{"title":"Sony Cinema FX30 \u0026 FX3","description":"","products":[{"product_id":"sony-ecm-b10-shotgun-mic","title":"Sony ECM-B10 Shotgun Microphone","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe \u003cstrong\u003eSony ECM-B10\u003c\/strong\u003e is a compact, high-performance shotgun microphone. Digital signal processing with Sony's unique algorithms delivers outstanding audio performance along with a choice of three directivity patterns.Compact and portable, cable-free and battery-free, this high-performance shotgun.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cstrong\u003eAdvanced beamforming technology\u003c\/strong\u003e:\u003cbr\u003eDigital signal processing using beamforming technology achieves super directivity, ideal for interviews and selfies, where the sound collection is focused on a narrow range in front of the camera.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cstrong\u003eCompact and portable\u003c\/strong\u003e:\u003cbr\u003eEven at only 3.122” (79.3mm) in length, the ECM-B10 offers impressive directional audio capture. Its small size gives you plenty of clearance for wide-angle lenses, viewfinder use, and great integrated audio even in gimbal and grip-mounted shots.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eYour choice of three pickup patterns\u003c\/strong\u003e:\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eSuper-directional, unidirectional, omnidirectional. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAdvanced digital signal processing makes it possible to offer three switchable directivity patterns in one versatile microphone, allowing you to select the area for audio pickup depending on the requirements of your shoot.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSimple switching operation\u003c\/strong\u003e:\u003cbr\u003eChoose the most suitable pickup pattern with an easy-to-reach switch. A simple three-way switch on the rear panel of the microphone lets you quickly switch back and forth among the three pickup patterns (Super-directional, unidirectional, omnidirectional), giving you the flexibility to adapt to your shooting requirements.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSuper-directional: focused front\u003c\/strong\u003e-\u003cbr\u003eIdeal for interviews or selfies, the super-directional pattern collects sound from a focused area in front of the microphone, effectively suppressing sounds from off-axis and behind the camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUnidirectional: wide frontal range\u003c\/strong\u003e\u003cbr\u003ePerfect for multi-person conversations, the unidirectional pattern captures sound from a wide field in front of the microphone while minimizing pickup from behind.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOmnidirectional: sound from any direction\u003c\/strong\u003e\u003cbr\u003eThe omnidirectional pattern picks up audio equally from all directions, useful for recording environmental sounds or the voice of the camera operator.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh-quality recording with Digital signal processing and transmission\u003c\/strong\u003e:\u003cbr\u003eSony's proprietary algorithms enable noise reduction as well as directivity. The ECM-B10 converts analogue sound to digital within the microphone body and performs digital signal processing using Sony's unique algorithms, enabling three directional pickup patterns as well as noise reduction. In-body digital conversion also helps to reduce noise inside the microphone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHighly efficient noise filters\u003c\/strong\u003e:\u003cbr\u003eNoise cut filter using digital signal processing. The ECM-B10’s noise cut filter is very effective at reducing extraneous ambient noises through the use of digital signal processing algorithms, maximizing audio quality at the recording stage and reducing the need for complex post processing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDigital audio transmission\u003c\/strong\u003e:\u003cbr\u003eNo audio degradation during transmission. When used in combination with a camera equipped with a Multi Interface (MI) Shoe that supports a digital audio interface, the ECM-B10 transmits audio directly as a digital signal, delivering high quality sound without degradation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCable-free connection\u003c\/strong\u003e:\u003cbr\u003eNo cables are required for connection to a wide range of Sony cameras equipped with an MI Shoe, reducing interference, noise and complexity.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBattery-free operation\u003c\/strong\u003e:\u003cbr\u003ePower is also supplied via the MI Shoe in compatible cameras, so you don't need to worry about microphone batteries running out of charge during a shoot.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIntuitive, easily visible rear panel\u003c\/strong\u003e:\u003cbr\u003eControls for audio level, pickup pattern, filters and other functions are within easy reach on the rear panel, visible at a glance for reassurance and quick adjustments during shooting.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupplied wind screen\u003c\/strong\u003e:\u003cbr\u003eThe ECM-B10 is supplied with an effective fur-type wind screen, easily detachable, that can reduce wind noise when shooting outdoors.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDesigned to minimize vibration noise\u003c\/strong\u003e:\u003cbr\u003eThe ECM-B10 has been designed to efficiently suppress noises caused by shock and vibration, while the cable-free design eliminates the possibility of noise caused by cable movement.