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false color and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.\u003c\/p\u003e\n\u003ch6\u003eAdd Touchscreen Monitoring with Camera Control\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS Monitor is a versatile 5″ HDR touchscreen monitor with full camera control that can be mounted almost anywhere! It provides the same controls and overlays as PYXIS’ built in LCD, so it’s perfect to use when rigging or accessories block the internal display. Multiple mounting points make it easy to attach on any camera rig and use as a large viewfinder for easier focusing and framing. Or use it as an assist station so crew can frame and monitor shots from any position on set! There are 3 customizable buttons for quick access to zebra, focus assist, false color and more. Plus, the bright 1500 nit display and removable sunshade ensure visibility, even in sunlight!\u003c\/p\u003e\n\u003ch6\u003eSide Plates for Flexible Mounting Options!\u003c\/h6\u003e\n\u003cp\u003eThe innovative side plates expand the riggability of your camera even further! The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminum as the camera body and features 2 1\/4″ thread mounts and one 3\/8″ thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming! The optional Rosette Plate gives you maximum flexibility with 5 1\/4″ thread mounts and 4 3\/8″ thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms!\u003c\/p\u003e\n\u003ch6\u003eTransform Into a Fast Paced Broadcast Camera!\u003c\/h6\u003e\n\u003cp\u003eThe Blackmagic PYXIS Pro Handle and Pro Grip transforms Blackmagic PYXIS into a flexible run and gun camera for ENG and documentary work! The top handle includes an integrated HD OLED viewfinder with precision glass optics, making outdoor shooting easy and accurate. It also features high quality stereo microphone with an ultra low noise floor for great sound in any location. There’s even a zoom rocker, an easy to reach record start\/stop button and custom function buttons! The Pro Grip adds a secure hand strap, assignable camcorder style zoom rocker and record button, making Blackmagic PYXIS even more versatile for fast paced productions!\u003c\/p\u003e\n\u003ch6\u003ePost Production Friendly File Formats!\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes! Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in HD, 4K, 6K, 8K or even a massive 12K! Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/p\u003e\n\u003ch6\u003eRecord to CFexpress Cards or External Disks!\u003c\/h6\u003e\n\u003cp\u003eThe Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card! Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping! The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software!\u003c\/p\u003e\n\u003ch6\u003eBlackmagic RAW: The quality of RAW and the speed of video!\u003c\/h6\u003e\n\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eColor Temperature\u003c\/strong\u003e: Setting the color temperature tells the camera how to interpret white and other colors in an image. Instead of saving images with color values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContrast\u003c\/strong\u003e: Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and color correcting.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISO\u003c\/strong\u003e: Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTint\u003c\/strong\u003e: Adjusting tint is another way you can affect the overall color balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colors in different directions.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSaturation\u003c\/strong\u003e: Saturation is the strength or purity of a color. More saturated colors are pure and less saturated colors have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colors visually pop or become muted.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExposure\u003c\/strong\u003e: In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003ePowered by Blackmagic OS\u003c\/h6\u003e\n\u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\n\u003ch6\u003eGeneration 5 Color Science\u003c\/h6\u003e\n\u003cp\u003eFeaturing the same generation 5 color science as the high end URSA Cine, the Blackmagic PYXIS delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve.\u003c\/p\u003e\n\u003ch6\u003eLive Sync to Blackmagic Cloud and Editors\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post production workflows!\u003c\/p\u003e\n\u003ch6\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/h6\u003e\n\u003cp\u003eWhen uploading to Blackmagic Cloud, you can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Plus it works with the latest high speed 5G phones, as well as 4G phones! You can also connect via wired Ethernet using the camera’s Ethernet port. This lets you get your media out as you shoot so post production teams anywhere in the world can start work in real time! Plus on set grading can be done in a grading suite and synced back to DaVinci on set. It’s a truly global post production solution that works with Blackmagic Cloud to create amazing teams of creative people.\u003c\/p\u003e\n\u003ch6\u003eWorks with URSA Cine Viewfinder and Accessories\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included extension arm and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.\u003c\/p\u003e\n\u003ch6\u003eProfessional Connections for Custom Rigs!\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set. There’s also a mini XLR connection with 48 volt phantom power for microphones, a 3.5 mm video camera style microphone input, timecode in, reference input, headphone connection and a locking DC power connector!\u003c\/p\u003e\n\u003ch6\u003eBuilt-in Microphones and Professional Audio Inputs\u003c\/h6\u003e\n\u003cp\u003eWith professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again! Blackmagic PYXIS features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound and are ideal for recording guide tracks on location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. These audio connections allow you to record separate audio tracks using microphones, without an external mixer.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3.5mm Stereo Input\u003c\/li\u003e\n\u003cli\u003eXLR with Phantom Power\u003c\/li\u003e\n\u003cli\u003e3.5mm Headphone Jack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eLoad Custom 3D LUTs to Recreate Film Looks!\u003c\/h6\u003e\n\u003cp\u003eDigital film cameras shoot logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic PYXIS works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003c\/p\u003e\n\u003ch6\u003eUSB-C for External Disks and Ethernet Control\u003c\/h6\u003e\n\u003cp\u003eThe Blackmagic PYXIS features an innovative and high speed USB-C Expansion Port that operates at up to 10 Gb\/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and color correction from the same disk straight away, eliminating file copying. You can also use the camera’s built in Ethernet port to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network!\u003c\/p\u003e\n\u003ch6\u003eBuilt In SRT and RTMP Live Streaming\u003c\/h6\u003e\n\u003cp\u003eNow you can live stream from film sets! Blackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more! For internet access, you have two options, one to connect via Ethernet or you can connect a 4G or 5G phone for mobile data! As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD! If you want to create a wireless link back to the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now the whole post production team can keep an eye on the shoot, live, while it's happening!\u003c\/p\u003e\n\u003ch6\u003eGet Multi Camera Shoots in Perfect Sync!\u003c\/h6\u003e\n\u003cp\u003eProfessional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync! Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras! Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots!\u003c\/p\u003e\n\u003ch6\u003eLocalized in 13 Popular Languages\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS is designed to be used worldwide and supports 13 different languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide! When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language.\u003c\/p\u003e\n\u003ch6\u003eWireless Bluetooth Camera Remote Control\u003c\/h6\u003e\n\u003cp\u003eIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/p\u003e\n\u003ch6\u003ePower from Batteries or 12‑18V DC!\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS uses high capacity BP-U series batteries. These popular batteries come in a variety of capacities and are commonly available around the world. The highest capacity BP-U series battery lets you shoot for over 3 hours on a single charge! Plus there are a wide range of battery adapters and charger plates available from third parties so never have a flat battery. When using DC power, a locking connector is used so you won't have to worry about losing power during a shoot, perfect for when your camera is out of reach on a mount or jib! You also get a set of international socket adapters for worldwide use.\u003c\/p\u003e\n\u003ch6\u003eIncludes DaVinci Resolve Studio\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a single software application! Now you can use the same high end software that professional editors and colorists use!\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLarge-Format Full-Frame 12K Sensor\u003c\/li\u003e\n\u003cli\u003e16 Stops of Dynamic Range\u003c\/li\u003e\n\u003cli\u003eBlackmagic RAW up to 12K 3:2 Open Gate\u003c\/li\u003e\n\u003cli\u003eBuilt-In Optical Low-Pass Filter\u003c\/li\u003e\n\u003cli\u003eTwo CFexpress Card Slots, USB-C Port\u003c\/li\u003e\n\u003cli\u003eCompact Form with Switchable Side Plates\u003c\/li\u003e\n\u003cli\u003e4\" HDR LCD Touchscreen\u003c\/li\u003e\n\u003cli\u003e10GbE Ethernet Port, 10GHDBase-T Support\u003c\/li\u003e\n\u003cli\u003eHFR Button \u0026amp; Three Assignable Shortcuts\u003c\/li\u003e\n\u003cli\u003eMini-XLR \u0026amp; 3.5mm Audio Inputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eL Mount Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOptional Accessories (Sold Separately):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic URSA Cine Handle\u003c\/li\u003e\n\u003cli\u003eBlackmagic URSA Cine EVF\u003c\/li\u003e\n\u003cli\u003eBlackmagic PYXIS Rosette Plate\u003c\/li\u003e\n\u003cli\u003eBlackmagic PYXIS Monitor\u003c\/li\u003e\n\u003cli\u003eBlackmagic PYXIS Monitor Kit\u003c\/li\u003e\n\u003cli\u003eBlackmagic PYXIS Monitor EVF Kit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003e5.94 x 4.69 x 4.17\" (W x H xD)\u003c\/p\u003e\n\u003ch3\u003eProduct SKU:\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eCINECAMCPYXM12LFL\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eBlackmagic Design PYXIS 12K Cinema Box Camera - L-Mount\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eLens Turret Dust Cap\u003cbr\u003ePYXIS Standard Plate\u003cbr\u003ePYXIS SSD Plate\u003cbr\u003e90W Power Supply With Locking Connector And International Adapters\u003cbr\u003eWelcome Booklet\u003cbr\u003eDaVinci Resolve Studio Activation Key\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":43395280797741,"sku":"22367","price":5495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/22367_CINECAMCPYXM12LFL_01_Hero.jpg?v=1746828263"},{"product_id":"bmd-pyxis-12k-cine-box-cam-ef","title":"Blackmagic Design PYXIS 12K Cinema Box Camera - EF Mount","description":"\u003ch3\u003eBlackmagic Design PYXIS 12K Cinema Box Camera\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eBlackmagic PYXIS 12K EF\u003c\/strong\u003e is an advanced digital film camera with an incredibly versatile design that lets you build the perfect camera rig for your production. This new model features a 12,288 x 8040 full frame RGBW sensor with built in optical low pass filter, 16 stops of dynamic range, dual CFexpress media slots, all in a customizable body with flexible mounting options and side plates. Blackmagic PYXIS 12K EF features a fixed locking EF mount that works with Canon compatible photo and cine lenses.\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003e2 Great Models for Advanced Digital Film!\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic PYXIS 6K\u003c\/strong\u003e\u003cbr\u003eAdvanced digital film camera with an incredibly versatile design! Includes full frame 36 x 24mm 6K sensor, wide dynamic range and choice of EF, PL or L Mount. Records Blackmagic RAW with proxies to CFexpress.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic PYXIS 12K\u003c\/strong\u003e\u003cbr\u003eAdvanced digital film camera with a revolutionary full frame 36 x 24mm RGBW sensor up to 12288 x 8040 resolution, 16 stops dynamic range and choice of EF, PL or L Mount. Records Blackmagic RAW with proxies to CFexpress.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eDesigned for Maximum Customizability!\u003c\/h6\u003e\n\u003cp\u003eWith multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1\/4″ and 3\/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable!\u003c\/p\u003e\n\u003ch6\u003eGet the “Hollywood Look” with Digital Film!\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!\u003c\/p\u003e\n\u003ch6\u003eLarge Format Cinematic Digital Film Sensor!\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS models feature a large full frame sensor with a native resolution of 6048 x 4032 or a massive 12288 x 8040! That's almost three times larger than a Super 35 sensor and lets you shoot with a shallow depth of field or use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright light or in almost no light at all, the massive dynamic range with high performance sensor provides stunning low noise images in all lighting conditions. Plus, PYXIS lets you shoot up to 120 fps on the 6K model, or 112 fps on the PYXIS 12K. This amazing sensor combined with Blackmagic color science gives you the same quality as the most expensive digital cinema cameras.\u003c\/p\u003e\n\u003ch6\u003eFull Frame Flexibility\u003c\/h6\u003e\n\u003cp\u003eThe large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality!\u003c\/p\u003e\n\u003ch6\u003eChoose from Three Lens Mounts!\u003c\/h6\u003e\n\u003cp\u003eYou can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world! The L-Mount model works with the latest full frame lenses from Leica, Lumix and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice!\u003c\/p\u003e\n\u003ch6\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/h6\u003e\n\u003cp\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS 6K has an incredible 13 stops of dynamic range and PYXIS 12K, a massive 16 stops of dynamic range, which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading!\u003c\/p\u003e\n\u003ch6\u003eExceptional Low Light Performance\u003c\/h6\u003e\n\u003cp\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light, even at night! Blackmagic PYXIS models feature ISO up to 25,600, which means they’re optimized to minimize noise in images, while maintaining the full dynamic range of the sensor. PYXIS 6K has a native ISO of 400, which is ideal for scenes with on-set lighting and a secondary high base ISO of 3200, which is perfect for shooting in dimly lit environments. PYXIS 12K has an ISO of 200 to 3200 and is optimized for 800. This makes it easy to capture great images when you don’t have time to set up lights.\u003c\/p\u003e\n\u003ch6\u003eMultiple Resolutions and Frame Rates\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS models can shoot in all standard resolutions and frame rates from HD up to DCI 4K, 6K, 8K and even 12K. Blackmagic PYXIS 12K features a multi scale sensor with that lets you shoot in 12K, 8K or 4K at the full sensor size. Shoot up to 40 fps at 12288 x 8040 3:2 open gate or 60 fps at 12288 x 5112 2.4:1 and 112 fps at 8192 x 3408 8K. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 9.6K at 9648 x 8040. With the 6K model, you can shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16.\u003c\/p\u003e\n\u003ch6\u003eLarge 4″ LCD Monitor\u003c\/h6\u003e\n\u003cp\u003eThe built in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set! Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor! You can even use the display as a focus assist station! Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired color and look.\u003c\/p\u003e\n\u003ch6\u003eAll Controls at your Fingertips\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings! A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false color and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.\u003c\/p\u003e\n\u003ch6\u003eAdd Touchscreen Monitoring with Camera Control\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS Monitor is a versatile 5″ HDR touchscreen monitor with full camera control that can be mounted almost anywhere! It provides the same controls and overlays as PYXIS’ built in LCD, so it’s perfect to use when rigging or accessories block the internal display. Multiple mounting points make it easy to attach on any camera rig and use as a large viewfinder for easier focusing and framing. Or use it as an assist station so crew can frame and monitor shots from any position on set! There are 3 customizable buttons for quick access to zebra, focus assist, false color and more. Plus, the bright 1500 nit display and removable sunshade ensure visibility, even in sunlight!\u003c\/p\u003e\n\u003ch6\u003eSide Plates for Flexible Mounting Options!\u003c\/h6\u003e\n\u003cp\u003eThe innovative side plates expand the riggability of your camera even further! The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminum as the camera body and features 2 1\/4″ thread mounts and one 3\/8″ thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming! The optional Rosette Plate gives you maximum flexibility with 5 1\/4″ thread mounts and 4 3\/8″ thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms!\u003c\/p\u003e\n\u003ch6\u003eTransform Into a Fast Paced Broadcast Camera!\u003c\/h6\u003e\n\u003cp\u003eThe Blackmagic PYXIS Pro Handle and Pro Grip transforms Blackmagic PYXIS into a flexible run and gun camera for ENG and documentary work! The top handle includes an integrated HD OLED viewfinder with precision glass optics, making outdoor shooting easy and accurate. It also features high quality stereo microphone with an ultra low noise floor for great sound in any location. There’s even a zoom rocker, an easy to reach record start\/stop button and custom function buttons! The Pro Grip adds a secure hand strap, assignable camcorder style zoom rocker and record button, making Blackmagic PYXIS even more versatile for fast paced productions!\u003c\/p\u003e\n\u003ch6\u003ePost Production Friendly File Formats!\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes! Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in HD, 4K, 6K, 8K or even a massive 12K! Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/p\u003e\n\u003ch6\u003eRecord to CFexpress Cards or External Disks!\u003c\/h6\u003e\n\u003cp\u003eThe Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card! Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping! The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software!\u003c\/p\u003e\n\u003ch6\u003eBlackmagic RAW: The quality of RAW and the speed of video!\u003c\/h6\u003e\n\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eColor Temperature\u003c\/strong\u003e: Setting the color temperature tells the camera how to interpret white and other colors in an image. Instead of saving images with color values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContrast\u003c\/strong\u003e: Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and color correcting.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISO\u003c\/strong\u003e: Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTint\u003c\/strong\u003e: Adjusting tint is another way you can affect the overall color balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colors in different directions.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSaturation\u003c\/strong\u003e: Saturation is the strength or purity of a color. More saturated colors are pure and less saturated colors have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colors visually pop or become muted.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExposure\u003c\/strong\u003e: In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003ePowered by Blackmagic OS\u003c\/h6\u003e\n\u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\n\u003ch6\u003eGeneration 5 Color Science\u003c\/h6\u003e\n\u003cp\u003eFeaturing the same generation 5 color science as the high end URSA Cine, the Blackmagic PYXIS delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve.\u003c\/p\u003e\n\u003ch6\u003eLive Sync to Blackmagic Cloud and Editors\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post production workflows!\u003c\/p\u003e\n\u003ch6\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/h6\u003e\n\u003cp\u003eWhen uploading to Blackmagic Cloud, you can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Plus it works with the latest high speed 5G phones, as well as 4G phones! You can also connect via wired Ethernet using the camera’s Ethernet port. This lets you get your media out as you shoot so post production teams anywhere in the world can start work in real time! Plus on set grading can be done in a grading suite and synced back to DaVinci on set. It’s a truly global post production solution that works with Blackmagic Cloud to create amazing teams of creative people.\u003c\/p\u003e\n\u003ch6\u003eWorks with URSA Cine Viewfinder and Accessories\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included extension arm and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.\u003c\/p\u003e\n\u003ch6\u003eProfessional Connections for Custom Rigs!\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set. There’s also a mini XLR connection with 48 volt phantom power for microphones, a 3.5 mm video camera style microphone input, timecode in, reference input, headphone connection and a locking DC power connector!