{"title":"Sony Accessories Specials","description":"","products":[{"product_id":"sony-vertical-battery-grip-for-α9-α7r-iii-α7-iii-vg-c3em","title":"Sony Vertical Grip VG-C3EM","description":"\u003ch3\u003eVertical Grip for α9, α7R III, α7 III\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eSony Vertical Grip VG-C3EM\u003c\/strong\u003e transforms your Sony α-series camera into a powerhouse for vertical shooting. Engineered with the same precision and durability as the α9 body, this grip delivers professional-grade control and comfort whether you're shooting portraits, events, or fast-action sequences. Dual battery support extends your shooting time by nearly 2x, while intuitive controls mirrored from your camera body ensure seamless operation in any orientation. Built from rigid magnesium alloy with comprehensive dust and moisture sealing, the VG-C3EM is ready for demanding conditions. Charge directly through your camera's USB port—no detachment needed. Experience the confidence of a balanced, secure hold and extended stamina that keeps you shooting longer.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eExtended Grip for Vertical Shooting\u003c\/li\u003e\n\u003cli\u003eSecond Shutter Button and Multi-Selector\u003c\/li\u003e\n\u003cli\u003eUSB Charging via Camera Body\u003c\/li\u003e\n\u003cli\u003eWeather-Sealed Magnesium Alloy Design\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eBatteries\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2x or 1x NP-FZ100 batteries\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCameras\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSony Alpha A7 III\u003c\/li\u003e\n\u003cli\u003eSony Alpha A7R III\u003c\/li\u003e\n\u003cli\u003eSony Alpha A9\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDimensions:\u003c\/h3\u003e\n\u003cp\u003eMaximum external form: 5 x 4.25 x 2.5\" (WxHxD)\u003cbr\u003eHeight at the camera installation (without Guide bar): 5 x 2.125 x 2.5\" \u003cmeta charset=\"utf-8\"\u003e(WxHxD)\u003c\/p\u003e\n\u003ch3\u003eWeight:\u003c\/h3\u003e\n\u003cp\u003e0.6 lbs\u003c\/p\u003e\n\u003ch3\u003eMaterials:\u003c\/h3\u003e\n\u003cp\u003eMagnesium Alloy, High Rigidity Engineering Plastic Exterior\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eManufacturer SKU:\u003c\/h3\u003e\n\u003cp\u003eVG-C3EM\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eSony Vertical Grip VG-C3EM\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cstrong\u003eNote: Batteries are sold separately. \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":35176641232941,"sku":"8743","price":369.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/8743VG-C3EM01Hero.png?v=1778782365"},{"product_id":"sony-xlr-k3m-microphone","title":"Sony XLR-K3M Dual-Channel Digital XLR Audio Adapter Kit with Shotgun Microphone","description":"Sony Xlr-k3m Microphone\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eGreat sound with low noise\u003c\/strong\u003e\u003cbr\u003eWhen connected via the Multi Interface Shoe of a compatible camera that features a built-in digital audio interface, the audio signal is directly transferred to the camera in digital form so that no degradation can occur. A simple switch also provides compatibility with a wide range of cameras using an analog interface.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVersatile connectivity\u003c\/strong\u003e\u003cbr\u003eTwo XLR\/TRS combo jacks and one 3.5-mm stereo mini microphone jack are provided for input. The XLR\/TRS combo jacks are switchable for line input, microphone input, or microphone input with 48 V phantom power.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFlexible setup\u003c\/strong\u003e\u003cbr\u003eA high degree of flexibility is provided for use with professional rigs and camera cages. Audio extension cables are supplied, allowing the location of the XLR adaptor on your rig to be adjusted as required.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCable-free connection\u003c\/strong\u003e\u003cbr\u003eSimply clip the XLR adaptor into the Multi Interface Shoe on a compatible camera for direct power and audio connections without the need for extra cables or batteries. Sony's Multi Interface Shoe offers intelligent connectivity and control for a variety of accessories, providing maximum flexibility and mobility for α system shooting.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMechanical noise suppression\u003c\/strong\u003e\u003cbr\u003eAn advanced shock and vibration suppressing design effectively minimizes low-frequency handling noise which can degrade audio quality. The option for direct on-camera mounting, without additional connecting cables, further reduces the risk of handling noise ruining your audio capture.