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust and moisture-resistant design\u003c\/strong\u003e*\u003cbr\u003eComplementing similarly dust and moisture resistant camera bodies and lenses, the microphone is designed for worry-free outdoor shooting.\u003cbr\u003e\u003cem\u003e*Not guaranteed to by 100% dust and moisture resistant.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40803758080045,"sku":"82735","price":229.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/02ECM-B10_with_windscreen.jpg?v=1700068918"},{"product_id":"sony-ecm-g1-microphone","title":"Sony ECM-G1 Shotgun Microphone","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"description-wrap\"\u003e\n\u003cp\u003eCapture clear, beautiful audio whenever and wherever you shoot. Whether you're shooting interviews, outdoor street scenes, or just quick updates for social media, adding a high-quality audio track will bring your creative work to life. The ECM-G1 provides sophisticated audio-capture capabilities that are well matched to your moviemaking needs, plus convenient Multi Interface (MI) Shoe connectivity and a compact overall size.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eExcellent for recording human voices\u003c\/b\u003e\u003cbr\u003eThe ECM-G1 is well suited to the frequency bands of human voice characteristics, capturing vocal audio clearly and distinctly. It's ideal for shooting vlogs of product reviews and interviews.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eLarge-diameter, 14.6 mm microphone capsule\u003c\/b\u003e\u003cbr\u003eA larger capsule for high-quality sound. Built around a large-diameter (14.6 mm) microphone capsule, the ECM-G1 provides a high-quality audio track similar to high-end dedicated audio recorders, with clear, clean sound capture and effective noise suppression.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWind screen for trouble-free outdoor shooting\u003c\/b\u003e\u003cbr\u003eThe ECM-G1 comes with an easily detachable wind screen that can reduce wind noise when shooting outdoors under windy conditions.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAnti-vibration structure\u003c\/b\u003e\u003cbr\u003eThe vibration-suppressing design of the ECM-G1 helps reduce minor bumps and mechanical noise, such as when focusing or zooming. When connected via Multi Interface (MI) Shoe, the cable-free setup eliminates any possibility of cable-transmitted vibration noise.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eHighly directional, compact shotgun design\u003c\/b\u003e\u003cbr\u003eThe highly directional, compact shotgun design of the ECM-G1 has a super-cardioid pickup for front-focused audio capture. This is ideal for isolating audio directly in front of the camera, ideal for vlogging, interviews and reviews.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSmall enough to stay out of your way\u003c\/b\u003e\u003cbr\u003eCompact, unobtrusive design. At 1.34-inch (34mm) in length and 1.2 oz. (34g) in weight, the ECM-G1 is highly portable and ready to bring along to any shoot location. The clever design needs no dangling cables, and it stays out of the way of both the viewfinder and your framed shot even with wide-angle lenses making it ideal for tight vlogging shots.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSmall enough to stay in place\u003c\/b\u003e\u003cbr\u003eLeave your microphone attached and ready to use at a moment's notice. The unit's light weight 1.2 oz. (34 g) provides flexibility and mobility when you're shooting so much so that there's no need to detach and reattach it between shoots. The back of the microphone won't touch your forehead when you're looking through the viewfinder, and setup is easy even with gimbals and grips.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCable-free confidence\u003c\/b\u003e\u003cbr\u003eConnecting the microphone via a compatible MI (Multi-Interface) Shoe means you don't have to worry about noise being transmitted mechanically through cable connections or cables getting in the way of your shot, for greater portability when shooting.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBattery-free convenience\u003c\/b\u003e\u003cbr\u003eWhen you attach the ECM-G1 to the MI (Multi-Interface) Shoe of any of Sony's compatible cameras, power is supplied directly from the camera to the microphone. This lets you handle extended shooting sessions free of concerns about the microphone battery running out.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eA 3.5 mm audio out jack for expanded connectivity options\u003c\/b\u003e\u003cbr\u003eThe ECM-G1 also comes with a 3.5mm audio jack and cable for use on compatible recording devices and cameras that don't have a MI Shoe.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e:\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eOptimized for Vlogger \u0026amp; Content Creator\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eCompatible with MI Shoe and 3.5mm Jack\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eSupercardioid Directional Pickup Pattern\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eUltracompact, Unobtrusive Design\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eLarge-Diameter 14.6 mm Mic Capsule\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eAnti-Vibration Mount\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eIncludes 3.5mm TRS Audio Cable\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eIncludes Furry Windshield\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv data-title=\"Features\" data-scrollto=\"\" class=\"productFeature section\" id=\"features\"\u003e\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40903034142765,"sku":"83686","price":174.