{"title":"New from Canon","description":"","products":[{"product_id":"rf-14mm-f1-4-l-vcm","title":"Canon RF 14mm f\/1.4 L VCM Lens","description":"\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003eCanon’s brightest ultra wide-angle (14mm) interchangeable lens for hybrid Photo \/ Video use\u003c\/h3\u003e\n\u003cp\u003eMeet the brightest \u003cstrong\u003e14mm ultra wide-angle lens\u003c\/strong\u003e Canon has ever made—designed for both photo and video creators. Featuring an ultra-fast f\/1.4 aperture, this groundbreaking lens delivers exceptional low-light performance and stunning shallow depth of field, making it perfect for dramatic stills and cinematic visuals. Its lightweight, fixed aperture design ensures smooth handling and balance, while the advanced Voice Coil Motor (VCM) provides lightning-fast, whisper-quiet autofocus for seamless shooting. For filmmakers, a dedicated iris ring offers precise manual control over exposure, giving you the creative flexibility to capture every moment exactly as you envision. This is the lens that redefines wide-angle brilliance.\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eWhat More Could You Ask For In A Lens?    \u003c\/h6\u003e\n\u003cp\u003eThis lens has a lot going for it already being the brightest ultra-wide-angle lens that Canon has made, but that is just the beginning.  This lens is part of a “f\/1.4 L Series” family of lenses that revolve around useful features like an iris ring that makes them exceptional for both still photography and video creation. The quality and construction is top notch with an Ultra-low Dispersion (UD) element to minimize chromatic aberration, and 3 GMo aspheric lenses for sharpness around the edges.  Subwavelength Structure Coating (SSC) and Air Sphere Coating (ASC) reduce ghosting and flare. The lenses in this f\/1.4 L Series family share the same basic dimensions and weight to make it easy to work with multiple prime lenses without having to change your whole setup.\u003c\/p\u003e\n\u003ch6\u003eIncredible clarity, even in the corners!\u003c\/h6\u003e\n\u003cp\u003eThis ultra wide angle lens delivers remarkable sharpness from edge to edge, with exceptional clarity even in the corners of every frame. This performance is made possible by the use of premium optical elements and a design that fully leverages the large diameter mount and short back focus distance. By optimally arranging a variety of advanced optical materials, the lens effectively suppresses chromatic and spherical aberrations, ensuring crisp, high resolution imagery across the entire image field.\u003c\/p\u003e\n\u003ch6\u003eFocus on Focus\u003c\/h6\u003e\n\u003cp\u003eThe RF14mm F1.4 L VCM Lens features a unique focusing system.  There is a VCM (Voice Coil Motor) that powers the primary rear focus unit that is incredibly fast, accurate and quiet (great for video).  One important note about the VCM is that it requires power to hold its position, so when the camera is off, or the lens is not attached to a camera, you may hear and feel slight movement.  This is normal, and there is extra cushioning inside the lens to help prevent damage in this situation.  A hallmark of the Canon hybrid lenses, focus breathing ensures that a lens maintains a consistent field of view while racking focus, preventing the distracting “zoom like” effect that can occur as focus shifts. This stability is especially valuable for video work, where smooth, natural focus transitions help maintain visual continuity and keep the viewer’s attention on the subject. For photographers, reduced breathing also improves composition accuracy, making it easier to frame precisely without the image subtly changing size as focus is adjusted.\u003c\/p\u003e\n\u003ch6\u003eWhat technology makes this lens special?\u003c\/h6\u003e\n\u003cp\u003eAdvanced technologies such as Air Sphere Coating (ASC), Blue Spectrum Refractive (BR) coating, a dedicated iris ring, a customizable lens function button, and a smooth, tactile control ring make this ultra-wide angle lens exceptionally powerful. ASC and BR coatings work together to dramatically reduce flare, ghosting, and chromatic aberrations, delivering cleaner, higher contrast images even in challenging lighting. The iris ring offers intuitive aperture control, while the function button and control ring provide quick, customizable access to key settings. All of this is housed within a robust L Series construction featuring dust  and weather resistant sealing, ensuring reliable performance in demanding shooting environments.\u003c\/p\u003e\n\u003ch6\u003eGet Closer\u003c\/h6\u003e\n\u003cp\u003eWith a minimum focus distance of just 9.5”, you can really get close to your subject for some incredibly unique imagery. With the extreme wide-angle of this lens, you will be able to capture something very close to the lens, and still see things happening in the background environment, an absolutely unique look for close-up imagery.\u003c\/p\u003e\n\u003ch6\u003eFiltered Content\u003c\/h6\u003e\n\u003cp\u003eThe RF14mm F1.4 L VCM has a rear filter holder for attaching a sheet-type filter behind the lens. Attaching a soft filter in the rear holder, which is closer to the image plane, makes it possible to shoot point light sources around the edges of the frame without distortion. \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBright f\/1.4 aperture with 11-bladed circular iris for background separation and low light\u003c\/li\u003e\n\u003cli\u003eExtremely lightweight and compact design, complimenting the comprehensive F1.4 L-Series lens line-up\u003c\/li\u003e\n\u003cli\u003eA VCM (Voice Coil Motor) powers the primary rear focus unit and is incredibly fast, accurate and quiet (great for\u003cbr\u003evideo)\u003c\/li\u003e\n\u003cli\u003eMinimal focus breathing – a hallmark of the Canon hybrid