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eComprehensive control\u003c\/strong\u003e\u003cbr\u003eComprehensive controllability at the recording stage can greatly facilitate the post processing workflow. Record level (AUTO\/MANUAL), record level link (INPUT 1 – INPUT 2), attenuator, and low-cut filter (100\/300 Hz) controls are provided.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSuper-directional shotgun microphone included\u003c\/strong\u003e\u003cbr\u003eA super-directional monaural microphone (ECM-XM1) and wind-noise-reducing fur-type wind screen are supplied.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":35176824569901,"sku":"52987","price":609.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/1563301278_1494691.jpg?v=1614039206"},{"product_id":"sony-hvl-f60rm2-flash","title":"Sony HVL-F60RM2 Wireless Radio Flash","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eDurable high-output GN60\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e flash supports the latest camera technology and communication that only Sony can offer, achieving reliable flash at high continuous shooting speeds with intuitive operation via the camera interface\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, quick shift bounce, and wireless radio control.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul class=\"list_22p_DbxsLr4MV-m3EOA_5T\"\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\"\u003eCompatible with Sony ADI \/ P-TTL\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\"\u003eTilts Upward 90°\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\"\u003eRecycle Time: 1.7 Seconds\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\"\u003eFlash Control Linked to Face Detection\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\"\u003eUp to 200 Consecutive Flashes at 10 fps\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\"\u003eComprehensive Control from Sony Alpha\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eGN60 High-output flash supports the latest camera technology\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThis durable high-output GN60 flash unit delivers levels of sophistication and camera communication that only Sony can offer, achieving reliable flash at high continuous shooting speeds and sync at shutter speeds up to 1\/400 sec. Intuitive operation via the camera interface, quick shift bounce, and wireless radio communication add refined control and versatility.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIntelligent communication with the latest Alpha bodies\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe Alpha Lighting System has evolved in parallel with Alpha camera bodies to give creators optimum illumination in a wide range of applications. A level of integration that is only possible with original Sony products achieves detailed communication with compatible camera bodies  for reliable and precise light control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eStable high-power output that satisfies professional needs\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe HVL-F60RM2 is designed and manufactured by Sony, so it can communicate with Alpha cameras to deliver consistent GN60 light output at every flash. The HVL-F60RM2 supports focal lengths from 20mm (14mm with the wide panel) to 200mm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFlash control linked to camera face detection\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe HVL-F60RM2 works with a compatible camera’s face detection to provide ideal lighting for the main subject, even in groups. In addition, white balance is automatically adjusted so that the subject’s face is rendered with natural color. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAuto white balance accuracy\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThanks to in-house design, this advanced flash unit transfers color temperature data to the camera where that data is used to precisely adjust white balance so that colors are rendered naturally in any situation, that only original equipment can achieve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLight output optimized for focal length and image size\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eFlash illumination angle is automatically adjusted to match the focal length of the lens used over a 20 -200mm range (14mm w\/ wide panel -200mm). Light distribution is also adjusted for optimum illumination with full-frame or APS-C format.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFast recycle and dependable high-speed continuous flash\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAdvanced electronics and construction contribute to fast recycle times and allow continuous flash shooting for extended periods of time. A set of four batteries can provide power for more than 240 flashes with 1.7 second recycle time\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e3\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e.  