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/83686_Hero.png?v=1657843529"},{"product_id":"sony-fx30b-cinema-body","title":"Sony FX30 Digital Cinema Camera","description":"\u003cp\u003eThe \u003cstrong\u003eSony FX30\u003c\/strong\u003e captures beautiful cinematic imagery with 6K oversampling, high performance and highly efficient workflow. Enjoy hassle-free shooting with S Cinetone and S-Log3 for high level grading. Its compact size lets you take it anywhere, and sophisticated AF and stabilization makes advanced filmmaking more accessible than ever for up-and-coming creators.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e20.1 MP 1 Exmor R™ APS-C (Super 35mm format) image sensor with wide dynamic range\u003cbr\u003e\u003c\/strong\u003eSony’s acclaimed image sensor technology in a new back-illuminated 20.1 megapixels APS-C Exmor R CMOS sensor (Super 35 format) achieves high sensitivity, low noise, and wide dynamic latitude. 6K oversampling compresses a vast amount of information into 4K (QFHD: 3840 x 2160) output, delivering 4K movies with overwhelming resolution. Capture the scene in cinematic 4K resolution with the expressive depth of field, stunning bokeh, and cinematic freedom of an APS-C size sensor. The image sensor maximizes light collection efficiency so that clear, usable images can be captured in dim light. Standard ISO sensitivity is 100 to 32000, and latitude is an impressively wide 14+ stops.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eS-Cinetone for a cinematic look straight out of the camera without grading\u003c\/strong\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eThe FX30 includes S-Cinetone\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e, the same color science that produces the highly regarded FX9 and FX6 color and skin tones. Based on technology acquired through development of digital cinema cameras such as Sony’s VENICE 2, S Cinetone delivers natural mid-tones that are essential to healthy-looking skin color, plus soft colors and gorgeous highlights. Because S-Cinetone produces all this directly within the camera, it's easy to achieve a beautiful cinematic look without the necessity of post-production grading\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eFlexible ISO, Cine EI Quick and Cine EI Log shooting modes for optimized image quality\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e\u003cbr\u003eThree modes are provided for recording with the S-Log3 gamma curve (“Log Shooting Setting” in the menu) when post processing will be used to grade and finish the footage. Cine EI, inherited from Sony’s high-end Cinema Line models, offers wide latitude and the highest possible image quality. Cine EI Quick automatically switches the camera’s base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eUser LUTs can be applied to the LCD display and HDMI output and embedded in clips\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhen recording with the S-Log3 gamma curve, the low-contrast image displayed on the monitor can make it difficult to judge how the final image will look. The FX30 allows custom LUTs to be applied to the LCD monitor and HDMI output, providing a more accurate preview of the final image.  LUTs can also be embedded in clips to facilitate post-production processing. The FX30 even includes a new s709 preset LUT that can provide a more cinematic look while monitoring. In addition to the preset LUTs, up to 16 user LUTs (.cube format)5 can be imported into the camera via memory card.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Base ISO and a 14+ stop3 range for wide latitude and low-noise images\u003c\/strong\u003e\u003cbr\u003eThe Dual Base ISO provides two sensitivity settings - one at ISO 800 and one at ISO 2500. This allows you to select an appropriate noise floor, for clean images, as well as maximize the FX30’s dynamic range when shooting in both bright or low-light conditions. Furthermore, a wide 14+ stop latitude minimizes the risk of blown highlights or blocked shadows over a wide range of lighting conditions, making it easier to shoot top-quality images in just about any shooting situation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLog recording for smooth cinematic image quality when color grading\u003c\/strong\u003e\u003cbr\u003eFor full-scale productions, the S-Log3 gamma curve provided in the FX30 has been designed for smooth gradations, and to make it easier to achieve cinematic image quality when color grading in post-production. Both S-Log3 and S-Gamut3.Cine offer high-quality color reproduction over a wide latitude, and special care has been taken to adjust the camera's output to ensure that the highest image quality can be easily achieved during post processing.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDependable, accurate autofocus with Real-time Eye and Real-time Tracking AF\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSophisticated tracking features keep your subject in steady focus so you can concentrate on composition. Wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame. Real-time Eye AF ensures precise focus on the face and eyes (human, animal, or bird), while Real-time Tracking provides reliable tracking thanks to Sony‘s unique AI-based subject recognition algorithms. Improved tracking is achieved even when shooting at high 120p frame rates.