\u003c\/p\u003e\n\u003ch6\u003eBuilt-in Microphones and Professional Audio Inputs\u003c\/h6\u003e\n\u003cp\u003eWith professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again! Blackmagic PYXIS features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound and are ideal for recording guide tracks on location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. These audio connections allow you to record separate audio tracks using microphones, without an external mixer.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3.5mm Stereo Input\u003c\/li\u003e\n\u003cli\u003eXLR with Phantom Power\u003c\/li\u003e\n\u003cli\u003e3.5mm Headphone Jack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eLoad Custom 3D LUTs to Recreate Film Looks!\u003c\/h6\u003e\n\u003cp\u003eDigital film cameras shoot logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic PYXIS works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003c\/p\u003e\n\u003ch6\u003eUSB-C for External Disks and Ethernet Control\u003c\/h6\u003e\n\u003cp\u003eThe Blackmagic PYXIS features an innovative and high speed USB-C Expansion Port that operates at up to 10 Gb\/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and color correction from the same disk straight away, eliminating file copying. You can also use the camera’s built in Ethernet port to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network!\u003c\/p\u003e\n\u003ch6\u003eBuilt In SRT and RTMP Live Streaming\u003c\/h6\u003e\n\u003cp\u003eNow you can live stream from film sets! Blackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more! For internet access, you have two options, one to connect via Ethernet or you can connect a 4G or 5G phone for mobile data! As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD! If you want to create a wireless link back to the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now the whole post production team can keep an eye on the shoot, live, while it's happening!\u003c\/p\u003e\n\u003ch6\u003eGet Multi Camera Shoots in Perfect Sync!\u003c\/h6\u003e\n\u003cp\u003eProfessional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync! Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras! Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots!\u003c\/p\u003e\n\u003ch6\u003eLocalized in 13 Popular Languages\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS is designed to be used worldwide and supports 13 different languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide! When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language.\u003c\/p\u003e\n\u003ch6\u003eWireless Bluetooth Camera Remote Control\u003c\/h6\u003e\n\u003cp\u003eIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/p\u003e\n\u003ch6\u003ePower from Batteries or 12‑18V DC!\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS uses high capacity BP-U series batteries. These popular batteries come in a variety of capacities and are commonly available around the world. The highest capacity BP-U series battery lets you shoot for over 3 hours on a single charge! Plus there are a wide range of battery adapters and charger plates available from third parties so never have a flat battery. When using DC power, a locking connector is used so you won't have to worry about losing power during a shoot, perfect for when your camera is out of reach on a mount or jib! You also get a set of international socket adapters for worldwide use.\u003c\/p\u003e\n\u003ch6\u003eIncludes DaVinci Resolve Studio\u003c\/h6\u003e\n\u003cp\u003eBlackmagic PYXIS includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a single software application! Now you can use the same high end software that professional editors and colorists use!\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLarge-Format Full-Frame 12K Sensor\u003c\/li\u003e\n\u003cli\u003e16 Stops of Dynamic Range\u003c\/li\u003e\n\u003cli\u003eBlackmagic RAW up to 12K 3:2 Open Gate\u003c\/li\u003e\n\u003cli\u003eBuilt-In Optical Low-Pass Filter\u003c\/li\u003e\n\u003cli\u003eTwo CFexpress Card Slots, USB-C Port\u003c\/li\u003e\n\u003cli\u003eCompact Form with Switchable Side Plates\u003c\/li\u003e\n\u003cli\u003e4\" HDR LCD Touchscreen\u003c\/li\u003e\n\u003cli\u003e10GbE Ethernet Port, 10GHDBase-T Support\u003c\/li\u003e\n\u003cli\u003eHFR Button \u0026amp; Three Assignable Shortcuts\u003c\/li\u003e\n\u003cli\u003eMini-XLR \u0026amp; 3.5mm Audio Inputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With: \u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon EF Mount Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOptional Accessories (Sold Separately):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic URSA Cine Handle\u003c\/li\u003e\n\u003cli\u003eBlackmagic URSA Cine EVF\u003c\/li\u003e\n\u003cli\u003eBlackmagic PYXIS Rosette Plate\u003c\/li\u003e\n\u003cli\u003eBlackmagic PYXIS Monitor\u003c\/li\u003e\n\u003cli\u003eBlackmagic PYXIS Monitor Kit\u003c\/li\u003e\n\u003cli\u003eBlackmagic PYXIS Monitor EVF Kit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003e5.94 x 4.69 x 4.17\" (W x H xD)\u003c\/p\u003e\n\u003ch3\u003eProduct SKU:\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCINECAMCPYXN12LFEF\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eBlackmagic Design PYXIS 12K Cinema Box Camera - EF Mount\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eLens Turret Dust Cap\u003cbr\u003ePYXIS Standard Plate\u003cbr\u003ePYXIS SSD Plate\u003cbr\u003e90W Power Supply With Locking Connector And International Adapters\u003cbr\u003eWelcome Booklet\u003cbr\u003eDaVinci Resolve Studio Activation Key\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":43395280830509,"sku":"22346","price":5495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/22346_CINECAMCPYXN12LFEF_01_Hero.jpg?v=1746828397"},{"product_id":"sony-fx3a-cinema-full-frame","title":"Sony FX3A Full-Frame Cinema Camera","description":"\u003ch3\u003eCinema Line full-frame ultra compact camera with Fast Hybrid \u0026amp; Real-time Eye AF, 4K (Quad Full High Definition) high-frame-rate 120fps, 15+ stop dynamic range, and S-Cinetone color science.\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eSony FX3A\u003c\/strong\u003e is perfect for solo shooters, travel use, and as a secondary camera with its compact design. With a blend of features from the Cinema Line and Alpha series, this portable cinema camera is optimized for on-the-go filming. You'll find all the expected high-quality imaging capabilities, but in a new lightweight, handheld body that allows for direct attachment of accessories without a cage.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eIn Service Of Cinematic Expression\u003c\/h3\u003e\n\u003ch6\u003eFull-Frame Image Capture Even In Dim Light\u003c\/h6\u003e\n\u003cp\u003eThe FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600.\u003c\/p\u003e\n\u003ch6\u003eWide Dynamic Range, Wider Creative Expression\u003c\/h6\u003e\n\u003cp\u003eThe FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in color grading.\u003c\/p\u003e\n\u003ch6\u003eStunning Bokeh And Full-Frame Creativity\u003c\/h6\u003e\n\u003cp\u003eCapture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor.\u003c\/p\u003e\n\u003ch6\u003eCinematic Color Science Of S-Cinetone\u003c\/h6\u003e\n\u003cp\u003eS-Cinetone color, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich color and natural skin tones that match other Cinema Line cameras without grading.\u003c\/p\u003e\n\u003ch6\u003e4K 120Fps2 With Every Frame In Focus \u003c\/h6\u003e\n\u003cp\u003eEven at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S\u0026amp;Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output).\u003c\/p\u003e\n\u003ch6\u003e10-Bit S-Log3 And HDR Recording For Smooth Gradations\u003c\/h6\u003e\n\u003cp\u003eS-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality color reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production.\u003c\/p\u003e\n\u003ch6\u003e16-Bit Raw HDMI Output \u003c\/h6\u003e\n\u003cp\u003eFor demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4.\u003c\/p\u003e\n\u003ch6\u003eEnjoy Rich Detail And Realistic Color\u003c\/h6\u003e\n\u003cp\u003eThe FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 color sampling with All Intra on top of Long-GOP compression. This makes it possible to push your color grades further while still retaining natural gradation, for true editing freedom.\u003c\/p\u003e\n\u003cp\u003e[1] All-Intra (All-I)\u003cbr\u003e[2] Long-GOP\u003cbr\u003e[3] Group of Pictures \u003c\/p\u003e\n\u003ch6\u003eCompensation For Focus Breathing\u003c\/h6\u003e\n\u003cp\u003eWith the breathing compensation function turned on, the camera allows you to shoot movies with more stable images when you used with compatible lenses5.\u003c\/p\u003e\n\u003cp\u003eThe breathing metadata can also be recorded so that you can apply compensation with the latest Catalyst Browse\/Prepare Plugin software during post-production.\u003c\/p\u003e\n\u003ch3\u003eDesigned for Comfortable Solo Shooting\u003c\/h3\u003e\n\u003ch6\u003eDependable, Highly Accurate Autofocus\u003c\/h6\u003e\n\u003cp\u003eThe wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame6.  The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2.\u003c\/p\u003e\n\u003ch6\u003eSophisticated Tracking AF for Steady Focus\u003c\/h6\u003e\n\u003cp\u003eSophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms.\u003c\/p\u003e\n\u003ch6\u003eSmooth Transitions And Touch Focus Control\u003c\/h6\u003e\n\u003cp\u003eThe FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customize how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor.\u003c\/p\u003e\n\u003ch6\u003eAdvantages Of Sony’s Lenses For Video Shooting\u003c\/h6\u003e\n\u003cp\u003eLearn the four unique advantages of using Sony's E-mount lens for video shooting. The combination of Sony's lenses and cameras will enhance your video creation experience.\u003c\/p\u003e\n\u003ch6\u003eHigh-Mobility Performance Wherever You Go\u003c\/h6\u003e\n\u003cp\u003eWith its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.\u003c\/p\u003e\n\u003ch6\u003eAttachable XLR Handle\u003c\/h6\u003e\n\u003cp\u003eA handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots.7\u003c\/p\u003e\n\u003ch6\u003eIn-Camera Image Stabilization\u003c\/h6\u003e\n\u003cp\u003eActive Mode8,9,10 is an optical in-body 5-axis image stabilization system that provides increased stabilization for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.7\u003c\/p\u003e\n\u003cp\u003e[1, 2] angular shake (pitch and yaw)\u003cbr\u003e[3, 4] shift shake (X and Y axes),\u003cbr\u003e[5] rotational shake (roll on Z axis)\u003c\/p\u003e\n\u003ch6\u003eImage Stabilization And Easier Editing With Catalyst\u003c\/h6\u003e\n\u003cp\u003eCamera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilized in post-production. Using Sony's Catalyst Browse \/ Catalyst Prepare desktop application you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data.7\u003c\/p\u003e\n\u003ch3\u003eExpandability and Operability for Content Creators\u003c\/h3\u003e\n\u003ch6\u003eFront and Rear Tally Lamps \u003c\/h6\u003e\n\u003cp\u003eTally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera.\u003c\/p\u003e\n\u003ch6\u003eVari-angle LCD Touch-Panel Monitor\u003c\/h6\u003e\n\u003cp\u003eThe 3.0-type (2.36 million-dot11) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings.\u003c\/p\u003e\n\u003ch6\u003eEssential Controls For Efficient Solo Shooting\u003c\/h6\u003e\n\u003cp\u003eIn addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly.\u003c\/p\u003e\n\u003ch6\u003eUninterrupted 4K\/60p12 Recording\u003c\/h6\u003e\n\u003cp\u003eFor uninterrupted 4K\/60p12 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots.7\u003c\/p\u003e\n\u003ch6\u003eXlr Adaptor And Digital Input For Quality Audio\u003c\/h6\u003e\n\u003cp\u003eIn addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. \u003c\/p\u003e\n\u003ch6\u003eDual High-Speed Media Slots \u003c\/h6\u003e\n\u003cp\u003eDesigned for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible.\u003c\/p\u003e\n\u003ch6\u003eWireless Monitoring And Remote Control\u003c\/h6\u003e\n\u003cp\u003eConnecting a smartphone or tablet to the camera with the Monitor \u0026amp; Control app enables wireless monitoring, high-precision exposure adjustment, and focus control on a larger screen.\u003c\/p\u003e\n\u003ch6\u003eUpload Videos To The Could Or Your Smartphone\u003c\/h6\u003e\n\u003cp\u003eCreators' App is a smartphone application that allows you to connect your Sony camera to the cloud, enhancing functionality and convenience for shooting and sharing.\u003c\/p\u003e\n\u003ch6\u003eCreators' Cloud Platform\u003c\/h6\u003e\n\u003cp\u003eCreators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e4K Full-Frame Sensor w\/ 15+ Stop Dynamic Range3 And High Sensitivity\u003c\/li\u003e\n\u003cli\u003eS-Cinetone, Expressive Cinematic Look Inspired by VENICE Colorimetry\u003c\/li\u003e\n\u003cli\u003eUp to 4K 120p1 10-bit 4:2:2 and full pixel readout in all rec. modes\u003c\/li\u003e\n\u003cli\u003eCompact cage free design w\/ ¼”-20 mounting points and XLR top handle\u003c\/li\u003e\n\u003cli\u003eUninterrupted4 4K 60p rec. w\/ cooling fan for effective heat sink\u003c\/li\u003e\n\u003cli\u003eXLR on top handle, digital MI shoe and 3.5mm jack audio options \u003c\/li\u003e\n\u003cli\u003eDirect Iris, ISO and Shutter exposure control, optimized for video\u003c\/li\u003e\n\u003cli\u003eReal-time Eye-AF5 and Real-time AF tracking for movie shooting\u003c\/li\u003e\n\u003cli\u003e5-Axis in-body image stabilization with selectable Active mode6\u003c\/li\u003e\n\u003cli\u003eDesigned for movie shooting including Zoom lever and Tally lights\u003c\/li\u003e\n\u003cli\u003eISO2 up to 409,600 w\/ low noise even at higher ISO\u003c\/li\u003e\n\u003cli\u003eIncredible autofocus w\/ 627 phase detection AF points, 89% coverage7\u003c\/li\u003e\n\u003cli\u003e7x Adjustable AF Transition Speeds, 5x AF Subject Shift Sensitivity\u003c\/li\u003e\n\u003cli\u003eUp to 4K 120p1 in XAVC S, XAVC HS (Long GOP) and XAVC S-I (All-I) \u003c\/li\u003e\n\u003cli\u003ePicture Profiles including S-Cinetone, HLG8 and S-Log 2 \u0026amp; 3\u003c\/li\u003e\n\u003cli\u003e10 in-camera customizable Creative Looks for stills and movies\u003c\/li\u003e\n\u003cli\u003e16-bit RAW movie output up to 4K 60p via HDMI Type-A connector9\u003c\/li\u003e\n\u003cli\u003eFast readout for high frame rates, fast AF, minimal rolling shutter\u003c\/li\u003e\n\u003cli\u003eDual card slots, both compatible with CFexpress Type A and SDXC\/SDHC\u003c\/li\u003e\n\u003cli\u003eRigid magnesium alloy body w\/ dust and moisture resistant sealing10\u003c\/li\u003e\n\u003cli\u003eSmallest Cinema Line camera optimized for solo movie shooting\u003c\/li\u003e\n\u003cli\u003e12.1MP11 JPEG, RAW and HEIF still image options up to 10fps with AF\/AE\u003c\/li\u003e\n\u003cli\u003eFast BIONZ XR processing engine delivers 8x more processing power12\u003c\/li\u003e\n\u003cli\u003eVisible Light and IR Sensor improves WB accuracy in artificial light\u003c\/li\u003e\n\u003cli\u003eNo 29m up to 50s continuous recording limit for movie shooting\u003c\/li\u003e\n\u003cli\u003eImaging Edge mobile application13 for camera control and file transfer\u003c\/li\u003e\n\u003cli\u003eMobile tethering for LTE 4\/5 G live streaming and FTP data transfer\u003c\/li\u003e\n\u003cli\u003eSuperSpeed USB-C with power delivery14 and Ethernet wired LAN15\u003c\/li\u003e\n\u003cli\u003eHigh-speed 2.4 and 5GHz Wi-Fi16 \/ FTP transfer and wireless PC remote16\u003c\/li\u003e\n\u003cli\u003e3” Flip-out, vari-angle LCD monitor w\/ touch menu and controls\u003c\/li\u003e\n\u003cli\u003eNew menu layout w\/ intuitive 3 level structure and touch navigation\u003c\/li\u003e\n\u003cli\u003eLong Z-battery life extendable via USB Type C with Power Delivery14\u003c\/li\u003e\n\u003cli\u003eE-Mount maximized with 59 Sony E-Mount lenses (as of Feb 2021)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSony\u003cspan\u003e E Mount Lenses\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eProduct SKU:\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eILME-FX3A\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eSony FX3A Full-Frame Cinema Camera\u003cbr\u003eSony XLR-H1 XLR Handle Unit\u003cbr\u003eAccessory Shoe Cap\u003cbr\u003eAccessory Shoe Kit\u003cbr\u003eSony BC-ZD1 Battery Charger\u003cbr\u003eBody Cap\u003cbr\u003eHandle Shoe Cap\u003cbr\u003ePower Cord\u003cbr\u003eSony NP-FZ100 Battery (2280mAh)\u003cbr\u003eUSB Type-A to Type-C Cable (USB 3.2)\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNote: This is the Camera Body only. Lenses \u0026amp; Memory Cards are sold separately. \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e-----\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFootnotes:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1    120p has a 1.1x crop. XAVC S-I 4K 60p 10-bit 4:2:2 requires SDXC V90 or faster. XAVC S \/ XAVC HS 4K 120p 10-bit 4:2:2 requires SDXC V60 or faster. XAVC S HD 240p 10-bit 4:2:2 requires SDXC V60 or faster. XAVC S-I (S\u0026amp;Q) 4K 120p 10-bit 4:2:2 requires CFexpress Type A (VPG200 or higher). CFexpress Type A supports all internal shooting modes.\u003cbr\u003e2    ISO range: [Stills] 80-102,400 (Standard), 40-409,600 (Expanded), [Movies] 80-102,400 (Standard), 80-409,600 (Expanded)\u003cbr\u003e3    Movie shooting with S-Log 3. Sony test conditions. May require color grading.\u003cbr\u003e4    Uninterrupted 4K 60p recording based on Sony internal tests. USB power supply, XAVC S-I (All-I), 4K 60p 10-bit 4:2:2, 25 deg C \/ 77 deg F (ambient, camera temperature when recording started), Auto power off temperature: High, Cooing fan: Auto.  The duration will vary depending on the shooting conditions. The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit)\u003cbr\u003e5    Human \u0026amp; animal. Animal Eye-AF not available in movie mode.\u003cbr\u003e6    Slight 1.1x (10%) image crop in Active Mode. “Standard” setting recommended for focal lengths of 200mm or longer. Active Mode is not available when recording at frame rates of 120 fps (100 fps PAL) or higher, or when using S\u0026amp;Q.\u003cbr\u003e7    Maximum AF points and area coverage. This varies according to the recording modes. 627 phase detection AF points with 89% coverage for movie. 759 phase detection AF points with 92% coverage for stills.\u003cbr\u003e8    HLG is a high dynamic range TV format specified by the international ITU-R BT.2100 standard\u003cbr\u003e9    Requires optional compatible external recorder.\u003cbr\u003e10    Not guaranteed to be 100% dust and water resistant.\u003cbr\u003e11    10.2 effective megapixels for movies and 12.1 effective megapixels for stills.\u003cbr\u003e12    Compared to previous BIONZ X processing engine.\u003cbr\u003e13    Latest version Image Edge desktop application is required. Available for free for iOS and Android. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.\u003cbr\u003e14    USB charging and power delivery are only supported via the USB Type-C® terminal. A battery must be installed in the camera when supplying USB power. The internal battery may drain even if USB power is supplied, depending on the adapter used and camera operating conditions.\u003cbr\u003e15    Via optional adaptor\u003cbr\u003e16    Models sold in some countries\/regions support IEEE 802.11b\/g\/n (2.4 GHz) only. 5GHz communication may be restricted in some countries and regions.\u003cbr\u003e17    Audio recording not available in the S\u0026amp;Q mode.\u003cbr\u003e18    Supported in Catalyst Browse\/Prepare Version 2020.1 or later. Image stabilization metadata that can be used by Catalyst is generated when using a Sony E-mount lens with the camera’s optical image stabilization set to [OFF] or [Active].\u003cbr\u003e19    USB PD compatible power supply and USB cable are not included for the Battery Charger BC-ZD1 (supplied). Simultaneous two-battery charging requires a USB PD compatible power supply that can deliver 30W or higher. Single-battery charging requires a USB PD compatible power supply that can deliver 18W or higher. A USB cable that can handle 3A or more is required in both cases.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":43470997258285,"sku":"23601","price":3899.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/23601_ILME-FX3A_01_Hero.jpg?v=1747172587"},{"product_id":"fx2","title":"Sony FX2 Full-Frame Cinema Camera with XLR Handle","description":"\u003ch3\u003eA new versatile tool for cinematic expression\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThe latest entry to our Cinema Line, the \u003cstrong\u003eFX2\u003c\/strong\u003e delivers newfound versatility by combining the high-quality imagery produced by a full-frame sensor with expressive capabilities modelled on Sony’s flagship VENICE cinema camera, enabling you to bring your creative visions to life through video or photos.\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eCinematic Expression With A Full-Frame Sensor\u003c\/h6\u003e\n\u003cdiv\u003eThe full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R CMOS sensor supported by our BIONZ XR image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP*1 resolution, giving ambitious cinematic visionaries all the tools they need.\u003c\/div\u003e\n\u003ch6\u003eOutstanding Image Quality For Maximum Editing Flexibility\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2’s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3*2, ensuring even high-contrast scenes are captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3\/S-Gamut3.Cine color gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.\u003c\/div\u003e\n\u003ch6\u003eLog Recording Modes For Production Flexibility\u003c\/h6\u003e\n\u003cdiv\u003eFor creative flexibility, there are three modes available for Log recording — Flexible ISO, Cine EI, and Cine EI Quick — with Cine EI widely used in professional filmmaking for footage shot with post-production*3*4 in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing specific tonal ranges to be enhanced in post-production to achieve your desired cinematic look.