{"title":"Sony FX2 Full-Frame Cinema Camera","description":"","products":[{"product_id":"fx2","title":"Sony FX2 Full-Frame Cinema Camera with XLR Handle","description":"\u003ch3\u003eA new versatile tool for cinematic expression\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThe latest entry to our Cinema Line, the \u003cstrong\u003eFX2\u003c\/strong\u003e delivers newfound versatility by combining the high-quality imagery produced by a full-frame sensor with expressive capabilities modelled on Sony’s flagship VENICE cinema camera, enabling you to bring your creative visions to life through video or photos.\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eCinematic Expression With A Full-Frame Sensor\u003c\/h6\u003e\n\u003cdiv\u003eThe full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R CMOS sensor supported by our BIONZ XR image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP*1 resolution, giving ambitious cinematic visionaries all the tools they need.\u003c\/div\u003e\n\u003ch6\u003eOutstanding Image Quality For Maximum Editing Flexibility\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2’s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3*2, ensuring even high-contrast scenes are captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3\/S-Gamut3.Cine color gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.\u003c\/div\u003e\n\u003ch6\u003eLog Recording Modes For Production Flexibility\u003c\/h6\u003e\n\u003cdiv\u003eFor creative flexibility, there are three modes available for Log recording — Flexible ISO, Cine EI, and Cine EI Quick — with Cine EI widely used in professional filmmaking for footage shot with post-production*3*4 in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing specific tonal ranges to be enhanced in post-production to achieve your desired cinematic look.\u003c\/div\u003e\n\u003ch6\u003eMultiple Recording Formats For Versatile Shooting And Editing\u003c\/h6\u003e\n\u003cdiv\u003e7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p)*5 recording is available in Super 35mm mode. Professional quality is supported by 10-bit depth, 4:2:2 color sampling, an efficient MPEG-H HEVC\/H.265 codec, and Intra recording including DCI-4K (4096 x 2160).\u003c\/div\u003e\n\u003ch6\u003eImport Up To 16 User Luts\u003c\/h6\u003e\n\u003cdiv\u003eWith the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies. Up to 16 user LUT files*7 can be imported from memory cards or Sony’s Creators’ Cloud and selected as needed*8. The LUT used for recording can then be embedded in the video metadata.\u003c\/div\u003e\n\u003ch6\u003eCreate Moods Right In The Camera\u003c\/h6\u003e\n\u003cdiv\u003ePicture Profile presets make it easy to adjust color and gradation to create a variety of moods in camera. These include the acclaimed S-Cinetone, which can help produce beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.\u003c\/div\u003e\n\u003ch6\u003eDesqueeze Display For Anamorphic Lenses\u003c\/h6\u003e\n\u003cdiv\u003eAnamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings*9, and Sony’s Monitor \u0026amp; Control app provides even more detailed settings for monitoring on a tablet or other external display devices*10.\u003c\/div\u003e\n\u003ch6\u003eFrame Rate Freedom\u003c\/h6\u003e\n\u003cdiv\u003eAn FPS menu inherits features from our professional Cinema Line models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion*11 at 4K resolution, or up to 5x slow motion*11 when recording in Full HD at up to 120 fps.*12\u003c\/div\u003e\n\u003ch6\u003eAn Extensive Range Of Expressive E-Mount Lenses\u003c\/h6\u003e\n\u003cdiv\u003eSony offers a range of more than 70 high-performance E-mount lenses*13, including ultra-wide angles, super telephoto zooms, primes and powered zooms. Combine with Sony microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.\u003c\/div\u003e\n\u003ch3\u003eDesigned For Solo Shooting\u003c\/h3\u003e\n\u003cdiv\u003eCombining advanced video functions from our Cinema Line with enhanced options for stills that support filmmaking, the FX2 is designed to handle solo shooting in a wide range of circumstances, giving you maximum flexibility.\u003c\/div\u003e\n\u003ch6\u003eCompact And Lightweight With Built-In Accessory Mount Points\u003c\/h6\u003e\n\u003cdiv\u003eWith the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 1\/4-20 (UNC) screw holes in three locations for mounting accessories, and two additional screw holes are located on the bottom panel for secure tripod mounting.\u003c\/div\u003e\n\u003ch6\u003eAI-Based Real-Time Recognition AF\u003c\/h6\u003e\n\u003cdiv\u003eEquipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects*14. A detection frame indicates the recognized subject*15 and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognizes subject movement, and human eye recognition has been improved by about 30% compared to the FX3\/FX30*16.\u003c\/div\u003e\n\u003ch6\u003eFine-Tuned Focus Control\u003c\/h6\u003e\n\u003cdiv\u003eAF Assist*17 allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualize depth of field by overlaying focus info on the live view display, and the Breathing Compensation function*18 can significantly enhance image stability.\u003c\/div\u003e\n\u003ch6\u003eAutomatic Framing Using Advanced Ai\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2’s Auto Framing feature*19 automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.\u003c\/div\u003e\n\u003ch6\u003eStabilization For Dynamic Handheld Shooting\u003c\/h6\u003e\n\u003cdiv\u003eActive Mode boosts stabilization while walking and shooting. Or, for shooting at an even faster pace, there’s Dynamic active Mode that utilizes electronic stabilization for an even greater effect (up to 30%*20), making it possible to shoot stable footage even when running*21. Corresponding stabilization metadata is embedded in the footage for efficient post-production.