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eImage stabilization Active Mode supports handheld movie shooting\u003c\/strong\u003e\u003cbr\u003eActive Mode utilizes an in-body 5-axis sensor shift image stabilizer and provides increased stabilization for movie shooting. A precision gyroscope sensor accurately measures camera shake and compensates optically, making stable video possible even when shooting hand-held without a gimbal, even while walking, and at 4K high resolution. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eExtensive recording formats for high image quality and advanced post-production\u003c\/strong\u003e\u003cbr\u003eThe FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All Intra compression, making it possible to grade for fuller, more natural gradations while generally providing greater editing freedom.  In addition to XAVC S AVC\/H.264 encoding, XAVC HS format recording, using the HEVC\/H.265 codec, roughly doubles the compression efficiency. XAVC S-I 4K and XAVC S-I HD formats provide per-frame Intra compression so the user can choose the most suitable format for the job at hand.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCreative slow-motion options with up to 4K (QFHD) 120p with autofocus\u003c\/strong\u003e\u003cbr\u003eThe FX30 offers 4K recording at up to 120 frames per second. Extraordinarily smooth 5x (max.) slow-motion imagery at QFHD resolution with autofocus provides new expressive capability. The ability to capture moving subjects in smooth slow motion opens up a whole new world of creative potential\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e4K 16-bit RAW output from HDMI terminal for compatible external recorders\u003cbr\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFor demanding post-production workflows, 16-bit RAW output\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eis available over HDMI connection to compatible external recorders\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution. \u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eA selection of Creative Looks to create interesting moods right in the camera\u003c\/strong\u003e\u003cbr\u003eA selection of Creative Looks makes it easy to create interesting moods right in the camera. The Creative Look presets can be used as is, or further customized using individual parameter settings such as hue, color depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user's preference, and favorite settings can be registered as custom looks.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSophisticated focus functions to handle any situation\u003c\/strong\u003e\u003cbr\u003eThe FX30 makes fast, accurate focusing as easy as possible. AF Assist smoothly switches between auto and manual focus, it enables easy rack focusing, and it can save time even when you are primarily using manual focus. Focus Map12 makes it easy to visualize depth of field while shooting and Breathing Compensation provides a stable angle of view when rack focusing by minimizing the field-of-view shift that can occur with some lenses.  Additional breathing compensation is also available in post-production software supported by camera metadata.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUninterrupted 4K 60p recording with cooling fan ventilation\u003c\/strong\u003e\u003cbr\u003eFor uninterrupted 4K 60p recording, the FX30 features an innovative heat dissipation structure, including a unique Sony Σ (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimized the camera’s airflow and heatsink placement. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMetadata to facilitate editing with Catalyst Browse and Prepare software\u003c\/strong\u003e\u003cbr\u003eSony's Catalyst Browse and Prepare software are ideal production partners for the FX30. The camera records five types of metadata: LUTs, image stabilization24, focus breathing, camera rotation and shot marks. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or purchased Catalyst Prepare software.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProxy recording for efficient editing workflow\u003c\/strong\u003e\u003cbr\u003eLow-bitrate HD proxy files can be recorded simultaneously in nearly all recording formats. The smaller proxy video files can be used for editing previews prior to final 4K online editing, reducing computer load and enabling a faster workflow.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTime code input synchronization capability\u003c\/strong\u003e\u003cbr\u003eThe FX30 can be synchronized (TC-IN) to a second camera that has a time code output terminal by connecting the FX30’s Multi\/Micro USB terminal to the time code source via an optional VMC-BNCM1 adaptor and standard BNC cable.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStill image shooting function\u003c\/strong\u003e\u003cbr\u003eBecause the FX30 can shoot stills as well as movies, it can be handy to use when you are location hunting. For example, you can use it to shoot stills that will be used in storyboards or pre-production presentations.