The optional FA-EBA1 external flash battery adapter can be used to provide recycle times as fast as 0.6 seconds.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eInnovative overheating prevention\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe use of heat resistant materials plus an optimized flash algorithm provides higher resistance to overheating that allows longer flash shooting sessions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eStable high-speed continuous flash shooting\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe HVL-F60RM2 can continuously provide flash for up to 200 frames in high-speed bursts at up to 10 fps with a compatible camera. Missed frames dues to flash sync failure are avoided, providing stable continuous shooting support. With the electronic shutter on a compatible camera, up to approx. 20 flashes per second can be produced continuously for more than 1 second. The FA-EBA1 external flash battery allows approx. 20 flashes per second for more than 10 seconds\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eUp to 1\/400 sec. shutter sync with a compatible for new expression\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eUsed with a compatible camera body the HVL-F60RM2 allows flash sync up to 1\/400 sec. This makes it possible to deemphasize the background while using flash to illuminate the main subject, illuminate moving subjects against a bright background, and more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePer-frame P-TTL flash control adapts to changing ligh\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003et\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eWhen used with a compatible camera, high-speed control sequencing in the camera uses pre-flash to control each individual flash during continuous bursts, even when tracking fast-moving subjects in scenes where the light changes dramatically.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHigh-speed, slow, and rear-curtain sync\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eHigh-speed sync (HSS) works at all shutter speeds and can be used with the aperture wide open to produce beautiful background bokeh for portraits. Slow sync and rear-curtain sync are also supported.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSelectable flash distribution types\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThree selectable flash distribution types are provided: Standard (STD), GN priority (CENTER), and wide-angle priority (EVEN).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":39819156029485,"sku":"75625","price":629.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/WEB-HVL-F60RM2_front.jpg?v=1634834594"},{"product_id":"sony-ecm-b10-shotgun-mic","title":"Sony ECM-B10 Shotgun Microphone","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe \u003cstrong\u003eSony ECM-B10\u003c\/strong\u003e is a compact, high-performance shotgun microphone. Digital signal processing with Sony's unique algorithms delivers outstanding audio performance along with a choice of three directivity patterns.Compact and portable, cable-free and battery-free, this high-performance shotgun.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cstrong\u003eAdvanced beamforming technology\u003c\/strong\u003e:\u003cbr\u003eDigital signal processing using beamforming technology achieves super directivity, ideal for interviews and selfies, where the sound collection is focused on a narrow range in front of the camera.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cstrong\u003eCompact and portable\u003c\/strong\u003e:\u003cbr\u003eEven at only 3.122” (79.3mm) in length, the ECM-B10 offers impressive directional audio capture. Its small size gives you plenty of clearance for wide-angle lenses, viewfinder use, and great integrated audio even in gimbal and grip-mounted shots.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eYour choice of three pickup patterns\u003c\/strong\u003e:\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eSuper-directional, unidirectional, omnidirectional. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAdvanced digital signal processing makes it possible to offer three switchable directivity patterns in one versatile microphone, allowing you to select the area for audio pickup depending on the requirements of your shoot.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSimple switching operation\u003c\/strong\u003e:\u003cbr\u003eChoose the most suitable pickup pattern with an easy-to-reach switch. A simple three-way switch on the rear panel of the microphone lets you quickly switch back and forth among the three pickup patterns (Super-directional, unidirectional, omnidirectional), giving you the flexibility to adapt to your shooting requirements.