*21\u003c\/div\u003e\n\u003ch6\u003eStills At The Flip Of A Switch\u003c\/h6\u003e\n\u003cdiv\u003eA single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10 fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to capture stills while recording or playing video that has a previously imported user LUT.\u003c\/div\u003e\n\u003ch6\u003eVisual Consistency Across Stills And Videos\u003c\/h6\u003e\n\u003cdiv\u003eThe Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post-production. Transform your stills in editing applications such as Black Magic Design DaVinci Resolve, ready for a variety of uses while maintaining the same look.*23\u003c\/div\u003e\n\u003ch3\u003eOperability For Professional Filmmaking\u003c\/h3\u003e\n\u003cdiv\u003eThe FX2 is well-suited for professional projects, supporting an expedient workflow throughout production.\u003c\/div\u003e\n\u003ch6\u003eTiltable High-Definition Electronic Viewfinder\u003c\/h6\u003e\n\u003cdiv\u003eKeep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 diopter), and the angle of view and eyepoint are optimized for video recording. The viewfinder itself can be rotated from 0 ° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.*24\u003c\/div\u003e\n\u003ch6\u003eFrequently Used Parameters All In One Place\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed\/angle), Aperture or ND Filter, Look, and White Balance. This screen contributes to smooth, intuitive operation, and provides quick access to Variable\/Fixed parameters.\u003c\/div\u003e\n\u003ch6\u003eEffective Heat Management\u003c\/h6\u003e\n\u003cdiv\u003eEnjoy uninterrupted video recording time for formats up to 4K 59.94p*25. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilization unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.\u003c\/div\u003e\n\u003ch6\u003ePlenty Of Power For Long Shoots\u003c\/h6\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time*26 or up to 155 minutes of continuous shooting*27. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD)*28. The optional DC-C1 DC Coupler can supply stable power without occupying the camera’s USB Type-C® terminal.\u003c\/span\u003e\u003c\/div\u003e\n\u003ch6\u003eDigital Audio Without Degradation\u003c\/h6\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eWith an XLR Handle Unit XLR-H1*29 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.\u003c\/span\u003e\u003c\/div\u003e\n\u003ch6\u003eEasy Live Streaming\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2 is also a great choice for live streaming to a computer via USB (UVC\/UAC) or a wireless or wired LAN*30 network. You can stream up to 4K (3840 x 2160) 59.94p*31 video via LAN while simultaneously recording to the camera’s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.\u003c\/div\u003e\n\u003ch6\u003eCFexpress Type A Memory Card Support\u003c\/h6\u003e\n\u003cdiv\u003eTwo card slots support SDXC\/SDHC UHS-II\/UHS-I memory cards, with one also supporting CFexpress Type A*32 cards, providing plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.\u003c\/div\u003e\n\u003ch6\u003e4:2:2 10-BIT or 16-BIT RAW Output Via HDMI\u003c\/h6\u003e\n\u003cdiv\u003eAn HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post-production. 16-bit RAW video is output*31 at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]\/[29.97p]\/[23.98p]\/[24.00p] frame rates. Video output via HDMI can occur simultaneously with proxy recording to an internal memory card.\u003c\/div\u003e\n\u003ch6\u003eCompact, Yet Easy To Operate\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2 boasts the size and weight advantages of mirrorless cameras while delivering professional operability, concentrating key controls around the grip and with easily pressable long-stroke buttons on the top panel.\u003c\/div\u003e\n\u003ch6\u003eDust And Moisture Resistant Design*34\u003c\/h6\u003e\n\u003cdiv\u003eNumerous refinements in the body design have enhanced dust and moisture resistance*34, ensuring maximum reliability even in austere outdoor conditions.\u003c\/div\u003e\n\u003ch6\u003eDurable Magnesium Alloy Body\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2’s main body is constructed from a lightweight magnesium alloy to enhance durability and performance even in harsh environments.\u003c\/div\u003e\n\u003ch6\u003eConnectivity For High Expandability\u003c\/h6\u003e\n\u003cdiv\u003eIn addition to an HDMI Type-A port, the FX2 is equipped with a USB Type-C port for power and communication, Multi\/Micro USB terminal, a headphone jack and a mic jack, allowing high expandability for diverse shooting situations and needs.\u003c\/div\u003e\n\u003ch6\u003eFlexible Vari-Angle Lcd Monitor\u003c\/h6\u003e\n\u003cdiv\u003eThe high-definition 3.0 type vari-angle 1.03 million dot LCD monitor can be rotated through a wide range of angles without interference from an HDMI cable. Touch operation remains available when the monitor is open in a sideways position.\u003c\/div\u003e\n\u003ch6\u003eTally Lamps And High Visibility Recording Indication\u003c\/h6\u003e\n\u003cdiv\u003eThe camera is equipped with tally lamps on both its front (top) and back. The illuminated REC button also functions as a tally lamp linked to the rear lamp, and a red frame on the LCD monitor acts as another indicator for recording.\u003c\/div\u003e\n\u003ch6\u003eMonitor \u0026amp; Control\u003c\/h6\u003e\n\u003cdiv\u003eSony’s Monitor \u0026amp; Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad*35*36 All of this can contribute to smoother workflows with a minimal crew.\u003c\/div\u003e\n\u003ch6\u003eCatalyst Browse, Catalyst Prepare\/Plugin\u003c\/h6\u003e\n\u003cdiv\u003eThe Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK\/NG\/KEEP flags*37 added while recording can also be imported for easier shot selection. Image stabilization, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post-production.\u003c\/div\u003e\n\u003ch6\u003eCreators' Cloud Platform\u003c\/h6\u003e\n\u003cdiv\u003eCreators' Cloud is a platform that supports creative work from shooting to production by combining Sony's advanced camera technology and the cloud. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.\u003c\/div\u003e\n\u003ch6\u003eCloud Upload (Camera Direct)\u003c\/h6\u003e\n\u003cdiv\u003eRecorded files can be directly uploaded to Creators’ Cloud*38 storage from the camera without having to transfer via a smartphone or other device. Once in the Creators’ Cloud, data can be transferred to other cloud services such as Ci Media Cloud, Google Drive or Adobe Lightroom to suit your workflow.*39\u003c\/div\u003e\n\u003ch3\u003eFor A Better Planet\u003c\/h3\u003e\n\u003ch6\u003eEnvironmentally Conscious\u003c\/h6\u003e\n\u003cdiv\u003eSony’s environmental plan “Road to Zero” aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimized from development through the supply chain, production, and packaging.\u003c\/div\u003e\n\u003ch6\u003eNon-Plastic Packaging Materials\u003c\/h6\u003e\n\u003cdiv\u003eSony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimizing environmental stress.\u003c\/div\u003e\n\u003ch6\u003eGreater Accessibility For All Users\u003c\/h6\u003e\n\u003cdiv\u003eAccessibility features, such as a menu magnifier and a screen reader*40 that reads an expanded range of menu items aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more make the joys of photography and moviemaking available to the widest possible range of users.\u003c\/div\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFull-frame Exmor R CMOS 33MP*1 sensor and BIONZ XR image processor engine\u003c\/li\u003e\n\u003cli\u003e15+ stops dynamic range in Log mode with Dual base ISO (800\/4000)\u003c\/li\u003e\n\u003cli\u003eFlexible Log shooting modes — Flexible ISO, Cine EI, and Cine EI Quick\u003c\/li\u003e\n\u003cli\u003eAngle-adjustable EVF\u003c\/li\u003e\n\u003cli\u003e\"BIG6\" interface\u003c\/li\u003e\n\u003cli\u003eAI-based Real-time Recognition AF for various objects*14 \u003c\/li\u003e\n\u003cli\u003eCompact body for handheld shooting; Cage free design \u003c\/li\u003e\n\u003cli\u003eLog shooting mode for stills shares the same video post-production workflow\u003c\/li\u003e\n\u003cli\u003eActive Mode\/Dynamic active Mode image stabilization*21\u003c\/li\u003e\n\u003cli\u003eUp to 16 LUT files*7 can be imported by memory card or Creator's Cloud\u003c\/li\u003e\n\u003cli\u003eUninterrupted*25 movie recording capability up to 4K 60p (59.94p)\u003c\/li\u003e\n\u003cli\u003e12 Creative Look profiles for in-camera visual moods.\u003c\/li\u003e\n\u003cli\u003eAnamorphic de-squeeze display for easy anamorphic monitoring \u003c\/li\u003e\n\u003cli\u003eFPS menu for frame-rate control: 2.5x slow motion*11 at 4K \/ 5x slow motion in Full HD*12\u003c\/li\u003e\n\u003cli\u003eSony offers more than 70 E-mount lenses*13 to support all shooting styles.\u003c\/li\u003e\n\u003cli\u003eAF Assist*17 empowers manual focus with AF transition speed and sensitivity settings\u003c\/li\u003e\n\u003cli\u003eAuto framing and crops and tracks subject to keep in prominent position\u003c\/li\u003e\n\u003cli\u003eA switch for MOVIE or STILL mode saves and recalls settings for each\u003c\/li\u003e\n\u003cli\u003eCooling managed via internal fan, thermal components, and a design that facilitates air intake\u003c\/li\u003e\n\u003cli\u003eNP-FZ100 battery provides up to 100 minutes actual video time*26\u003c\/li\u003e\n\u003cli\u003eXLR-H1*29 enables four-channel audio, 24-bit audio via connectors, and a digital audio interface\u003c\/li\u003e\n\u003cli\u003eStream up to 4K 59.94p*31 video via LAN*30\u003c\/li\u003e\n\u003cli\u003eTwo SD card slots with one supporting CFexpress Type A*32 cards\u003c\/li\u003e\n\u003cli\u003e4:2:2 10-bit or 16-bit RAW output to external recorder\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eConnectivity:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eApps:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCatalyst Browse And Catalyst Prepare\u003c\/li\u003e\n\u003cli\u003eMonitor \u0026amp; Control\u003c\/li\u003e\n\u003cli\u003eCreators' Cloud\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eProduct SKU:\u003c\/h3\u003e\n\u003cp\u003eILME-FX2 (With XLR handle)\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eSony FX2 Full-Frame Cinema Camera \u003cbr\u003eSony ILME-FX2B (Body only)\u003cbr\u003eSony NP-FZ100 Rechargeable Battery \u003cbr\u003eSony ALC-B1EM Body Cap\u003cbr\u003eSony Accessory Shoe Cap\u003cbr\u003eSony Eyepiece Cup\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSony Top Handle Unit with XLR Input Module    \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSony Handle Shoe Cap\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNote: \u003c\/strong\u003e\u003c\/em\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eLenses are sold separately. \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e-----\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFootnotes:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1    Effective megapixels. Approx. 27.6 MP for video.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2    S-Log3 recording. Sony test conditions.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e3    Catalyst Browse, Catalyst Prepare, and\/or Catalyst Prepare Plugin required for post production.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e4    See the following web page for details on Log recording: https:\/\/helpguide.sony.net\/di\/pp\/v1\/en\/index.html\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e5    Recording in 4K 60p (59.94p) is only available when using APS-C\/Super 35mm mode.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e6    The available frame rate options change depending on the recording settings.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e7    17 and 33 point CUBE (.cube) files supported.