\u003c\/div\u003e\n\u003ch6\u003eMultiple Recording Formats For Versatile Shooting And Editing\u003c\/h6\u003e\n\u003cdiv\u003e7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p)*5 recording is available in Super 35mm mode. Professional quality is supported by 10-bit depth, 4:2:2 color sampling, an efficient MPEG-H HEVC\/H.265 codec, and Intra recording including DCI-4K (4096 x 2160).\u003c\/div\u003e\n\u003ch6\u003eImport Up To 16 User Luts\u003c\/h6\u003e\n\u003cdiv\u003eWith the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies. Up to 16 user LUT files*7 can be imported from memory cards or Sony’s Creators’ Cloud and selected as needed*8. The LUT used for recording can then be embedded in the video metadata.\u003c\/div\u003e\n\u003ch6\u003eCreate Moods Right In The Camera\u003c\/h6\u003e\n\u003cdiv\u003ePicture Profile presets make it easy to adjust color and gradation to create a variety of moods in camera. These include the acclaimed S-Cinetone, which can help produce beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.\u003c\/div\u003e\n\u003ch6\u003eDesqueeze Display For Anamorphic Lenses\u003c\/h6\u003e\n\u003cdiv\u003eAnamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings*9, and Sony’s Monitor \u0026amp; Control app provides even more detailed settings for monitoring on a tablet or other external display devices*10.\u003c\/div\u003e\n\u003ch6\u003eFrame Rate Freedom\u003c\/h6\u003e\n\u003cdiv\u003eAn FPS menu inherits features from our professional Cinema Line models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion*11 at 4K resolution, or up to 5x slow motion*11 when recording in Full HD at up to 120 fps.*12\u003c\/div\u003e\n\u003ch6\u003eAn Extensive Range Of Expressive E-Mount Lenses\u003c\/h6\u003e\n\u003cdiv\u003eSony offers a range of more than 70 high-performance E-mount lenses*13, including ultra-wide angles, super telephoto zooms, primes and powered zooms. Combine with Sony microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.\u003c\/div\u003e\n\u003ch3\u003eDesigned For Solo Shooting\u003c\/h3\u003e\n\u003cdiv\u003eCombining advanced video functions from our Cinema Line with enhanced options for stills that support filmmaking, the FX2 is designed to handle solo shooting in a wide range of circumstances, giving you maximum flexibility.\u003c\/div\u003e\n\u003ch6\u003eCompact And Lightweight With Built-In Accessory Mount Points\u003c\/h6\u003e\n\u003cdiv\u003eWith the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 1\/4-20 (UNC) screw holes in three locations for mounting accessories, and two additional screw holes are located on the bottom panel for secure tripod mounting.\u003c\/div\u003e\n\u003ch6\u003eAI-Based Real-Time Recognition AF\u003c\/h6\u003e\n\u003cdiv\u003eEquipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects*14. A detection frame indicates the recognized subject*15 and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognizes subject movement, and human eye recognition has been improved by about 30% compared to the FX3\/FX30*16.\u003c\/div\u003e\n\u003ch6\u003eFine-Tuned Focus Control\u003c\/h6\u003e\n\u003cdiv\u003eAF Assist*17 allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualize depth of field by overlaying focus info on the live view display, and the Breathing Compensation function*18 can significantly enhance image stability.\u003c\/div\u003e\n\u003ch6\u003eAutomatic Framing Using Advanced Ai\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2’s Auto Framing feature*19 automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.\u003c\/div\u003e\n\u003ch6\u003eStabilization For Dynamic Handheld Shooting\u003c\/h6\u003e\n\u003cdiv\u003eActive Mode boosts stabilization while walking and shooting. Or, for shooting at an even faster pace, there’s Dynamic active Mode that utilizes electronic stabilization for an even greater effect (up to 30%*20), making it possible to shoot stable footage even when running*21. Corresponding stabilization metadata is embedded in the footage for efficient post-production.*21\u003c\/div\u003e\n\u003ch6\u003eStills At The Flip Of A Switch\u003c\/h6\u003e\n\u003cdiv\u003eA single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10 fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to capture stills while recording or playing video that has a previously imported user LUT.\u003c\/div\u003e\n\u003ch6\u003eVisual Consistency Across Stills And Videos\u003c\/h6\u003e\n\u003cdiv\u003eThe Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post-production. Transform your stills in editing applications such as Black Magic Design DaVinci Resolve, ready for a variety of uses while maintaining the same look.*23\u003c\/div\u003e\n\u003ch3\u003eOperability For Professional Filmmaking\u003c\/h3\u003e\n\u003cdiv\u003eThe FX2 is well-suited for professional projects, supporting an expedient workflow throughout production.\u003c\/div\u003e\n\u003ch6\u003eTiltable High-Definition Electronic Viewfinder\u003c\/h6\u003e\n\u003cdiv\u003eKeep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 diopter), and the angle of view and eyepoint are optimized for video recording. The viewfinder itself can be rotated from 0 ° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.*24\u003c\/div\u003e\n\u003ch6\u003eFrequently Used Parameters All In One Place\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed\/angle), Aperture or ND Filter, Look, and White Balance. This screen contributes to smooth, intuitive operation, and provides quick access to Variable\/Fixed parameters.\u003c\/div\u003e\n\u003ch6\u003eEffective Heat Management\u003c\/h6\u003e\n\u003cdiv\u003eEnjoy uninterrupted video recording time for formats up to 4K 59.94p*25. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilization unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.\u003c\/div\u003e\n\u003ch6\u003ePlenty Of Power For Long Shoots\u003c\/h6\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time*26 or up to 155 minutes of continuous shooting*27. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD)*28. The optional DC-C1 DC Coupler can supply stable power without occupying the camera’s USB Type-C® terminal.\u003c\/span\u003e\u003c\/div\u003e\n\u003ch6\u003eDigital Audio Without Degradation\u003c\/h6\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eWith an XLR Handle Unit XLR-H1*29 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.\u003c\/span\u003e\u003c\/div\u003e\n\u003ch6\u003eEasy Live Streaming\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2 is also a great choice for live streaming to a computer via USB (UVC\/UAC) or a wireless or wired LAN*30 network. You can stream up to 4K (3840 x 2160) 59.94p*31 video via LAN while simultaneously recording to the camera’s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.\u003c\/div\u003e\n\u003ch6\u003eCFexpress Type A Memory Card Support\u003c\/h6\u003e\n\u003cdiv\u003eTwo card slots support SDXC\/SDHC UHS-II\/UHS-I memory cards, with one also supporting CFexpress Type A*32 cards, providing plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.\u003c\/div\u003e\n\u003ch6\u003e4:2:2 10-BIT or 16-BIT RAW Output Via HDMI\u003c\/h6\u003e\n\u003cdiv\u003eAn HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post-production. 16-bit RAW video is output*31 at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]\/[29.97p]\/[23.98p]\/[24.00p] frame rates. Video output via HDMI can occur simultaneously with proxy recording to an internal memory card.\u003c\/div\u003e\n\u003ch6\u003eCompact, Yet Easy To Operate\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2 boasts the size and weight advantages of mirrorless cameras while delivering professional operability, concentrating key controls around the grip and with easily pressable long-stroke buttons on the top panel.\u003c\/div\u003e\n\u003ch6\u003eDust And Moisture Resistant Design*34\u003c\/h6\u003e\n\u003cdiv\u003eNumerous refinements in the body design have enhanced dust and moisture resistance*34, ensuring maximum reliability even in austere outdoor conditions.\u003c\/div\u003e\n\u003ch6\u003eDurable Magnesium Alloy Body\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2’s main body is constructed from a lightweight magnesium alloy to enhance durability and performance even in harsh environments.\u003c\/div\u003e\n\u003ch6\u003eConnectivity For High Expandability\u003c\/h6\u003e\n\u003cdiv\u003eIn addition to an HDMI Type-A port, the FX2 is equipped with a USB Type-C port for power and communication, Multi\/Micro USB terminal, a headphone jack and a mic jack, allowing high expandability for diverse shooting situations and needs.\u003c\/div\u003e\n\u003ch6\u003eFlexible Vari-Angle Lcd Monitor\u003c\/h6\u003e\n\u003cdiv\u003eThe high-definition 3.0 type vari-angle 1.03 million dot LCD monitor can be rotated through a wide range of angles without interference from an HDMI cable. Touch operation remains available when the monitor is open in a sideways position.\u003c\/div\u003e\n\u003ch6\u003eTally Lamps And High Visibility Recording Indication\u003c\/h6\u003e\n\u003cdiv\u003eThe camera is equipped with tally lamps on both its front (top) and back. The illuminated REC button also functions as a tally lamp linked to the rear lamp, and a red frame on the LCD monitor acts as another indicator for recording.\u003c\/div\u003e\n\u003ch6\u003eMonitor \u0026amp; Control\u003c\/h6\u003e\n\u003cdiv\u003eSony’s Monitor \u0026amp; Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad*35*36 All of this can contribute to smoother workflows with a minimal crew.\u003c\/div\u003e\n\u003ch6\u003eCatalyst Browse, Catalyst Prepare\/Plugin\u003c\/h6\u003e\n\u003cdiv\u003eThe Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK\/NG\/KEEP flags*37 added while recording can also be imported for easier shot selection. Image stabilization, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post-production.\u003c\/div\u003e\n\u003ch6\u003eCreators' Cloud Platform\u003c\/h6\u003e\n\u003cdiv\u003eCreators' Cloud is a platform that supports creative work from shooting to production by combining Sony's advanced camera technology and the cloud. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.\u003c\/div\u003e\n\u003ch6\u003eCloud Upload (Camera Direct)\u003c\/h6\u003e\n\u003cdiv\u003eRecorded files can be directly uploaded to Creators’ Cloud*38 storage from the camera without having to transfer via a smartphone or other device. Once in the Creators’ Cloud, data can be transferred to other cloud services such as Ci Media Cloud, Google Drive or Adobe Lightroom to suit your workflow.*39\u003c\/div\u003e\n\u003ch3\u003eFor A Better Planet\u003c\/h3\u003e\n\u003ch6\u003eEnvironmentally Conscious\u003c\/h6\u003e\n\u003cdiv\u003eSony’s environmental plan “Road to Zero” aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimized from development through the supply chain, production, and packaging.\u003c\/div\u003e\n\u003ch6\u003eNon-Plastic Packaging Materials\u003c\/h6\u003e\n\u003cdiv\u003eSony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimizing environmental stress.\u003c\/div\u003e\n\u003ch6\u003eGreater Accessibility For All Users\u003c\/h6\u003e\n\u003cdiv\u003eAccessibility features, such as a menu magnifier and a screen reader*40 that reads an expanded range of menu items aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more make the joys of photography and moviemaking available to the widest possible range of users.\u003c\/div\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFull-frame Exmor R CMOS 33MP*1 sensor and BIONZ XR image processor engine\u003c\/li\u003e\n\u003cli\u003e15+ stops dynamic range in Log mode with Dual base ISO (800\/4000)\u003c\/li\u003e\n\u003cli\u003eFlexible Log shooting modes — Flexible ISO, Cine EI, and Cine EI Quick\u003c\/li\u003e\n\u003cli\u003eAngle-adjustable EVF\u003c\/li\u003e\n\u003cli\u003e\"BIG6\" interface\u003c\/li\u003e\n\u003cli\u003eAI-based Real-time Recognition AF for various objects*14 \u003c\/li\u003e\n\u003cli\u003eCompact body for handheld shooting; Cage free design \u003c\/li\u003e\n\u003cli\u003eLog shooting mode for stills shares the same video post-production workflow\u003c\/li\u003e\n\u003cli\u003eActive Mode\/Dynamic active Mode image stabilization*21\u003c\/li\u003e\n\u003cli\u003eUp to 16 LUT files*7 can be imported by memory card or Creator's Cloud\u003c\/li\u003e\n\u003cli\u003eUninterrupted*25 movie recording capability up to 4K 60p (59.94p)\u003c\/li\u003e\n\u003cli\u003e12 Creative Look profiles for in-camera visual moods.\u003c\/li\u003e\n\u003cli\u003eAnamorphic de-squeeze display for easy anamorphic monitoring \u003c\/li\u003e\n\u003cli\u003eFPS menu for frame-rate control: 2.5x slow motion*11 at 4K \/ 5x slow motion in Full HD*12\u003c\/li\u003e\n\u003cli\u003eSony offers more than 70 E-mount lenses*13 to support all shooting styles.\u003c\/li\u003e\n\u003cli\u003eAF Assist*17 empowers manual focus with AF transition speed and sensitivity settings\u003c\/li\u003e\n\u003cli\u003eAuto framing and crops and tracks subject to keep in prominent position\u003c\/li\u003e\n\u003cli\u003eA switch for MOVIE or STILL mode saves and recalls settings for each\u003c\/li\u003e\n\u003cli\u003eCooling managed via internal fan, thermal components, and a design that facilitates air intake\u003c\/li\u003e\n\u003cli\u003eNP-FZ100 battery provides up to 100 minutes actual video time*26\u003c\/li\u003e\n\u003cli\u003eXLR-H1*29 enables four-channel audio, 24-bit audio via connectors, and a digital audio interface\u003c\/li\u003e\n\u003cli\u003eStream up to 4K 59.94p*31 video via LAN*30\u003c\/li\u003e\n\u003cli\u003eTwo SD card slots with one supporting CFexpress Type A*32 cards\u003c\/li\u003e\n\u003cli\u003e4:2:2 10-bit or 16-bit RAW output to external recorder\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eConnectivity:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eApps:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCatalyst Browse And Catalyst Prepare\u003c\/li\u003e\n\u003cli\u003eMonitor \u0026amp; Control\u003c\/li\u003e\n\u003cli\u003eCreators' Cloud\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eProduct SKU:\u003c\/h3\u003e\n\u003cp\u003eILME-FX2 (With XLR handle)\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eSony FX2 Full-Frame Cinema Camera \u003cbr\u003eSony ILME-FX2B (Body only)\u003cbr\u003eSony NP-FZ100 Rechargeable Battery \u003cbr\u003eSony ALC-B1EM Body Cap\u003cbr\u003eSony Accessory Shoe Cap\u003cbr\u003eSony Eyepiece Cup\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSony Top Handle Unit with XLR Input Module    \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSony Handle Shoe Cap\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNote: \u003c\/strong\u003e\u003c\/em\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eLenses are sold separately. \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e-----\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFootnotes:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1    Effective megapixels. Approx. 27.6 MP for video.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2    S-Log3 recording. Sony test conditions.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e3    Catalyst Browse, Catalyst Prepare, and\/or Catalyst Prepare Plugin required for post production.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e4    See the following web page for details on Log recording: https:\/\/helpguide.sony.net\/di\/pp\/v1\/en\/index.html\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e5    Recording in 4K 60p (59.94p) is only available when using APS-C\/Super 35mm mode.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e6    The available frame rate options change depending on the recording settings.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e7    17 and 33 point CUBE (.cube) files supported.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e8    For app\/service availability by country and region, see https:\/\/creatorscloud.sony.net\/catalog\/servicearea.html\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e9    Desqueeze is not applied to still images created with the [Create Still Image] function even if an anamorphic lens has been used.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e10    See the following web page for details: https:\/\/www.sony.net\/ccmc\/\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e11    [Variable] must be selected when recording at 60 fps 23.98p. Audio is not recorded.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e12    Because the recording bit rate increases when FPS is set to [Variable], a high-speed memory card may be required.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e13    As of the May 2025 product announcement. Sony survey.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e14    Available subject settings are: AUTO, Human, Animal\/Bird, Animal, Bird, Insect, Car\/Train, and Airplane. Subject types other than the type specified may be erroneously recognised in some cases. The camera will attempt to automatically determine the subject type when [Auto] is selected, but the intended subject may not be selected in all cases. In such cases manually select the intended subject type.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e15    The detection frame is OFF by default.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e16    Compared to the FX3\/FX30. Sony tests.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e17    Not available with the E PZ 16-50mm F3.5-5.6 OSS, E PZ 16-50mm F3.5-5.6 OSS II, E 18-200mm F3.5-6.3 OSS LE E-mount lenses or any A-mount lens.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e18    Compatible lenses are listed at: https:\/\/www.sony.net\/dics\/breathing\/. Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e19    Framing is cropped from 4K images, resulting in reduced angle of view.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e20    Compared to Active Mode, Sony tests.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e21    Angle of view is reduced in Active Mode. In Dynamic active Mode, angle of view is reduced more than in Active Mode and Clear Image Zoom is not available. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e22    Using Sony’s Catalyst Browse and Catalyst Prepare apps, or the Catalyst Prepare Plugin.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e23    Log images have low contrast that can be difficult to monitor. The [Gamma Display Assist] function restores normal contrast for easier monitoring.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e24    Mounted Multi Interface (MI) Shoe accessories may interfere with EVF tilt. Visit Sony’s support web page for compatibility information.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e25    Sony internal tests. USB power supply, XAVC S-I (All-I), 4K 60p 10-bit 4:2:2, 25 deg C (ambient, camera when recording started), Auto power off temperature: High, Cooling fan: Auto. The duration will vary depending on the shooting conditions. The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e26    CIPA standard. Approx. time in LCD monitor mode with intermittent record, zoom, standby, power ON\/OFF operation.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e27    CIPA standard. In LCD monitor mode.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e28    A USB PD compatible power supply device with 9V\/3A or higher output capacity and a USB Type-C cable that can handle 3A or more are required.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e29    The XLR Handle Unit XLR-H1 is not included with the ILME-FX2B (body-only model).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e30    A commercially available USB-LAN adaptor is required.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e31    The output image will be in the APS-C size \/Super 35mm equivalent angle of view.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e32    CFexpress 4 standard not supported. CFexpress 4 memory cards will function according to CFexpress 2 standard. CFexpress Type B cards not supported.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e33    The output image will be in the APS-C size \/Super 35mm equivalent angle of view.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e34    Not guaranteed to be 100% dust and moisture proof. The XLR Handle Unit XLR-H1 is not designed to be dust and moisture resistant.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e35    iPadOS 16.0 or higher required. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e36    iPadOS is a registered trademark of Apple Inc. in the United States and\/or other countries.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e37    Refer to the following web page for details: https:\/\/www.sony.net\/catalyst　\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e38    Creators’ App and Creators’ Cloud Web set-up is necessary.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e39    Refer to the following link for information on availability in various countries and regions: https:\/\/creatorscloud.sony.net\/catalog\/servicearea.html\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e40    Availability varies depending on region and language. Pre-installation of compatible audio files may be necessary. Please refer to the Accessibility section in Help Guide of this model.　\u003c\/em\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":43680528171053,"sku":"24034","price":3099.