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSuper-directional: focused front\u003c\/strong\u003e-\u003cbr\u003eIdeal for interviews or selfies, the super-directional pattern collects sound from a focused area in front of the microphone, effectively suppressing sounds from off-axis and behind the camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUnidirectional: wide frontal range\u003c\/strong\u003e\u003cbr\u003ePerfect for multi-person conversations, the unidirectional pattern captures sound from a wide field in front of the microphone while minimizing pickup from behind.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOmnidirectional: sound from any direction\u003c\/strong\u003e\u003cbr\u003eThe omnidirectional pattern picks up audio equally from all directions, useful for recording environmental sounds or the voice of the camera operator.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh-quality recording with Digital signal processing and transmission\u003c\/strong\u003e:\u003cbr\u003eSony's proprietary algorithms enable noise reduction as well as directivity. The ECM-B10 converts analogue sound to digital within the microphone body and performs digital signal processing using Sony's unique algorithms, enabling three directional pickup patterns as well as noise reduction. In-body digital conversion also helps to reduce noise inside the microphone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHighly efficient noise filters\u003c\/strong\u003e:\u003cbr\u003eNoise cut filter using digital signal processing. The ECM-B10’s noise cut filter is very effective at reducing extraneous ambient noises through the use of digital signal processing algorithms, maximizing audio quality at the recording stage and reducing the need for complex post processing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDigital audio transmission\u003c\/strong\u003e:\u003cbr\u003eNo audio degradation during transmission. When used in combination with a camera equipped with a Multi Interface (MI) Shoe that supports a digital audio interface, the ECM-B10 transmits audio directly as a digital signal, delivering high quality sound without degradation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCable-free connection\u003c\/strong\u003e:\u003cbr\u003eNo cables are required for connection to a wide range of Sony cameras equipped with an MI Shoe, reducing interference, noise and complexity.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBattery-free operation\u003c\/strong\u003e:\u003cbr\u003ePower is also supplied via the MI Shoe in compatible cameras, so you don't need to worry about microphone batteries running out of charge during a shoot.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIntuitive, easily visible rear panel\u003c\/strong\u003e:\u003cbr\u003eControls for audio level, pickup pattern, filters and other functions are within easy reach on the rear panel, visible at a glance for reassurance and quick adjustments during shooting.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupplied wind screen\u003c\/strong\u003e:\u003cbr\u003eThe ECM-B10 is supplied with an effective fur-type wind screen, easily detachable, that can reduce wind noise when shooting outdoors.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDesigned to minimize vibration noise\u003c\/strong\u003e:\u003cbr\u003eThe ECM-B10 has been designed to efficiently suppress noises caused by shock and vibration, while the cable-free design eliminates the possibility of noise caused by cable movement.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust and moisture-resistant design\u003c\/strong\u003e*\u003cbr\u003eComplementing similarly dust and moisture resistant camera bodies and lenses, the microphone is designed for worry-free outdoor shooting.\u003cbr\u003e\u003cem\u003e*Not guaranteed to by 100% dust and moisture resistant.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40803758080045,"sku":"82735","price":229.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/02ECM-B10_with_windscreen.jpg?v=1700068918"},{"product_id":"sony-ecm-m1-shotgun-microphone","title":"Sony ECM-M1 Compact Camera-Mount Digital Shotgun Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eECM-M1\u003c\/strong\u003e uses beamforming technology and advanced digital processing technology to provide eight audio recording modes including stereo for outstanding versatility and superb sound quality in a wide range of video shooting situations.\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eEight audio recording modes\u003c\/strong\u003e\u003cbr\u003eBeamforming technology combines four discrete microphone capsules with precision algorithms to maximize pickup sensitivity in the desired directions while reducing it in others. The result is an incredibly compact and versatile microphone with high performance even in challenging audio environments.