lenses\u003c\/li\u003e\n\u003cli\u003eSubWavelength Structure Coating Air Sphere Coating (ASC) helps to significantly reduce ghosting and flare\u003c\/li\u003e\n\u003cli\u003eHigh image quality as the first ultra wide-angle lens featuring (1) Fluorite element, along with (1) BR (Blue Spectrum Refractive) Optics element, 1 UD (Ultra Low Dispersion) element, and 3 GMO (Glass Molded Optics) aspheric lenses to minimize chromatic aberration and for incredible quality from edge-to-edge\u003c\/li\u003e\n\u003cli\u003eFeaturing an Iris ring for manual iris control during video capture, Lens function button, Control Ring and support for\u003cbr\u003erear cut filters\u003c\/li\u003e\n\u003cli\u003eL-series reliability, with dust- and weather-resistant sealing and fluorine coating\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eMirrorless Cameras:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll full-frame Canon RF-mount mirrorless \u0026amp; cinema cameras\u003c\/li\u003e\n\u003cli\u003eWith APS-C sensor cameras, equivalent focal length 22.4mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003eØ 3.0 x L 4.4\"\u003c\/p\u003e\n\u003ch3\u003eWeight:\u003c\/h3\u003e\n\u003cp\u003e1.3 lbs\u003c\/p\u003e\n\u003ch3\u003eFAQ:\u003c\/h3\u003e\n\u003ch6\u003eWhat are the top improvements vs. previous Canon EF-mount ultra-wide lenses?\u003c\/h6\u003e\n\u003ch6\u003eOptical design and performance\u003c\/h6\u003e\n\u003cp\u003eImproved sharpness, especially at the edges and corners.  Great reduction in chromatic and other aberrations.  Significant reductions in lens flare, in strong back-lit scenes.  A total re-design of the 14mm lens brings all these to EOS R-series users.  Canon’s L-series optical technologies are showcased here, with multiple types of specialized lens elements, including one Canon’s BR (Blue spectrum Refractive) optics and the first-ever application of a Fluorite lens element in a Canon ultra wide-angle lens.  And two distinct types of Canon-developed lens coating technologies — Canon’s Air Sphere Coating (ASC) and Subwavelength Structure Coating (SWC) — are keys to reducing flare and ghosting.\u003c\/p\u003e\n\u003ch6\u003eUltra wide-angle coverage and a fast f\/1.4 lens aperture\u003c\/h6\u003e\n\u003cp\u003eTwo stops faster than Canon’s previous EF-mount 14mm f\/2.8 L II USM lens — and likewise, two stops faster than f\/2.8 zoom lenses — the RF14mm F2.8 L VCM lens opens new doors to critical still-image and video users.  Its ultra-wide coverage makes it ideal for dramatic creative imagery, as well as for subjects ranging from interiors and landscapes to music video productions.  And with its maximum f\/1.4 lens aperture, this lens becomes ideal for low-light work, up to and including starscapes.  The combination of such wide-angle coverage with a wide f\/1.4 lens aperture is an optical mountain for lens designers, but Canon’s engineers have graced the 14mm F1.4 L VCM lens with incredible performance.  And that can equal incredible opportunities for visual creators.\u003c\/p\u003e\n\u003ch6\u003eOptics optimized for starscapes and astrophotography\u003c\/h6\u003e\n\u003cp\u003eA specific design goal of the RF14mm F1.4 VCM lens was superb performance in the challenging environment of starscape photography — where even the slightest aberrations at wide apertures can be immediately noticeable by critical users in finished, high-resolution images.  The above-mentioned specialized optics combine for what may be Canon’s finest lens to date for starscape imagery — and a huge improvement in astrophotography image quality, vs. the previous EF 14mm f\/2.8 L II design.\u003c\/p\u003e\n\u003ch6\u003eA new member of Canon’s VCM lens series\u003c\/h6\u003e\n\u003cp\u003eThe RF14mm F1.4 L VCM lens, as the name suggests, is another member of Canon’s VCM lens series.  This is truly a hybrid lens series — each VCM lens has consistent length and width*, and consistent placement of manual focus rings.  This consistency simplifies lens changes for video users working with rigs or other support devices.  And, it features a manually-adjustable Iris Ring, allowing critical video users smooth manual aperture adjustments if desired.  Excellent control of “focus breathing” is another big part of the optical design.  But to be clear:  any of the VCM lenses, including the 14mm f\/1.4, are spectacular for still-image work, and should never be considered as “video-only” optics.\u003cbr\u003e* The built-in, permanent lens hood on the RF14mm F1.4 L VCM lens extends its total length slightly farther than other fixed focal length lenses in the VCM series, as of February, 2026.\u003c\/p\u003e\n\u003ch6\u003eVoice Coil Motor (VCM) focus drive\u003c\/h6\u003e\n\u003cp\u003eA relatively recent technology introduction in Canon’s RF lens line, VCM focus drive motors offer superb power and torque, to rapidly move heavier groups of internal focus elements for swift and virtually silent AF performance.  These are up to the dual challenges of both extremely quick AF for still-image shooting, but smooth and positive focus transitions during video recording with EOS R-series cameras.  And, compared to the ring-type Ultrasonic Motors (USM) used in the previous EF-mount 14mm f\/2.8 L lens, the VCM motor design has noticeable benefits in reducing overall lens diameter as well.\u003c\/p\u003e\n\u003ch6\u003eReduced size and weight — even though two stops faster\u003c\/h6\u003e\n\u003cp\u003eA stunning reduction in lens diameter and weight is achieved by the RF14mm F1.4’s optical and mechanical design, vs. the previous EF14mm f\/2.8L II lens.  A wider maximum aperture normally means an increase in size and weight.  But the combination of the overall mirrorless structure and Canon’s innovative designs make this lens lighter and slimmer in diameter than the previous f\/2.8 version.  