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/24034_ILME-FX2-With-XLR-handle-_01_Hero.png?v=1748451192"},{"product_id":"fx2b","title":"Sony FX2 Full-Frame Cinema Camera","description":"\u003ch3\u003eA new versatile tool for cinematic expression\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThe latest entry to our Cinema Line, the \u003cstrong\u003eFX2\u003c\/strong\u003e delivers newfound versatility by combining the high-quality imagery produced by a full-frame sensor with expressive capabilities modelled on Sony’s flagship VENICE cinema camera, enabling you to bring your creative visions to life through video or photos.\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eCinematic Expression With A Full-Frame Sensor\u003c\/h6\u003e\n\u003cdiv\u003eThe full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R CMOS sensor supported by our BIONZ XR image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP*1 resolution, giving ambitious cinematic visionaries all the tools they need.\u003c\/div\u003e\n\u003ch6\u003eOutstanding Image Quality For Maximum Editing Flexibility\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2’s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3*2, ensuring even high-contrast scenes are captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3\/S-Gamut3.Cine color gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.\u003c\/div\u003e\n\u003ch6\u003eLog Recording Modes For Production Flexibility\u003c\/h6\u003e\n\u003cdiv\u003eFor creative flexibility, there are three modes available for Log recording — Flexible ISO, Cine EI, and Cine EI Quick — with Cine EI widely used in professional filmmaking for footage shot with post-production*3*4 in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing specific tonal ranges to be enhanced in post-production to achieve your desired cinematic look.\u003c\/div\u003e\n\u003ch6\u003eMultiple Recording Formats For Versatile Shooting And Editing\u003c\/h6\u003e\n\u003cdiv\u003e7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p)*5 recording is available in Super 35mm mode. Professional quality is supported by 10-bit depth, 4:2:2 color sampling, an efficient MPEG-H HEVC\/H.265 codec, and Intra recording including DCI-4K (4096 x 2160).\u003c\/div\u003e\n\u003ch6\u003eImport Up To 16 User Luts\u003c\/h6\u003e\n\u003cdiv\u003eWith the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies. Up to 16 user LUT files*7 can be imported from memory cards or Sony’s Creators’ Cloud and selected as needed*8. The LUT used for recording can then be embedded in the video metadata.\u003c\/div\u003e\n\u003ch6\u003eCreate Moods Right In The Camera\u003c\/h6\u003e\n\u003cdiv\u003ePicture Profile presets make it easy to adjust color and gradation to create a variety of moods in camera. These include the acclaimed S-Cinetone, which can help produce beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.\u003c\/div\u003e\n\u003ch6\u003eDesqueeze Display For Anamorphic Lenses\u003c\/h6\u003e\n\u003cdiv\u003eAnamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings*9, and Sony’s Monitor \u0026amp; Control app provides even more detailed settings for monitoring on a tablet or other external display devices*10.\u003c\/div\u003e\n\u003ch6\u003eFrame Rate Freedom\u003c\/h6\u003e\n\u003cdiv\u003eAn FPS menu inherits features from our professional Cinema Line models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion*11 at 4K resolution, or up to 5x slow motion*11 when recording in Full HD at up to 120 fps.*12\u003c\/div\u003e\n\u003ch6\u003eAn Extensive Range Of Expressive E-Mount Lenses\u003c\/h6\u003e\n\u003cdiv\u003eSony offers a range of more than 70 high-performance E-mount lenses*13, including ultra-wide angles, super telephoto zooms, primes and powered zooms. Combine with Sony microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.\u003c\/div\u003e\n\u003ch3\u003eDesigned For Solo Shooting\u003c\/h3\u003e\n\u003cdiv\u003eCombining advanced video functions from our Cinema Line with enhanced options for stills that support filmmaking, the FX2 is designed to handle solo shooting in a wide range of circumstances, giving you maximum flexibility.\u003c\/div\u003e\n\u003ch6\u003eCompact And Lightweight With Built-In Accessory Mount Points\u003c\/h6\u003e\n\u003cdiv\u003eWith the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 1\/4-20 (UNC) screw holes in three locations for mounting accessories, and two additional screw holes are located on the bottom panel for secure tripod mounting.\u003c\/div\u003e\n\u003ch6\u003eAI-Based Real-Time Recognition AF\u003c\/h6\u003e\n\u003cdiv\u003eEquipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects*14. A detection frame indicates the recognized subject*15 and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognizes subject movement, and human eye recognition has been improved by about 30% compared to the FX3\/FX30*16.\u003c\/div\u003e\n\u003ch6\u003eFine-Tuned Focus Control\u003c\/h6\u003e\n\u003cdiv\u003eAF Assist*17 allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualize depth of field by overlaying focus info on the live view display, and the Breathing Compensation function*18 can significantly enhance image stability.\u003c\/div\u003e\n\u003ch6\u003eAutomatic Framing Using Advanced Ai\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2’s Auto Framing feature*19 automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.\u003c\/div\u003e\n\u003ch6\u003eStabilization For Dynamic Handheld Shooting\u003c\/h6\u003e\n\u003cdiv\u003eActive Mode boosts stabilization while walking and shooting. Or, for shooting at an even faster pace, there’s Dynamic active Mode that utilizes electronic stabilization for an even greater effect (up to 30%*20), making it possible to shoot stable footage even when running*21. Corresponding stabilization metadata is embedded in the footage for efficient post-production.*21\u003c\/div\u003e\n\u003ch6\u003eStills At The Flip Of A Switch\u003c\/h6\u003e\n\u003cdiv\u003eA single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10 fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to capture stills while recording or playing video that has a previously imported user LUT.\u003c\/div\u003e\n\u003ch6\u003eVisual Consistency Across Stills And Videos\u003c\/h6\u003e\n\u003cdiv\u003eThe Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post-production. Transform your stills in editing applications such as Black Magic Design DaVinci Resolve, ready for a variety of uses while maintaining the same look.*23\u003c\/div\u003e\n\u003ch3\u003eOperability For Professional Filmmaking\u003c\/h3\u003e\n\u003cdiv\u003eThe FX2 is well-suited for professional projects, supporting an expedient workflow throughout production.\u003c\/div\u003e\n\u003ch6\u003eTiltable High-Definition Electronic Viewfinder\u003c\/h6\u003e\n\u003cdiv\u003eKeep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 diopter), and the angle of view and eyepoint are optimized for video recording. The viewfinder itself can be rotated from 0 ° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.*24\u003c\/div\u003e\n\u003ch6\u003eFrequently Used Parameters All In One Place\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed\/angle), Aperture or ND Filter, Look, and White Balance. This screen contributes to smooth, intuitive operation, and provides quick access to Variable\/Fixed parameters.\u003c\/div\u003e\n\u003ch6\u003eEffective Heat Management\u003c\/h6\u003e\n\u003cdiv\u003eEnjoy uninterrupted video recording time for formats up to 4K 59.94p*25. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilization unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.\u003c\/div\u003e\n\u003ch6\u003ePlenty Of Power For Long Shoots\u003c\/h6\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time*26 or up to 155 minutes of continuous shooting*27. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD)*28. The optional DC-C1 DC Coupler can supply stable power without occupying the camera’s USB Type-C® terminal.\u003c\/span\u003e\u003c\/div\u003e\n\u003ch6\u003eDigital Audio Without Degradation\u003c\/h6\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eWith an XLR Handle Unit XLR-H1*29 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.\u003c\/span\u003e\u003c\/div\u003e\n\u003ch6\u003eEasy Live Streaming\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2 is also a great choice for live streaming to a computer via USB (UVC\/UAC) or a wireless or wired LAN*30 network. You can stream up to 4K (3840 x 2160) 59.94p*31 video via LAN while simultaneously recording to the camera’s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.\u003c\/div\u003e\n\u003ch6\u003eCFexpress Type A Memory Card Support\u003c\/h6\u003e\n\u003cdiv\u003eTwo card slots support SDXC\/SDHC UHS-II\/UHS-I memory cards, with one also supporting CFexpress Type A*32 cards, providing plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.\u003c\/div\u003e\n\u003ch6\u003e4:2:2 10-BIT or 16-BIT RAW Output Via HDMI\u003c\/h6\u003e\n\u003cdiv\u003eAn HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post-production. 16-bit RAW video is output*31 at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]\/[29.97p]\/[23.98p]\/[24.00p] frame rates. Video output via HDMI can occur simultaneously with proxy recording to an internal memory card.\u003c\/div\u003e\n\u003ch6\u003eCompact, Yet Easy To Operate\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2 boasts the size and weight advantages of mirrorless cameras while delivering professional operability, concentrating key controls around the grip and with easily pressable long-stroke buttons on the top panel.\u003c\/div\u003e\n\u003ch6\u003eDust And Moisture Resistant Design*34\u003c\/h6\u003e\n\u003cdiv\u003eNumerous refinements in the body design have enhanced dust and moisture resistance*34, ensuring maximum reliability even in austere outdoor conditions.\u003c\/div\u003e\n\u003ch6\u003eDurable Magnesium Alloy Body\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2’s main body is constructed from a lightweight magnesium alloy to enhance durability and performance even in harsh environments.\u003c\/div\u003e\n\u003ch6\u003eConnectivity For High Expandability\u003c\/h6\u003e\n\u003cdiv\u003eIn addition to an HDMI Type-A port, the FX2 is equipped with a USB Type-C port for power and communication, Multi\/Micro USB terminal, a headphone jack and a mic jack, allowing high expandability for diverse shooting situations and needs.\u003c\/div\u003e\n\u003ch6\u003eFlexible Vari-Angle Lcd Monitor\u003c\/h6\u003e\n\u003cdiv\u003eThe high-definition 3.0 type vari-angle 1.03 million dot LCD monitor can be rotated through a wide range of angles without interference from an HDMI cable. Touch operation remains available when the monitor is open in a sideways position.\u003c\/div\u003e\n\u003ch6\u003eTally Lamps And High Visibility Recording Indication\u003c\/h6\u003e\n\u003cdiv\u003eThe camera is equipped with tally lamps on both its front (top) and back. The illuminated REC button also functions as a tally lamp linked to the rear lamp, and a red frame on the LCD monitor acts as another indicator for recording.\u003c\/div\u003e\n\u003ch6\u003eMonitor \u0026amp; Control\u003c\/h6\u003e\n\u003cdiv\u003eSony’s Monitor \u0026amp; Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad*35*36 All of this can contribute to smoother workflows with a minimal crew.\u003c\/div\u003e\n\u003ch6\u003eCatalyst Browse, Catalyst Prepare\/Plugin\u003c\/h6\u003e\n\u003cdiv\u003eThe Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK\/NG\/KEEP flags*37 added while recording can also be imported for easier shot selection. Image stabilization, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post-production.\u003c\/div\u003e\n\u003ch6\u003eCreators' Cloud Platform\u003c\/h6\u003e\n\u003cdiv\u003eCreators' Cloud is a platform that supports creative work from shooting to production by combining Sony's advanced camera technology and the cloud. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.\u003c\/div\u003e\n\u003ch6\u003eCloud Upload (Camera Direct)\u003c\/h6\u003e\n\u003cdiv\u003eRecorded files can be directly uploaded to Creators’ Cloud*38 storage from the camera without having to transfer via a smartphone or other device. Once in the Creators’ Cloud, data can be transferred to other cloud services such as Ci Media Cloud, Google Drive or Adobe Lightroom to suit your workflow.*39\u003c\/div\u003e\n\u003ch3\u003eFor A Better Planet\u003c\/h3\u003e\n\u003ch6\u003eEnvironmentally Conscious\u003c\/h6\u003e\n\u003cdiv\u003eSony’s environmental plan “Road to Zero” aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimized from development through the supply chain, production, and packaging.\u003c\/div\u003e\n\u003ch6\u003eNon-Plastic Packaging Materials\u003c\/h6\u003e\n\u003cdiv\u003eSony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimizing environmental stress.\u003c\/div\u003e\n\u003ch6\u003eGreater Accessibility For All Users\u003c\/h6\u003e\n\u003cdiv\u003eAccessibility features, such as a menu magnifier and a screen reader*40 that reads an expanded range of menu items aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more make the joys of photography and moviemaking available to the widest possible range of users.\u003c\/div\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFull-frame Exmor R CMOS 33MP*1 sensor and BIONZ XR image processor engine\u003c\/li\u003e\n\u003cli\u003e15+ stops dynamic range in Log mode with Dual base ISO (800\/4000)\u003c\/li\u003e\n\u003cli\u003eFlexible Log shooting modes — Flexible ISO, Cine EI, and Cine EI Quick\u003c\/li\u003e\n\u003cli\u003eAngle-adjustable EVF\u003c\/li\u003e\n\u003cli\u003e\"BIG6\" interface\u003c\/li\u003e\n\u003cli\u003eAI-based Real-time Recognition AF for various objects*14 \u003c\/li\u003e\n\u003cli\u003eCompact body for handheld shooting; Cage free design \u003c\/li\u003e\n\u003cli\u003eLog shooting mode for stills shares the same video post-production workflow\u003c\/li\u003e\n\u003cli\u003eActive Mode\/Dynamic active Mode image stabilization*21\u003c\/li\u003e\n\u003cli\u003eUp to 16 LUT files*7 can be imported by memory card or Creator's Cloud\u003c\/li\u003e\n\u003cli\u003eUninterrupted*25 movie recording capability up to 4K 60p (59.94p)\u003c\/li\u003e\n\u003cli\u003e12 Creative Look profiles for in-camera visual moods.\u003c\/li\u003e\n\u003cli\u003eAnamorphic de-squeeze display for easy anamorphic monitoring \u003c\/li\u003e\n\u003cli\u003eFPS menu for frame-rate control: 2.5x slow motion*11 at 4K \/ 5x slow motion in Full HD*12\u003c\/li\u003e\n\u003cli\u003eSony offers more than 70 E-mount lenses*13 to support all shooting styles.\u003c\/li\u003e\n\u003cli\u003eAF Assist*17 empowers manual focus with AF transition speed and sensitivity settings\u003c\/li\u003e\n\u003cli\u003eAuto framing and crops and tracks subject to keep in prominent position\u003c\/li\u003e\n\u003cli\u003eA switch for MOVIE or STILL mode saves and recalls settings for each\u003c\/li\u003e\n\u003cli\u003eCooling managed via internal fan, thermal components, and a design that facilitates air intake\u003c\/li\u003e\n\u003cli\u003eNP-FZ100 battery provides up to 100 minutes actual video time*26\u003c\/li\u003e\n\u003cli\u003eXLR-H1*29 enables four-channel audio, 24-bit audio via connectors, and a digital audio interface\u003c\/li\u003e\n\u003cli\u003eStream up to 4K 59.94p*31 video via LAN*30\u003c\/li\u003e\n\u003cli\u003eTwo SD card slots with one supporting CFexpress Type A*32 cards\u003c\/li\u003e\n\u003cli\u003e4:2:2 10-bit or 16-bit RAW output to external recorder\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSony E-Mount Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHandle Unit:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eSony Top Handle Unit with XLR Input Module (Sold Separately) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eConnectivity:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eApps:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCatalyst Browse And Catalyst Prepare\u003c\/li\u003e\n\u003cli\u003eMonitor \u0026amp; Control\u003c\/li\u003e\n\u003cli\u003eCreators' Cloud\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eProduct SKU:\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 115%; font-family: 'SST',sans-serif; mso-fareast-font-family: SimSun; mso-bidi-font-family: Arial; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eILME-FX2B \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eSony FX2 Full-Frame Cinema Camera (Body Only)\u003cbr\u003eSony ILME-FX2B (Body only)\u003cbr\u003eSony NP-FZ100 Rechargeable Battery \u003cbr\u003eSony ALC-B1EM Body Cap\u003cbr\u003eSony Accessory Shoe Cap\u003cbr\u003eSony Eyepiece Cup\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNotes: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cem\u003e\u003cstrong\u003eThis is the Camera Body Only.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003e\u003cstrong\u003eLenses are sold separately. \u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cem\u003e-----\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFootnotes:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1    Effective megapixels. Approx. 27.6 MP for video.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2    S-Log3 recording. Sony test conditions.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e3    Catalyst Browse, Catalyst Prepare, and\/or Catalyst Prepare Plugin required for post production.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e4    See the following web page for details on Log recording: https:\/\/helpguide.sony.net\/di\/pp\/v1\/en\/index.html\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e5    Recording in 4K 60p (59.94p) is only available when using APS-C\/Super 35mm mode.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e6    The available frame rate options change depending on the recording settings.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e7    17 and 33 point CUBE (.cube) files supported.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e8    For app\/service availability by country and region, see https:\/\/creatorscloud.sony.net\/catalog\/servicearea.html\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e9    Desqueeze is not applied to still images created with the [Create Still Image] function even if an anamorphic lens has been used.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e10    See the following web page for details: https:\/\/www.sony.net\/ccmc\/\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e11    [Variable] must be selected when recording at 60 fps 23.98p. Audio is not recorded.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e12    Because the recording bit rate increases when FPS is set to [Variable], a high-speed memory card may be required.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e13    As of the May 2025 product announcement. Sony survey.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e14    Available subject settings are: AUTO, Human, Animal\/Bird, Animal, Bird, Insect, Car\/Train, and Airplane. Subject types other than the type specified may be erroneously recognised in some cases. The camera will attempt to automatically determine the subject type when [Auto] is selected, but the intended subject may not be selected in all cases. In such cases manually select the intended subject type.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e15    The detection frame is OFF by default.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e16    Compared to the FX3\/FX30. Sony tests.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e17    Not available with the E PZ 16-50mm F3.5-5.6 OSS, E PZ 16-50mm F3.5-5.6 OSS II, E 18-200mm F3.5-6.3 OSS LE E-mount lenses or any A-mount lens.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e18    Compatible lenses are listed at: https:\/\/www.sony.net\/dics\/breathing\/. Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e19    Framing is cropped from 4K images, resulting in reduced angle of view.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e20    Compared to Active Mode, Sony tests.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e21    Angle of view is reduced in Active Mode. In Dynamic active Mode, angle of view is reduced more than in Active Mode and Clear Image Zoom is not available. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e22    Using Sony’s Catalyst Browse and Catalyst Prepare apps, or the Catalyst Prepare Plugin.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e23    Log images have low contrast that can be difficult to monitor. The [Gamma Display Assist] function restores normal contrast for easier monitoring.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e24    Mounted Multi Interface (MI) Shoe accessories may interfere with EVF tilt. Visit Sony’s support web page for compatibility information.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e25    Sony internal tests. USB power supply, XAVC S-I (All-I), 4K 60p 10-bit 4:2:2, 25 deg C (ambient, camera when recording started), Auto power off temperature: High, Cooling fan: Auto. The duration will vary depending on the shooting conditions. The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e26    CIPA standard. Approx. time in LCD monitor mode with intermittent record, zoom, standby, power ON\/OFF operation.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e27    CIPA standard. In LCD monitor mode.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e28    A USB PD compatible power supply device with 9V\/3A or higher output capacity and a USB Type-C cable that can handle 3A or more are required.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e29    The XLR Handle Unit XLR-H1 is not included with the ILME-FX2B (body-only model).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e30    A commercially available USB-LAN adaptor is required.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e31    The output image will be in the APS-C size \/Super 35mm equivalent angle of view.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e32    CFexpress 4 standard not supported. CFexpress 4 memory cards will function according to CFexpress 2 standard. CFexpress Type B cards not supported.