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNew list-style main menu for quick access to frequently used items\u003c\/strong\u003e\u003cbr\u003eThe camera’s new list-style main menu gives you access to frame rate, shutter speed, and other essential shooting parameters. Main menu display can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFlexible, high-resolution touch-panel LCD monitor\u003c\/strong\u003e\u003cbr\u003eThe FX30 features a side-opening vari-angle rear monitor that allows broad positioning and framing freedom for gimbal-mounted shots, handheld shots, very low ground-level shots, or whatever the shoot requires. The large 3.0 type 2.36 million-dot (approx.) touch-panel LCD monitor provides clear viewing in bright outdoor settings. The function (Fn) menu can be displayed by swiping up on the monitor, for quick access to frequently used assigned functions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBroad connectivity for a wide range of shooting needs\u003c\/strong\u003e\u003cbr\u003eAn HDMI Type-A connector can be used to feed 4K, 16-bit RAW, or other movie formats to an external recorder or display device, with the option of status overlays included in the HDMI output. Other connectors include USB Type-C®, Multi\/Micro-USB, mic, headphone, and a Multi Interface (MI) Shoe with built-in digital audio interface. The FX30 also supports UVC (USB Video Class) and UAC (USB Audio Class) standards and can serve as a high-performance streaming camera or webcam.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual card slots, both compatible with CFexpress Type A and SDXC\/SDHC\u003c\/strong\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eThe FX30’s two media slots are compatible with CFexpress Type A cards as well as SDXC\/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write\/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eRecording (tally) lamps and emphasized record displays\u003c\/strong\u003e\u003cbr\u003eRecording (tally) lamps are provided on the upper front and rear of the camera. The REC button on the top of the camera is also illuminated and linked to the rear recording lamp. To make it clear when the camera is in record mode a red frame appears on the monitor display so that the operator can easily confirm that recording is in progress.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eComprehensive zoom control\u003c\/strong\u003e\u003cbr\u003eThe zoom lever placed on the top of the grip not only controls compatible powered zoom lenses, but also allows Clear Image Zoom to be used with unpowered zoom and prime lenses with less image degradation. This can significantly reduce the number of lenses required for many projects. Zoom speed can be assigned to a custom button or selected conditionally depending on whether the camera is in standby mode or recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUninterrupted power for extended recording by USB PD support\u003c\/strong\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eThe FX30 supports USB PD (Power Delivery), allowing higher power to be supplied from an external source so that recording can be continued for extended periods without draining the internal battery\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMultiple ¼”-20 threaded mounting points make a cage unnecessary\u003c\/strong\u003e\u003cbr\u003eDesigned for mobility and efficiency, the FX30 body features five thread holes (1\/4-20 UNC) for accessories that make a cage unnecessary. While providing plenty of capacity for accessory attachment, the fact that no cage is required contributes to reduced system size and weight for easier handheld shooting.  The XLR handle unit provides three additional thread holes for accessories. External monitors, recorders, batteries, video lights, extension grips, wireless microphone receivers, or other add-ons can be stably and securely attached.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact, lightweight body designed for mobility\u003c\/strong\u003e\u003cbr\u003eThe FX30 body is just 77.8 mm high, 129.7 mm wide, and 84.5 mm deep, excluding protrusions. It weighs 646 grams with battery and memory card (951 grams with XLR handle unit) and features a distinctive flat-top design that is suitable not only for handheld shooting, but for gimbal mounting. The camera grip has been designed to provide optimum flexibility, stability, and comfort for extended handheld shooting sessions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust and moisture resistant design to handle challenging environments\u003c\/strong\u003e \u003cbr\u003eDust and moisture resistance refinements have been implemented throughout the body. Sealing is provided throughout the body as well as the battery compartment cover, and the media slot has a double sliding cover and lock lever to keep water out. Cooling airflow from inlet to exhaust is completely isolated from the body interior. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDurable magnesium alloy chassis\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe camera’s body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOne Mount: connect seamlessly with E-mount interchangeable lenses\u003c\/strong\u003e\u003cbr\u003eThe One Mount concept is based on Sony's E-mount platform of interchangeable lenses. The FX30 is compatible with all E-mount lenses, including power zoom and video optimized models, so you can choose the right lens for any situation.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":41197133266989,"sku":"85938","price":2099.