Again, the RF14mm lens shares common exterior design and most dimensions with previous RF-mount VCM fixed focal length lenses.\u003c\/p\u003e\n\u003ch6\u003eLens Function Button \u003c\/h6\u003e\n\u003cp\u003eConveniently located on the side of the lens barrel, one Lens Function Button can be user-customized in the camera’s menu to perform any one of a multitude of potential tasks.  For users who desire, it can mean instant access to an important camera setting, feature or focus setting.  With an advanced camera like the EOS R6 Mark III, any one of 77 different possible functions (plus totally disabling the Lens Function Button) can be chosen in the camera’s Customize Buttons menu.\u003c\/p\u003e\n\u003ch6\u003e11 aperture blades\u003c\/h6\u003e\n\u003cp\u003eEleven aperture blades in the RF14mm lens’s diaphragm preserve smooth rendering of out-of-focus in video and still images — especially at close focus distances — even when conditions require the aperture to be stopped-down from its maximum f\/1.4 opening.  \u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eProduct SKU:\u003c\/h3\u003e\n\u003cp\u003e7427C002\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eCanon RF 14mm f\/1.4 L VCM Lens \u003cbr\u003eCanon Lens Cap 14B\u003cbr\u003eCanon Lens Dust Cap RF\u003cbr\u003eRear Gelatin Insert-Type Filter Holder  \u003cbr\u003eCanon Lens Case LP1219\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":44582129827885,"sku":"34058","price":2599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/340587427C00201Hero.png?v=1770151163"},{"product_id":"rf-7-14-f2-8-3-5-l-fisheye-stm","title":"Canon RF 7-14mm f\/2.8-3.5 L Fisheye STM Lens","description":"\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003eThe ultimate creative tool for extreme close-up action imagery with unique distortion, and extraordinary perspectives\u003c\/h3\u003e\n\u003cp\u003eIntroducing the ultimate creative tool for wide-angle photography: The \u003cstrong\u003eCanon RF 7-14mm f\/2.8-3.5 L Fisheye Lens\u003c\/strong\u003e. This new ultra wide-angle zoom lens delivers an extraordinary perspective with circular fisheye coverage of 190º at 7mm and a diagonal fisheye view of 180º at 14mm. Designed for photographers and videographers who crave bold, immersive visuals, it offers a unique wide-angle experience that transforms ordinary scenes into dynamic, eye-catching compositions with fisheye distortion. Perfect for extreme close-up action and dramatic angles, this lens opens up a world of creative possibilities, letting you capture every detail and up to 190º around you with stunning depth and curvature.\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eVideo\u003c\/h6\u003e\n\u003cp\u003eIntroducing the ultimate creative tool for wide-angle photography: This new ultra-wide-angle zoom lens delivers an extraordinary perspective with circular fisheye coverage of 190º at 7mm and a diagonal fisheye view of 180º at 14mm. Designed for photographers and videographers who crave bold, immersive visuals, it offers a unique wide-angle experience that transforms ordinary scenes into dynamic, eye-catching compositions with fisheye distortion. Perfect for extreme close-up action and dramatic angles, this lens opens up a world of creative possibilities, letting you capture every detail and up to 190º around you with stunning depth and curvature.\u003c\/p\u003e\n\u003cp\u003eAn ultra-wide-angle lens opens up a world of boundless unique options across countless shooting scenarios. Its expansive field of view makes it ideal for capturing the intensity of action sports, where every twist and turn can be framed with dramatic perspective. For extreme close-up action, the lens brings subjects into sharp focus while showcasing their surroundings in a bold, immersive way. Mounted on remote cameras, it delivers dynamic coverage from unique vantage points, and when paired with a compatible underwater housing, it can transform your underwater photography into breathtaking imagery of aquatic compositions. From sweeping landscapes and dazzling starscapes to timelapse and video, this lens excels at creating depth and drama. It’s also a great option for monoscopic virtual reality content, offering the ultra-wide perspective needed to craft fully immersive experiences. Wherever creativity takes you, this lens ensures your vision is captured with impact and originality.\u003c\/p\u003e\n\u003ch6\u003eZoom Range\u003c\/h6\u003e\n\u003cp\u003eGo from a fully circular 190º image at 7mm to a frame filling 180º image at 14mm on a full frame camera.\u003c\/p\u003e\n\u003ch6\u003eBuild Quality\u003c\/h6\u003e\n\u003cp\u003eThis lens is equipped with advanced technologies such as dust  and weather resistance, fluorine coating, Air Sphere Coating, and premium L Series optics featuring two replica aspherical lenses and five UD elements delivers exceptional performance and reliability for demanding creators. Its dust  and weather resistant construction ensures dependable operation in harsh environments, while the fluorine coating helps repel moisture, oils, and fingerprints for easier maintenance and clearer imagery. Canon’s Air Sphere Coating effectively minimizes flare and ghosting, preserving contrast and color accuracy even when shooting toward strong light sources. The combination of precision aspherical elements and UD glass within the L Series optical design provides outstanding sharpness, reduced chromatic aberration, and consistent image quality from edge to edge. Together, these features give photographers a rugged, high performance tool engineered for both artistic exploration and professional grade results.