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e33    The output image will be in the APS-C size \/Super 35mm equivalent angle of view.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e34    Not guaranteed to be 100% dust and moisture proof. The XLR Handle Unit XLR-H1 is not designed to be dust and moisture resistant.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e35    iPadOS 16.0 or higher required. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e36    iPadOS is a registered trademark of Apple Inc. in the United States and\/or other countries.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e37    Refer to the following web page for details: https:\/\/www.sony.net\/catalyst　\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e38    Creators’ App and Creators’ Cloud Web set-up is necessary.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e39    Refer to the following link for information on availability in various countries and regions: https:\/\/creatorscloud.sony.net\/catalog\/servicearea.html\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e40    Availability varies depending on region and language. Pre-installation of compatible audio files may be necessary. Please refer to the Accessibility section in Help Guide of this model.　\u003c\/em\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":43680535642157,"sku":"24027","price":2699.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/24027_ILME-FX2B_01_Hero.png?v=1748451241"},{"product_id":"canon-eos-c400-w-24-105-f2-8-z","title":"Canon EOS C400 6K Camera with RF 24-105mm f\/2.8 L IS USM Z Lens Kit","description":"\u003ch3\u003eCanon EOS C400 6K Camera with RF 24-105mm f\/2.8 L IS USM Z Lens Kit\u003c\/h3\u003e\n\u003cp\u003eInnovation, versatility and imaging excellence all merge in the new \u003cstrong\u003eEOS C400\u003c\/strong\u003e, the full-frame, RF-mount cinema camera tailored for boundless creativity.\u003c\/p\u003e\n\u003cp\u003eThe compact camera body is well-appointed and includes Canon's newly-developed 6K full-frame Back-Illuminated Stacked CMOS sensor. The EOS C400 features 6K\/60p Cinema RAW Light and 4K\/120p internal recording along with Canon’s next-generation Dual Pixel CMOS AF II, among other outstanding features. Additionally, the EOS C400 has a variety of interfaces, including return input, Ethernet, and Wi-Fi, enabling control from various Canon and third-party devices.\u003c\/p\u003e\n\u003cp\u003eThe EOS C400 is the ideal fusion of both functionality and form, and seamlessly integrates into almost any production with its robust and compact design.\u003c\/p\u003e\n\u003cp\u003eThe RF24-105mm F2.8 L IS USM Z is the world’s first 24-105mm focal length lens combined with consistent f\/2.8 aperture.7 With its constant f\/2.8 max aperture, full-frame coverage, and its ability to zoom past the traditional 70mm roadblock to a true portrait-length 105mm, this lens is an incredible standard zoom solution for many different applications. An optional, dedicated Power Zoom Adapter PZ-E2 transforms the video operation possibilities with its smooth and versatile zooming. Even in low light, this lens will excel for weddings and events, photojournalism, portraiture, studio work, and video creation.\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003e6K Full-Frame Back-illuminated Stacked CMOS Sensor\u003c\/h6\u003e\n\u003cp\u003eThe EOS C400 is the first Cinema EOS camera to feature the newly-developed, 6K back-illuminated stacked full-frame CMOS sensor, which offers exceptionally low noise. The sensor delivers faster read-out speeds than previous EOS sensors and when compared to a front-illuminated CMOS sensor, the sensor’s architecture provides improved sensitivity as it increases light capturing efficiency and improves 4K image quality with 6K oversampling2.\u003c\/p\u003e\n\u003ch6\u003eSuper 35mm3 and Super 16 Crop Modes\u003c\/h6\u003e\n\u003cp\u003eThe EOS C400 camera’s Full-Frame sensor is capable of capturing footage in both 17:9 and 16:9 formats, and supports the use of Super 35mm and Super 16mm lenses with the appropriate sensor crop modes.\u003c\/p\u003e\n\u003ch6\u003eAnamorphic De-Squeeze\u003c\/h6\u003e\n\u003cp\u003eThe December 2024 firmware update adds a 1.5x anamorphic de-squeeze display assist option, which will make it easier to see how your image will translate when shooting with anamorphic lenses.\u003c\/p\u003e\n\u003ch6\u003eTriple-Base ISO (800, 3200, and 12,800)\u003c\/h6\u003e\n\u003cp\u003eOur newly-developed, full-frame 6K back-illuminated stacked sensor offers triple-base ISO, which allows the EOS C400 to deliver stunning imagery in a wide range of lighting conditions. With base ISOs of 800, 3200, and 12,800, you will be able to maximize the full dynamic range of the sensor in brilliantly lit or low-light shooting conditions.\u003c\/p\u003e\n\u003cp\u003eInternal Cinema RAW Light, XF-AVC Recording and New XF-HEVC S, XF-AVC S Formats\u003cbr\u003eThe EOS C400 can record up to 6K 60P Cinema RAW Light with an additional three Cinema RAW Light recording modes, HQ, ST and LT also with 12-bit recording.\u003c\/p\u003e\n\u003cp\u003eOther recording options include our standard XF-AVC codec which can record in 10-bit 4:2:2 with oversampling from the 6K sensor, creating rich detail and smooth imagery, at frame rates up to 120P, without the need for cropping the image from the sensor. For slow or fast motion recording, the C400 can support up to 4K 120P and 2K 180P.\u003c\/p\u003e\n\u003cp\u003eAdditionally, the C400 has two new recording codecs, XF-AVC S and XF-HEVC S. These formats feature an easy-to-manage naming system and folder structure, while recording in the familiar MP4 format and preserving metadata.\u003c\/p\u003e\n\u003ch6\u003eDistortion and Chromatic Aberration Correction During RAW Playback\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eThe C400's July 2025 firmware release will support Distortion and Chromatic Aberration correction while playing back Cinema RAW Light clips on camera. This ensures productions can accurately review takes on-set without needing to offload the card to a computer first.\u003c\/p\u003e\n\u003ch6\u003eCamera-to-Cloud Collaboration\u003c\/h6\u003e\n\u003cp\u003eThe camera has native compatibility with Frame.io’s Camera-to-Cloud (C2C) technology. This feature enables you to send proxy files immediately after recording internally, directly from the camera, for a faster and more secure path from production to post. The efficient proxy files don’t require additional processing or conversion, and are available to view, share, and edit remotely between teams in different locations.\u003c\/p\u003e\n\u003ch6\u003eCFexpress Type B and SD Cards Slots\u003c\/h6\u003e\n\u003cp\u003eCFexpress and SD card slots on the EOS C400 allow for simultaneous recording even when shooting RAW. All recording options are recorded to the camera’s CFexpress slot with sub-recording and proxy options available on the SD card slot.\u003c\/p\u003e\n\u003ch6\u003eBuilt-in Mechanical ND Filters\u003c\/h6\u003e\n\u003cp\u003eThe C400’s compact mechanical ND filter assembly is specifically designed for the RF mount's short flange back. Buttons for direct control of ND filters are located on the right-hand side of the camera.\u003c\/p\u003e\n\u003cp\u003eThe C400 provides up to ten stops of ND filtration, allowing users to shoot in various lighting conditions. The use of ND filters allows a camera operator to adjust exposure while maintaining the depth of field.\u003c\/p\u003e\n\u003ch6\u003eImproved Autofocus with Dual Pixel CMOS AF II4\u003c\/h6\u003e\n\u003cp\u003eThe C400 supports the next generation of Canon’s acclaimed Dual Pixel CMOS Autofocus, Dual Pixel CMOS AF II. The back-illuminated stacked sensor provides better light-capturing efficiency, widening the area of the sensor that can be used for AF.  Additionally, you can utilize AF while recording in slow or fast motion at speeds up to 4K 120P.\u003c\/p\u003e\n\u003ch6\u003eEOS Intelligent Tracking and Recognition\u003c\/h6\u003e\n\u003cp\u003eWith outstanding speed, precision, and wide AF range, Dual Pixel CMOS AF II uses the EOS Intelligent Tracking and Recognition (iTR AF X) algorithm, developed with deep learning technology, to enable high-performance subject detection. In addition to human eyes, face, and head, the camera can now detect the body of a person and follow them with high accuracy.\u003c\/p\u003e\n\u003ch6\u003eTracking AF and Lens Focus Ring\u003c\/h6\u003e\n\u003cp\u003eAlso added for the EOS C400, is the ability to combine Tracking AF with manual focus control. While Tracking AF is enabled, a user can adjust focus manually by using the lens focus ring. Once manual focus control is completed, the camera will maintain focus and Tracking AF will resume automatically.\u003c\/p\u003e\n\u003ch6\u003eiTR AF X Animal Detection\u003c\/h6\u003e\n\u003cp\u003eiTR AF X Animal Detection detects the eyes, face, or the entire body of certain animals to enable highly accurate focusing and tracking not affected by subject size or face orientation.5\u003c\/p\u003e\n\u003ch6\u003eMount Adapter PL-RF with Cooke \/ i Technology Compatibility\u003c\/h6\u003e\n\u003cp\u003eThe Mount Adapter PL-RF unlocks a broad assortment of PL mount lenses for the EOS C400 cameras. The adapter is compatible with Cooke\/i Technology’s metadata protocol which enables real-time output of lens metadata (focus\/zoom\/iris position, and other data in addition to lens model information). Additionally, the robust adapter features locking plates that attach to the camera with four screws for a secure and stable lens mount.\u003c\/p\u003e\n\u003ch6\u003eVariety of Interfaces, Including Timecode and Genlock\u003c\/h6\u003e\n\u003cp\u003eThe C400 has a diverse set of interfaces making it a versatile camera for film set and live broadcast productions.\u003c\/p\u003e\n\u003cp\u003eA dedicated 12-pin LENS terminal for broadcast and cine-servo lenses, 12G-SDI (SDI OUT) and 3G-SDI (MON.) for monitor outputs, two mini-XLR audio inputs (INPUT 1 and INPUT 2), DIN connectors for Time Code (TC), Genlock and return video (G-LOCK\/SYNC\/RET), a full-size HDMI (HDMI OUT), built-in Wi-Fi, Ethernet and REMOTE terminal.\u003c\/p\u003e\n\u003cp\u003eThe December 2024 firmware upgrade adds a 1920x1080P output option for monitoring while recording at higher resolutions.\u003c\/p\u003e\n\u003ch6\u003eReturn Video Input, Ethernet, and Wi-Fi Control\u003c\/h6\u003e\n\u003cp\u003eThe versatile C400 has specialized functions for live productions including a return video input that notifies operators which camera is currently being broadcast live.\u003c\/p\u003e\n\u003cp\u003eThe built-in Ethernet port enables Canon's IP-based remote control XC Protocol. XC Protocol helps to maximize operability and remote control of camera settings. Using the XC Protocol, the camera can be operated by Canon’s RC-IP1000 and RC-IP100 controllers, and XC Protocol-enabled third-party remote control panels (RCP) can remotely shade the camera.\u003c\/p\u003e\n\u003cp\u003eAdditionally, Canon’s Remote Control Camera Application (RCCA) can control camera settings as well as multiple cameras. The camera also features SRT protocol, enabling IP streaming of video and audio.\u003c\/p\u003e\n\u003ch6\u003eCompact, Lightweight, Ergonomic Body Design\u003c\/h6\u003e\n\u003cp\u003eThe RF mount’s short flange back allows the EOS C400 body to be small and lightweight making the camera just as comfortable on a drone or a gimbal as it is on your shoulder, a tripod, or any configuration where compact size and light weight are important.\u003c\/p\u003e\n\u003ch6\u003eNew LCD, Handle and Grip Design\u003c\/h6\u003e\n\u003cp\u003eThe EOS C400 ships with a variety of beneficial accessories including a new LCD touch-screen monitor, camera grip and battery pack.\u003c\/p\u003e\n\u003cp\u003eA new handle assembly with captive screws and Multi-function Shoe6 has been designed for the EOS C400. The new LCD attachment allows the camera operator to adjust the angle and distance of the LCD monitor to suit almost any shooting style including handheld and shoulder-mounted. The LCD monitor also employs the MC-5U, a USB-C cable connecting to the camera body.\u003c\/p\u003e\n\u003cp\u003eThe EOS C400 also has an ergonomic camera grip for operator comfort, with three additional assignable buttons. The grip can be articulated to achieve a range of shooting angles.\u003c\/p\u003e\n\u003ch6\u003eEnhanced Level 2 Display\u003c\/h6\u003e\n\u003cp\u003eThe Peripheral Border Display, also known as Display Level 2, will be enhanced  to show Sensor Mode and Resolution, Recording Codec selected for each card slot, Custom Picture Gamma and color space, Digital Image Stabilization status, and the tilt and roll degrees of the electronic level.\u003c\/p\u003e\n\u003ch6\u003eAssignable Buttons\u003c\/h6\u003e\n\u003cp\u003eThe December 2024 firmware update adds an enhancement to our 60 to 24p pulldown feature, designed with Houses of Worship in mind, that maintains exposure when changing frame rates with an assignable button. The EOS C400 update will also include camera\/media switching via an assignable button.\u003c\/p\u003e\n\u003ch6\u003eAuto Clear Scan Mode\u003c\/h6\u003e\n\u003cp\u003eThe Auto Clear Scan setting available in the camera is an automatic shutter mode setting that can detect the frequency of light sources between 50.0 Hz to 2011.2 Hz to help reduce or virtually eliminate the flickering in some LED walls.\u003c\/p\u003e\n\u003ch6\u003eAdditional Features in July 2025 Firmware Update\u003c\/h6\u003e\n\u003cp\u003eOther additons to the July 2025 firmware update also include: the C400 is now able to output CV Protocol to multiple devices for virtual productions. Lens metadata can be utilized by compatible computers running our CV Metadata Extraction plugin, greatly enhancing usability in virtual set environments.\u003c\/p\u003e\n\u003cp\u003eThe number of look\/lut files that can be registered has increased from 20 to 256 for the C400, along with the capability to pause Digital IS during recording.\u003c\/p\u003e\n\u003ch3\u003eRF24-105mm F2.8 L IS USM Z \u003c\/h3\u003e\n\u003ch6\u003eOutstanding Optical Performance with Consistent f\/2.8 Maximum Aperture\u003c\/h6\u003e\n\u003cp\u003eBy taking advantage of the large diameter RF mount and short back focus, the RF24-105mm F2.8 L IS USM Z is able to achieve a maximum aperture of f\/2.8 throughout its entire zoom range. This enables you to continuously shoot up to the frequently used 105mm without switching lenses, opening a world of possibilities for both photo and movie shooting.\u003c\/p\u003e\n\u003ch6\u003eSupports Optional Canon Power Zoom Adapters\u003c\/h6\u003e\n\u003cp\u003eThe RF24-105mm F2.8 L IS USM Z crosses the worlds of photography and movies. The optional Power Zoom Adapters PZ-E2 and PZ-E2B enable smooth, high-precision zoom control during movie shooting. Plus, attachment and detaching can be managed without the use of a special tool. The Power Zoom Adapter PZ-E2B comes equipped with a 20-pin port for compatibility with cinema or broadcast lens accessories such as zoom servo grip or focus demand. This lens and Power Zoom Adapter combination makes unassisted single-person video shooting operation easy and within reach.\u003c\/p\u003e\n\u003ch6\u003eLens shown with optional Power Zoom Adapter PZ-E2 (sold separately).\u003c\/h6\u003e\n\u003cp\u003eEleven Aperture Blades for Rich Bokeh\u003cbr\u003eWith eleven aperture blades and a large f\/2.8 aperture, the RF24-105mm F2.8 L IS USM Z produces a beautiful, almost circular bokeh effect — even when stopped-down. The wide aperture also allows for faster shutter speeds in low light situations and helps prevent subject blurs.\u003c\/p\u003e\n\u003ch6\u003eIris Ring for Precise Lens Aperture Control\u003c\/h6\u003e\n\u003cp\u003eThe RF24-105mm F2.8 L IS USM Z is equipped with an iris ring (aperture control), the first among RF lenses8.  This allows video users to manually control exposure adjustment and the degree of background blur while shooting video, with click-less, smooth operation — similar to the operability in a cinema lens.\u003c\/p\u003e\n\u003ch6\u003eClose-focusing to Under 1.5 ft., Max. Magnification 0.29x\u003c\/h6\u003e\n\u003cp\u003eWith a minimum focusing distance of approximately 1.5 ft.\/0.45m, the RF24-105mm F2.8 L IS USM Z lens helps you get close to your subjects. The maximum magnification is 0.29x at 105mm, allowing you to capture subtle details more expansively and clearly. Focus shifts during zooming are minimal — plus, it supports focus breathing correction9, in which the camera digitally corrects for changes in angle of view caused by focus movement during video recording, especially during closeup shooting.\u003c\/p\u003e\n\u003ch6\u003eOptical Image Stabilization\u003c\/h6\u003e\n\u003cp\u003eFor consistently sharp results, the RF24-105mm F2.8 L IS USM Z features built-in optical Image Stabilization, providing enhanced shake reduction for up to 5.5 stops of shake correction. When paired with an EOS R-series camera that has In Body Image Stabilization (IBIS), the Coordinated IS allows for up to 8.0 stops of correction10. This means more reliable handheld performance and clear detail in low-light situations, without having to increase the ISO or decrease the shutter speed. Additionally, an IS Mode switch is featured for the first time among Canon RF standard zoom lenses.\u003c\/p\u003e\n\u003ch6\u003eNano USM Maintains Focus While Zooming\u003c\/h6\u003e\n\u003cp\u003eThe RF24-105mm F2.8 L IS USM Z features two Nano USM (ultrasonic motors) focus drive system, powering both its autofocus, and its “floating” optics which move independently to ensure maximum image quality. Nano USM provides quiet and smooth AF, especially useful during movie recording. In addition, the Nano USM maintains focus while zooming to suppress aberration fluctuations during high-speed burst or movie shooting.\u003c\/p\u003e\n\u003ch6\u003eExcellent Handling\u003c\/h6\u003e\n\u003cp\u003eWith its fixed-length lens barrel design and balanced center of gravity, the RF24-105mm F2.8 L IS USM Z provides excellent handling for any shooting style and especially advantageous when using accessories for shooting video. The lens comes with a tripod mount that can be easily attached and detached with a lock release button, without the need of a special tool. Also available is the LH-E1 lens holder (sold separately), which supports the lens when combining with a rig.\u003c\/p\u003e\n\u003ch6\u003eDurable and Dependable Build\u003c\/h6\u003e\n\u003cp\u003eThe RF24-105mm F2.8 L IS USM Z boasts amazing durability and endurance you’d expect from an L-series lens. The lens barrel does not move during zooming or focusing; both are achieved entirely internally.  Weather-resistant sealing is applied to areas such as the operation rings and switch panel to help prevent water and dust from entering the unit. Fluorine coating is applied on the front lens to prevent water, oil and other surface residue like fingerprints from sticking to the lens, which facilitates quick and easy wiping without the use of solvents. This dust- and water-resistant design allows for outstanding performance even in inclement weather conditions.\u003c\/p\u003e\n\u003ch6\u003eCanon Multi-Camera Control App\u003c\/h6\u003e\n\u003cp\u003eThe EOS C400 is compatible with the Canon Multi-Camera Control App for iPhone or iPad.\u003c\/p\u003e\n\u003cp\u003eThis app empowers camera operators to have control over recording start and stop, focus, zoom and iris, ND Filters, ISO, Shutter, White Balance, Custom Picture and more, all while viewing the image from the camera.\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e6K Full-Frame Back-illuminated stacked CMOS sensor supports Super 35mm and Super 16 modes\u003c\/li\u003e\n\u003cli\u003eTriple-base ISO (800, 3200, 12,800)\u003c\/li\u003e\n\u003cli\u003eMeets Netflix capture requirements and has been approved for use on Netflix productions.\u003c\/li\u003e\n\u003cli\u003eInternal Cinema RAW Light, XF-AVC recording, and new XF-HEVC S, XF-AVC S formats\u003c\/li\u003e\n\u003cli\u003eAdobe Frame.io Camera to Cloud in-camera activation and transmission of proxy files via wireless or wired Ethernet.\u003c\/li\u003e\n\u003cli\u003eBuilt-in Mechanical ND Filters\u003c\/li\u003e\n\u003cli\u003eImproved autofocus with Dual Pixel CMOS AF II\u003c\/li\u003e\n\u003cli\u003ePL-RF Mount Adapter1 with Cooke\/i Technology compatibility\u003c\/li\u003e\n\u003cli\u003eVariety of interfaces, including Timecode and Genlock\u003c\/li\u003e\n\u003cli\u003eReturn video input and Ethernet, Wi-Fi control\u003c\/li\u003e\n\u003cli\u003eCompact, lightweight, ergonomic body design\u003c\/li\u003e\n\u003cli\u003eJuly 2025 firmware update adds: Display Level 2 enhancements; distortion and chromatic aberration correction during RAW \u003cbr\u003eplayback; selecting subjects during Tracking Autofocus by using the lens focus ring; and other new features.