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSuper-directional\u003c\/strong\u003e: Records sound from the front clearly and suppresses ambient sound. A great choice for shooting or streaming videos where the subject speaks directly in front of the microphone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUni-directional\u003c\/strong\u003e: Records sound over a wider area in front of the microphone. Recommended for recording conferences or meetings.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOmni-directional\u003c\/strong\u003e: Picks up sound equally from all directions. A good choice when the sound of the surrounding environment is to be recorded.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSuper-directional (Rear)\u003c\/strong\u003e: Sound is primarily picked up from the rear of the microphone, with frontal sound being picked up at a lower level. This mode is useful for shooting scenery while the operator provides narration from behind the camera.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSuper-directional (Front+Rear)\u003c\/strong\u003e: Sound is picked up equally from the front and rear of the microphone, along with less sound from the left and right sides. This makes it possible to simultaneously record a subject in front of the camera and the operator speaking from behind it. A good choice for interviews.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSuper-directional (Front\/Rear) Separate:\u003c\/strong\u003e Sound is picked up equally from the front (1ch) and rear (2ch) of the microphone, with greater attenuation of sound from the left and right sides. The levels of the front and rear sounds can be adjusted after recording, making this mode ideal for post-production editing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e: Stereo recording achieves a realistic positioning of the left (1ch) and right (2ch) sides within the stereo sound field. Recommended for shooting moving subjects such as cars or trains, and for music or theatrical performances.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUltra-directional\u003c\/strong\u003e: Enables the pickup of target sound from the front (within approximately a 30-degree width) while effectively suppressing the other sound, dynamically adapting to ambient sound in the surroundings. The Ultra-directional mode is a good choice for shooting scenes such as interviews or selfies where the subject is always in front of the microphone.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSimple controls for easy setting and operation\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eSimply turning a dial on the rear of the microphone allows easy, intuitive selection of pickup patterns, and a lock button in the center prevents accidental changes. Other controls are also straightforward and easy to understand and operate.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003eDigital noise cut filter for clear sound\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe ECM-M1 features a complete digital pathway, from beamforming control, to noise filtering and interfacing with the camera. The result is the clearest sound possible, for everything you capture.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDigital audio interface\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe digital audio interface offers an all-digital signal path from microphone to camera, avoiding the noise and distortion associated with analogue transmission, and retaining the full benefit of the digital signal processing in the microphone.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMechanical noise suppression\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA design that dampens shock and vibration effectively minimizes low-frequency mechanical noise. The absence of connecting cables also means that no noise can be transmitted to the microphone mechanically via cables and connectors.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eWindscreen supplied\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe ECM-M1 is supplied with an effective fur-type wind screen, easily detachable, that can reduce wind noise when shooting outdoors.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003eNew compact, lightweight design\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith four mic capsules arranged in a rhombic pattern plus beamforming technology to control directivity, this advanced microphone is remarkably compact and lightweight. It is just 64.4 x 40.0 x 72.2 mm in size and weighs a mere 65 grams.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eShooting freedom and mobility\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe small size of ECM-M1 keeps the overall system compact for maximum shooting freedom and mobility. It can also be easily added to gimbal or grip mounted rigs and won’t extend into the frame with a wide-angle lens. Minimum rear extension means that the microphone won’t block the user’s face, allowing unrestricted \u003cbr data-mce-fragment=\"1\"\u003eaccess to the camera viewfinder.