\u003c\/p\u003e\n\u003ch6\u003eTame the light with filters\u003c\/h6\u003e\n\u003cp\u003eAdding a filter to the front of this lens is nearly impossible due to the lens curvature, however, since balancing your exposure is so important on this lens that the RF7-14mm F2.8-3.5 L FISHEYE STM has the ability to use the same drop-in filters (Clear, CPL, V-ND) that are used with the EF-to-EOS R mount adapter so you can achieve the looks you’re looking for.\u003c\/p\u003e\n\u003ch6\u003eGet Closer\u003c\/h6\u003e\n\u003cp\u003eWith a minimum focus distance of just 5.9 inches, photographers can get dramatically close to their subjects while still capturing the sweeping 180°\/190° perspective these lenses are made for. Being able to focus this near creates striking, immersive images where foreground details appear exaggerated and incredibly sharp, while the background curves away in a signature fisheye distortion. This ultra close capability is especially useful for creative storytelling—whether highlighting textures, emphasizing scale, or crafting dynamic compositions in tight spaces. It also enables unique macro style wide angle shots, giving photographers more freedom to experiment with perspective, depth, and visual impact.\u003c\/p\u003e\n\u003ch6\u003eControl Freak\u003c\/h6\u003e\n\u003cp\u003eThis new lens puts intuitive control right at your fingertips, empowering creators to work faster and with greater precision. A customizable Lens Function Button lets you instantly access your preferred settings, giving you quick command over key shooting tools without taking your eye from the viewfinder. The Zoom Limit\/Lock switch provides added versatility—allowing you to set a zoom range for consistent framing or lock the lens in place to prevent unwanted movement during transport or shooting. Rounding out the experience, the programmable Control Ring offers tactile, customizable adjustment of settings like aperture, ISO, or exposure compensation, delivering a seamless, professional workflow that adapts to your creative style.\u003c\/p\u003e\n\u003ch6\u003eVirtually There\u003c\/h6\u003e\n\u003cp\u003eThe extreme wide-angle nature of this lens perfectly lends itself to the creation of 2D Monoscopic VR content and has support built-in for the Canon EOS VR System application to create such content.\u003c\/p\u003e\n\u003ch6\u003eFocus Breathing\u003c\/h6\u003e\n\u003cp\u003eBy using a rear focus design that minimizes focus breathing—preventing the angle of view from shifting as you refocus—the lens delivers remarkably stable framing. This gives filmmakers smooth, professional looking results in every shot despite the lack of support for in-camera focus breathing compensation \u003c\/p\u003e\n\u003ch6\u003eStay in focus\u003c\/h6\u003e\n\u003cp\u003eAn incredibly unique feature for this kind of ultra-wide-angle lens the ability to autofocus, which this lens has.  Just because you choose to capture your images with a unique and expressive angle, does not mean you should have to give anything up, especially something as important as autofocus when shooting fast action like sports.\u003c\/p\u003e\n\u003cp\u003ePowered by a lead screw type STM and the same advanced position detecting sensor used in Canon’s Nano USM technology, this lens delivers impressively quick start up and instant responsiveness. The STM system provides smooth, precise control with effortless start and stop performance, all within a streamlined, reliable mechanical design. The result is fast, accurate autofocus for still photography and beautifully smooth, whisper quiet AF for video—giving creators the confidence to capture every moment with professional polish.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eHighlights:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e7-14mm manual focus lens with control ring\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eFull-Frame f\u003cmeta charset=\"utf-8\"\u003eisheye image type\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e: \u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCircular fisheye (at 7mm)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eDiagonal (“full-frame”) fisheye image (at 14mm) \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAPS-C f\u003cmeta charset=\"utf-8\"\u003eisheye image type\u003cstrong\u003e: \u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eDiagonal (“full-frame”) fisheye image (at approx. 8.7mm – 14mm) \u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eWorld’s first* fisheye zoom lens that covers a 190-degree angle of view\u003c\/li\u003e\n\u003cli\u003eCan achieve both “circular” fisheye imagery (at 7mm Wide position) and “full frame” diagonal fisheye (at 14mm Tele position) imagery\u003c\/li\u003e\n\u003cli\u003eVariable aperture lens support f\/2.8 at the widest angle and f\/3.5 at the telephoto setting\u003c\/li\u003e\n\u003cli\u003eBuilt-in support for use of EF-to-EOS R mount adapter drop-in filters (Clear, CPL, V-ND)\u003c\/li\u003e\n\u003cli\u003eHigh image quality featuring 5 UD lens elements, 2 replica aspheric elements\u003c\/li\u003e\n\u003cli\u003eReduced ghosting and anti-reflectivity with Air sphere coating ASC\u003c\/li\u003e\n\u003cli\u003eLeadscrew-type STM focus drive with minimum focusing as close as 5.9-inches\u003c\/li\u003e\n\u003cli\u003eEnhanced operability for photo and video with dedicated Lens Function button, Control Ring, Zoom limit\/Lock switch\u003c\/li\u003e\n\u003cli\u003eIris ring, and a practical size and weight\u003c\/li\u003e\n\u003cli\u003eEOS VR System application support for monoscopic VR shooting\u003c\/li\u003e\n\u003cli\u003eL-series reliability, with dust- and weather-resistant sealing and fluorine coating\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eMirrorless Cameras:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon \u003cmeta charset=\"utf-8\"\u003eEOS R-series Cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCinema Cameras:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon RF-compatible Cinema EOS cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLens\u003c\/strong\u003e: Ø 3.0\" x L 4.3\"\u003cbr\u003e\u003cstrong\u003eWith Lens Hood EW-76\u003c\/strong\u003e: Ø 3.45\" x L 5.2\"\u003c\/p\u003e\n\u003ch3\u003eWeight:\u003c\/h3\u003e\n\u003cp\u003e1.0 lbs\u003c\/p\u003e\n\u003ch3\u003eFAQ:\u003c\/h3\u003e\n\u003ch6\u003eWhat are the top improvements vs. previous Canon EF-mount fisheye zoom lenses\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch6\u003eSuperior image quality\u003c\/h6\u003e\n\u003cp\u003eA new optical design in the RF-mount 7-14mm fisheye zoom lens.  