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e8    For app\/service availability by country and region, see https:\/\/creatorscloud.sony.net\/catalog\/servicearea.html\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e9    Desqueeze is not applied to still images created with the [Create Still Image] function even if an anamorphic lens has been used.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e10    See the following web page for details: https:\/\/www.sony.net\/ccmc\/\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e11    [Variable] must be selected when recording at 60 fps 23.98p. Audio is not recorded.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e12    Because the recording bit rate increases when FPS is set to [Variable], a high-speed memory card may be required.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e13    As of the May 2025 product announcement. Sony survey.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e14    Available subject settings are: AUTO, Human, Animal\/Bird, Animal, Bird, Insect, Car\/Train, and Airplane. Subject types other than the type specified may be erroneously recognised in some cases. The camera will attempt to automatically determine the subject type when [Auto] is selected, but the intended subject may not be selected in all cases. In such cases manually select the intended subject type.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e15    The detection frame is OFF by default.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e16    Compared to the FX3\/FX30. Sony tests.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e17    Not available with the E PZ 16-50mm F3.5-5.6 OSS, E PZ 16-50mm F3.5-5.6 OSS II, E 18-200mm F3.5-6.3 OSS LE E-mount lenses or any A-mount lens.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e18    Compatible lenses are listed at: https:\/\/www.sony.net\/dics\/breathing\/. Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e19    Framing is cropped from 4K images, resulting in reduced angle of view.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e20    Compared to Active Mode, Sony tests.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e21    Angle of view is reduced in Active Mode. In Dynamic active Mode, angle of view is reduced more than in Active Mode and Clear Image Zoom is not available. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e22    Using Sony’s Catalyst Browse and Catalyst Prepare apps, or the Catalyst Prepare Plugin.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e23    Log images have low contrast that can be difficult to monitor. The [Gamma Display Assist] function restores normal contrast for easier monitoring.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e24    Mounted Multi Interface (MI) Shoe accessories may interfere with EVF tilt. Visit Sony’s support web page for compatibility information.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e25    Sony internal tests. USB power supply, XAVC S-I (All-I), 4K 60p 10-bit 4:2:2, 25 deg C (ambient, camera when recording started), Auto power off temperature: High, Cooling fan: Auto. The duration will vary depending on the shooting conditions. The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e26    CIPA standard. Approx. time in LCD monitor mode with intermittent record, zoom, standby, power ON\/OFF operation.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e27    CIPA standard. In LCD monitor mode.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e28    A USB PD compatible power supply device with 9V\/3A or higher output capacity and a USB Type-C cable that can handle 3A or more are required.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e29    The XLR Handle Unit XLR-H1 is not included with the ILME-FX2B (body-only model).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e30    A commercially available USB-LAN adaptor is required.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e31    The output image will be in the APS-C size \/Super 35mm equivalent angle of view.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e32    CFexpress 4 standard not supported. CFexpress 4 memory cards will function according to CFexpress 2 standard. CFexpress Type B cards not supported.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e33    The output image will be in the APS-C size \/Super 35mm equivalent angle of view.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e34    Not guaranteed to be 100% dust and moisture proof. The XLR Handle Unit XLR-H1 is not designed to be dust and moisture resistant.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e35    iPadOS 16.0 or higher required. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e36    iPadOS is a registered trademark of Apple Inc. in the United States and\/or other countries.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e37    Refer to the following web page for details: https:\/\/www.sony.net\/catalyst　\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e38    Creators’ App and Creators’ Cloud Web set-up is necessary.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e39    Refer to the following link for information on availability in various countries and regions: https:\/\/creatorscloud.sony.net\/catalog\/servicearea.html\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e40    Availability varies depending on region and language. Pre-installation of compatible audio files may be necessary. Please refer to the Accessibility section in Help Guide of this model.　\u003c\/em\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":43680528171053,"sku":"24034","price":3099.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/24034_ILME-FX2-With-XLR-handle-_01_Hero.png?v=1748451192"},{"product_id":"fx2b","title":"Sony FX2 Full-Frame Cinema Camera","description":"\u003ch3\u003eA new versatile tool for cinematic expression\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThe latest entry to our Cinema Line, the \u003cstrong\u003eFX2\u003c\/strong\u003e delivers newfound versatility by combining the high-quality imagery produced by a full-frame sensor with expressive capabilities modelled on Sony’s flagship VENICE cinema camera, enabling you to bring your creative visions to life through video or photos.