{"product_id":"sony-fx5-cinema-body-w-xlr","title":"Sony FX5 Full-Frame Cinema Camera with XLR Handle Unit","description":"\u003ch3\u003eLighting the Way Forward\u003c\/h3\u003e\n\u003cp\u003eLighting a creative path, the FX5 empowers filmmakers to step confidently into the next stage of their professional journey. Bringing an advanced cinema look and refined operability together in a compact body, it gives creators the freedom to realize their vision with greater precision, control, \u003cbr\u003eand expressive potential.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003e5K full-frame fully-stacked Exmor RS™ CMOS sensor \u003c\/h4\u003e\n\u003cp\u003eThe full-frame stacked Exmor RS CMOS sensor enables fast readout for high-resolution, high-frame-rate recording. Wide latitude and low noise ensure smooth gradation and natural textures, even in high-contrast scenes.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eBIONZ XR2™ with integrated AI processing \u003c\/h4\u003e\n\u003cp\u003eThe BIONZ XR2 engine delivers dramatic improvements in image, sound, communication, operation, and more. Built-in AI processing enables enhanced subject recognition and deep learning-based Auto Tracing White Balance (ATW), helping you shoot with confidence.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eOpen Gate \u003c\/h4\u003e\n\u003cp\u003eThe FX5 offers full-frame Open Gate recording — a first in the Cinema Line FX series. With 5K up to 60 fps (FF 3:2), 4K up to 120 fps (FF crop) *5 and more, it gives you the freedom to adjust framing, speed and workflow to realize even the most ambitious vision.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eInternal X-OCN compressed RAW \u003c\/h4\u003e\n\u003cp\u003eCapture 16-bit scene-linear X-OCN internally, eliminating the need for an external RAW data recorder. With LT, C1 and C2 codecs, you can balance image quality, file size and RAW workflow flexibility to suit the production.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eThree Base ISO \u003c\/h4\u003e\n\u003cp\u003eThree Base ISO settings - a standard ISO 800, a mid-sensitivity ISO 4000, and a high-sensitivity ISO 12800 for low light - are available to match your shooting environment. Capture clean shadows and wide latitude across varied lighting conditions, for consistently stunning clarity.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003e15+ stops of latitude\u003c\/h4\u003e\n\u003cp\u003eWide latitude helps capture highlight and shadow detail with smooth, natural gradation. Low shadow noise preserves clarity, texture and atmosphere, letting you push your creative grading choices further.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eDual Gain\u003c\/h4\u003e\n\u003cp\u003eDual Gain Shooting maximizes latitude while reducing noise to enhance shadow details. Making full use of the sensor’s capability, it delivers smooth, natural gradients for greater editing flexibility.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eHigh-frame-rate capture \u003c\/h4\u003e\n\u003cp\u003eHigh frame rates open up striking slow-motion possibilities. The FX5 records up to 5K at 60 fps and 4K at 120 fps, giving creators the power to capture fast-paced action with impressive detail and clarity — ideal for everything from cinematic storytelling to sharp sports and documentary\u003cbr\u003e footage.\u003c\/p\u003e\n\u003ch4\u003ePrecise, reliable AF and tracking \u003c\/h4\u003e\n\u003cp\u003eWith built-in AI processing, the BIONZ XR2 engine accurately recognizes human, animal, and bird eyes (Real-time Eye AF). Fast Hybrid AF uses up to 759 points to ensure accurate focus and tracking that keeps up with quick-moving subjects, even in dark scenes and when shooting with a shallow depth of field.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eBuilt-in de-squeeze for anamorphic shooting                                       \u003c\/h4\u003e\n\u003cp\u003eBuilt-in de-squeeze support makes anamorphic shooting easier on set. With 1.3x, 1.5x, 1.6x, 1.8x and 2.0x settings, the FX5 works smoothly with a wide range of anamorphic lenses.\u003c\/p\u003e\n\u003ch4\u003eDeep learning-based illumination estimation \u003c\/h4\u003e\n\u003cp\u003eDeep-learning-based illumination estimation achieves unprecedented Auto Tracing White Balance (ATW) accuracy, even in challenging scenes. It delivers accurate color eproduction even under lighting conditions that previously tended to cause color cast.