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/85938_Hero.png?v=1664385907"},{"product_id":"sony-fx30-cinema-w-xlr-handle","title":"Sony FX30 Digital Cinema Camera with XLR Handle","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003eSony FX30\u003c\/strong\u003e\u003cspan\u003e captures beautiful cinematic imagery with 6K oversampling, high performance and highly efficient workflow. Enjoy hassle-free shooting with S Cinetone and S-Log3 for high level grading. Its compact size lets you take it anywhere, and sophisticated AF and stabilization makes advanced filmmaking more accessible than ever for up-and-coming creators.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e20.1 MP 1 Exmor R™ APS-C (Super 35mm format) image sensor with wide dynamic range\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eSony’s acclaimed image sensor technology in a new back-illuminated 20.1 megapixels APS-C Exmor R CMOS sensor (Super 35 format) achieves high sensitivity, low noise, and wide dynamic latitude. 6K oversampling compresses a vast amount of information into 4K (QFHD: 3840 x 2160) output, delivering 4K movies with overwhelming resolution. Capture the scene in cinematic 4K resolution with the expressive depth of field, stunning bokeh, and cinematic freedom of an APS-C size sensor. The image sensor maximizes light collection efficiency so that clear, usable images can be captured in dim light. Standard ISO sensitivity is 100 to 32000, and latitude is an impressively wide 14+ stops.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eXLR handle unit for high-quality external audio input\u003c\/strong\u003e\u003cbr\u003eThe XLR handle unit provides two XLR audio inputs to facilitate high-quality audio recording. With an optional XLR microphone, digital audio data can be transferred directly to the camera for outstanding audio quality without noise or signal degradation. There is also a 3.5 mm stereo mini jack for 4-channel recording, for compatibility with 2-channel and 4-channel audio formats.  The Multi-interface shoe can be used with compatible Sony microphones\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eS-Cinetone for a cinematic look straight out of the camera without grading\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe FX30 includes S-Cinetone\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e, the same color science that produces the highly regarded FX9 and FX6 color and skin tones. Based on technology acquired through development of digital cinema cameras such as Sony’s VENICE 2, S Cinetone delivers natural mid-tones that are essential to healthy-looking skin color, plus soft colors and gorgeous highlights. Because S-Cinetone produces all this directly within the camera, it's easy to achieve a beautiful cinematic look without the necessity of post-production grading\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eFlexible ISO, Cine EI Quick and Cine EI Log shooting modes for optimized image quality\u003c\/strong\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003eThree modes are provided for recording with the S-Log3 gamma curve (“Log Shooting Setting” in the menu) when post processing will be used to grade and finish the footage. Cine EI, inherited from Sony’s high-end Cinema Line models, offers wide latitude and the highest possible image quality. Cine EI Quick automatically switches the camera’s base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eUser LUTs can be applied to the LCD display and HDMI output and embedded in clips\u003c\/strong\u003e\u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhen recording with the S-Log3 gamma curve, the low-contrast image displayed on the monitor can make it difficult to judge how the final image will look. The FX30 allows custom LUTs to be applied to the LCD monitor and HDMI output, providing a more accurate preview of the final image.  LUTs can also be embedded in clips to facilitate post-production processing. The FX30 even includes a new s709 preset LUT that can provide a more cinematic look while monitoring. In addition to the preset LUTs, up to 16 user LUTs (.cube format)5 can be imported into the camera via memory card.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Base ISO and a 14+ stop3 range for wide latitude and low-noise images\u003c\/strong\u003e\u003cbr\u003eThe Dual Base ISO provides two sensitivity settings - one at ISO 800 and one at ISO 2500. This allows you to select an appropriate noise floor, for clean images, as well as maximize the FX30’s dynamic range when shooting in both bright or low-light conditions. Furthermore, a wide 14+ stop latitude minimizes the risk of blown highlights or blocked shadows over a wide range of lighting conditions, making it easier to shoot top-quality images in just about any shooting situation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLog recording for smooth cinematic image quality when color grading\u003c\/strong\u003e\u003cbr\u003eFor full-scale productions, the S-Log3 gamma curve provided in the FX30 has been designed for smooth gradations, and to make it easier to achieve cinematic image quality when color grading in post-production. Both S-Log3 and S-Gamut3.Cine offer high-quality color reproduction over a wide latitude, and special care has been taken to adjust the camera's output to ensure that the highest image quality can be easily achieved during post processing.\u003cbr\u003e\u003c\/p\u003e\n\u003cstrong\u003eDependable, accurate autofocus with Real-time Eye and Real-time Tracking AF\u003c\/strong\u003e\u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSophisticated tracking features keep your subject in steady focus so you can concentrate on composition. Wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame. Real-time Eye AF ensures precise focus on the face and eyes (human, animal, or bird), while Real-time Tracking provides reliable tracking thanks to Sony‘s unique AI-based subject recognition algorithms. Improved tracking is achieved even when shooting at high 120p frame rates.