\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003eCinematic Expression With A Full-Frame Sensor\u003c\/h6\u003e\n\u003cdiv\u003eThe full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R CMOS sensor supported by our BIONZ XR image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP*1 resolution, giving ambitious cinematic visionaries all the tools they need.\u003c\/div\u003e\n\u003ch6\u003eOutstanding Image Quality For Maximum Editing Flexibility\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2’s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3*2, ensuring even high-contrast scenes are captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3\/S-Gamut3.Cine color gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.\u003c\/div\u003e\n\u003ch6\u003eLog Recording Modes For Production Flexibility\u003c\/h6\u003e\n\u003cdiv\u003eFor creative flexibility, there are three modes available for Log recording — Flexible ISO, Cine EI, and Cine EI Quick — with Cine EI widely used in professional filmmaking for footage shot with post-production*3*4 in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing specific tonal ranges to be enhanced in post-production to achieve your desired cinematic look.\u003c\/div\u003e\n\u003ch6\u003eMultiple Recording Formats For Versatile Shooting And Editing\u003c\/h6\u003e\n\u003cdiv\u003e7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p)*5 recording is available in Super 35mm mode. Professional quality is supported by 10-bit depth, 4:2:2 color sampling, an efficient MPEG-H HEVC\/H.265 codec, and Intra recording including DCI-4K (4096 x 2160).\u003c\/div\u003e\n\u003ch6\u003eImport Up To 16 User Luts\u003c\/h6\u003e\n\u003cdiv\u003eWith the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies. Up to 16 user LUT files*7 can be imported from memory cards or Sony’s Creators’ Cloud and selected as needed*8. The LUT used for recording can then be embedded in the video metadata.\u003c\/div\u003e\n\u003ch6\u003eCreate Moods Right In The Camera\u003c\/h6\u003e\n\u003cdiv\u003ePicture Profile presets make it easy to adjust color and gradation to create a variety of moods in camera. These include the acclaimed S-Cinetone, which can help produce beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.\u003c\/div\u003e\n\u003ch6\u003eDesqueeze Display For Anamorphic Lenses\u003c\/h6\u003e\n\u003cdiv\u003eAnamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings*9, and Sony’s Monitor \u0026amp; Control app provides even more detailed settings for monitoring on a tablet or other external display devices*10.\u003c\/div\u003e\n\u003ch6\u003eFrame Rate Freedom\u003c\/h6\u003e\n\u003cdiv\u003eAn FPS menu inherits features from our professional Cinema Line models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion*11 at 4K resolution, or up to 5x slow motion*11 when recording in Full HD at up to 120 fps.*12\u003c\/div\u003e\n\u003ch6\u003eAn Extensive Range Of Expressive E-Mount Lenses\u003c\/h6\u003e\n\u003cdiv\u003eSony offers a range of more than 70 high-performance E-mount lenses*13, including ultra-wide angles, super telephoto zooms, primes and powered zooms. Combine with Sony microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.\u003c\/div\u003e\n\u003ch3\u003eDesigned For Solo Shooting\u003c\/h3\u003e\n\u003cdiv\u003eCombining advanced video functions from our Cinema Line with enhanced options for stills that support filmmaking, the FX2 is designed to handle solo shooting in a wide range of circumstances, giving you maximum flexibility.\u003c\/div\u003e\n\u003ch6\u003eCompact And Lightweight With Built-In Accessory Mount Points\u003c\/h6\u003e\n\u003cdiv\u003eWith the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 1\/4-20 (UNC) screw holes in three locations for mounting accessories, and two additional screw holes are located on the bottom panel for secure tripod mounting.\u003c\/div\u003e\n\u003ch6\u003eAI-Based Real-Time Recognition AF\u003c\/h6\u003e\n\u003cdiv\u003eEquipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects*14. A detection frame indicates the recognized subject*15 and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognizes subject movement, and human eye recognition has been improved by about 30% compared to the FX3\/FX30*16.\u003c\/div\u003e\n\u003ch6\u003eFine-Tuned Focus Control\u003c\/h6\u003e\n\u003cdiv\u003eAF Assist*17 allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualize depth of field by overlaying focus info on the live view display, and the Breathing Compensation function*18 can significantly enhance image stability.\u003c\/div\u003e\n\u003ch6\u003eAutomatic Framing Using Advanced Ai\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2’s Auto Framing feature*19 automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.\u003c\/div\u003e\n\u003ch6\u003eStabilization For Dynamic Handheld Shooting\u003c\/h6\u003e\n\u003cdiv\u003eActive Mode boosts stabilization while walking and shooting. Or, for shooting at an even faster pace, there’s Dynamic active Mode that utilizes electronic stabilization for an even greater effect (up to 30%*20), making it possible to shoot stable footage even when running*21. Corresponding stabilization metadata is embedded in the footage for efficient post-production.*21\u003c\/div\u003e\n\u003ch6\u003eStills At The Flip Of A Switch\u003c\/h6\u003e\n\u003cdiv\u003eA single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10 fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to capture stills while recording or playing video that has a previously imported user LUT.