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMulti Interface (MI) Shoe support for extensive shooting freedom\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eMulti Interface (MI) Shoe support allows the microphone to be connected to the camera without additional batteries or cables. Power is supplied to the microphone from the camera, eliminating the need to charge and monitor a separate battery. And because no cable is required, the camera’s vari-angle LCD monitor can be used in any position without interference.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBackup safety recording\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e4-channel recording with compatible camera, with channels 3 and 4 ideally suited to making backup “safety” recordings. Channels 3 and 4 record safety tracks in omnidirectional mode (fixed for channel 3, and -20 dB* fixed for channel 4) while the main audio is recorded to channels 1 and 2 using the selected directivity pattern.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003eEasy operability\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eComprehensive, clearly marked controls make it easy to adjust and confirm all microphone settings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFILTER switch: NC (Noise Cut), LC (Low Cut), or OFF\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eATT switch: Set to match the source level to be recorded.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAUTO\/MAN switch: Select AUTO for automatic level adjustment. Select MAN when record level is to be adjusted manually via the AUDIO LEVEL dial.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAUDIO LEVEL dial : Adjusts record level when the AUTO\/MAN switch is set to MAN.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDIGITAL\/ANALOG switch: Selects digital or analog connection to the camera.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDust and moisture resistant design\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe ECM-M1 features a dust and moisture resistant design that allows reliable operation in challenging outdoor conditions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":41690284425261,"sku":"94672","price":339.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/ECM-M1_with_windscreen-Mid.png?v=1691091807"},{"product_id":"sony-hvl-f46rma-flash","title":"Sony HVL-F46RMA Wireless Radio Flash","description":"\u003ch4\u003eSony HVL-F46RMA Wireless Radio Flash\u003c\/h4\u003e\n\u003ch6\u003eIntelligent communication with the latest Alpha bodies\u003c\/h6\u003e\n\u003cp\u003eThe Alpha Lighting System has evolved in parallel with Alpha camera bodies to give creators optimum illumination in a wide range of applications. A level of integration that is only possible with original Sony products achieves detailed communication with compatible cameras 2 for reliable and precise light control.\u003c\/p\u003e\n\u003ch6\u003e3 Stable GN46 1 output for a wide range of lighting needs\u003c\/h6\u003e\n\u003cp\u003eBecause the HVL-F46RMA is designed by Sony, it can communicate with α camera bodies to deliver consistent GN46 1 light output that meets professional lighting needs. Focal lengths from 24mm (15mm with the wide panel) to 105mm 2 are supported.\u003c\/p\u003e\n\u003ch6\u003e6 Per-frame P-TTL flash control adapts to changing light\u003c\/h6\u003e\n\u003cp\u003eWhen used with a compatible camera 2 , high-speed control sequencing in the camera uses pre-flash to control each individual flash 6 during continuous bursts, even when tracking fast-moving subjects in scenes where the light changes dramatically.\u003c\/p\u003e\n\u003ch6\u003e5 Up to 1\/80,000 sec. shutter sync with a compatible camera 2 for new expression\u003c\/h6\u003e\n\u003cp\u003eUsed with a compatible camera body the HVL-F46RMA allows flash sync up to 1\/80,000 sec 2 . This makes it possible to deemphasize the background while using flash to illuminate the main subject, illuminate moving subjects against a bright background, and more.\u003c\/p\u003e\n\u003ch6\u003e4 Stable high-speed continuous flash shooting\u003c\/h6\u003e\n\u003cp\u003eWith a compatible camera, 2 the HVL-F46RMA can continuously provide flash for up to 60 frames 4 in high-speed bursts at up to 10 fps 2 . Missed frames due to flash sync failure are avoided, providing stable continuous shooting support.\u003c\/p\u003e\n\u003ch6\u003e8 Flash control linked to camera face detection (2)\u003c\/h6\u003e\n\u003cp\u003eWith a compatible camera 2 , white balance is automatically adjusted so that the subject’s face is rendered with natural color. The HVL-F46RMA works with a compatible camera face detection to provide ideal lighting for the main subject, even in groups.\u003c\/p\u003e\n\u003ch6\u003e9 Auto white balance accuracy that only original equipment can achieve\u003c\/h6\u003e\n\u003cp\u003eThanks to in-house design, this advanced flash unit transfers color temperature data to the camera where that data is used to precisely adjust white balance so that colors are rendered naturally in any situation.