\u003c\/li\u003e\n\u003cli\u003eWorld’s first 24-105mm focal length combined with consistent f\/2.8 maximum aperture1\u003c\/li\u003e\n\u003cli\u003eSupports optional Canon Power Zoom Adapters\u003c\/li\u003e\n\u003cli\u003e11 aperture blades\u003c\/li\u003e\n\u003cli\u003eSmooth, click-less iris ring for precise lens aperture control\u003c\/li\u003e\n\u003cli\u003eClose-focusing to under 1.5 feet (0.45m) at all focal lengths\u003c\/li\u003e\n\u003cli\u003eMaximum magnification 0.29x at the 105mm zoom setting\u003c\/li\u003e\n\u003cli\u003eOptical Image Stabilization up to 5.5 stops of shake correction and Coordinated Control (IS up to 8.0 stops with cameras \u003cbr\u003eequipped with IBIS)4\u003c\/li\u003e\n\u003cli\u003eNano USM maintains focus while zooming\u003c\/li\u003e\n\u003cli\u003eOutstanding handling with included tripod mount featuring lock release button\u003c\/li\u003e\n\u003cli\u003eDust- and water-resistant structure and lens fluorine coating\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon RF Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eProduct SKU:\u003c\/h3\u003e\n\u003cp\u003e6388C013\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eCanon EOS C400 6K Camera with RF 24-105mm f\/2.8 L IS USM Z Lens Kit\u003c\/p\u003e\n\u003cp\u003eCanon EOS C400 Camera Body (RF Mount)\u003cbr\u003eBody Cap\u003cbr\u003eMeasure Hook\u003cbr\u003eCamera Grip\u003cbr\u003eMicrophone Holder Unit\u003cbr\u003eScrew for Microphone Holder Unit x 2\u003cbr\u003eLCD Monitor\u003cbr\u003eLCD Attachment Unit\u003cbr\u003eRod\u003cbr\u003eHandle Unit\u003cbr\u003eHex Wrench(1\/4 inch)\u003cbr\u003eBattery Charger CG-A20\u003cbr\u003eCompact Power Adapter CA-CP300 B\u003cbr\u003eAC Cable US\u003cbr\u003eBP-A60N Battery Pack\u003cbr\u003eMC-5U Monitor Cable\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRF24-105mm F2.8 L IS USM Z\u003cbr\u003eLens Cap E-82II\u003cbr\u003eLens Hood EW-88E\u003cbr\u003eLens Case LZ1326(B)\u003cbr\u003eLens Dust Cap RF\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e-----\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eProduct Disclaimer\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eSold separately.\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eWhen recording in XF-AVC, XF-HEVC S and XF-AVC S in full-frame sensor mode at a frame rate of 60p or lower.\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eWhen frame rate exceeds 100P in Super 35mm mode, the angle of view is cropped at approximately 6%.\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eSome lenses may not be compatible. When the AF frame is outside of the entire screen area, or when focus guide is displayed or the subject cannot be detected, focusing area is approximately 90% horizontal and 100% vertical.\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eAnimal detection may not be possible with some animals. Subjects that are not dogs or cats may be detected as animals in some cases.\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eHandle assembly only for use with the C400.\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eAs an AF interchangeable lens for full-frame sensor mirrorless cameras that have already been released as of November 1, 2023. (Based on Canon’s internal survey.)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\n\u003cem\u003eIris ring is for manual aperture control, and as of late 2023, is only possible during video operation, with compatible cameras. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCurrent compatible EOS cameras will require a firmware upgrade available December 2023 for manual iris operation, during video recording.\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eWhen attached to an EOS R-series camera with focus breathing correction. Available in movie recording mode only.\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eBased on CIPA (Camera \u0026amp; Imaging Products Association) standards. Testing performed using the EOS R and R3 cameras.\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":44011638718509,"sku":"25823","price":11499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/25823_6388C013_01_Hero.png?v=1756581257"},{"product_id":"canon-eos-c50-cinema-camera","title":"Canon EOS C50 Cinema Camera","description":"\u003ch3 class=\"p1\"\u003e\n\u003cb\u003eLIMITED-TIME OFFER:\u003c\/b\u003e Receive a \u003cb\u003eFREE \u003c\/b\u003eLP-E6P Battery with your camera purchase!\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eTo claim your free battery, add both the camera and the \u003ca href=\"https:\/\/glozerscamera.shop\/products\/canon-lp-e6p-battery\"\u003e\u003cspan style=\"color: rgb(200, 1, 46);\"\u003e\u003cstrong\u003eLP-E6P Battery\u003c\/strong\u003e\u003c\/span\u003e \u003c\/a\u003eto your cart. Offer is valid now through June 30, 2026 or while supplies last, whichever is earlier.\u003c\/p\u003e\n\u003cp\u003e______________________________________________________________\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eCanon EOS C50 Cinema Camera\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eEOS C50 Cinema Camera\u003c\/strong\u003e is designed to maximize creative freedom. The compact, full-featured camera body includes Canon’s newly developed 7K full frame CMOS sensor with 3:2 open gate internal recording capabilities, 4K\/120P and Cinema RAW Light up to 7K\/60P. The EOS C50 features Canon’s next-generation Dual Pixel CMOS AF II, simultaneous 2K crop recording, built-in Frame.io Camera-to-Cloud integration, and supports XC protocol which allows for remote control over IP via Wi-Fi® or a compatible third-party USB-C ethernet adapter. The included detachable top handle adds two full-size XLR audio inputs, a start-stop button, and a zoom rocker. In addition, this camera can capture 32MP still images in Photo mode. The EOS C50 seamlessly integrates into almost any production environment, delivering flexibility and outstanding image quality in a package that practically fits in the palm of your hand.\u003c\/p\u003e\n\u003ch6\u003eNewly Developed 7K Full Frame CMOS Sensor\u003c\/h6\u003e\n\u003cp\u003eThe EOS C50 features a newly developed 7K full-frame CMOS sensor. The sensor offers exceptionally low noise, enabling it to excel in a wide variety of lighting situations and maximizing the camera’s full dynamic range. The high resolution and realism of 7K enable richer creative expression as well as greater flexibility in workflows, including oversampled 4K 60P. \u003c\/p\u003e\n\u003ch6\u003eFull Frame 3:2 “Open Gate” Sensor Mode\u003c\/h6\u003e\n\u003cp\u003eThe EOS C50 is the first Cinema EOS camera to feature open gate recording options, utilizing the full dimensions of the sensor. By selecting Full Frame 3:2 from the Sensor Mode section of the main menu, you can shoot using the full area of the sensor and then use that information in post to crop and re-frame your footage to the aspect ratio of your choice. This is especially valuable when shooting with full-frame anamorphic lenses.\u003c\/p\u003e\n\u003ch6\u003eSupport for Anamorphic Lens Desqueeze\u003c\/h6\u003e\n\u003cp\u003eAnamorphic lenses have an elongated rear element that makes it possible to utilize flare and bokeh effects that cannot be achieved with ordinary lenses. The EOS C50 provides desqueeze magnification options including OFF\/2x\/1.8x\/1.5x\/1.3x. \u003c\/p\u003e\n\u003ch6\u003eDual Base ISO \u003c\/h6\u003e\n\u003cp\u003eThe full-frame 7K sensor of the EOS C50 offers dual base ISO, which allows the camera to deliver stunning imagery in a wide range of lighting conditions. With base ISOs of 800 and 6400 in Canon Log 2, you will be able to maximize the full dynamic range of the sensor in almost any shooting scenario. The camera also features Auto Selection, which automatically switches from one of the two base ISO levels to another level while maintaining the dynamic range.\u003c\/p\u003e\n\u003ch6\u003e7K 60P Internal RAW Recording and 4K 120P High Frame Rate Recording\u003c\/h6\u003e\n\u003cp\u003eThe EOS C50 can record up to 7K 60P Cinema RAW Light with an additional three 12-bit Cinema RAW Light recording modes: HQ, ST and LT.\u003c\/p\u003e\n\u003cp\u003eOther recording options include our standard XF-AVC codec which can record in 10-bit 4:2:2, creating rich detail and smooth imagery at frame rates up to 120P, without cropping the image from the sensor. For slow or fast motion recording, the EOS C50 can support up to 4K 120P and 2K 180P.\u003c\/p\u003e\n\u003cp\u003eAdditionally, the C50 features the XF-AVC S and XF-HEVC S recording codecs. These formats feature an easy-to-manage naming system and folder structure, while recording in the familiar MP4 format and preserving metadata.\u003c\/p\u003e\n\u003ch6\u003eHigh Frame Rate Recording with Auto Focus and Subject Detection\u003c\/h6\u003e\n\u003cp\u003eThe camera’s Dual Pixel CMOS AF II enables you to keep your subject in focus during slow or fast shooting at speeds up to 4K\/120P or 2K\/150P. This will help to ensure that even at high frame rates, your subject will remain in clear focus. \u003c\/p\u003e\n\u003ch6\u003eSimultaneous Crop Recording\u003c\/h6\u003e\n\u003cp\u003eWhen shooting for social media, an added benefit of the camera is that it allows for simultaneous crop recording when shooting in 4K DCI or UHD, allowing you to record at your chosen aspect ratio while also recording a cropped portion of the frame in 2K. When shooting in simultaneous crop mode, you have up to three format options, depending on your shooting mode: 9:17, 9:16, or 1:1. This will help to reduce turnaround time when formatting videos for different deliverables. \u003c\/p\u003e\n\u003ch6\u003eDual Card Slots\u003c\/h6\u003e\n\u003cp\u003eCFexpress (type B) and SD card slots on the EOS C50 allow for simultaneous recording even when shooting RAW. All recording options are recorded to the camera’s CFexpress slot with sub-recording and proxy options available on the SD card slot.\u003c\/p\u003e\n\u003ch6\u003eDual Pixel CMOS AF II\u003c\/h6\u003e\n\u003cp\u003eThe EOS C50 supports the next generation of Canon’s acclaimed Dual Pixel CMOS Autofocus, Dual Pixel CMOS AF II. The camera’s sensor provides superb light-capturing efficiency, widening the area of the sensor that can be used for AF to approximately 100% by 100%.\u003c\/p\u003e\n\u003cp\u003eThe subject detection algorithm utilizes deep learning technology. The face\/eye detection can now be set with either left or right eye priority in both humans and animals. Additionally, the animal detection AF now also includes birds. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Note: Animal detection may not be possible with some animals. Subjects that are not dogs or cats may not be detected as animals in some cases.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch6\u003eVertical Shooting UI\u003c\/h6\u003e\n\u003cp\u003eWhen shooting vertically, the display on the EOS C50 can be switched to a UI that supports vertical shooting. It also supports touch controls for recording start\/stop from the vertical screen mode. \u003c\/p\u003e\n\u003cp\u003eAlong with the shooting UI, menu settings and LCD brightness adjustments are also reoriented for vertical shooting to provide an easy-to-read layout. \u003c\/p\u003e\n\u003ch6\u003eLight and Compact Body Design Including Detachable Handle with Built-in XLR Inputs,REC and Zoom Control\u003c\/h6\u003e\n\u003cp\u003eThe EOS C50 is the smallest and lightest Cinema EOS camera to date. The light and compact body makes shooting in tight spaces easier with greater freedom in angles and movement, and it reduces fatigue even during long hand-held shots.\u003c\/p\u003e\n\u003cp\u003eThanks to its flat and linear design with few protruding parts, you can easily attach a mic, rig, gimbal, or other accessories to customize the camera in multiple ways to fit your shooting style.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe included handle unit can also be attached to shoot subjects from a low or crooked angle, enabling more diverse and flexible visual capabilities. The handle also contains two built-in, full-sized 3-pin XLR inputs with 48V phantom power to record high-quality audio with an external mic. Additionally, the handle comes with a start\/stop button and a zoom rocker.\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eVariety of Interfaces:\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003eQuarter-inch Mounting Screw Hole\u003c\/li\u003e\n\u003cli\u003eTime Code Terminal (DIN)\u003c\/li\u003e\n\u003cli\u003eMicrophone Terminal\u003c\/li\u003e\n\u003cli\u003eHeadphone Terminal\u003c\/li\u003e\n\u003cli\u003eRemote Terminal\u003c\/li\u003e\n\u003cli\u003eUSB Type-C Terminal\u003c\/li\u003e\n\u003cli\u003eHDMI Output Terminal (Type-A)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eEthernet, and Wi-Fi Control\u003c\/h6\u003e\n\u003cp\u003eThe built-in Wi-Fi enables Canon's IP-based remote control XC Protocol. Compatible third-party USB-to-Ethernet adapters will also provide additional options for connectivity. \u003c\/p\u003e\n\u003cp\u003eXC Protocol maximizes operability and remote control of camera settings. Using the XC Protocol, the camera can be operated by Canon’s RC-IP1000 and RC-IP100 controllers (sold separately), and XC Protocol-enabled third-party remote control panels (RCP) can remotely shade the camera.\u003c\/p\u003e\n\u003cp\u003eAdditionally, Canon’s Remote Control Camera Application  and Multi-Camera Control App can control camera settings as well as multiple cameras. The camera also features SRT protocol, enabling IP streaming of video and audio.\u003c\/p\u003e\n\u003ch6\u003eAdobe Frame.io Camera-to-Cloud Integration\u003c\/h6\u003e\n\u003cp\u003eThe camera has native compatibility with Frame.io’s Camera-to-Cloud (C2C) technology. This feature enables you to send proxy files immediately after recording internally, directly from the camera, for a faster and more secure path from production to post. The efficient proxy files don’t require additional processing or conversion, and are available to view, share, and edit remotely between teams in different locations.\u003c\/p\u003e\n\u003ch6\u003eVirtual Production Support\u003c\/h6\u003e\n\u003cp\u003eThe EOS C50 is able to output CV Protocol to multiple devices for virtual productions. Lens metadata can be utilized by running our CV Metadata Extraction plugin on compatible computers, greatly enhancing usability in virtual set environments.\u003c\/p\u003e\n\u003ch6\u003eMount Adapter PL-RF with Cooke \/ i Technology Compatibility\u003c\/h6\u003e\n\u003cp\u003eThe Mount Adapter PL-RF unlocks a broad assortment of PL mount lenses for the EOS C50 camera. The adapter is compatible with Cooke\/i Technology’s metadata protocol which enables real-time output of lens metadata (focus\/zoom\/iris position, and other data in addition to lens model information). Additionally, the robust adapter features locking plates that attach to the camera with four screws for a secure and stable lens mount.\u003c\/p\u003e\n\u003ch6\u003eFull-featured Mirrorless Photo Mode with Dedicated Menu and UI\u003c\/h6\u003e\n\u003cp\u003eWith a flip of the switch, the EOS C50 transforms from a powerful cinema camera to a professional-class stills camera, utilizing the familiar menu system of the EOS R series. Meeting both needs with a single camera saves you the hassle of having to carry two cameras and makes editing processes smoother, helping to streamline your workflow. \u003c\/p\u003e\n\u003cp\u003eThe full-frame sensor offers a shallow depth of field that enables impressive shots that fully utilize bokeh, and shots can be taken with standard ISO of up to 64,000, enabling high-quality images for a wide range of shooting situations and subjects.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e35mm full-frame up to approx. 32MP\u003c\/li\u003e\n\u003cli\u003eMax. 40 shots\/sec. high-speed continuous shooting\u003c\/li\u003e\n\u003cli\u003eStill image sensitivity: standard ISO 64000\u003c\/li\u003e\n\u003cli\u003eSupports Dual Pixel CMOS AF II\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eNewly developed 7K full-frame CMOS sensor\u003c\/li\u003e\n\u003cli\u003eVariety of sensor modes including Full-frame 3:2\u003c\/li\u003e\n\u003cli\u003eDual Base ISO\u003c\/li\u003e\n\u003cli\u003e7K 60P internal RAW recording and 4K 120P high frame rate recording\u003c\/li\u003e\n\u003cli\u003eVarious recording modes including simultaneous 2K crop recording\u003c\/li\u003e\n\u003cli\u003eDual Pixel CMOS AF II\u003c\/li\u003e\n\u003cli\u003eNew, light and compact body design including detachable handle with built-in XLR inputs, REC and Zoom control.\u003c\/li\u003e\n\u003cli\u003eAdobe Frame.io Camera to Cloud in-camera integration\u003c\/li\u003e\n\u003cli\u003e32MP still photo capture in Photo mode\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon RF Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003e5.59 x 3.46 x 3.74” (WxHxD)\u003c\/p\u003e\n\u003ch3\u003eProduct SKU:\u003c\/h3\u003e\n\u003cp\u003e7034C002AA\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eCanon EOS C50 Cinema Camera\u003cbr\u003eCanon Battery Pack LP-E6P\u003cbr\u003eCanon Battery Charger LC-E6\u003cbr\u003eCanon Handle Unit\u003cbr\u003eCanon Microphone Holder Unit\u003cbr\u003eScrew for Microphone Holder Unit (M4)\u003cbr\u003eCanon SS-1200 Shoulder Strap\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNote: Lenses are sold separately. \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":44151604248621,"sku":"28235","price":3899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/Canon-EOS-C50-w-Free-Battery_e38b75d3-6cff-4ee9-8006-a3685b21080c.png?v=1781136305"},{"product_id":"red-v-raptor-xe-rf-mount","title":"RED Digital Cinema V-RAPTOR XE 8K VV Camera - Canon RF Mount","description":"\u003ch3\u003eRED Digital Cinema V-RAPTOR XE 8K VV Camera\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eV-RAPTOR XE\u003c\/strong\u003e is a streamlined cinema camera built around the essentials of modern filmmaking. Featuring the same industry-leading 8K large format global shutter sensor as the flagship V-RAPTOR [X], V-RAPTOR XE delivers RED’s extraordinary image quality, dynamic range, and low-light performance in a compact, 4 lb. body.\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eEssentials Of Filmmaking\u003c\/h6\u003e\n\u003cp\u003eV-RAPTOR XE RF Mount brings the uncompromised image quality of RED’s flagship large format global shutter sensor to a whole new segment of filmmakers. Leveraging the V-RAPTOR [X] platform, V-RAPTOR XE includes the essential features for modern filmmaking, including R3D recording at 8K VV 60P, 4K 120P, and 2K 240P.\u003c\/p\u003e\n\u003cp\u003eV-RAPTOR XE features 2x 12G SDI’s capable of unique monitoring views, a locking Canon RF style lens mount for secure and flexible lens selection, CFexpress Type B media for up to 800MB\/s recording, as well as pre-record and simultaneous proxy record capabilities.\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eSee In VV\u003c\/h6\u003e\n\u003cp\u003eV-RAPTOR XE offers the next level in image quality, I\/O, and workflow to filmmakers looking to expand on the features of KOMODO-X. The 8K VV sensor has over 50% more pixels and overall size when compared to KOMODO-X’s 6K S35, resulting in more creative control over depth of field, stabilization, and detail capture. Along with a tightly managed thermal system, V-RAPTOR XE offers best in class lowlight performance and post-latitude when paired with the R3D recording format.\u003c\/p\u003e\n\u003ch6\u003eIP Connected\u003c\/h6\u003e\n\u003cp\u003eV-RAPTOR XE features the same in-camera cloud upload integration with Frame.io or AWS, as well as compatibility with RED Control and RED Control Pro via wireless or wired configuration for complete remote control in any environment.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e8K VV up to 60fps, 6K S35 up to 80fps, 4K up to 120fps, and 2K up to 240fps\u003c\/li\u003e\n\u003cli\u003eIndustry-leading sensor technology with an advanced 8K large format (VV) global shutter sensor\u003c\/li\u003e\n\u003cli\u003eSignificantly reduced boot time and sensor power consumption (with upcoming firmware update)\u003c\/li\u003e\n\u003cli\u003eIconic RED DNA with extraordinary image quality\u003c\/li\u003e\n\u003cli\u003eUnmatched low-light capabilities (17 stops) \u003c\/li\u003e\n\u003cli\u003eAvailable with RF Mount or Nikon Z Mount for ultimate lens flexibility\u003c\/li\u003e\n\u003cli\u003eCompact body at just over 4 lbs. that allows for tremendous flexibility in any shooting environment \u003c\/li\u003e\n\u003cli\u003eCompatibility with V-RAPTOR accessories\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon RF Mount Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003e9.25 x 6 x 12.75\"\u003c\/p\u003e\n\u003ch3\u003eProduct SKU:\u003c\/h3\u003e\n\u003cp\u003e710-0449\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eRED Digital Cinema V-RAPTOR XE 8K VV Camera - Canon RF Mount\u003cbr\u003eDSMC AC Power Adaptor 150W\u003cbr\u003eRED Logo Sticker\u003cbr\u003eV-RAPTOR XE Information Card (Included Registration \u0026amp; Support Info)\u003cbr\u003eLimited 2 Year Manufacturer Standard Warranty\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNote: Power Cord Not Included. This must be Purchased Separately.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"RED Digital Cinema","offers":[{"title":"Default Title","offer_id":44154999504941,"sku":"28335","price":14995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/28335_710-0449_01_Hero.png?v=1757463089"},{"product_id":"red-v-raptor-xe-rf-mount-kit","title":"RED Digital Cinema V-RAPTOR XE 8K VV Camera Cine Essentials Pack - Canon RF Mount","description":"\u003ch3\u003eRED Digital Cinema V-RAPTOR XE 8K VV Camera Cine Essentials Pack\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eV-RAPTOR XE\u003c\/strong\u003e is a streamlined cinema camera built around the essentials of modern filmmaking. Featuring the same industry-leading 8K large format global shutter sensor as the flagship V-RAPTOR [X], V-RAPTOR XE delivers RED’s extraordinary image quality, dynamic range, and low-light performance in a compact, 4 lb. body.\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eEssentials Of Filmmaking\u003c\/h6\u003e\n\u003cp\u003eV-RAPTOR® XE RF Mount brings the uncompromised image quality of RED’s flagship large format global shutter sensor to a whole new segment of filmmakers. Leveraging the V-RAPTOR [X] platform, V-RAPTOR XE includes the essential features for modern filmmaking, including R3D recording at 8K VV 60P, 4K 120P, and 2K 240P.\u003c\/p\u003e\n\u003cp\u003eV-RAPTOR XE features 2x 12G SDI’s capable of unique monitoring views, a locking Canon RF style lens mount for secure and flexible lens selection, CFexpress Type B media for up to 800MB\/s recording, as well as pre-record and simultaneous proxy record capabilities.