\u003c\/div\u003e\n\u003ch6\u003eVisual Consistency Across Stills And Videos\u003c\/h6\u003e\n\u003cdiv\u003eThe Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post-production. Transform your stills in editing applications such as Black Magic Design DaVinci Resolve, ready for a variety of uses while maintaining the same look.*23\u003c\/div\u003e\n\u003ch3\u003eOperability For Professional Filmmaking\u003c\/h3\u003e\n\u003cdiv\u003eThe FX2 is well-suited for professional projects, supporting an expedient workflow throughout production.\u003c\/div\u003e\n\u003ch6\u003eTiltable High-Definition Electronic Viewfinder\u003c\/h6\u003e\n\u003cdiv\u003eKeep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 diopter), and the angle of view and eyepoint are optimized for video recording. The viewfinder itself can be rotated from 0 ° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.*24\u003c\/div\u003e\n\u003ch6\u003eFrequently Used Parameters All In One Place\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed\/angle), Aperture or ND Filter, Look, and White Balance. This screen contributes to smooth, intuitive operation, and provides quick access to Variable\/Fixed parameters.\u003c\/div\u003e\n\u003ch6\u003eEffective Heat Management\u003c\/h6\u003e\n\u003cdiv\u003eEnjoy uninterrupted video recording time for formats up to 4K 59.94p*25. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilization unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.\u003c\/div\u003e\n\u003ch6\u003ePlenty Of Power For Long Shoots\u003c\/h6\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time*26 or up to 155 minutes of continuous shooting*27. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD)*28. The optional DC-C1 DC Coupler can supply stable power without occupying the camera’s USB Type-C® terminal.\u003c\/span\u003e\u003c\/div\u003e\n\u003ch6\u003eDigital Audio Without Degradation\u003c\/h6\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eWith an XLR Handle Unit XLR-H1*29 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.\u003c\/span\u003e\u003c\/div\u003e\n\u003ch6\u003eEasy Live Streaming\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2 is also a great choice for live streaming to a computer via USB (UVC\/UAC) or a wireless or wired LAN*30 network. You can stream up to 4K (3840 x 2160) 59.94p*31 video via LAN while simultaneously recording to the camera’s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.\u003c\/div\u003e\n\u003ch6\u003eCFexpress Type A Memory Card Support\u003c\/h6\u003e\n\u003cdiv\u003eTwo card slots support SDXC\/SDHC UHS-II\/UHS-I memory cards, with one also supporting CFexpress Type A*32 cards, providing plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.\u003c\/div\u003e\n\u003ch6\u003e4:2:2 10-BIT or 16-BIT RAW Output Via HDMI\u003c\/h6\u003e\n\u003cdiv\u003eAn HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post-production. 16-bit RAW video is output*31 at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]\/[29.97p]\/[23.98p]\/[24.00p] frame rates. Video output via HDMI can occur simultaneously with proxy recording to an internal memory card.\u003c\/div\u003e\n\u003ch6\u003eCompact, Yet Easy To Operate\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2 boasts the size and weight advantages of mirrorless cameras while delivering professional operability, concentrating key controls around the grip and with easily pressable long-stroke buttons on the top panel.\u003c\/div\u003e\n\u003ch6\u003eDust And Moisture Resistant Design*34\u003c\/h6\u003e\n\u003cdiv\u003eNumerous refinements in the body design have enhanced dust and moisture resistance*34, ensuring maximum reliability even in austere outdoor conditions.\u003c\/div\u003e\n\u003ch6\u003eDurable Magnesium Alloy Body\u003c\/h6\u003e\n\u003cdiv\u003eThe FX2’s main body is constructed from a lightweight magnesium alloy to enhance durability and performance even in harsh environments.\u003c\/div\u003e\n\u003ch6\u003eConnectivity For High Expandability\u003c\/h6\u003e\n\u003cdiv\u003eIn addition to an HDMI Type-A port, the FX2 is equipped with a USB Type-C port for power and communication, Multi\/Micro USB terminal, a headphone jack and a mic jack, allowing high expandability for diverse shooting situations and needs.\u003c\/div\u003e\n\u003ch6\u003eFlexible Vari-Angle Lcd Monitor\u003c\/h6\u003e\n\u003cdiv\u003eThe high-definition 3.0 type vari-angle 1.03 million dot LCD monitor can be rotated through a wide range of angles without interference from an HDMI cable. Touch operation remains available when the monitor is open in a sideways position.\u003c\/div\u003e\n\u003ch6\u003eTally Lamps And High Visibility Recording Indication\u003c\/h6\u003e\n\u003cdiv\u003eThe camera is equipped with tally lamps on both its front (top) and back. The illuminated REC button also functions as a tally lamp linked to the rear lamp, and a red frame on the LCD monitor acts as another indicator for recording.\u003c\/div\u003e\n\u003ch6\u003eMonitor \u0026amp; Control\u003c\/h6\u003e\n\u003cdiv\u003eSony’s Monitor \u0026amp; Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad*35*36 All of this can contribute to smoother workflows with a minimal crew.\u003c\/div\u003e\n\u003ch6\u003eCatalyst Browse, Catalyst Prepare\/Plugin\u003c\/h6\u003e\n\u003cdiv\u003eThe Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK\/NG\/KEEP flags*37 added while recording can also be imported for easier shot selection. Image stabilization, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post-production.\u003c\/div\u003e\n\u003ch6\u003eCreators' Cloud Platform\u003c\/h6\u003e\n\u003cdiv\u003eCreators' Cloud is a platform that supports creative work from shooting to production by combining Sony's advanced camera technology and the cloud. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.\u003c\/div\u003e\n\u003ch6\u003eCloud Upload (Camera Direct)\u003c\/h6\u003e\n\u003cdiv\u003eRecorded files can be directly uploaded to Creators’ Cloud*38 storage from the camera without having to transfer via a smartphone or other device. Once in the Creators’ Cloud, data can be transferred to other cloud services such as Ci Media Cloud, Google Drive or Adobe Lightroom to suit your workflow.