Five UD (Ultra-low Dispersion) glass elements, two Aspheric element, and extensive application of Canon’s specialized ASC (Air Sphere Coating) mean not just sharp images, but reduced color fringing — especially at the outer edges of images and video — and less lens flare, when it’s aimed at the sun or other bright light sources.  Image Quality is a strong reason to consider this 7-14mm fisheye zoom lens.\u003c\/p\u003e\n\u003ch6\u003e190° circular fisheye coverage\u003c\/h6\u003e\n\u003cp\u003eWider coverage than any competitive AF fisheye zoom for full-frame cameras, at the 7mm circular fisheye zoom setting.*  Whether being used for creative imagery, astro photography, or anything else, circular fisheye users will have the world’s widest (190°) circular fisheye coverage available.\u003cbr\u003e     * Based on Canon Inc. research, as of January 1, 2026, among autofocus circular fisheye lenses for full-frame cameras.\u003c\/p\u003e\n\u003ch6\u003eDrop-in rear filters\u003c\/h6\u003e\n\u003cp\u003eSince fisheye lenses can’t accept ordinary screw-in filters at the front of the lens, the RF7-14mm fisheye zoom lens offers a slot on the rear of the barrel for drop-in filters.  The standard clear filter can be easily switched with an optional accessory variable neutral density (ND) filter, or a user-adjustable circular polarizing drop-in filter.  Either adds to the lens’s flexibility for still or video imagery.  And, they offer both durability and ability for quick filter changes.  These are the same drop-in filters as previously used in Canon’s Drop-in Filter Lens Mount Adapter EF–EOS R.\u003c\/p\u003e\n\u003ch6\u003eAutofocus and Auto Exposure\u003c\/h6\u003e\n\u003cp\u003eThis sounds like an expected feature in modern lenses, but many third-party fisheye lenses for Canon offer manual exposure and aperture operation only.  The RF7-14mm fisheye zoom, however, can be used 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cannot be connected via interface cable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eExternal microphone — wired connection to mic terminal:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon Directional Stereo Microphone DM-E1\u003c\/li\u003e\n\u003cli\u003eCanon Stereo Microphone DM-E100\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eExternal microphone — wireless via Multi-function shoe:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMulti-function Shoe Directional Stereo Microphone DM-E1D\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRemote control — wired:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon Remote Switch RS-60E3\u003c\/li\u003e\n\u003cli\u003eCanon Timer Remote Controller TC-80N3 (requires optional Canon Remote Controller Adapter RA-E3)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRemote control — wireless:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBluetooth — Canon Remote Control BR-E1\u003c\/li\u003e\n\u003cli\u003eSmartphone — via Canon Connect app (with compatible iOS or Android phone, connected to camera via Bluetooth)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAC power source:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon DC Coupler DR-E6P and USB Power Adapter PD-E2\u003c\/li\u003e\n\u003cli\u003eDR-E6P and PD-E1 cannot be combined\u003c\/li\u003e\n\u003cli\u003eDR-E6 CANNOT be used; AC Adapter Kit ACK-E6 CANNOT be used\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eUSB power source:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon USB Power Adapter PD-E2 \/ PD-E1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eUSB interface cables:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon Interface Cable IFC-100U (approx. 3 feet \/ 1m length; USB speed = USB 5 Gbps [SuperSpeed USB \/\u003cbr\u003eUSB 3.2 Gen 1], when connected to camera)\u003c\/li\u003e\n\u003cli\u003eCanon Interface Cable IFC-400U (approx. 13.1 feet \/ 4m length; USB speed = 480 Mbps [Hi-speed USB \/ USB 2.0])\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHDMI cables (video \/ audio):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNo genuine Canon-brand cables available\u003c\/li\u003e\n\u003cli\u003eCanon HDMI Cable HTC-100 not compatible, because it has HDMI type C terminal\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSmartphone link:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVia accessory Canon Smartphone Link Adapter AD-P1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTripod grip:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAccessory Canon Tripod Grip HG-100TBR and similar tripod grips\n\u003cul\u003e\n\u003cli\u003eNote: HD-100TBR maximum weight capacity (including body and lens) should not exceed 35.3 oz. \/ 2.2 lbs. \/ 1 kg.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSome lenses may block sound in shooting environment from external microphones, which may prevent sound from being picked up correctly\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRain cover:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon Rain cover ERC-R5L \/ ERC-R5S\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eThe first full-frame RF mount lens with an internal zoom design and power zoom functionality.