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eS-Cinetone™ \u003c\/h4\u003e\n\u003cp\u003eS-Cinetone brings Sony cinema color science to the FX5, delivering natural skin tones, smooth gradation and a polished look straight out of camera.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eWide-gamut color \u003c\/h4\u003e\n\u003cp\u003eWith color gamuts exceeding both BT.2020 and DCI-P3, S-Gamut3 and S-Gamut3.Cine retain broad color information for more precise grading and easier color matching with VENICE 2 in multi-camera shoots.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eThree S-Log3 modes \u003c\/h4\u003e\n\u003cp\u003eFrom cinematic shoots to run-and-gun, choose Cine EI, Cine EI Quick or Flexible ISO to capture imagery with maximum latitude. You can also import up to 16 user LUTs allowing you to easily monitor the intended look in real-time.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003e5-axis stabilization \u003c\/h4\u003e\n\u003cp\u003eA precision stabilization unit and gyro sensors combine to provide optical 5-axis in-body stabilization. An enhanced stabilization unit expands the roll-direction compensation range by up to 2x, effectively reducing handheld roll shake. Dynamic active Mode adds extra electronic support, and embedded stabilization metadata can also be used in post-production for a more controlled final result.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eLightweight, compact design for agility on set\u003c\/h4\u003e\n\u003cp\u003eThe compact flattop body and stable grip are built for comfortable handheld work. Paired with Sony's compact lenses, the FX5 becomes a mobile system for flexible shooting with gimbals, in tight spaces and in fast-moving productions.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eHigh-quality 96 kHz\/32bit float audio recording                                    \u003c\/h4\u003e\n\u003cp\u003eThe XLR handle unit supports two XLR\/TRS inputs, a 3.5 mm stereo mini jack and up to 96 kHz\/32bit float audio recording. With up to four channels of high-quality capture, it also supports independent 32bit float WAV recording alongside video audio for more flexible on-set sound workflows.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eBIG6 (HOME) screen for faster on-set control                                          \u003c\/h4\u003e\n\u003cp\u003eInherited from Sony’s high-end CineAlta cameras, the BIG6 (HOME) screen brings six essential settings — frame rate, EI\/ISO\/Gain, shutter, iris, LUT and white balance — together on one clear home screen for faster operation. Touch control, the multi-function dial, and CineAlta Fixed\/Variable frame-rate control help crews work quickly while keeping critical settings visible at a glance.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eOptional OLED viewfinder DVF-EL1 for easier outdoor monitoring      \u003c\/h4\u003e\n\u003cp\u003eAdd the optional OLED viewfinder*20 for more immersive monitoring in bright locations. Its 3.5-type panel features approx. 7.07 million dots, DCI-P3 equivalent color gamut, 10-bit display, HDR monitoring support, and 0.90x magnification, while the 0°-90° tilting design and selectable display modes help adapt monitoring to different shooting styles.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eMonitoring support for precise shooting                                         \u003c\/h4\u003e\n\u003cp\u003eExposure and focus tools, including Waveform Monitor, Histogram, False Color, and Focus Map, support faster judgments on set. They help you manage highlights, shadows, skin tones and critical focus with confidence. \u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eClear Image Zoom for smoother, more intuitive framing              \u003c\/h4\u003e\n\u003cp\u003eClear Image Zoom adds a [Smooth Priority] mode that enables seamless zoom from the optical wide end up to 2x digital zoom. [Optical Zoom Priority] is a zoom mode that prioritizes image quality. After the optical zoom reaches its telephoto end, Clear Image Zoom takes over. Seamless zooming can also be controlled from the zoom ring on compatible lenses for more intuitive, consistent framing.