*39\u003c\/div\u003e\n\u003ch3\u003eFor A Better Planet\u003c\/h3\u003e\n\u003ch6\u003eEnvironmentally Conscious\u003c\/h6\u003e\n\u003cdiv\u003eSony’s environmental plan “Road to Zero” aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimized from development through the supply chain, production, and packaging.\u003c\/div\u003e\n\u003ch6\u003eNon-Plastic Packaging Materials\u003c\/h6\u003e\n\u003cdiv\u003eSony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimizing environmental stress.\u003c\/div\u003e\n\u003ch6\u003eGreater Accessibility For All Users\u003c\/h6\u003e\n\u003cdiv\u003eAccessibility features, such as a menu magnifier and a screen reader*40 that reads an expanded range of menu items aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more make the joys of photography and moviemaking available to the widest possible range of users.\u003c\/div\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFull-frame Exmor R CMOS 33MP*1 sensor and BIONZ XR image processor engine\u003c\/li\u003e\n\u003cli\u003e15+ stops dynamic range in Log mode with Dual base ISO (800\/4000)\u003c\/li\u003e\n\u003cli\u003eFlexible Log shooting modes — Flexible ISO, Cine EI, and Cine EI Quick\u003c\/li\u003e\n\u003cli\u003eAngle-adjustable EVF\u003c\/li\u003e\n\u003cli\u003e\"BIG6\" interface\u003c\/li\u003e\n\u003cli\u003eAI-based Real-time Recognition AF for various objects*14 \u003c\/li\u003e\n\u003cli\u003eCompact body for handheld shooting; Cage free design \u003c\/li\u003e\n\u003cli\u003eLog shooting mode for stills shares the same video post-production workflow\u003c\/li\u003e\n\u003cli\u003eActive Mode\/Dynamic active Mode image stabilization*21\u003c\/li\u003e\n\u003cli\u003eUp to 16 LUT files*7 can be imported by memory card or Creator's Cloud\u003c\/li\u003e\n\u003cli\u003eUninterrupted*25 movie recording capability up to 4K 60p (59.94p)\u003c\/li\u003e\n\u003cli\u003e12 Creative Look profiles for in-camera visual moods.\u003c\/li\u003e\n\u003cli\u003eAnamorphic de-squeeze display for easy anamorphic monitoring \u003c\/li\u003e\n\u003cli\u003eFPS menu for frame-rate control: 2.5x slow motion*11 at 4K \/ 5x slow motion in Full HD*12\u003c\/li\u003e\n\u003cli\u003eSony offers more than 70 E-mount lenses*13 to support all shooting styles.\u003c\/li\u003e\n\u003cli\u003eAF Assist*17 empowers manual focus with AF transition speed and sensitivity settings\u003c\/li\u003e\n\u003cli\u003eAuto framing and crops and tracks subject to keep in prominent position\u003c\/li\u003e\n\u003cli\u003eA switch for MOVIE or STILL mode saves and recalls settings for each\u003c\/li\u003e\n\u003cli\u003eCooling managed via internal fan, thermal components, and a design that facilitates air intake\u003c\/li\u003e\n\u003cli\u003eNP-FZ100 battery provides up to 100 minutes actual video time*26\u003c\/li\u003e\n\u003cli\u003eXLR-H1*29 enables four-channel audio, 24-bit audio via connectors, and a digital audio interface\u003c\/li\u003e\n\u003cli\u003eStream up to 4K 59.94p*31 video via LAN*30\u003c\/li\u003e\n\u003cli\u003eTwo SD card slots with one supporting CFexpress Type A*32 cards\u003c\/li\u003e\n\u003cli\u003e4:2:2 10-bit or 16-bit RAW output to external recorder\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatible With:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLenses:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSony E-Mount Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHandle Unit:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eSony Top Handle Unit with XLR Input Module (Sold Separately) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eConnectivity:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eApps:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCatalyst Browse And Catalyst Prepare\u003c\/li\u003e\n\u003cli\u003eMonitor \u0026amp; Control\u003c\/li\u003e\n\u003cli\u003eCreators' Cloud\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eProduct SKU:\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 115%; font-family: 'SST',sans-serif; mso-fareast-font-family: SimSun; mso-bidi-font-family: Arial; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eILME-FX2B \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eIn The Box:\u003c\/h3\u003e\n\u003cp\u003eSony FX2 Full-Frame Cinema Camera (Body Only)\u003cbr\u003eSony ILME-FX2B (Body only)\u003cbr\u003eSony NP-FZ100 Rechargeable Battery \u003cbr\u003eSony ALC-B1EM Body Cap\u003cbr\u003eSony Accessory Shoe Cap\u003cbr\u003eSony Eyepiece Cup\u003cbr\u003eLimited 1-Year Manufacturer Warranty\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNotes: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cem\u003e\u003cstrong\u003eThis is the Camera Body Only.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003e\u003cstrong\u003eLenses are sold separately. \u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cem\u003e-----\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFootnotes:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1    Effective megapixels. Approx. 27.6 MP for video.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2    S-Log3 recording. Sony test conditions.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e3    Catalyst Browse, Catalyst Prepare, and\/or Catalyst Prepare Plugin required for post production.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e4    See the following web page for details on Log recording: https:\/\/helpguide.sony.net\/di\/pp\/v1\/en\/index.html\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e5    Recording in 4K 60p (59.94p) is only available when using APS-C\/Super 35mm mode.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e6    The available frame rate options change depending on the recording settings.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e7    17 and 33 point CUBE (.cube) files supported.