\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eRF20-50mm f\/4 L IS USM PZ Lens\u003c\/strong\u003e is the first full frame powered zoom lens from Canon. It combines excellent optics and high performance, providing a wide angle of view in a powerfully versatile lens. The L-series optical performance is highlighted by two Aspheric elements, and three Ultra-low Dispersion glass elements. The RF20-50mm f\/4 L IS USM PZ delivers reliable, speedy and quiet wide-angle performance, making it an ideal lens for video and still creators.\u003c\/p\u003e\n\u003ch6\u003eLens Features:\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003eCanon’s first ever full-frame RF lens with an internal zooming design and built-in Power Zoom functionality\u003c\/li\u003e\n\u003cli\u003eCanon’s first F4 L-series Standard zoom lens starting from 20mm\u003c\/li\u003e\n\u003cli\u003eFeatures a fixed f\/4 9-blade aperture through the entire zoom range\u003c\/li\u003e\n\u003cli\u003eNew dual operation Manual zoom\/Power zoom switch – Allowing you to zoom manually or powered with no\u003cbr\u003eadditional accessories\u003c\/li\u003e\n\u003cli\u003eEquipped with two Nano USM actuators to drive two zoom lens group units for power zoom operation\u003c\/li\u003e\n\u003cli\u003eDesigned for use on long shoot days – Lightweight at under 1 lb\u003c\/li\u003e\n\u003cli\u003eCompact at only 4” in length and features a widely-used 67mm filter size\u003c\/li\u003e\n\u003cli\u003eHigh image quality with 13 Elements in 11 groups, 3 UD elements and 2 aspheric lenses\u003c\/li\u003e\n\u003cli\u003eAir Sphere Coating (ASC) helps to reduce ghosting and flare\u003c\/li\u003e\n\u003cli\u003e9.5” (0.24m) Minimum Focus Distance with 0.33x maximum magnification (at 50mm)\u003c\/li\u003e\n\u003cli\u003eEnjoy creative zooming control with 15 adjustable power zoom speed settings\u003c\/li\u003e\n\u003cli\u003e6.0 stops of Optical Image Stabilizer shake correction at the image center\u003c\/li\u003e\n\u003cli\u003eCombined In-Body x Optical Image Stabilization systems provide an image stabilization effect of 8.0 stops at the center and the periphery\u003c\/li\u003e\n\u003cli\u003eNano USM for fast, precise and quiet AF tracking\u003c\/li\u003e\n\u003cli\u003eIncredibly minimal focus breathing when recording video\u003c\/li\u003e\n\u003cli\u003eEnjoy remote zooming control through apps and compatible accessories\u003c\/li\u003e\n\u003cli\u003eOutstanding reliability of an L-series lens with impressive durability, and ruggedness\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCamera: \u003c\/strong\u003e5.58 x 3.28 x 3.14\"\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eLens\u003c\/strong\u003e: Ø 3.15\" x 3.9\"\u003cbr\u003e\u003cstrong\u003eLens With Lens Hood EW-73H attached\u003c\/strong\u003e: Ø 3.50\" x 5\"\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eWeight:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eBody with battery and one card\u003c\/strong\u003e: 1.52 lbs\u003cbr\u003e\u003cstrong\u003eBody only\u003c\/strong\u003e: 1.32 lbs\u003cbr\u003e\u003cstrong\u003eLens\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e0.9 lbs\u003c\/p\u003e\n\u003ch3\u003eManufacturer SKU:\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e7250C010\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eCanon EOS R6 V Mirrorless Camera\u003c\/p\u003e\n\u003cp\u003eCanon RF 20-50mm f\/4 L IS USM PZ Lens\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eCanon Lens Cap E-67 II\u003cbr\u003eCanon Lens Dust Cap RF\u003cbr\u003eCanon Lens Hood EW-73H\u003cbr\u003eCanon Lens Pouch LP1219\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":66704739434541,"sku":"38173","price":3699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/381737250C01001Hero.png?v=1778620209"},{"product_id":"canon-eos-r6-v-body","title":"Canon EOS R6 V Mirrorless Camera","description":"\u003ch3\u003eOne Camera, Many Stories\u003c\/h3\u003e\n\u003cp\u003eA full-frame mirrorless digital camera for high-performance video for advanced creatives pioneering the next era of visual storytelling.\u003c\/p\u003e\n\u003cp\u003eAdding to the ever expanding line of PowerShot and EOS V-series cameras, the \u003cstrong\u003eEOS R6 V \u003c\/strong\u003eis built for creatives ready to explore advanced full-frame video production with a product design built to meet the unique demands of today's content production needs.\u003c\/p\u003e\n\u003cp\u003eDesigned for daily cinematic storytellers, vertical video creators, social media teams, podcasters, live-streamers, VR enthusiasts, and small teams creating long form content across video and social platforms.\u003c\/p\u003e\n\u003cp\u003eFrom solo shoots to bigger productions, the EOS R6 V delivers the performance and control that bring your ideas to life across formats, platforms, and environments.\u003c\/p\u003e\n\u003ch6\u003eFull-frame video performance\u003c\/h6\u003e\n\u003ch6\u003e7K. 60fps. RAW Light.\u003c\/h6\u003e\n\u003cp\u003eBuilt for creators who want full control in post. \u003cbr\u003eCapture 12-bit color, and razor-sharp detail with internal 7K 60fps RAW Light recording.\u003c\/p\u003e\n\u003ch6\u003e7K 30p Open Gate 3:2 Recording\u003c\/h6\u003e\n\u003cp\u003eOne take. Reformat any aspect ratio.\u003cbr\u003eReframe seamlessly for vertical, horizontal, and everything in between.\u003c\/p\u003e\n\u003ch6\u003eDCI\/UHD 4K 120p Recording\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eCapture impressive slow motion (5x on 23.98p timeline) video at DCI and UHD resolution.\u003c\/p\u003e\n\u003ch6\u003eOversampled 4K FINE Recording at 60p \u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eFINE recording mode unlocks high-image quality video for higher quality productions. \u003c\/p\u003e\n\u003ch6\u003eStabilized. Always.