\u003c\/p\u003e\n\u003ch6\u003e7 Minimal flash trigger time lag (3)\u003c\/h6\u003e\n\u003cp\u003eWhen using the HVL-F46RMA in combination with a compatible camera 2 , time lag between pressing the shutter button and flash output is significantly reduced so that fleeting moments can be captured with confidence. 6\u003c\/p\u003e\n\u003ch6\u003e10 High-speed, slow, and rear-curtain sync\u003c\/h6\u003e\n\u003cp\u003eHigh-speed sync works at all shutter speeds 10 and can be used with the aperture wide open to produce beautiful background bokeh for portraits. Slow sync and rear-curtain sync are also supported.\u003c\/p\u003e\n\u003ch6\u003eSelectable flash distribution types\u003c\/h6\u003e\n\u003cp\u003eThree selectable flash distribution types are provided: Standard (STD), GN priority (CENTER), and wide-angle priority (EVEN).\u003c\/p\u003e\n\u003ch6\u003e12 Light output optimized for focal length and image size\u003c\/h6\u003e\n\u003cp\u003eThe flash illumination angle is automatically adjusted to match the focal length of the lens used over a 24-105mm range. Light distribution is also adjusted for optimum illumination with full-frame or APS-C format.\u003c\/p\u003e\n\u003ch6\u003e13 Fast recycle and dependable high-speed continuous flash\u003c\/h6\u003e\n\u003cp\u003eAdvanced electronics and construction contribute to fast recycle times and allow continuous flash shooting for extended periods of time. A set of four batteries can provide power for more than 320 flashes with up to 2.0 second recycle time 3 .\u003c\/p\u003e\n\u003ch6\u003e14 Innovative overheating prevention for longer shooting sessions\u003c\/h6\u003e\n\u003cp\u003eThe use of heat resistant materials plus an optimized flash algorithm provides higher resistance to overheating that allows continuous shooting for longer periods of time. \u003c\/p\u003e\n\u003ch6\u003e15 Metal shoe foot with rugged side frame\u003c\/h6\u003e\n\u003cp\u003eA metal shoe foot with rugged side frame significantly increases the strength and durability of the Multi Interface Shoe and its electrical contacts. \u003c\/p\u003e\n\u003ch6\u003e16 Flexible bounce angle adjustment\u003c\/h6\u003e\n\u003cp\u003eThis feature makes it possible to quickly angle the flash head 180 degrees to the left or right, 150 degrees up, or 8 degrees down, for easy bounce angle adjustment to match any subject and shooting environment.\u003c\/p\u003e\n\u003ch6\u003e17 Comprehensive control from compatible cameras\u003c\/h6\u003e\n\u003cp\u003eFlash compensation, ratio, and other parameters can be controlled directly from the menu of a compatible camera 2 . A camera custom key can be used to call up the flash display for easy adjustment while looking through the viewfinder.\u003c\/p\u003e\n\u003ch6\u003e18 Dot-matrix display and custom keys for efficient operation\u003c\/h6\u003e\n\u003cp\u003eThe same display tab format as the camera makes operation easy and intuitive. The Quick Navi display provides status info plus direct access to important parameters, with assignable arrow key, control wheel, and custom key input.\u003c\/p\u003e\n\u003ch6\u003e19 Improved rear-panel Quick Navi display\u003c\/h6\u003e\n\u003cp\u003ePressing the Fn button causes the selected flash mode and other parameters to appear on the display for easy setup in a variety of shooting situations. While the previous HVL-F46RMA flash only displayed the Wireless OFF and Memory Recall OFF icons when the Fn button was pressed, these parameters are normally visible on the HVL-F46RMA display.\u003c\/p\u003e\n\u003ch6\u003eVersatile radio wireless communication\u003c\/h6\u003e\n\u003cp\u003eStable wireless radio communication is ensured at distances up to 30 m\/98.4 ft 3 . Reliable, error-free communication is achieved even around reflectors and obstacles. Slow sync, rear-curtain sync, and multi flash are supported 2 .\u003c\/p\u003e\n\u003ch6\u003e21 Wireless radio control for up to 15 flash units\u003c\/h6\u003e\n\u003cp\u003eControl up to 15 flash and\/or receiver units in 5 groups 9. The HVL-F46RMA can communicate with flash units that do not feature wireless radio communication via the optional FA-WRC1M commander and\/or FA-WRR1 receiver.\u003c\/p\u003e\n\u003ch6\u003e22 Multi\/Micro USB for computer connection\u003c\/h6\u003e\n\u003cp\u003eThe HVL-F46RMA has a Multi\/Micro USB terminal that allows connection to a computer for software upgrades. 23 Lighting System For more information on Sony Lighting system.