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e8    For app\/service availability by country and region, see https:\/\/creatorscloud.sony.net\/catalog\/servicearea.html\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e9    Desqueeze is not applied to still images created with the [Create Still Image] function even if an anamorphic lens has been used.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e10    See the following web page for details: https:\/\/www.sony.net\/ccmc\/\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e11    [Variable] must be selected when recording at 60 fps 23.98p. Audio is not recorded.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e12    Because the recording bit rate increases when FPS is set to [Variable], a high-speed memory card may be required.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e13    As of the May 2025 product announcement. Sony survey.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e14    Available subject settings are: AUTO, Human, Animal\/Bird, Animal, Bird, Insect, Car\/Train, and Airplane. Subject types other than the type specified may be erroneously recognised in some cases. The camera will attempt to automatically determine the subject type when [Auto] is selected, but the intended subject may not be selected in all cases. In such cases manually select the intended subject type.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e15    The detection frame is OFF by default.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e16    Compared to the FX3\/FX30. Sony tests.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e17    Not available with the E PZ 16-50mm F3.5-5.6 OSS, E PZ 16-50mm F3.5-5.6 OSS II, E 18-200mm F3.5-6.3 OSS LE E-mount lenses or any A-mount lens.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e18    Compatible lenses are listed at: https:\/\/www.sony.net\/dics\/breathing\/. Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e19    Framing is cropped from 4K images, resulting in reduced angle of view.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e20    Compared to Active Mode, Sony tests.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e21    Angle of view is reduced in Active Mode. In Dynamic active Mode, angle of view is reduced more than in Active Mode and Clear Image Zoom is not available. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e22    Using Sony’s Catalyst Browse and Catalyst Prepare apps, or the Catalyst Prepare Plugin.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e23    Log images have low contrast that can be difficult to monitor. The [Gamma Display Assist] function restores normal contrast for easier monitoring.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e24    Mounted Multi Interface (MI) Shoe accessories may interfere with EVF tilt. Visit Sony’s support web page for compatibility information.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e25    Sony internal tests. USB power supply, XAVC S-I (All-I), 4K 60p 10-bit 4:2:2, 25 deg C (ambient, camera when recording started), Auto power off temperature: High, Cooling fan: Auto. The duration will vary depending on the shooting conditions. The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e26    CIPA standard. Approx. time in LCD monitor mode with intermittent record, zoom, standby, power ON\/OFF operation.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e27    CIPA standard. In LCD monitor mode.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e28    A USB PD compatible power supply device with 9V\/3A or higher output capacity and a USB Type-C cable that can handle 3A or more are required.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e29    The XLR Handle Unit XLR-H1 is not included with the ILME-FX2B (body-only model).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e30    A commercially available USB-LAN adaptor is required.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e31    The output image will be in the APS-C size \/Super 35mm equivalent angle of view.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e32    CFexpress 4 standard not supported. CFexpress 4 memory cards will function according to CFexpress 2 standard. CFexpress Type B cards not supported.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e33    The output image will be in the APS-C size \/Super 35mm equivalent angle of view.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e34    Not guaranteed to be 100% dust and moisture proof. The XLR Handle Unit XLR-H1 is not designed to be dust and moisture resistant.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e35    iPadOS 16.0 or higher required. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e36    iPadOS is a registered trademark of Apple Inc. in the United States and\/or other countries.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e37    Refer to the following web page for details: https:\/\/www.sony.net\/catalyst　\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e38    Creators’ App and Creators’ Cloud Web set-up is necessary.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e39    Refer to the following link for information on availability in various countries and regions: https:\/\/creatorscloud.sony.net\/catalog\/servicearea.html\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e40    Availability varies depending on region and language. Pre-installation of compatible audio files may be necessary. Please refer to the Accessibility section in Help Guide of this model.　\u003c\/em\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":43680535642157,"sku":"24027","price":2699.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/24027_ILME-FX2B_01_Hero.png?v=1748451241"}],"url":"https:\/\/glozerscamera.shop\/collections\/sony-fx2-full-frame-cinema-camera.oembed","provider":"Glazer's Camera","version":"1.0","type":"link"}