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eImage stabilization Active Mode supports handheld movie shooting\u003c\/strong\u003e\u003cbr\u003eActive Mode utilizes an in-body 5-axis sensor shift image stabilizer and provides increased stabilization for movie shooting. A precision gyroscope sensor accurately measures camera shake and compensates optically, making stable video possible even when shooting hand-held without a gimbal, even while walking, and at 4K high resolution. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eExtensive recording formats for high image quality and advanced post-production\u003c\/strong\u003e\u003cbr\u003eThe FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All Intra compression, making it possible to grade for fuller, more natural gradations while generally providing greater editing freedom.  In addition to XAVC S AVC\/H.264 encoding, XAVC HS format recording, using the HEVC\/H.265 codec, roughly doubles the compression efficiency. XAVC S-I 4K and XAVC S-I HD formats provide per-frame Intra compression so the user can choose the most suitable format for the job at hand.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCreative slow-motion options with up to 4K (QFHD) 120p with autofocus\u003c\/strong\u003e\u003cbr\u003eThe FX30 offers 4K recording at up to 120 frames per second. Extraordinarily smooth 5x (max.) slow-motion imagery at QFHD resolution with autofocus provides new expressive capability. The ability to capture moving subjects in smooth slow motion opens up a whole new world of creative potential\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstrong\u003e4K 16-bit RAW output from HDMI terminal for compatible external recorders\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eFor demanding post-production workflows, 16-bit RAW output\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eis available over HDMI connection to compatible external recorders\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution. \u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eA selection of Creative Looks to create interesting moods right in the camera\u003c\/strong\u003e\u003cbr\u003eA selection of Creative Looks makes it easy to create interesting moods right in the camera. The Creative Look presets can be used as is, or further customized using individual parameter settings such as hue, color depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user's preference, and favorite settings can be registered as custom looks.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSophisticated focus functions to handle any situation\u003c\/strong\u003e\u003cbr\u003eThe FX30 makes fast, accurate focusing as easy as possible. AF Assist smoothly switches between auto and manual focus, it enables easy rack focusing, and it can save time even when you are primarily using manual focus. Focus Map12 makes it easy to visualize depth of field while shooting and Breathing Compensation provides a stable angle of view when rack focusing by minimizing the field-of-view shift that can occur with some lenses.  Additional breathing compensation is also available in post-production software supported by camera metadata.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUninterrupted 4K 60p recording with cooling fan ventilation\u003c\/strong\u003e\u003cbr\u003eFor uninterrupted 4K 60p recording, the FX30 features an innovative heat dissipation structure, including a unique Sony Σ (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimized the camera’s airflow and heatsink placement. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.\u003cbr\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMetadata to facilitate editing with Catalyst Browse and Prepare software\u003c\/strong\u003e\u003cbr\u003eSony's Catalyst Browse and Prepare software are ideal production partners for the FX30. The camera records five types of metadata: LUTs, image stabilization24, focus breathing, camera rotation and shot marks. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or purchased Catalyst Prepare software.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProxy recording for efficient editing workflow\u003c\/strong\u003e\u003cbr\u003eLow-bitrate HD proxy files can be recorded simultaneously in nearly all recording formats. The smaller proxy video files can be used for editing previews prior to final 4K online editing, reducing computer load and enabling a faster workflow.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTime code input synchronization capability\u003c\/strong\u003e\u003cbr\u003eThe FX30 can be synchronized (TC-IN) to a second camera that has a time code output terminal by connecting the FX30’s Multi\/Micro USB terminal to the time code source via an optional VMC-BNCM1 adaptor and standard BNC cable.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStill image shooting function\u003c\/strong\u003e\u003cbr\u003eBecause the FX30 can shoot stills as well as movies, it can be handy to use when you are location hunting. For example, you can use it to shoot stills that will be used in storyboards or pre-production presentations.