\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eIn-body image stabilization (IBIS) keeps your footage smooth, even when your hand isn’t.\u003c\/p\u003e\n\u003ch6\u003eCanon Log 2\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eCanon Log 2 delivers flexibility across changing lighting conditions without compromising dynamic range.\u003c\/p\u003e\n\u003ch6\u003eVideo features for your needs\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFront Record: \u003c\/strong\u003eA front-facing record button makes it easy to roll whether you’re behind the lens or in front of it.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDesigned for Vertical Video: \u003c\/strong\u003eNative vertical mounting and UI make it easy to capture vertically without reconfiguring your setup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eActive Cooling System for Long-Form Recording: \u003c\/strong\u003eBuilt-in cooling keeps you rolling for up to 2+ hours at 7K (Light) RAW so momentum stays intact for those longer productions.  \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVari-Angle LCD with Recording Emphasis: \u003c\/strong\u003eThe vari-angle LCD gives you full flexibility to frame from any angle, with a clear recording display so you always know you’re rolling.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Zoom Lever + REC Button: \u003c\/strong\u003eSmooth, precise zoom control built directly into the camera. Designed to work seamlessly with Canon's RF Power Zoom lens lineup, including the kit 20–50mm. Ideal for a video-first capture.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTally Lamp: \u003c\/strong\u003eA built-in tally lamp provides a clear visual indicator when recording, so there’s no second guessing on set.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull-size HDMI: \u003c\/strong\u003eA full-size HDMI port ensures a stable, reliable connection for external monitors, streaming, and production workflows.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSlow and Fast Mode: \u003c\/strong\u003eEasily capture slow-motion detail or speed things up, without needing complex post-production workflows.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eColor Mode Button: \u003c\/strong\u003eQuickly switch between color profiles to match your style, your project, or your environment.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eProfessional tools. Built in.\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording: CFexpress + SD: \u003c\/strong\u003eRecord simultaneously to two cards for added reliability or split formats for a more flexible workflow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCanon Log 2: \u003c\/strong\u003eCapture a wider dynamic range with greater detail in highlights and shadows, giving you more control when color grading. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSlow \u0026amp; fast modes: \u003c\/strong\u003eAdjust time in-camera so you can capture smooth slow motion or speed up footage without complex editing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdvanced Dual Pixel CMOS AF II: \u003c\/strong\u003eStay locked on your subject with fast, intelligent autofocus designed for movement, faces, and changing scenes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePro-level codecs: \u003c\/strong\u003eRecord in high-quality formats that preserve detail and flexibility. Great for professional editing and delivery.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual-base ISO: \u003c\/strong\u003eMaintain cleaner image quality across different lighting conditions by optimizing performance at both low and high ISO ranges.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eDesigned for the way you actually capture\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSolo Filmmaking: \u003c\/strong\u003ePrecision and control without a full crew\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSocial \u0026amp; Vertical Video:\u003c\/strong\u003e\u003cbr\u003eOptimized for how content is consumed today\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSmall Studios: \u003c\/strong\u003eCapture, edit, deliver, all from one system.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLive \u0026amp; Streaming:\u003c\/strong\u003eHDMI and USB streaming and an easy livestreaming menu are built in so no complicated configuration is required.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHybrid Creation: \u003c\/strong\u003ePhoto and video—all in one.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBehind-the-Scenes \u0026amp; Production: \u003c\/strong\u003eCapture the process live, without missing a beat\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFirst EOS V-Series camera equipped with a 7K\/32.5MP full-frame CMOS Image Sensor and DIGIC X Image Processor\u003c\/li\u003e\n\u003cli\u003eVideo-focused features include a vertical tripod mount and UI, a front record button, Power Zoom lever, tally lamp, and a full-size HDMI terminal\u003c\/li\u003e\n\u003cli\u003eIn-Body Image Stabilizer system with 7.5 stops of shake correction in the center of the image for steady and stable video and photo imagery 1\u003c\/li\u003e\n\u003cli\u003eBuilt-in active cooling fan system and a heat dissipating Magnesium-alloy chassis allow for long-form video recording\u003c\/li\u003e\n\u003cli\u003eSlow \u0026amp; Fast mode for time-warping recording in-camera\u003c\/li\u003e\n\u003cli\u003eColor Menu with Custom Picture profiles, Color Filters and PictureStyle\u003c\/li\u003e\n\u003cli\u003eDual Pixel CMOS AF II with Register People Priority\u003c\/li\u003e\n\u003cli\u003eSubject Detection for People, Animals1, and Vehicles2\u003c\/li\u003e\n\u003cli\u003eNew AF for close-up demos available in all Creative Zone shooting modes\u003c\/li\u003e\n\u003cli\u003eWaveform, False