{"title":"Harman","description":null,"products":[{"product_id":"harman-red-125-35x36exp","title":"Harman Red 125 Redscale Color Negative - 35mm Film, 36 Exposures, Single Roll","description":"\u003ch4\u003eHarman Red ISO 125 35mm Color Redscale Negative Film\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eHarman Red\u003c\/strong\u003e is an ISO 125 redscale film, which can turn ordinary scenes into dystopian works of art with shades of red, orange, yellow, and green. With Harman Red Film, you can precisely adjust the hue through exposure, producing lively red, yellow, and orange tones in photos.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eFeatures:\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eStrong red, yellow, and orange cast\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eClear base and high red sensitivity – perfect for redscale\u003c\/li\u003e\n\u003cli\u003eMedium speed ISO 125\u003c\/li\u003e\n\u003cli\u003eDX Coded 36exp cassettes\u003c\/li\u003e\n\u003cli\u003eStandard C41 processing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eWhat Is Redscale Film?\u003c\/h4\u003e\n\u003cp\u003e‘Redscale’ describes the effect you get when shooting through the back of a color film. By doing this you are exposing your image through the film’s base and the red sensitive layer first while also significantly reducing the impact of the blue sensitive layer. 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The film has a clear base, no anti-halation layer, and high red \u0026amp; green sensitivity. These attributes make it the perfect emulsion for a redscale film, ensuring minimal speed loss and transforming mundane scenes into dystopian masterpieces with hues of red, orange, yellow and green.\u003c\/p\u003e\n\u003cp\u003e“Redscale” describes the effect you get when shooting through the back of a color film. By doing this you are exposing your image through the film’s base and the red-sensitive layer first while also significantly reducing the impact of the blue-sensitive layer. 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It can be used for any photographic subject with results dependent on ambient lighting conditions, color palette, and exposure accuracy. Best results are typically obtained outdoors whilst metering for the mid-tones.\u003c\/p\u003e\n\u003cp\u003eOn bright days, use of a UV filter will improve color and clarity. Some adjustment of standard scanning parameters is advised to achieve the best results. (See later information) Harman Phoenix II is easily processed in C41 photo chemicals. The best overall results are generally obtained between EI 100 and EI 200 depending on scene brightness and contrast. Some exposure bracketing is advised particularly with high brightness scenes or more challenging exposure conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eHarman Phoenix II film is coated on 0.125mm\/5-mil acetate base and is available in 36 exposure ISO 200 DX coded cassettes suitable for all 35mm cameras and in 120 Roll film format, edge numbered 1 to 19.\u003c\/p\u003e\n\u003ch4\u003eFeatures:\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e120 Medium format\u003c\/li\u003e\n\u003cli\u003eISO 200 color negative film\u003c\/li\u003e\n\u003cli\u003eProcess in standard C41 chemistry\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eFAQ:\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eHow does Phoenix II compare with \u003cmeta charset=\"utf-8\"\u003ePhoenix I ?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompared to the original Phoenix film, Phoenix II has a more normal contrast, color balance and finer grain. 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From the everyday to the extraordinary, it’s time to switch the world around you.\u003c\/p\u003e\n\u003cp\u003eHarman Switch Azure introduces a radical change to normal color film sensitivity, with two of the three color couplers swapped around and having a differing contrast responses to the individual channels.\u003c\/p\u003e\n\u003cp\u003eThis means…\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlue light\u003c\/strong\u003e is recorded in the \u003cstrong\u003ered channel\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGreen Light\u003c\/strong\u003e is recorded in the \u003cstrong\u003egreen channel\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRed light\u003c\/strong\u003e is recorded in the \u003cstrong\u003eblue channel\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSwapping of the color mapping and contrast response in this way results in surreal and unusual images which break from our normal view of the world.\u003c\/p\u003e\n\u003cp\u003eHarman Switch Azure can be used for any photographic subject with results dependent on ambient lighting conditions, color palette, and exposure. 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