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eDual CFexpress Type A\/SD card slots for flexible media workflows     \u003c\/h4\u003e\n\u003cp\u003eDual CFexpress Type A slots support relay, simultaneous, and separate recording while also accepting SDXC (UHS-II\/UHS-I) cards. Main and proxy files can be recorded to different slots, giving productions more flexibility in media choice, backup strategy, and file handling.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003ePower that keeps pace with long shoots                                         \u003c\/h4\u003e\n\u003cp\u003eA high-capacity 2670 mAh NP-SA100 battery can provide up to 170 minutes*26 of recording time. Optimized power management, improved charging speed*27, USB Power Delivery and battery condition display help simplify longer shooting days and make it easier to judge when battery replacement may be needed.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eCooling designed for uninterrupted up to 170 minutes of recording\u003c\/h4\u003e\n\u003cp\u003eAn efficient fan cooling system and advanced design deliver up to 3x the airflow, keeping the camera cool even when the LCD monitor is closed. Three fan modes [Auto], [Minimum] and [OFF in REC] let you balance cooling and operational noise to suit the environment and the production.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003e3.5-type monitor with 4-axis multi-angle design                           \u003c\/h4\u003e\n\u003cp\u003eThe 3.5-type 16:9 aspect monitor tilts 98° up, 40° down and 180° sideways, and rotates up to 270° when open. A high-brightness panel with 15 brightness settings, fine control of image inversion display, and neatly organized on-screen shooting information all help make monitoring clearer and more flexible on set.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eMovie-first menus and controls                                                        \u003c\/h4\u003e\n\u003cp\u003eFrom menu settings to the CineAlta-style multi-function dial, the FX5 is designed around movie production. Frequently used controls are concentrated around the grip and top panel, and the multi-function dial supports both rotational and push peration for faster access to key settings during a shoot.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eClear tally visibility                                                                                      \u003c\/h4\u003e\n\u003cp\u003eConfigurable front and rear tally lamps make REC\/STANDBY status easier to see, and a red frame can also be shown on the monitor during recording. This helps you confirm recording status at a glance, even when a rig or gimbal makes the screen harder to view directly.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eDurable, sealed body design                                                                     \u003c\/h4\u003e\n\u003cp\u003eRefinements throughout maximize dust and moisture resistance for high reliability in demanding conditions. Sealing is used at exterior joints and around the battery cover to help prevent moisture and dust ingress, and the cooling fan is housed in a separate chamber for added protection.\u003c\/p\u003e\n\u003ch4\u003eFlexible mounting points\u003c\/h4\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eFive screw holes for accessory mounting are provided around the body, with two more on the bottom for tripod mounting. The result is a body that is easier to rig and expand directly with essential accessories.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eFlexible monitoring, power and timecode connections\u003c\/h4\u003e\n\u003cp\u003eThe HDMI Type A output port supports flexible external monitoring, with the option to display shooting information on both the camera LCD and an external monitor, or separate status information from the image output. Dual USB Type-C® ports support power delivery and timecode input via an optional adapter cable.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eWired and wireless LAN connectivity for remote workflows\u003c\/h4\u003e\n\u003cp\u003eHigh-speed wired LAN and built-in Wi-Fi 802.11ax with 2×2 MIMO on 6 \/ 5 \/ 2.4 GHz bands support smoother remote control, file transfer and connected production workflows. Wired LAN support for 2.5GBASE-T, 1000BASE-T and 100BASE-TX also helps the FX5 slot more easily into modern multi-device and networked productions.