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNew list-style main menu for quick access to frequently used items\u003c\/strong\u003e\u003cbr\u003eThe camera’s new list-style main menu gives you access to frame rate, shutter speed, and other essential shooting parameters. Main menu display can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFlexible, high-resolution touch-panel LCD monitor\u003c\/strong\u003e\u003cbr\u003eThe FX30 features a side-opening vari-angle rear monitor that allows broad positioning and framing freedom for gimbal-mounted shots, handheld shots, very low ground-level shots, or whatever the shoot requires. The large 3.0 type 2.36 million-dot (approx.) touch-panel LCD monitor provides clear viewing in bright outdoor settings. The function (Fn) menu can be displayed by swiping up on the monitor, for quick access to frequently used assigned functions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBroad connectivity for a wide range of shooting needs\u003c\/strong\u003e\u003cbr\u003eAn HDMI Type-A connector can be used to feed 4K, 16-bit RAW, or other movie formats to an external recorder or display device, with the option of status overlays included in the HDMI output. Other connectors include USB Type-C®, Multi\/Micro-USB, mic, headphone, and a Multi Interface (MI) Shoe with built-in digital audio interface. The FX30 also supports UVC (USB Video Class) and UAC (USB Audio Class) standards and can serve as a high-performance streaming camera or webcam.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual card slots, both compatible with CFexpress Type A and SDXC\/SDHC\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe FX30’s two media slots are compatible with CFexpress Type A cards as well as SDXC\/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write\/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eRecording (tally) lamps and emphasized record displays\u003c\/strong\u003e\u003cbr\u003eRecording (tally) lamps are provided on the upper front and rear of the camera. The REC button on the top of the camera is also illuminated and linked to the rear recording lamp. To make it clear when the camera is in record mode a red frame appears on the monitor display so that the operator can easily confirm that recording is in progress.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eComprehensive zoom control\u003c\/strong\u003e\u003cbr\u003eThe zoom lever placed on the top of the grip not only controls compatible powered zoom lenses, but also allows Clear Image Zoom to be used with unpowered zoom and prime lenses with less image degradation. This can significantly reduce the number of lenses required for many projects. Zoom speed can be assigned to a custom button or selected conditionally depending on whether the camera is in standby mode or recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUninterrupted power for extended recording by USB PD support\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe FX30 supports USB PD (Power Delivery), allowing higher power to be supplied from an external source so that recording can be continued for extended periods without draining the internal battery\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMultiple ¼”-20 threaded mounting points make a cage unnecessary\u003c\/strong\u003e\u003cbr\u003eDesigned for mobility and efficiency, the FX30 body features five thread holes (1\/4-20 UNC) for accessories that make a cage unnecessary. While providing plenty of capacity for accessory attachment, the fact that no cage is required contributes to reduced system size and weight for easier handheld shooting.  The XLR handle unit provides three additional thread holes for accessories. External monitors, recorders, batteries, video lights, extension grips, wireless microphone receivers, or other add-ons can be stably and securely attached.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact, lightweight body designed for mobility\u003c\/strong\u003e\u003cbr\u003eThe FX30 body is just 77.8 mm high, 129.7 mm wide, and 84.5 mm deep, excluding protrusions. It weighs 646 grams with battery and memory card (951 grams with XLR handle unit) and features a distinctive flat-top design that is suitable not only for handheld shooting, but for gimbal mounting. The camera grip has been designed to provide optimum flexibility, stability, and comfort for extended handheld shooting sessions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDust and moisture resistant design to handle challenging environments\u003c\/strong\u003e\u003cbr\u003eDust and moisture resistance refinements have been implemented throughout the body. Sealing is provided throughout the body as well as the battery compartment cover, and the media slot has a double sliding cover and lock lever to keep water out. Cooling airflow from inlet to exhaust is completely isolated from the body interior. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDurable magnesium alloy chassis\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe camera’s body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOne Mount: connect seamlessly with E-mount interchangeable lenses\u003c\/strong\u003e\u003cbr\u003eThe One Mount concept is based on Sony's E-mount platform of interchangeable lenses. The FX30 is compatible with all E-mount lenses, including power zoom and video optimized models, so you can choose the right lens for any situation.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":41197133299757,"sku":"85931","price":2499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/products\/85931_hero.png?v=1664390017"}],"url":"https:\/\/glozerscamera.shop\/collections\/sony-cinema-fx30-fx3.oembed","provider":"Glazer's Camera","version":"1.0","type":"link"}