\u003c\/p\u003e\n\u003ch6\u003eSee In VV\u003c\/h6\u003e\n\u003cp\u003eV-RAPTOR XE offers the next level in image quality, I\/O, and workflow to filmmakers looking to expand on the features of KOMODO-X. The 8K VV sensor has over 50% more pixels and overall size when compared to KOMODO-X’s 6K S35, resulting in more creative control over depth of field, stabilization, and detail capture. Along with a tightly managed thermal system, V-RAPTOR XE offers best in class lowlight performance and post-latitude when paired with the R3D recording format.\u003c\/p\u003e\n\u003ch6\u003eIP Connected\u003c\/h6\u003e\n\u003cp\u003eV-RAPTOR XE features the same in-camera cloud upload integration with Frame.io or AWS, as well as compatibility with RED Control and RED Control Pro via wireless or wired configuration for complete remote control in any environment.\u003c\/p\u003e\n\u003cp\u003eThe V-RAPTOR XE RF Mount Cine Essentials Pack provides key accessories to the V-RAPTOR XE camera system, and bundled together can be offered with substantial savings. \u003c\/p\u003e\n\u003cp\u003eThe pack includes:\u003c\/p\u003e\n\u003cp\u003eV-RAPTOR XE RF Mount Camera System\u003cbr\u003e1x DSMC3 RED Touch 7.0” LCD\u003cbr\u003e1x RED V-RAPTOR RF to PL Adapter w\/ Electronic ND Filter Adapter Pack\u003cbr\u003e1x KOMODO Outrigger Handle\u003c\/p\u003e\n\u003ch6\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eFeatures:\u003c\/span\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003e8K VV up to 60fps, 6K S35 up to 80fps, 4K up to 120fps, and 2K up to 240fps\u003c\/li\u003e\n\u003cli\u003eIndustry-leading sensor technology with an advanced 8K large format (VV) global shutter sensor\u003c\/li\u003e\n\u003cli\u003eSignificantly reduced boot time and sensor power consumption (with upcoming firmware update)\u003c\/li\u003e\n\u003cli\u003eIconic RED DNA with extraordinary image quality\u003c\/li\u003e\n\u003cli\u003eUnmatched low-light capabilities (17 stops) \u003c\/li\u003e\n\u003cli\u003eAvailable with RF Mount or Nikon Z Mount for ultimate lens flexibility\u003c\/li\u003e\n\u003cli\u003eCompact body at just over 4 lbs. that allows for tremendous flexibility in any shooting environment \u003c\/li\u003e\n\u003cli\u003eCompatibility with V-RAPTOR accessories\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon RF Mount Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003e9.25 x 6 x 12.75\"\u003c\/p\u003e\n\u003ch3\u003eProduct SKU:\u003c\/h3\u003e\n\u003cp\u003e710-0450\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eRED Digital Cinema V-RAPTOR XE 8K VV Camera Cine Essentials Pack - Canon RF Mount\u003cbr\u003eDSMC AC Power Adaptor 150W\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRED V-RAPTOR RF to PL Adapter w\/ Electronic ND Filter Adapter Pack\u003cbr\u003eElectronic ND Filter\u003cbr\u003eClear Filter\u003cbr\u003ePL-Mount Shim SetV-RAPTOR RF to PL Support Bracket Set (2)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRED KOMODO Outrigger Handle\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRED Digital Cinema DSMC3 RED Touch 7.0” LCD\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRED Logo Sticker\u003cbr\u003eV-RAPTOR XE Information Card (Included Registration \u0026amp; Support Info)\u003cbr\u003eLimited 2 Year Standard Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNote: Power Cord Not Included. This must be Purchased Separately.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"RED Digital Cinema","offers":[{"title":"Default Title","offer_id":44154999537709,"sku":"28328","price":19995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/28328_710-0450_01_Hero.png?v=1757470630"},{"product_id":"red-v-raptor-xe-z-mount-kit","title":"RED Digital Cinema V-RAPTOR XE 8K VV Camera Cine Essentials Pack - Nikon Z Mount","description":"\u003ch3\u003eRED Digital Cinema V-RAPTOR XE 8K VV Camera Cine Essentials Pack\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eV-RAPTOR XE\u003c\/strong\u003e is a streamlined cinema camera built around the essentials of modern filmmaking. Featuring the same industry-leading 8K large format global shutter sensor as the flagship V-RAPTOR [X], V-RAPTOR XE delivers RED’s extraordinary image quality, dynamic range, and low-light performance in a compact, 4 lb. body.\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eEssentials Of Filmmaking\u003c\/h6\u003e\n\u003cp\u003eV-RAPTOR XE Z Mount brings the uncompromised image quality of RED’s flagship large format global shutter sensor to a whole new segment of filmmakers. Leveraging the V-RAPTOR [X] platform, V-RAPTOR XE includes the essential features for modern filmmaking, including R3D recording at 8K VV 60P, 4K 120P, and 2K 240P.\u003c\/p\u003e\n\u003cp\u003eV-RAPTOR XE features 2x 12G SDI’s capable of unique monitoring views, a locking Nikon Z mount for secure and flexible lens selection, CFexpress Type B media for up to 800MB\/s recording, as well as pre-record and simultaneous proxy record capabilities.\u003c\/p\u003e\n\u003ch6\u003eSee In VV\u003c\/h6\u003e\n\u003cp\u003eV-RAPTOR XE offers the next level in image quality, I\/O, and workflow to filmmakers looking to expand on the features of KOMODO-X®. The 8K VV sensor has over 50% more pixels and overall size when compared to KOMODO-X’s 6K S35, resulting in more creative control over depth of field, stabilization, and detail capture. Along with a tightly managed thermal system, V-RAPTOR XE offers best in class lowlight performance and post-latitude when paired with the R3D recording format.\u003c\/p\u003e\n\u003ch6\u003eNikon Z Mount\u003c\/h6\u003e\n\u003cp\u003eThe V-RAPTOR XE Z Mount, part of the new Z CINEMA series, comes in a native locking Nikon Z mount, bringing Nikon’s latest optical innovations into the cinema market. Close coordination between Nikon and RED brings Z lenses into the cinema style shooting experience, with advanced features such as smooth iris control, customizable lens response, and adjustable auto focus speeds. In addition, the 16mm shallow flange depth of the Nikon Z mount makes it the most flexible and adaptable modern lens mount available.\u003c\/p\u003e\n\u003ch6\u003eIP Connected\u003c\/h6\u003e\n\u003cp\u003eV-RAPTOR XE features the same in-camera cloud upload integration with Frame.io or AWS, as well as compatibility with RED Control™ and RED Control Pro™ via wireless or wired configuration for complete remote control in any environment.\u003c\/p\u003e\n\u003cp\u003eThe V-RAPTOR XE Z Mount Cine Essentials Pack provides key accessories to the V-RAPTOR XE camera system, and bundled together can be offered with substantial savings.\u003c\/p\u003e\n\u003cp\u003eThe pack includes:\u003c\/p\u003e\n\u003cp\u003eV-RAPTOR XE Z Mount Camera System\u003cbr\u003e1x DSMC3 RED Touch 7.0” LCD\u003cbr\u003e1x RED V-RAPTOR Z to PL Adapter w\/ Electronic ND Filter Adapter Pack\u003cbr\u003e1x KOMODO Outrigger Handle\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e8K VV up to 60fps, 6K S35 up to 80fps, 4K up to 120fps, and 2K up to 240fps\u003c\/li\u003e\n\u003cli\u003eIndustry-leading sensor technology with an advanced 8K large format (VV) global shutter sensor\u003c\/li\u003e\n\u003cli\u003eSignificantly reduced boot time and sensor power consumption (with upcoming firmware update)\u003c\/li\u003e\n\u003cli\u003eIconic RED DNA with extraordinary image quality\u003c\/li\u003e\n\u003cli\u003eUnmatched low-light capabilities (17 stops) \u003c\/li\u003e\n\u003cli\u003eAvailable with RF Mount or Nikon Z Mount for ultimate lens flexibility\u003c\/li\u003e\n\u003cli\u003eCompact body at just over 4 lbs. that allows for tremendous flexibility in any shooting environment \u003c\/li\u003e\n\u003cli\u003eCompatibility with V-RAPTOR accessories\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNikon Z Mount Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003e14 x 10 x 16\"\u003c\/p\u003e\n\u003ch3\u003eProduct SKU:\u003c\/h3\u003e\n\u003cp\u003e710-0445\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eRED Digital Cinema V-RAPTOR XE 8K VV Camera Cine Essentials Pack - Nikon Z Mount\u003cbr\u003eDSMC AC Power Adaptor 150W\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRED V-RAPTOR Z to PL Adapter w\/ Electronic ND Filter Adapter Pack\u003cbr\u003ePL Support Brackets\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRED KOMODO Outrigger Handle\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eRED Digital Cinema DSMC3 RED Touch 7.0” LCD\u003c\/p\u003e\n\u003cp\u003eRED Logo Sticker\u003cbr\u003eV-RAPTOR XE Information Card (Included Registration \u0026amp; Support Info)\u003cbr\u003eLimited 2 Year Standard Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNote: Power Cord Not Included. This must be Purchased Separately.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"RED Digital Cinema","offers":[{"title":"Default Title","offer_id":44154999570477,"sku":"28321","price":19995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/28321_710-0445_01_Hero.png?v=1757470082"},{"product_id":"red-v-raptor-xe-z-mount","title":"RED Digital Cinema V-RAPTOR XE 8K VV Camera - Nikon Z Mount","description":"\u003ch3\u003eRED Digital Cinema V-RAPTOR XE 8K VV Camera\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eV-RAPTOR XE\u003c\/strong\u003e is a streamlined cinema camera built around the essentials of modern filmmaking. Featuring the same industry-leading 8K large format global shutter sensor as the flagship V-RAPTOR [X], V-RAPTOR XE delivers RED’s extraordinary image quality, dynamic range, and low-light performance in a compact, 4 lb. body.\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eEssentials Of Filmmaking\u003c\/h6\u003e\n\u003cp\u003eV-RAPTOR XE Z Mount brings the uncompromised image quality of RED’s flagship large format global shutter sensor to a whole new segment of filmmakers. Leveraging the V-RAPTOR [X] platform, V-RAPTOR XE includes the essential features for modern filmmaking, including R3D recording at 8K VV 60P, 4K 120P, and 2K 240P.\u003c\/p\u003e\n\u003cp\u003eV-RAPTOR XE features 2x 12G SDI’s capable of unique monitoring views, a locking Nikon Z mount for secure and flexible lens selection, CFexpress Type B media for up to 800MB\/s recording, as well as pre-record and simultaneous proxy record capabilities.\u003c\/p\u003e\n\u003ch6\u003eSee In VV\u003c\/h6\u003e\n\u003cp\u003eV-RAPTOR XE offers the next level in image quality, I\/O, and workflow to filmmakers looking to expand on the features of KOMODO-X. The 8K VV sensor has over 50% more pixels and overall size when compared to KOMODO-X’s 6K S35, resulting in more creative control over depth of field, stabilization, and detail capture. Along with a tightly managed thermal system, V-RAPTOR XE offers best in class lowlight performance and post-latitude when paired with the R3D recording format.\u003c\/p\u003e\n\u003ch6\u003eNikon Z Mount\u003c\/h6\u003e\n\u003cp\u003eThe V-RAPTOR XE Z Mount, part of the new Z CINEMA series, comes in a native locking Nikon Z mount, bringing Nikon’s latest optical innovations into the cinema market. Close coordination between Nikon and RED brings Z lenses into the cinema style shooting experience, with advanced features such as smooth iris control, customizable lens response, and adjustable auto focus speeds. In addition, the 16mm shallow flange depth of the Nikon Z mount makes it the most flexible and adaptable modern lens mount available.\u003c\/p\u003e\n\u003ch6\u003eIP Connected\u003c\/h6\u003e\n\u003cp\u003eV-RAPTOR XE features the same in-camera cloud upload integration with Frame.io or AWS, as well as compatibility with RED Control and RED Control Pro via wireless or wired configuration for complete remote control in any environment.\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e8K VV up to 60fps, 6K S35 up to 80fps, 4K up to 120fps, and 2K up to 240fps\u003c\/li\u003e\n\u003cli\u003eIndustry-leading sensor technology with an advanced 8K large format (VV) global shutter sensor\u003c\/li\u003e\n\u003cli\u003eSignificantly reduced boot time and sensor power consumption (with upcoming firmware update)\u003c\/li\u003e\n\u003cli\u003eIconic RED DNA with extraordinary image quality\u003c\/li\u003e\n\u003cli\u003eUnmatched low-light capabilities (17 stops) \u003c\/li\u003e\n\u003cli\u003eAvailable with RF Mount or Nikon Z Mount for ultimate lens flexibility\u003c\/li\u003e\n\u003cli\u003eCompact body at just over 4 lbs. that allows for tremendous flexibility in any shooting environment \u003c\/li\u003e\n\u003cli\u003eCompatibility with V-RAPTOR accessories\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNikon Z Mount Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003e9.25 x 6 x 12.75\"\u003c\/p\u003e\n\u003ch3\u003eProduct SKU:\u003c\/h3\u003e\n\u003cp\u003e710-0444\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eRED Digital Cinema V-RAPTOR XE 8K VV Camera - Nikon Z Mount\u003cbr\u003eDSMC AC Power Adaptor 150W\u003cbr\u003eRED Logo Sticker\u003cbr\u003eV-RAPTOR XE Information Card (Included Registration \u0026amp; Support Info)\u003cbr\u003eLimited 2 Year Manufacturer Standard Warranty\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNote: Power Cord Not Included. This must be Purchased Separately.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"RED Digital Cinema","offers":[{"title":"Default Title","offer_id":44154999603245,"sku":"28314","price":14995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/28314_710-0444_01_Hero.png?v=1757460691"},{"product_id":"nikon-new-kit","title":"Nikon ZR Cinema Camera with 24-50mm f\/4-6.3 Lens","description":"\u003ch3\u003eNikon ZR\u003cbr\u003eA cinema camera co-developed by Nikon and RED.\u003cbr\u003eThe newest member of the Z CINEMA product line.\u003c\/h3\u003e\n\u003cp\u003eIncludes the \u003cstrong\u003eZR\u003c\/strong\u003e and the \u003cstrong\u003eNIKKOR Z 24-50mm f\/4-6.3\u003c\/strong\u003e. Discover the combination of award-winning RED color science, professional 32-bit float audio and Nikon’s deep learning-powered autofocus with a lightweight, compact zoom lens. 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Discover the fusion of RED color science, professional 32-bit float audio and advanced Nikon autofocus all in a full-frame stabilized body. Plus, all the advantages of the mirrorless Z mount, including compatibility with a vast array of NIKKOR and third-party* lenses.\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eA built-in monitor you can trust.\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003eLarge 4-inch diagonal, 16:10 aspect ratio\u003c\/li\u003e\n\u003cli\u003eBright 1000 nits\u003c\/li\u003e\n\u003cli\u003eSharp 3.07 million dots\u003c\/li\u003e\n\u003cli\u003eWide Gamut DCI-P3 color gamut\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eFilmmaker-oriented UI.\u003c\/h6\u003e\n\u003cp\u003eGet started quickly with a prominent stills\/video switch and multiple customizable Fn buttons, plus a new shortcut menu for easy access to key filmmaking settings.\u003c\/p\u003e\n\u003ch6\u003eScalable design.\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSmallRig ZR Cinema Rig\u003c\/strong\u003e: Option Cinema Rig (SmallRig V-Mount Battery Mount Plate Kit 5227) adds additional accessory ports and compatibility with industry-standard V-Mount batteries.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSmallRig Cage\u003c\/strong\u003e: Adds 1\/4\"-20, 3\/8\"-16 and ARRI 3\/8\"-16 threaded sockets and an integrated Arca-Swiss style quick-release plate.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMC-N10 Grip\u003c\/strong\u003e: Expand the ZR’s capabilities with a full-sized add-on grip, including programmable AF-ON, Fn1, Fn2 and Video Record buttons.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBright, large display. \u003c\/strong\u003eBuilt-in 4-inch Vari-angle display with touch control—DCI-P3 color gamut, 1000 nit brightness and 3.07 million dots resolutions.\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShutter Angle\u003c\/strong\u003e: Set shutter angle to one of 15 steps between 5.6° and 360°.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e32-bit float audio. \u003c\/strong\u003eWide dynamic range audio recording built-in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEasily integrated into RED post-production workflow. \u003c\/strong\u003eFootage shot in REDCODE RAW (R3D NE) unlocks the same color space (REDWideGamutRGB) and Log curve (Log3G10) as RED cameras.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustom in-camera LUT support.\u003c\/strong\u003e Load up to 10 LUTs into the ZR and preview the look in real-time via the built-in monitor.1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual base ISO.\u003c\/strong\u003e More options for base ISO sensitivity: 800\/6400 for both Log3G10 and N-Log.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuilt-in stabilization.\u003c\/strong\u003e Powerful built-in stabilization with any lens—up to 7.5 stops.2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdvanced Nikon autofocus. \u003c\/strong\u003e9-subject detection autofocus, with automatic tracking of people, animals and vehicles—powered by deep learning.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVersatile Z Mount\u003c\/strong\u003e. Widest, shallowest full-frame mirrorless lens mount2 supports a vast selection of lenses.\u003c\/li\u003e\n\u003cli\u003eWeighs only 1.18 lbs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNikon Z Mount Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOptional Accessories:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEN-EL 15c Rechargeable Li-ion Battery\u003c\/li\u003e\n\u003cli\u003eEH-8P AC Adapter (Requires UC-E25 USB Cable)\u003c\/li\u003e\n\u003cli\u003eMH-25a Battery Charger\u003c\/li\u003e\n\u003cli\u003eMH-34 Battery Charger\u003c\/li\u003e\n\u003cli\u003eMC-DC3 Remote Cord\u003c\/li\u003e\n\u003cli\u003eUC-E24 USB Cable\u003c\/li\u003e\n\u003cli\u003eUC-E25 USB Cable\u003c\/li\u003e\n\u003cli\u003eAS-15 Sync Terminal Adapter\u003c\/li\u003e\n\u003cli\u003eBS-D1 Digital Accessory Shoe Cover\u003c\/li\u003e\n\u003cli\u003eBF-N1 Body Cap\u003c\/li\u003e\n\u003cli\u003eMount Adapter FTZ II\u003c\/li\u003e\n\u003cli\u003eME-D10 Shotgun Microphone\u003c\/li\u003e\n\u003cli\u003eML-L7 Bluetooth Remote Control\u003c\/li\u003e\n\u003cli\u003eMC-N10 Remote Grip\u003c\/li\u003e\n\u003cli\u003eAN-DC26 Strap\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eConnectivity:\u003c\/h3\u003e\n\u003ch6\u003eFrame.io integration.\u003c\/h6\u003e\n\u003cp\u003eSend video files from your ZR to the cloud and transform the way you work, from your very first shot to the final cut.\u003c\/p\u003e\n\u003cp\u003eUse the free Nikon NX MobileAir app for iOS and Android to connect your ZR to Frame.io and easily configure automatic uploading.\u003c\/p\u003e\n\u003ch3\u003eProduct SKU:\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e2006\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eNikon ZR Cinema Camera (Body Only)\u003cbr\u003eNikon EN-EL15c Rechargeable Li-ion Battery\u003cbr\u003eNikon BS-D1 Digital Accessory Shoe Cover\u003cbr\u003eNikon BF-N1 Body Cap\u003cbr\u003eUSB Type-C Cable\u003cbr\u003eNikon AN-DC26 Strap \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e-----\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFootnotes:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e* Compatibility with F mount NIKKOR lenses is supported via the optional FTZ II Mount Adapter, sold separately.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhen using non-Nikon adapters with third-party lenses, some functions may not be supported.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1 17-point, 33-point, 65-point LUTs are supported at frame rates of 24, 25, 30, and 60p. 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Discover the combination of award-winning RED color science, professional 32-bit float audio and Nikon’s deep learning-powered autofocus with a lightweight, fast-aperture prime lens. 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Shoots at 18 FPS.\u003c\/li\u003e\n\u003cli\u003eB\u0026amp;W (Black \u0026amp; White): Timeless monochrome for a classic, dramatic look. 30 fps\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003e🔴 One Clip Per Trigger Pull\u003c\/h6\u003e\n\u003cp\u003eEach time you press the trigger, it records a new video file—perfect for capturing moments in short bursts or B-roll to your life\u003c\/p\u003e\n\u003ch6\u003e🔈Captures Audio\u003c\/h6\u003e\n\u003cp\u003eBuilt in Microphone for Audio capture.\u003c\/p\u003e\n\u003ch6\u003e💾 4GB SD Card Included\u003c\/h6\u003e\n\u003cp\u003eThe included 4GB card holds around 30 minutes of footage. Works with up to 128 gb SD card which will record up to 16 hours of video. \u003c\/p\u003e\n\u003ch6\u003e🔍 Zoom In\/Out\u003c\/h6\u003e\n\u003cp\u003eTap (T) to zoom in, (W) to zoom out.\u003c\/p\u003e\n\u003ch6\u003e🔋 Analog Meters for Battery + Memory\u003c\/h6\u003e\n\u003cp\u003eA retro touch that actually works: keep an eye on battery and storage with dual analog dials.\u003c\/p\u003e\n\u003ch6\u003e🔁 No Playback or Deleting\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003e6.5 x 4.25 x 1.85\"\u003c\/p\u003e\n\u003ch3\u003eFAQ:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is the CS8 and how does it work?\u003c\/strong\u003e\u003cbr\u003eThe CS8 is a retro-inspired digital video camera, like a modern take on the Super 8. You hold the trigger to record, can’t see your videos until you get home, and it comes with 5 filters and 4 aspect ratios to capture real-life moments with a nostalgic vibe.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes it take photos?\u003c\/strong\u003e\u003cbr\u003eNope—video only. No photo mode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow long can I record?\u003c\/strong\u003e\u003cbr\u003eThe included 4GB card holds around 30 minutes of footage. Works with up to 128 gb SD card which will be up to 16 hours of video\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo filters apply after recording?