\u003c\/p\u003e\n\u003ch4\u003eMonitor \u0026amp; Control for remote operation from mobile devices\u003c\/h4\u003e\n\u003cp\u003eMonitor \u0026amp; Control enables wired or wireless monitoring and operation of multiple cameras via a smartphone, tablet, or Mac. Precise exposure tools and simultaneous control of settings support more efficient reduced-crew workflows.\u003c\/p\u003e\n\u003ch4\u003eCatalyst Prepare and Catalyst Prepare Plugin                                 \u003c\/h4\u003e\n\u003cp\u003eShot review and correction. They provide format support, including X-OCN LT\/C1\/C2, along with key features such as stabilization, lens breathing compensation, color\/LUT tools and transcoded export.\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eAccessibility features for more creators                                           \u003c\/h4\u003e\n\u003cp\u003eScreen reader support, a menu magnifier, and other accessibility aids help make the FX5 easier to use for more creators. The lens mount index, multi-function dial, and buttons are designed so they can be easily located by touch, supporting more confident operation.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003ePlanned post-launch support\u003c\/h4\u003e\n\u003cp\u003eHFR shooting up to 240 fps in X-OCN, XAVC S‑I recording in 3:2 aspect ratio with full-sensor readout, an optimized user interface for vertical shooting, and a frame grab function are planned to be available August 2027 or later, via firmware update\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eSony XLR Handle\u003c\/h3\u003e\n\u003cp\u003eMounted on the FX5’s  Multi Interface (MI) Shoe, the \u003cstrong\u003eXLR Handle Unit\u003c\/strong\u003e allows connection of XLR microphones and enables high-quality audio capture within the Sony ecosystem, with 96 kHz\/32bit float recording that handles everything from whispers to sudden loud sounds while reducing the need for gain adjustments and maximizing post-production flexibility.\u003c\/p\u003e\n\u003ch4\u003e96 kHz sampling for detailed audio\u003c\/h4\u003e\n\u003cp\u003eAmbient textures and subtle vocal nuances are captured at up to a 96 kHz sampling frequency for detailed recording that maximizes the performance of professional microphones. With a Hi-Res Audio-compatible microphone, frequencies beyond 20 kHz can also be captured, expanding post-production flexibility and adding depth and realism to your work.\u003c\/p\u003e\n\u003ch4\u003e32bit float for flexible post-production\u003c\/h4\u003e\n\u003cp\u003e32bit float recording on the ILME-FX5 provides wide dynamic range and greatly reduces risk of clipping, even if levels are adjusted during editing. This makes post-production workflows more flexible and reduces the need for precise gain adjustments during recording.\u003c\/p\u003e\n\u003ch4\u003eDual ADCs for wide dynamic range\u003c\/h4\u003e\n\u003cp\u003eTo maximize the performance of high-quality microphones, dual ADCs combining two analogue-digital converters (ADCs) operating at different gain levels are employed to capture a wide dynamic range from subtle to loud input sounds. With dual ADCs, the captured audio is converted into 32bit float digital data, preserving the full dynamic range and enabling greater flexibility in post-production.\u003c\/p\u003e\n\u003ch4\u003e4-channel audio input\u003c\/h4\u003e\n\u003cp\u003eSupports 4-channel audio input, allowing simultaneous multi-microphone recording to independent tracks for flexible editing. Safety channels with different gain settings and flexible input assignment to CH1–CH4 provide greater confidence and creative control.\u003c\/p\u003e\n\u003ch4\u003eConvenience of Sony's ecosystem\u003c\/h4\u003e\n\u003cp\u003eSimply attach the XLR Handle Unit to the Multi Interface (MI) Shoe of the ILME-FX53 to enable cable and battery free power and audio connections. Support for Hi-Res Audio microphones and 96 kHz\/32bit float recording delivers high-quality, edit-resilient sound with independent 32bit float WAV recording.\u003c\/p\u003e\n\u003ch4\u003eEasy-to-grip, easy-to-carry handle unit\u003c\/h4\u003e\n\u003cp\u003eThe easy‑to‑grip, easy‑to‑carry handle unit features an extended grip that enhances handling and portability, enabling comfortable camerawork in challenging situations such as low‑position shooting. Three anti‑rotation threaded holes allow secure mounting of accessories, and an additional threaded hole supports attachment of a cold shoe.