\u003c\/p\u003e\n\u003ch4\u003eFeatures:\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eStable GN461 output for a wide range of lighting needs\u003c\/li\u003e\n\u003cli\u003eUp to 1\/80000 sec. shutter sync with a compatible camera2\u003c\/li\u003e\n\u003cli\u003eUp to 60 flashes3 in high-speed bursts at up to 10 fps2\u003c\/li\u003e\n\u003cli\u003eUp to 320 flashes with fast recycle time of 2 seconds3\u003c\/li\u003e\n\u003cli\u003eWhite balance and flash control linked to camera face detection2\u003c\/li\u003e\n\u003cli\u003eLight output optimized for focal length 24-105mm\u003c\/li\u003e\n\u003cli\u003eConveniently controllable from compatible cameramenu2\u003c\/li\u003e\n\u003cli\u003eHigh Speed Sync, Rear-Sync, Slow-sync, and Multi-flash settings\u003c\/li\u003e\n\u003cli\u003eOperates as on-camera flash, radio wireless commander or receiver\u003c\/li\u003e\n\u003cli\u003eStable ratio wireless communication up to 98.4 ft (30m )7\u003c\/li\u003e\n\u003cli\u003eWirelessly control up to 15 flash units in up to 5 groups9\u003c\/li\u003e\n\u003cli\u003eResistance to overheating for continuous performance\u003c\/li\u003e\n\u003cli\u003eFlexible bounce angles; 180 degrees left\/right, 150 degrees up, 8 degrees down\u003c\/li\u003e\n\u003cli\u003eMetal MI foot and side frame protects shoe connection\u003c\/li\u003e\n\u003cli\u003ePer-frame P-TTL flash control instantly adapts to changing light\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eCompatible With:\u003c\/h4\u003e\n\u003cp\u003eSony Cameras:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eILCE-1II\u003c\/li\u003e\n\u003cli\u003eILCE-1\u003c\/li\u003e\n\u003cli\u003eILCE-7 IV\u003c\/li\u003e\n\u003cli\u003eILCE-7C    \u003c\/li\u003e\n\u003cli\u003eILCE-7C II\u003c\/li\u003e\n\u003cli\u003eILCE-7CR\u003c\/li\u003e\n\u003cli\u003eILCE-7 III\u003c\/li\u003e\n\u003cli\u003eILCE-7 IV\u003c\/li\u003e\n\u003cli\u003eILCE-7R III\u003c\/li\u003e\n\u003cli\u003eILCE-7R V\u003c\/li\u003e\n\u003cli\u003eILCE-7R V\u003c\/li\u003e\n\u003cli\u003eILCE-7S III\u003c\/li\u003e\n\u003cli\u003eILCE-9\u003c\/li\u003e\n\u003cli\u003eILCE-9II\u003c\/li\u003e\n\u003cli\u003eILCE-9III\u003c\/li\u003e\n\u003cli\u003eILCE-6700\u003c\/li\u003e\n\u003cli\u003eILCE-6600\u003c\/li\u003e\n\u003cli\u003eILCE-6500\u003c\/li\u003e\n\u003cli\u003eILCE-6400\u003c\/li\u003e\n\u003cli\u003eILCE-6100\u003c\/li\u003e\n\u003cli\u003eILME-FX3\u003c\/li\u003e\n\u003cli\u003eDSC-RX10M4\u003c\/li\u003e\n\u003cli\u003eZV-1\u003c\/li\u003e\n\u003cli\u003eZV-E10\u003c\/li\u003e\n\u003cli\u003eZV-E10 II\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eProdct SKU:\u003c\/h4\u003e\n\u003cp\u003eHVLF46RMA\u003c\/p\u003e\n\u003ch4\u003eIn The Box:\u003c\/h4\u003e\n\u003cp\u003eSony HVL-F46RMA Wireless Radio Flash\u003cbr\u003eStand\u003cbr\u003eCarrying Pouch\u003cbr\u003eProtector Cap\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNote: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003e\u003cstrong\u003eThe Sony HVL-F46RMA offers the same performance capacity as the current HVLF46RM, but with a slight increase in size and weight. Please refer to the specifications below for more details.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003e\u003cstrong\u003e4x AA (Alkaline) batteries are sold separately.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFootnotes:\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003e105mm at ISO 100 in meters\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\n\u003cem\u003eRefer to support information for supported cameras and functional compatibility. Functional compatibility may vary\u003c\/em\u003e\u003cbr\u003e\u003cem\u003edepending on a camera used.\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eNi-MH batteries. Actual performance varies based on settings, environmental conditions, and usage.\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003e1\/32 flash output level, Ni-MH batteries. Digital camera, mechanical shutter.\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eElectronic shutter in continuous Hi+ mode. Flash output level manually set to 1\/32.\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eP-TTL flash control is used for each frame in the Lo, Mid and Hi continuous shooting modes.\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eSony test conditions\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\n\u003cem\u003eNot guaranteed to be 100% dust and moisture proof. Dust and moisture resistance will also vary according to the body to\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewhich the unit is attached.\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eUp to 5 groups in GROUP mode, or 3 groups in TTL or Manual modes. 3 groups max when used as a receiver\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eThe mechanical shutter speed depends on the camera's spec.\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":43225648136237,"sku":"18982","price":479.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/18982_HVLF46RMA_01_Hero.png?v=1737483845"}],"url":"https:\/\/glozerscamera.shop\/collections\/sony-accessories-specials.oembed","provider":"Glazer's Camera","version":"1.0","type":"link"}