\u003c\/strong\u003e\u003cbr\u003eFilters are baked in while filming. You can edit the videos in post if you would like!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan I watch videos on the camera?\u003c\/strong\u003e\u003cbr\u003eNope—and that’s the point. There’s no screen or playback, so you’re not overthinking shots. Just shoot and stay in the moment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow does recording work?\u003c\/strong\u003e\u003cbr\u003eEach time you pull and release the trigger, it saves a new video clip. One press = one file saved as a MP4 File\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow do I get my videos off the CS8?\u003c\/strong\u003e\u003cbr\u003ePlug it into your device with the included USB-C cable. It shows up like a flash drive, and you can drag and drop your clips.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIs it easy to use?\u003c\/strong\u003e\u003cbr\u003eSuper easy. Twist the dial to turn it on, and hold the trigger to record. That’s it. Great for all ages.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat makes this different from using my phone?\u003c\/strong\u003e\u003cbr\u003eThe CS8 is distraction-free. No apps, no notifications—just a dedicated video camera built to help you be present and capture memories like you used to.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes it come with everything I need?\u003c\/strong\u003e\u003cbr\u003eYep. It comes ready to go with a pre-installed memory card and a USB-C cable for charging and transferring videos.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat do the different aspect ratios mean?\u003c\/strong\u003e\u003cbr\u003eThe CS8 lets you choose from four aspect ratios depending on how you want to frame your shots:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e9:16 – Perfect for vertical video like Instagram Reels or TikToks. Great for capturing moments on the go, full-frame.\u003c\/li\u003e\n\u003cli\u003e1:1 – A square format that works well for Instagram posts or a retro, photo booth-style vibe.\u003c\/li\u003e\n\u003cli\u003e4:3 – A classic format used in old-school TVs and camcorders. Great for a nostalgic look.\u003c\/li\u003e\n\u003cli\u003e16:9– The modern widescreen format. Ideal for YouTube or watching back on a TV or laptop.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eProduct SKU:\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eCS8\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eCamp Snap 8 Digital Video Camera - Black\/Silver\u003cbr\u003eUSB-C to USB-C Charging \u0026amp; Data Cable\u003cbr\u003e4GB microSD Card\u003c\/p\u003e","brand":"Camp Snap","offers":[{"title":"Default Title","offer_id":44232564080685,"sku":"30099","price":199.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/30099_CS8_01_Hero.png?v=1760483205"},{"product_id":"komodo-x-produciton-pk-vlk-crf","title":"RED Digital Cinema KOMODO-X Production Package with V-Lock for Canon RF Mount","description":"\u003ch3\u003eKOMODO-X Production Package with V-Lock for Canon RF Mount\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eKOMODO-X\u003c\/strong\u003e is the next evolution in the KOMODO family, multiplying the frame rates, dynamic range, and usability of the original KOMODO to break new grounds.\u003c\/p\u003e\n\u003ch6\u003eNext Generation Komodo Sensor\u003c\/h6\u003e\n\u003cp\u003eKOMODO-X features the same sized 6K S35 Global Shutter sensor as the KOMODO, but with a ground up redesign and key architecture improvements.\u003c\/p\u003e\n\u003cp\u003eImproved detail and color in shadows, paired with double the frame rates at 6K 80P and 4K 120P makes KOMODO-X an even more powerful tool for creatives.\u003c\/p\u003e\n\u003ch6\u003eEnhanced Body And I\/O\u003c\/h6\u003e\n\u003cp\u003eWith key improvements for professional workflows, the KOMODO-X now shares many features with the DSMC3 line while still maintaining the impressively small KOMODO form factor. An integrated micro V-Lock allows for direct attachment of professional micro V-Lock batteries without the need for adapters and is also compatible with the upcoming RED Pro I\/O Module to provide auxiliary power and compatibility with full sized V-Lock and Gold Mount batteries.\u003c\/p\u003e\n\u003cp\u003eA reinforced RF lens mount with locking mechanism maintains the flexibility of toolless switching between multiple lens mount types, while providing the stability and rigidity professionals need. KOMODO-X is also fully compatible with \/i PL lenses using the RED RF to PL Adapter.\u003c\/p\u003e\n\u003cp\u003e12G SDI, full sized DC-IN, USB Type-C, and a phantom powered locking audio connector further enables KOMODO-X to seamlessly integrate into any professional workflow. KOMODO-X is compatible with DSMC3 RED 5-Pin to Single 3.5mm Adapter to support existing KOMODO microphones, or the DSMC3 RED 5-Pin to Dual XLR Adapter for general purpose XLR microphones.\u003c\/p\u003e\n\u003cp\u003eAn integrated 2.9” LCD allows for simplified control and image preview in compact setups. For more precise monitoring, KOMODO-X supports the DSMC3 RED Touch 7.0\" LCD which provides a daylight viewable, high-resolution, camera top monitor and control solution without the mess of cables.\u003c\/p\u003e\n\u003ch6\u003eIP Connected\u003c\/h6\u003e\n\u003cp\u003eKOMODO-X is a powerful platform for any IP based workflow, from virtual production to live broadcast. With integrated USB Type-C connection and built-in Wi-Fi, remotely control the camera using RED Control or RED Control Pro, as well as IP media offloading using FTPS or in-camera Cloud Uploading functionality (Frame.io and S3). In addition, KOMODO-X supports frame-accurate PTP synchronization or tri-level genlock sensor sync with the ability to offset on the fly to support multi-camera LED volume productions.\u003c\/p\u003e\n\u003cp\u003eKOMODO-X also supports RED Connect, a licensed feature that allows for live broadcasting of 6K images directly from the camera over IP, expanding RED’s cinematic imagery into boundless new uses.\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSuper35 KOMODO-X 6K Camera\u003c\/li\u003e\n\u003cli\u003eS35 6K to 80 fps, 4K to 120 fps\u003c\/li\u003e\n\u003cli\u003eReinforced, Locking Canon RF Lens Mount\u003c\/li\u003e\n\u003cli\u003eDSMC3 RED Touch 7.0\" LCD, Rigid Hinge\u003c\/li\u003e\n\u003cli\u003eRED Pro V-Mount I\/O Module\u003c\/li\u003e\n\u003cli\u003e2x RED PRO CFexpress 1TB Cards\u003c\/li\u003e\n\u003cli\u003eCompact R\/S Top Handle\u003c\/li\u003e\n\u003cli\u003eCFexpress Card Reader\u003c\/li\u003e\n\u003cli\u003e5-Pin to Dual XLR 3-Pin Audio Adapter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon RF Mount Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOptional Accessories (Sold Separately):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDSMC3 RED 5-Pin to Single 3.5mm Adapter to support existing KOMODO microphones\u003c\/li\u003e\n\u003cli\u003eOr the DSMC3 RED 5-Pin to Dual XLR Adapter for general purpose XLR microphones\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003e5.09 x 3.99 x 3.75\"\u003c\/p\u003e\n\u003ch3\u003eProduct SKU:\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e710-0417-00\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eRED Digital Cinema KOMODO-X Production Package with V-Lock for Canon RF Mount\u003c\/strong\u003e\u003cbr\u003e1x KOMODO-X RF Mount Camera System\u003cbr\u003e1x DSMC3 RED Touch 7” LCD\u003cbr\u003e2x RED PRO CFexpress v4 Type B 1TB\u003cbr\u003e1x RED PRO CFexpress v4 Type B Card Reader\u003cbr\u003e1x RED Pro V-Lock I\/O Module\u003cbr\u003e1x RED Compact Top Handle\u003cbr\u003e1x DSMC3 RED 5-Pin to Dual XLR Adapter\u003cbr\u003eLimited 1-Year Manufacturer Standard Warranty (Camera Only)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNote: Power Cord is Sold Separately.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"RED Digital Cinema","offers":[{"title":"Default Title","offer_id":44237052018733,"sku":"30162","price":11995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/30162_710-0417-00_01_Hero.png?v=1765913616"},{"product_id":"komodo-x-produciton-pk-vlk-nkz","title":"RED Digital Cinema KOMODO-X Production Package with V-Lock for Nikon Z Mount","description":"\u003ch3\u003eKOMODO-X Production Package with V-Lock for Nikon Z Mount\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eKOMODO-X\u003c\/strong\u003e is the next evolution in the KOMODO family, multiplying the frame rates, dynamic range, and usability of the original KOMODO to break new grounds. 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Shoot a series of clips – up to 15 seconds in total – and the camera will stitch them into one smooth video, automatically.  \u003c\/p\u003e\n\u003cp\u003eWith the free instax mini Evo app on your smartphone, you can connect your camera via Bluetooth and craft up to 30 seconds of cinematic storytelling by trimming and reordering your clips, before adding a movie-style opening sequence and end credits. \u003c\/p\u003e\n\u003cp\u003eWhen it comes to printing your video memories, you can add a scannable QR code** on your printed instax mini instant photo making your memories ready to be played back on a smartphone (download of free instax mini Evo app required). And with video and audio data securely stored for 24 months, you can relive every sound and story, whenever you like. \u003cbr\u003e \u003cbr\u003eEvery memory you capture with the instax mini Evo Cinema camera deserves a shot at glory; that’s why each photo is brought vividly to life when printed on premium instax mini instant film (sold separately), printed at 318 DPI. Whether captured in the moment or printed directly from your smartphone using the app, you’ll know every image will appear looking its very best. \u003cbr\u003e \u003cbr\u003eWith sleek black, glimpses of green and analog-inspired details, this hybrid instant camera is truly crafted for those who appreciate tactile functions alongside beauty and elegance. All so you can capture and share your elevated vision with ease.\u003c\/p\u003e\n\u003ch3\u003eHighlights:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThe power of three: Hybrid Camera from Digital to Instant to Video\u003c\/li\u003e\n\u003cli\u003eA unique photographic experience\u003c\/li\u003e\n\u003cli\u003eSwitch between \"Cine\" to \"Still\" Modes to capture either a video or a photo with ease\u003c\/li\u003e\n\u003cli\u003ePrint directly to Instax Mini Film (sold separately)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHybrid Video, Stills, Instant Film Camera\u003c\/li\u003e\n\u003cli\u003e5MP 1\/5\" CMOS Sensor with primary color filter\u003c\/li\u003e\n\u003cli\u003e10 Eras effects (1930-2020)\u003c\/li\u003e\n\u003cli\u003e10 Degrees of expression\u003c\/li\u003e\n\u003cli\u003eCapture videos or images effortlessly\u003c\/li\u003e\n\u003cli\u003eBuilt-in Microphone and Speaker\u003c\/li\u003e\n\u003cli\u003eContinuous light source for video\u003c\/li\u003e\n\u003cli\u003eDownload of free instax mini Evo™ app required\u003c\/li\u003e\n\u003cli\u003eBuilt-in Selfie Mirror and Self-Timer\u003c\/li\u003e\n\u003cli\u003eBuilt-in Tripod Mount (Tripod sold separately)\u003c\/li\u003e\n\u003cli\u003eIncludes Zoom and Print Levers\u003c\/li\u003e\n\u003cli\u003eConnects to your smartphone via Bluetooth using the free instax mini Evo app\u003c\/li\u003e\n\u003cli\u003eVarious creative modes\u003c\/li\u003e\n\u003cli\u003e1.54\" LCD screen\u003c\/li\u003e\n\u003cli\u003ePrints on 2” x 3” instax mini instant film (instax mini instant film sold separately)\u003c\/li\u003e\n\u003cli\u003eUSB-Type C port for easy charging\u003c\/li\u003e\n\u003cli\u003eIncludes a Micro SD Card Slot for extra storage*** (Micro SD Card sold separately)\u003c\/li\u003e\n\u003cli\u003eSleek black design with accents of green\u003c\/li\u003e\n\u003cli\u003eAnalog-inspired details\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eAdditional Features:\u003c\/h3\u003e\n\u003ch6\u003eDegree Control Dial with 10 x Expressions\u003c\/h6\u003e\n\u003cp\u003eYou’ve chosen your era, now fine-tune the effect with the Degree Control Dial. Rotate the dial to precisely adjust color, contrast, and noise expression – you’ve got 10 creative variations per era.\u003c\/p\u003e\n\u003ch6\u003eFrame Switch\u003c\/h6\u003e\n\u003cp\u003eAdd flavor to every shot or clip utilizing the Frame Switch. There’s a frame for every era, each echoing the characteristics, media and playback devices that defined that time – think “REC” text and crisp white lines on the 90s filter.\u003c\/p\u003e\n\u003ch6\u003eCine\/Still Mode\u003c\/h6\u003e\n\u003cp\u003eSelect your preferred era, now it’s time to switch between “Cine” and ”Still” to capture either a video or photo with ease. Shoot a series of clips – up to 15 seconds in total – and the camera will stitch them into one smooth video automatically. For ‘The Director’s Cut’ use your smartphone to download the free instax mini Evo™ app, connect your camera to the app via Bluetooth® and extend your creation to 30 seconds by adding or reordering clips.\u003c\/p\u003e\n\u003ch6\u003eZoom Lever\u003c\/h6\u003e\n\u003cp\u003eGet closer to the moment with the built-in digital zoom. The tactile Zoom Lever lets you dial up the intimacy, or pull back for greater scope and more atmosphere, all without breaking your flow.\u003c\/p\u003e\n\u003ch6\u003eSelf-Timer\u003c\/h6\u003e\n\u003cp\u003eEquipped with a 2 or 10-second Self-Timer, the instax mini Evo Cinema™ hybrid instant camera gives you plenty of time to step into the frame and let the camera do the rest (pair with a tripod* for great results). And with a two second warning, courtesy of the red lamp on the front, you’ll know when to get camera-ready.\u003cbr\u003e*Tripod sold separately\u003c\/p\u003e\n\u003ch6\u003eRemote Shooting\u003c\/h6\u003e\n\u003cp\u003eFrame, focus and shoot, all from your smartphone once you download the free instax mini Evo™ app. Simply pair your camera via Bluetooth® with the app and start shooting, remotely, which means you can be in the scene too.\u003c\/p\u003e\n\u003ch6\u003eVisuals, Elevated\u003c\/h6\u003e\n\u003cp\u003eCreate the best version of your video by refining it in the free downloadable instax mini Evo app. Import via Bluetooth or Wi-Fi, then craft up to 30 seconds of cinematic storytelling with effortless editing and sleek, intuitive control. Ideal for giving your videos that extra touch before sharing them with friends and family.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdd Multiple Clips\u003c\/strong\u003e: Collate multiple clips together to create one artsy, short video.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVideo Trimming\u003c\/strong\u003e: Easily refine individual clips by editing them to the perfect length.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReorder clips\u003c\/strong\u003e: Reorder clips in your timeline to craft the story you want.\u003c\/li\u003e\n\u003cli\u003eOpening Sequence: Create professional-looking videos by adding an opening sequence.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnd Credits\u003c\/strong\u003e: Finish your sequence in style with an elegant, animated ending.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eFinishing Touch\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePoster Perfect\u003c\/strong\u003e: Elegant, curated Poster templates – the perfect way to turn your instax™ mini instant photo into a refined, visually compelling keepsake. With a variety of poster templates and patterns, each design enhances your content without distracting from the tonality of your creation.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMy Gallery\u003c\/strong\u003e: All your creations in one place, all organized into easy to locate categories within the Gallery section of the app –Favorites, Printed, Video, Photo, Projects. You can even save printed images digitally on your smartphone’s camera roll, finished with the iconic instax™ mini border.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eYour Video, Printed\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSharable Stories\u003c\/strong\u003e: Access your video via a one-of-a-kind instax™ mini instant photo printed with a QR code* ready to be scanned and played back on a smartphone. And with video and audio data securely stored for 24 months, you can relive every sound and story whenever you like.\u003cbr\u003e*The text QR code itself is a registered trademark and wordmark of Denso Wave Incorporated.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirect Print\u003c\/strong\u003e: Print directly from your smartphone via the free instax mini Evo™ app. Send any photo on your device straight to the mini Evo Cinema™ hybrid instant camera via Bluetooth® and watch it print out a high-quality instax™ mini instant photo.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-Quality Prints\u003c\/strong\u003e: At 318DPI, every detail pops, whether you choose instax-Rich mode™ for vibrant, punchy tones or instax-Natural mode™ for soft, serene hues. Then by printing onto premium instax™ mini instant film*, the mini Evo Cinema hybrid instant camera never disappoints.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eDesign Focused\u003c\/h6\u003e\n\u003cp\u003eTimeless design meets subtle flair. With sleek black, glimpses of green, and analog-inspired details, this hybrid instant camera is crafted for those who appreciate tactile functions alongside beauty and elegance.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelfie Mirror\u003c\/strong\u003e: Capture casual moments with friends that include you. If you can see yourself in the built-in Selfie Mirror, you’re in the shot!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLCD Monitor\u003c\/strong\u003e: The 1.54-inch high-resolution LCD Monitor offers a sharp, vibrant preview, making composition effortless. With every detail rendered clearly, you’ll see your vision exactly as it will appear in print before hitting print.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrint Lever\u003c\/strong\u003e: Built with ‘feeling’ in mind, the instax mini Evo Cinema™ hybrid instant camera comes with an analog-style printing operation lever – lift, twist and print. There’s even the satisfying ‘click’ to go with every turn.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAttachments\u003c\/strong\u003e: Feel like a news photographer, movie maker or stylish design aficionado with the included viewfinder and grip attachments, plus the premium Hand Strap – everything you need to shoot video and capture stills with confidence.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eUSB-C \/ Micro SD Card Slot\u003c\/h6\u003e\n\u003cp\u003eStay powered up with the versatile USB Type-C charging port and expand your storage with the MicroSD Card Slot (card sold separately) – small details that make a big difference when you’ve got the perfect lighting, subject or moment.*\u003c\/p\u003e\n\u003cp\u003e*Camera’s internal memory can only hold up to approximately 50 images and ten 15 second clips per 1 GB\u003c\/p\u003e\n\u003ch6\u003eMicrophone \u0026amp; Speaker\u003c\/h6\u003e\n\u003cp\u003eBring your memories to life with the instax mini Evo Cinema™ hybrid instant camera. Featuring a built-in Microphone and Speaker for effortless recording and playback, you can relive every scene with rich, immersive sound.\u003c\/p\u003e\n\u003ch6\u003eFlash\u003c\/h6\u003e\n\u003cp\u003eMore than just a flash, the instax mini Evo™ hybrid instant camera also features a continuous light source for video, keeping your shots perfectly illuminated whether you’re capturing stills or motion.\u003c\/p\u003e\n\u003ch6\u003eShutter Button\u003c\/h6\u003e\n\u003cp\u003eThe Shutter Button makes capturing memories graceful. Press and hold to film, then release to stop, giving you a smooth operation every time.\u003c\/p\u003e\n\u003ch6\u003eTripod Mount\u003c\/h6\u003e\n\u003cp\u003eFor crisp, cinematic shots, even in low light, use the built-in Tripod Mount* for stability. Combined with the Self-Timer, you can flawlessly frame every moment with friends and family, and step into the scene too.\u003c\/p\u003e\n\u003cp\u003e*Tripod sold separately\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eFilm:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003einstax mini instant film (Sold Separately)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMemory Cards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003emicroSD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eConnectivity:\u003c\/h3\u003e\n\u003cp\u003einstax mini Evo app\u003c\/p\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003e1.6 x 5.2 x 3.9\"\u003c\/p\u003e\n\u003ch3\u003eSize:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePrint Image Area: \u003c\/strong\u003e1.8\" x 2.4\"\u003cbr\u003e\u003cstrong\u003ePrint Film Size:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e2\" x 3\"\u003cbr\u003e\u003cstrong\u003ePrint Image Shape:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eRectangle\u003c\/p\u003e\n\u003ch3\u003eWeight:\u003c\/h3\u003e\n\u003cp\u003e0.6 lbs\u003c\/p\u003e\n\u003ch3\u003eProduct SKU:\u003c\/h3\u003e\n\u003cp\u003e16956043\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eFujifilm Instax Mini Evo Cinema Hybrid Instant Camera\u003cbr\u003eViewfinder Attachment\u003cbr\u003eGrip Attachment\u003cbr\u003eUSB-C Cable\u003cbr\u003eHand Strap\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e**The text QR code itself is a registered trademark and wordmark of Denso Wave Incorporated \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e***Camera’s internal memory can only hold up to approximately 50 images and ten 15 second clips per 1 GB \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":44506869661741,"sku":"33564","price":409.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/335641695604301Hero.png?v=1769202256"}],"url":"https:\/\/glozerscamera.shop\/collections\/cinema.oembed","provider":"Glazer's Camera","version":"1.0","type":"link"}