Color and Zebra exposure aids\u003c\/li\u003e\n\u003cli\u003e3.0” Vari-Angle LCD Screen\u003c\/li\u003e\n\u003cli\u003eCFexpress Type B + UHS II SD for powerful performance\u003c\/li\u003e\n\u003cli\u003eConnect with your audience using USB (UVC\/UAC) and HDMI Streaming\u003c\/li\u003e\n\u003cli\u003eSupports EOS VR System for immersive video creation\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon RF lenses (including RF-S lenses)\u003c\/li\u003e\n\u003cli\u003eAutomatic image cropping to APS-C size when RF-S lenses attached \n\u003cul\u003e\n\u003cli\u003e(1.6x when RF-S or EF-S lenses attached)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eEF and EF-S mount lenses compatible w\/ optional lens mount adapter EF-EOS R\u003c\/li\u003e\n\u003cli\u003eCanon RF5.2mm F2.8 L Dual Fisheye lens (RF-S dual lenses not compatible)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBatteries\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon LP-E6P\u003c\/li\u003e\n\u003cli\u003eCanon LP-E6N and LP-E6NH batteries can be used, with limited power and functions\u003c\/li\u003e\n\u003cli\u003eCanon LP-E6 battery pack \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCANNOT\u003c\/strong\u003e\u003c\/span\u003e be used\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBattery charger:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon LC-E6 \/ LC-E6E (supplied with camera)\u003c\/li\u003e\n\u003cli\u003eCanon Car Battery Charger CBC-E6 (optional accessory)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eOptional Accessories (Sold Separately):\u003c\/h6\u003e\n\u003cp\u003e\u003cstrong\u003eGPS accessories:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon GPS Receiver GP-E2\u003c\/li\u003e\n\u003cli\u003eRequires Multi-function Shoe Adapter AD-E1\u003c\/li\u003e\n\u003cli\u003eDigital compass not supported; cannot be connected via interface cable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eExternal microphone — wired connection to mic terminal:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon Directional Stereo Microphone DM-E1\u003c\/li\u003e\n\u003cli\u003eCanon Stereo Microphone DM-E100\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eExternal microphone — wireless via Multi-function shoe:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMulti-function Shoe Directional Stereo Microphone DM-E1D\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRemote control — wired:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon Remote Switch RS-60E3\u003c\/li\u003e\n\u003cli\u003eCanon Timer Remote Controller TC-80N3 (requires optional Canon Remote Controller Adapter RA-E3)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRemote control — wireless:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBluetooth — Canon Remote Control BR-E1\u003c\/li\u003e\n\u003cli\u003eSmartphone — via Canon Connect app (with compatible iOS or Android phone, connected to camera via Bluetooth)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAC power source:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon DC Coupler DR-E6P and USB Power Adapter PD-E2\u003c\/li\u003e\n\u003cli\u003eDR-E6P and PD-E1 cannot be combined\u003c\/li\u003e\n\u003cli\u003eDR-E6 CANNOT be used; AC Adapter Kit ACK-E6 CANNOT be used\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eUSB power source:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon USB Power Adapter PD-E2 \/ PD-E1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eUSB interface cables:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon Interface Cable IFC-100U (approx. 3 feet \/ 1m length; USB speed = USB 5 Gbps [SuperSpeed USB \/\u003cbr\u003eUSB 3.2 Gen 1], when connected to camera)\u003c\/li\u003e\n\u003cli\u003eCanon Interface Cable IFC-400U (approx. 13.1 feet \/ 4m length; USB speed = 480 Mbps [Hi-speed USB \/ USB 2.0])\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHDMI cables (video \/ audio):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNo genuine Canon-brand cables available\u003c\/li\u003e\n\u003cli\u003eCanon HDMI Cable HTC-100 not compatible, because it has HDMI type C terminal\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSmartphone link:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVia accessory Canon Smartphone Link Adapter AD-P1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTripod grip:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAccessory Canon Tripod Grip HG-100TBR and similar tripod grips\n\u003cul\u003e\n\u003cli\u003eNote: HD-100TBR maximum weight capacity (including body and lens) should not exceed 35.3 oz. \/ 2.2 lbs. \/ 1 kg.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSome lenses may block sound in shooting environment from external microphones, which may prevent sound from being picked up correctly\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRain cover:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanon Rain cover ERC-R5L \/ ERC-R5S\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003e5.58 x 3.28 x 3.14\"\u003c\/p\u003e\n\u003ch3\u003eWeight:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eBody with battery and one card\u003c\/strong\u003e: 1.52 lbs\u003cbr\u003e\u003cstrong\u003eBody only\u003c\/strong\u003e: 1.32 lbs\u003c\/p\u003e\n\u003ch3\u003eManufacturer SKU:\u003c\/h3\u003e\n\u003cp\u003e7250C002\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eCanon EOS R6 V Mirrorless Camera\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":66704739500077,"sku":"38159","price":2499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/381597250C00201aHero_0d55ab2a-56c5-4aa3-be9a-8e6156b4ae43.png?v=1778626734"}],"url":"https:\/\/glozerscamera.shop\/collections\/new-release-from-canon.oembed","provider":"Glazer's Camera","version":"1.0","type":"link"}