\u003c\/p\u003e\n\u003ch4\u003eIntuitive operation\u003c\/h4\u003e\n\u003cp\u003eA high-visibility layout improves operability, with OL (overload) lamps on each input for instant level monitoring. LOW CUT and ATT (attenuator) switches and manual gain dials are grouped on one side, enabling flexible and intuitive setup for each output channel.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eFeatures:\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e5K full-frame fully-stacked Exmor RS™ CMOS sensor for speed, detail and latitude\u003c\/li\u003e\n\u003cli\u003eBIONZ XR2™ with integrated AI processing for enhanced shooting support\u003c\/li\u003e\n\u003cli\u003eOpen Gate\u003cspan\u003e \u003c\/span\u003eand other image scan modes\u003c\/li\u003e\n\u003cli\u003eInternal X-OCN compressed RAW video recording\u003c\/li\u003e\n\u003cli\u003eThree Base ISO settings for effective noise control in any environment\u003c\/li\u003e\n\u003cli\u003eWide 15+ stop latitude\u003cspan\u003e \u003c\/span\u003ewith low noise\u003c\/li\u003e\n\u003cli\u003eDual Gain Shooting debuts in the Cinema Line FX camera series\u003c\/li\u003e\n\u003cli\u003eHigh-frame-rate capture, including 5K up to 60 fps and 4K up to 120 fps\u003c\/li\u003e\n\u003cli\u003ePrecise, reliable AF and tracking with AI subject recognition\u003c\/li\u003e\n\u003cli\u003eBuilt-in de-squeeze for anamorphic shooting\u003c\/li\u003e\n\u003cli\u003eDeep learning-based illumination estimation\u003c\/li\u003e\n\u003cli\u003eS-Cinetone™ for a refined cinematic look\u003c\/li\u003e\n\u003cli\u003eWide-gamut color for more grading control\u003c\/li\u003e\n\u003cli\u003eThree S-Log3 modes for flexible workflows\u003c\/li\u003e\n\u003cli\u003e5-axis stabilization for steadier handheld shooting\u003c\/li\u003e\n\u003cli\u003eLightweight, compact design for agility on set\u003c\/li\u003e\n\u003cli\u003eHigh-quality 96 kHz\/32bit float audio recording\u003c\/li\u003e\n\u003cli\u003eBIG6 (HOME screen for faster on-set control)\u003c\/li\u003e\n\u003cli\u003eOptional OLED viewfinder DVFEL1B for easier outdoor monitoring\u003c\/li\u003e\n\u003cli\u003eMonitoring support for precise shooting\u003c\/li\u003e\n\u003cli\u003eClear Image Zoom for smoother, more intuitive framing\u003c\/li\u003e\n\u003cli\u003eDual CFexpress Type A\/SD card slots for flexible media workflows\u003c\/li\u003e\n\u003cli\u003ePower that keeps pace with long shoots\u003c\/li\u003e\n\u003cli\u003eCooling designed for uninterrupted up to 170 minutes\u003cspan\u003e \u003c\/span\u003eof recording\u003c\/li\u003e\n\u003cli\u003e3.5-type monitor with 4-axis multi-angle design\u003c\/li\u003e\n\u003cli\u003eMovie-first menus and controls\u003c\/li\u003e\n\u003cli\u003eClear tally visibility\u003c\/li\u003e\n\u003cli\u003eDurable, sealed body design\u003c\/li\u003e\n\u003cli\u003eFlexible mounting points\u003c\/li\u003e\n\u003cli\u003eFlexible monitoring, power and timecode connections\u003c\/li\u003e\n\u003cli\u003eWired and wireless LAN connectivity for remote workflows\u003c\/li\u003e\n\u003cli\u003eM\u0026amp;C for remote operation from mobile devices\u003c\/li\u003e\n\u003cli\u003eCatalyst Prepare and Catalyst Prepare Plugin\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eWhat's In the Box:\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eFX5 Cinema Camera\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eRechargeable Battery NP-SA100\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBattery Charger BC-SAD1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBody cap\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAccessory shoe cap\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eVF terminal protection cap\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eXLR handle unit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eHandle shoe cap\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAccessory shoe kit\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":67083558912045,"sku":"40433","price":5499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0397\/6167\/4285\/files\/40433_ILMEFX5_Hero_01.png?v=1784735196","url":"https:\/\/glozerscamera.shop\/products\/sony-fx5-cinema-body-w-xlr","provider":"Glazer's Camera","version":"1.0","type":"link"}